Chords for #5 Darcy Clay - Havoc Show
Tempo:
83.5 bpm
Chords used:
Dm
G
C#
C
B
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Hi, Havoc again, of course, live on MTV.
Very excited.
As well as all the things [G] we've already shown you that we're going to be doing,
there's much, much more, including a high calibre of studio guests,
like our friends on the couch there, Miss Angela Bloomfield.
Hi.
Acting the Dickens out of Shortland Street, of course.
Mr Bill Roulston, Billy Roller.
Yeah.
How you going, Billy Roller?
Good, good, mate, good.
Editor of Metro magazine, probably the most requested magazine on domestic
Yards, exactly.
Only by me, though.
T, T, T.
How's one going to do that?
And Darcy Clay, of course, cover of New Zealand Musician magazine this month,
and an all-round creative young dynamo.
Thanks, Mikey.
Now, because we haven't really got time to talk to you,
News, can you knock up a soda stream for the group, perhaps?
Darcy?
Orange, please.
Orange, Billy?
Yeah, cola, cola.
Yeah, and Angela.
Lemonade?
I'm the only one nobody knows.
Everyone [C#] knows.
I knew Daniel as Daniel more than I knew him as Darcy Clay,
because I first met him when
I used to know his brother Kelly,
and his brother used to come and hang out with Steve,
our bass player in Push Push,
who used to live in a big flat in Denport with my girlfriend at the time.
And it was this great big old Navy, ex-Navy,
sort of boarding house that was turned into about eight different flats,
and we knew everyone that lived in there, it was really cool.
And at the time, Daniel, as far as I can remember,
needed to get out of the house,
and was living in a cupboard, basically.
Literally living in a wardrobe.
You've [C] totally wiped your mug, you're starting again, Darcy Clay.
Yeah, well, I've done this one.
A bit like how you make your music, mate.
Yeah, I wipe it a lot, mate.
God knows what sort of music it was, but it was so gutsy, eh?
Just really, really gutsy.
It really, really felt like [B] he was making the very best out of what he had there,
you know?
It was just cool.
Just really, when music for so long is so channeled,
you're either going down that road or that road,
you've got this angle, you're doing that,
and this is your image, and this is your
It was [D] so
Alternative is not the right word, because that sounds cliche as well,
but it's just so beautifully cobbled together,
and so almost sounding like it was about to collapse.
Darcy, you writing [Dm] any new music there?
Yeah, heaps.
I've done about two new songs a day.
Prolific!
Prolific!
Massive amounts, that's all I do.
He didn't care that the bass was a bit out of tune,
as long as it fitted in with the
You know, that sort of thing?
That's pure music, that's a real musician, you know?
That's somebody that's just
who's making music.
I've seen that many people do that.
[E] He might have got bored shitless with it in about six months' time
and gone and painted or gone and, you know,
definitely really straight, you know, or been born again or something,
but what he did do was really cool.
How are you going nationwide as well?
Are you selling stuff nationwide?
Ah, well, I'm not sure.
I've never [Dm] bothered to ask how many I've sold or not.
Liar!
No, I haven't.
Really?
Yeah.
I thought he was just a cool cat, you know?
If he never picked up a guitar again, I wouldn't have minded.
[N] And, you know, if I'd never seen him again, I wouldn't have minded,
but it would be nice to be able to think,
I know what he's up to, you know,
but, you know, you don't [Cm] think that's just All right.
[F#] [N] And the best I can do is sort of just play his songs on the radio
and still think, yeah, that was a really good song.
It wasn't a trend or anything.
You know, Dusty Clayton wasn't a trend,
it wasn't a sign of the times with
I just don't know what I think I say.
It wasn't a trend, it wasn't a
It wasn't like, say, One Hit Wonder,
it wasn't just the thing to be into at the time.
It was actually quite cool shit.
And you'll like him.
He made stuff that no one else is ever going to sound like that again.
And [Dm] that's cool.
That's what it's all about.
And, Dusty, yours is the
Mine's the love mug.
Love puddit.
Love mug, few hearts, rock star.
Start here and
[G] Handle it.
On the handle.
On the handle.
I was just really proud to have known him
and I sort of wish that I could have been proud of him for a bit longer.
