Chords for (2422) Arne Nordbø sin versjon av Musevisa

Tempo:
70.05 bpm
Chords used:

G

C

F#

D

A

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
(2422) Arne Nordbø sin versjon av Musevisa chords
Start Jamming...
Yes, then I have thought of coming up with a little fun.
And then I thought I would tell you a little about the music.
I don't have much to do with music.
I'm probably a better listener of music.
And I'm an adult now.
Yes, now we don't ask how old you are.
You are older now, we have a little challenge.
No, we don't have any challenges.
That's very good.
The thing with music, I grew up in a tiny little town called Finnøy.
It was a department under Stavanger.
Sion Stavanger.
And my father was the head of the branch.
We were around, it was called the [D#] oldest branch.
But we just called it the branch.
It was a outpost.
And we were about 15 souls.
And we managed with three in each name.
So it was small, it was mostly like [G] a little sect.
Or it was mostly a minority sect.
[F#] It was mostly like a insect.
And there we had a lot of music.
But since it was so small, Roke went to the [F#] bathhouse.
And went to church.
So I know [N] the language of the Kana.
Both in Pinsevensk and [D#] Sandvansk.
And I know that I will travel to church.
So I had a very good basic education.
I could mostly call it Father [N] Samuel.
I grew up in the temple, more or less.
And it's so cool.
And I liked the music.
And I wasn't always the coolest musician.
But I wanted a two-part.
There is only one thing that is better than a two-part.
It's a prize.
And that I was late, didn't matter to me.
There was someone who could sing so late.
I was right before I thought, is he late?
He's not well.
But it didn't matter to me.
I didn't take neither drums nor bass to sing anything.
But what I reacted to.
I remember when they counted.
When drums were sin.
And there were a lot of jokes [E] about it.
And before that, there was the bass guitar.
That was what [N] Christians did in my time.
So that was good for me.
But before that, you know.
Could they say such things as that the devil lives in the closet?
Totally awful.
How can't he say that the devil lives in the closet?
It just sounds like that.
It's a bit funny.
But what I reacted to.
What I reacted to.
It was melody choosers.
[F#] You had happy melodies and good melodies.
Or happy melodies and sad melodies.
And we have serious singers.
And we have allowed singers and the like.
And then they switched over.
Wrong melody and wrong [C#] singer.
I remember when a man sang on the radio.
And they sang nicely.
[N] But they sang.
And I thought they knew what peace meant.
They had an idea about what peace meant.
But the melody was not played to the text.
And it didn't get any better when they sang about the judge and the death in the waltz.
And I felt a bit of that when I sang along with the judge.
[B] But then they sang about the hellish [N] world.
It wasn't any better there.
And that made me relax a bit more.
Because there is a song that has sung here in Norway.
We know that people have sung it, but the hero should know it.
A song that is about hope and hope.
Something with a future.
And a few sentences that can make you go wrong.
And not experience this.
And then this happens.
And that means that people have sung this song for four generations [G] without realizing it.
All the way down to the city of Sætestad.
And then they found the right [N] melody for it.
And now I'm going to sing it.
I see the music here.
I will play it.
It's so nice when it's in the middle.
[G]
[F#m] [G]
When the nights get long
[C] And the cold sets [Am] in
[D] Say a soft word to the young [G] people
Until we see the Christmas tree fall
But [C] be careful, because [A] this
[G] We all [C] have to celebrate [G] Christmas together
And [C] when we sing, say hello
And [G] we sing, [Em] fall down
Because [A] on Christmas Eve
[D] Everyone has to be happy together
[G] And if no tree [G] falls
[C] But be careful, [A] because this
[G] We all have to [D] celebrate Christmas [G] together
[B] [N]
Key:  
G
2131
C
3211
F#
134211112
D
1321
A
1231
G
2131
C
3211
F#
134211112
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_ Yes, then I have thought of coming up with a little fun.
And then I thought I would tell you a little about the music.
I don't have much to do with music.
I'm probably a better listener of music.
And I'm an adult now.
Yes, now we don't ask how old you are.
You are older now, we have a little challenge.
No, we don't have any challenges.
That's very good.
The thing with music, I grew up in a tiny little town called Finnøy.
It was a department under _ Stavanger.
Sion Stavanger.
And my father was the head of the branch.
We were around, it was called the [D#] oldest branch.
But we just called it the branch.
It was a outpost.
And we were about 15 souls.
And we managed with three in each name.
_ So it was small, it was mostly like [G] a little sect.
Or it was mostly a minority sect.
[F#] It was mostly like a insect.
_ _ _ And there we had a lot of music.
But since it was so small, Roke went to the [F#] bathhouse.
And went to church.
So I know [N] the language of the Kana.
_ Both in Pinsevensk and [D#] Sandvansk.
And I know that I will travel to church.
So I had a very good basic education.
I could mostly call it Father [N] Samuel.
I grew up in the temple, more or less.
_ And it's so cool.
And I liked the music.
And I wasn't always the coolest musician.
But I wanted a two-part.
There is only one thing that is better than a two-part.
It's a prize.
_ And that I was late, didn't matter to me.
There was someone who could sing so late.
I was right before I thought, is he late?
He's not well.
_ But it didn't matter to me.
I didn't take neither drums nor bass to sing anything.
But what I reacted to.
I remember when they counted.
When drums were sin.
And there were a lot of jokes [E] about it.
And before that, there was the bass guitar.
That was what [N] Christians did in my time.
So that was good for me.
But before that, you know.
Could they say such things as that the devil lives in the closet?
Totally awful.
How can't he say that the devil lives in the closet?
It just sounds like that.
It's a bit funny.
_ _ _ _ _ But what I reacted to.
What I reacted to.
It was melody choosers.
[F#] You had happy melodies and good melodies.
Or happy melodies and sad melodies.
And we have serious singers.
And we have allowed singers and the like.
And then they switched over.
Wrong melody and wrong [C#] singer.
I remember when a man sang on the radio.
And they sang nicely.
[N] But they sang.
_ _ _ _ _ _ And I thought they knew what peace meant.
They had an idea about what peace meant.
But the melody was not played to the text.
And it didn't get any better when they sang about the judge and the death in the waltz. _ _
_ _ _ _ _ And I felt a bit of that when I sang along with the judge.
[B] _ But then they sang about the hellish [N] world.
It wasn't any better there.
_ And that made me relax a bit more.
Because there is a song that has sung here in Norway.
We know that people have sung it, but the hero should know it.
A song that is about hope and hope.
Something with a future.
And a few sentences that can make you go wrong.
And not experience this.
And then this happens. _ _
And that means that people have sung this song for four generations [G] without realizing it.
All the way down to the city of Sætestad.
And then they found the right [N] melody for it.
And now I'm going to sing it.
I see the music here.
I will play it. _ _
_ _ _ _ _ _ _
It's so nice when it's in the middle. _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [G] _ _ _ _ _
[F#m] _ _ _ _ [G] _ _ _ _
_ When the nights get long
[C] And the cold sets [Am] in
[D] Say a soft word to the young [G] people
_ _ Until we see the Christmas tree fall
But [C] be careful, because [A] this
[G] We all [C] have to celebrate [G] Christmas together
_ And [C] when we sing, say hello
And [G] we sing, [Em] fall down
Because [A] on Christmas Eve
_ [D] Everyone has to be happy together
[G] And if no tree [G] falls
[C] But be careful, [A] because this
[G] We all have to [D] celebrate Christmas [G] together
_ [B] _ _ _ _ _ _ _ _ [N] _ _ _ _ _
_ _ _ _ _ _ _ _