Very excited.
As well as all the things [G] we've already shown you that we're going to be doing,
there's much, much more, including a high calibre of studio guests,
like our friends on the couch there, Miss Angela Bloomfield.
Hi.
Acting the Dickens out of Shortland Street, of course.
Mr Bill Roulston, Billy Roller.
Yeah.
How you going, Billy Roller?
Good, good, mate, good.
Editor of Metro magazine, probably the most requested magazine on domestic
Yards, exactly.
Only by me, though.
T, T, T.
How's one going to do that?
And Darcy Clay, of course, cover of New Zealand Musician magazine this month,
and an all-round creative young dynamo.
Thanks, Mikey.
Now, because we haven't really got time to talk to you,
News, can you knock up a soda stream for the group, perhaps?
Darcy?
Orange, please.
Orange, Billy?
Yeah, cola, cola.
Yeah, and Angela.
Lemonade?
I'm the only one nobody knows.
Everyone [C#] knows.
I knew Daniel as Daniel more than I knew him as Darcy Clay,
because I first met him when
I used to know his brother Kelly,
and his brother used to come and hang out with Steve,
our bass player in Push Push,
who used to live in a big flat in Denport with my girlfriend at the time.
And it was this great big old Navy, ex-Navy,
sort of boarding house that was turned into about eight different flats,
and we knew everyone that lived in there, it was really cool.
And at the time, Daniel, as far as I can remember,
needed to get out of the house,
and was living in a cupboard, basically.
Literally living in a wardrobe.
You've [C] totally wiped your mug, you're starting again, Darcy Clay.
Yeah, well, I've done this one.
A bit like how you make your music, mate.
Yeah, I wipe it a lot, mate.
God knows what sort of music it was, but it was so gutsy, eh?
Just really, really gutsy.
It really, really felt like [B] he was making the very best out of what he had there,
you know?
It was just cool.
Just really, when music for so long is so channeled,
you're either going down that road or that road,
you've got this angle, you're doing that,
and this is your image, and this is your
It was [D] so
Alternative is not the right word, because that sounds cliche as well,
but it's just so beautifully cobbled together,
and so almost sounding like it was about to collapse.
Darcy, you writing [Dm] any new music there?
Yeah, heaps.
I've done about two new songs a day.
Prolific!
Prolific!
Massive amounts, that's all I do.
He didn't care that the bass was a bit out of tune,
as long as it fitted in with the
You know, that sort of thing?
That's pure music, that's a real musician, you know?
That's somebody that's just
who's making music.
I've seen that many people do that.
[E] He might have got bored shitless with it in about six months' time
and gone and painted or gone and, you know,
definitely really straight, you know, or been born again or something,
but what he did do was really cool.
How are you going nationwide as well?
Are you selling stuff nationwide?
Ah, well, I'm not sure.
I've never [Dm] bothered to ask how many I've sold or not.
Liar!
No, I haven't.
Really?
Yeah.
I thought he was just a cool cat, you know?
If he never picked up a guitar again, I wouldn't have minded.
[N] And, you know, if I'd never seen him again, I wouldn't have minded,
but it would be nice to be able to think,
I know what he's up to, you know,
but, you know, you don't [Cm] think that's just All right.
[F#] [N] And the best I can do is sort of just play his songs on the radio
and still think, yeah, that was a really good song.
It wasn't a trend or anything.
You know, Dusty Clayton wasn't a trend,
it wasn't a sign of the times with
I just don't know what I think I say.
It wasn't a trend, it wasn't a
It wasn't like, say, One Hit Wonder,
it wasn't just the thing to be into at the time.
It was actually quite cool shit.
And you'll like him.
He made stuff that no one else is ever going to sound like that again.
And [Dm] that's cool.
That's what it's all about.
And, Dusty, yours is the
Mine's the love mug.
Love puddit.
Love mug, few hearts, rock star.
Start here and
[G] Handle it.
On the handle.
On the handle.
I was just really proud to have known him
and I sort of wish that I could have been proud of him for a bit longer.
Key:
Dm
G
C#
C
B
Dm
G
C#
_ _ _ _ _ _ _ _
_ Hi, Havoc again, of course, live on MTV.
Very excited.
As well as all the things [G] we've already shown you that we're going to be doing,
there's much, much more, including a high calibre of studio guests,
like our friends on the couch there, Miss Angela Bloomfield.
Hi.
Acting the Dickens out of Shortland Street, of course.
Mr Bill Roulston, Billy Roller.
Yeah.
How you going, Billy Roller?
Good, good, mate, good.
Editor of Metro magazine, probably the most requested magazine on domestic_
Yards, exactly.
Only by me, though.
T, T, T.
How's one going to do that?
And Darcy Clay, of course, cover of New Zealand Musician magazine this month,
and an all-round creative young dynamo.
Thanks, Mikey.
Now, because we haven't really got time to talk to you,
News, can you knock up a soda stream for the group, perhaps?
Darcy?
Orange, please.
Orange, Billy?
Yeah, cola, cola.
Yeah, and Angela.
Lemonade?
I'm the only one nobody knows.
Everyone [C#] knows.
I knew Daniel as Daniel more than I knew him as Darcy Clay,
because I first met him _ when_
I used to know his brother Kelly,
and his brother used to come and hang out with Steve,
our bass player in Push Push,
who used to live in a big flat in Denport with my girlfriend at the time.
_ And it was this great big old Navy, ex-Navy,
sort of boarding house that was turned into about eight different flats,
and we knew everyone that lived in there, it was really cool.
And at the time, Daniel, as far as I can remember,
_ needed to get out of the house,
and was living in a cupboard, basically.
Literally living in a wardrobe.
_ _ You've [C] totally wiped your mug, you're starting again, Darcy Clay.
Yeah, well, I've done this one.
A bit like how you make your music, mate.
Yeah, I wipe it a lot, mate.
God knows what sort of music it was, but it was _ _ so gutsy, eh?
Just really, really gutsy.
It really, really felt like [B] he was making the very best out of what he had there,
you know?
It was just cool.
Just really, when music for so long is so channeled,
you're either going down that road or that road,
you've got this angle, you're doing that,
and this is your image, and this is your_
It was [D] so_ _
Alternative is not the right word, because that sounds cliche as well,
but it's just so beautifully cobbled together,
and so almost sounding like it was about to collapse.
Darcy, you writing [Dm] any new music there?
Yeah, heaps.
I've done about two new songs a day.
Prolific!
Prolific!
Massive amounts, that's all I do.
He didn't care that the bass was a bit out of tune,
as long as it fitted in with the_
You know, that sort of thing?
That's pure music, that's a real musician, you know?
That's somebody that's just_
who's making music.
I've seen that many people do that.
[E] He might have got bored shitless with it in about six months' time
and gone and painted or gone and, you know,
definitely really straight, you know, or been born again or something,
but what he did do was really cool.
How are you going nationwide as well?
Are you selling stuff nationwide?
Ah, well, I'm not sure.
I've never [Dm] bothered to ask how many I've sold or not.
Liar!
No, I haven't.
Really?
Yeah.
I thought he was just a cool cat, you know?
If he never picked up a guitar again, I wouldn't have minded.
[N] _ _ _ And, you know, if I'd never seen him again, I wouldn't have minded,
but it would be nice to be able to think,
I know what he's up to, you know,
but, you know, you don't [Cm] think that's just_ All right.
[F#] [N] And the best I can do is sort of just play his songs on the radio
and still think, yeah, that was a really good song.
It wasn't a trend or anything.
You know, Dusty Clayton wasn't a trend,
it wasn't a sign of the times with_
I just don't know what I think I say.
It wasn't a trend, it wasn't a_
It wasn't like, say, One Hit Wonder,
it wasn't just the thing to be into at the time.
It was actually quite cool shit.
_ And you'll like him. _
_ He made stuff that no one else is ever going to sound like that again.
And [Dm] that's cool.
That's what it's all about.
And, Dusty, yours is the_
Mine's the love mug.
Love puddit.
Love mug, few hearts, rock star.
Start here and_
[G] Handle it.
On the handle.
On the handle.
I was just really proud to have known him
and I sort of wish that I could have been proud of him for a bit longer.
_ Hi, Havoc again, of course, live on MTV.
Very excited.
As well as all the things [G] we've already shown you that we're going to be doing,
there's much, much more, including a high calibre of studio guests,
like our friends on the couch there, Miss Angela Bloomfield.
Hi.
Acting the Dickens out of Shortland Street, of course.
Mr Bill Roulston, Billy Roller.
Yeah.
How you going, Billy Roller?
Good, good, mate, good.
Editor of Metro magazine, probably the most requested magazine on domestic_
Yards, exactly.
Only by me, though.
T, T, T.
How's one going to do that?
And Darcy Clay, of course, cover of New Zealand Musician magazine this month,
and an all-round creative young dynamo.
Thanks, Mikey.
Now, because we haven't really got time to talk to you,
News, can you knock up a soda stream for the group, perhaps?
Darcy?
Orange, please.
Orange, Billy?
Yeah, cola, cola.
Yeah, and Angela.
Lemonade?
I'm the only one nobody knows.
Everyone [C#] knows.
I knew Daniel as Daniel more than I knew him as Darcy Clay,
because I first met him _ when_
I used to know his brother Kelly,
and his brother used to come and hang out with Steve,
our bass player in Push Push,
who used to live in a big flat in Denport with my girlfriend at the time.
_ And it was this great big old Navy, ex-Navy,
sort of boarding house that was turned into about eight different flats,
and we knew everyone that lived in there, it was really cool.
And at the time, Daniel, as far as I can remember,
_ needed to get out of the house,
and was living in a cupboard, basically.
Literally living in a wardrobe.
_ _ You've [C] totally wiped your mug, you're starting again, Darcy Clay.
Yeah, well, I've done this one.
A bit like how you make your music, mate.
Yeah, I wipe it a lot, mate.
God knows what sort of music it was, but it was _ _ so gutsy, eh?
Just really, really gutsy.
It really, really felt like [B] he was making the very best out of what he had there,
you know?
It was just cool.
Just really, when music for so long is so channeled,
you're either going down that road or that road,
you've got this angle, you're doing that,
and this is your image, and this is your_
It was [D] so_ _
Alternative is not the right word, because that sounds cliche as well,
but it's just so beautifully cobbled together,
and so almost sounding like it was about to collapse.
Darcy, you writing [Dm] any new music there?
Yeah, heaps.
I've done about two new songs a day.
Prolific!
Prolific!
Massive amounts, that's all I do.
He didn't care that the bass was a bit out of tune,
as long as it fitted in with the_
You know, that sort of thing?
That's pure music, that's a real musician, you know?
That's somebody that's just_
who's making music.
I've seen that many people do that.
[E] He might have got bored shitless with it in about six months' time
and gone and painted or gone and, you know,
definitely really straight, you know, or been born again or something,
but what he did do was really cool.
How are you going nationwide as well?
Are you selling stuff nationwide?
Ah, well, I'm not sure.
I've never [Dm] bothered to ask how many I've sold or not.
Liar!
No, I haven't.
Really?
Yeah.
I thought he was just a cool cat, you know?
If he never picked up a guitar again, I wouldn't have minded.
[N] _ _ _ And, you know, if I'd never seen him again, I wouldn't have minded,
but it would be nice to be able to think,
I know what he's up to, you know,
but, you know, you don't [Cm] think that's just_ All right.
[F#] [N] And the best I can do is sort of just play his songs on the radio
and still think, yeah, that was a really good song.
It wasn't a trend or anything.
You know, Dusty Clayton wasn't a trend,
it wasn't a sign of the times with_
I just don't know what I think I say.
It wasn't a trend, it wasn't a_
It wasn't like, say, One Hit Wonder,
it wasn't just the thing to be into at the time.
It was actually quite cool shit.
_ And you'll like him. _
_ He made stuff that no one else is ever going to sound like that again.
And [Dm] that's cool.
That's what it's all about.
And, Dusty, yours is the_
Mine's the love mug.
Love puddit.
Love mug, few hearts, rock star.
Start here and_
[G] Handle it.
On the handle.
On the handle.
I was just really proud to have known him
and I sort of wish that I could have been proud of him for a bit longer.