"Atmas Heave" Aghora Formless 2006 Chords
Tempo:
95.95 bpm
Chords used:
Ab
B
E
Eb
Db
Tuning:Standard Tuning (EADGBE)Capo:+0fret

Start Jamming...
First song for you and this is Atmos.
[Db] [Ab]
[Ab]
[Gb] [Db]
[Ab]
[N]
[Bb]
[E] [E] [Ab]
[B] [E]
[Dbm] [Ab] [Bm]
[B] [Dbm]
[Ab] [B] [E]
[Dbm] [Eb]
[Ab] [Eb]
[E] [Eb] [B]
[Eb] [E]
[B] [Eb] [E]
[B] [Eb] [B]
[Eb] [E] [B]
[Abm] [Db] [B]
[Ab] [Db] [B]
[Ab] [Db] [B]
[Ab] [Db] [B]
[Ab]
[N]
[Ab] [B]
[E] [Ab]
[B] [E]
[E] [Ab] [B]
[E]
[Ab] [B]
[E] [Ab] [Eb]
[E] [Abm] [Eb]
[Gb] [Bb] [E]
[B] [E]
[B] [Ab] [B]
[Ab] [Abm]
[Dbm] [Gb]
[Ab] [Db] [B]
[Ab] [Db]
[Ab] [Eb] [Db] [B]
[Ab] [Ab]
[B]
[E]
[Ab] [Bb]
[Eb] [E]
[Ab]
[Bb] [Eb] [Db]
[Ab]
[Eb]
[E] [Ab]
[Bb] [Db]
[Ab]
[Db] [Ab]
[Dbm]
What was it [N] like to work with Neil Kernan?
You work with Neil Kernan?
Yes!
Wait, let's repeat that because that car is probably going to come out [C] and drown you out
a little bit.
What was it like to work with Neil Kernan?
A little louder.
What was it like to work with Neil Kernan?
A little less [A] fake.
Thank you for working with Neil Kernan.
What was it like to work with Neil [C] Kernan?
It was actually [Gm] really great.
[N] One of the reasons why we had always wanted to work with him was because of his history.
He's basically, aside from doing a lot of the best metal albums that have come out over
the last couple of years, his history actually is he's done all the old Mahavishnu records,
he did a lot of the old fusion [Ab] from the late 70s and early [Gm] 80s.
[F] Agora has a lot of those [G] elements in the music so it made sense to work with somebody who
would understand that [A] stuff.
And me being a [Bb] huge John McLaughlin fan and Neil Kernan being a huge John McLaughlin fan
and he worked with John McLaughlin, it just made sense to [Ab] have him involved.
He actually had contacted us back [Bb] in 98 to do the first record but we just at that time
didn't have the budget to work with him.
[A] But I always had him in [D] mind to do the next record.
I really liked what he did on the Nile [G] stuff.
[A] Stuff that he did with Spastic Ink and Twisted
Not Spastic Ink, I'm sorry, Spiral Architect and Twisted into Form definitely impressed me.
[B] I've always liked the work that he did with [Ab] Queensryche and obviously he worked [A] with one
of my heroes which is George Lynch from Docking and he did all the Docking records.
[A] So it made sense to have a guy that knows and understands the music and understands
both the fusion side of it and the heavy side of it.
If you listen to the new Nile record, [N] it's probably one of the most heavy records I've ever heard.
So I was definitely wanting to work with Neil for a long time.
Yeah, working with Neil [N] was great.
[Db] [Ab]
[Ab]
[Gb] [Db]
[Ab]
[N]
[Bb]
[E] [E] [Ab]
[B] [E]
[Dbm] [Ab] [Bm]
[B] [Dbm]
[Ab] [B] [E]
[Dbm] [Eb]
[Ab] [Eb]
[E] [Eb] [B]
[Eb] [E]
[B] [Eb] [E]
[B] [Eb] [B]
[Eb] [E] [B]
[Abm] [Db] [B]
[Ab] [Db] [B]
[Ab] [Db] [B]
[Ab] [Db] [B]
[Ab]
[N]
[Ab] [B]
[E] [Ab]
[B] [E]
[E] [Ab] [B]
[E]
[Ab] [B]
[E] [Ab] [Eb]
[E] [Abm] [Eb]
[Gb] [Bb] [E]
[B] [E]
[B] [Ab] [B]
[Ab] [Abm]
[Dbm] [Gb]
[Ab] [Db] [B]
[Ab] [Db]
[Ab] [Eb] [Db] [B]
[Ab] [Ab]
[B]
[E]
[Ab] [Bb]
[Eb] [E]
[Ab]
[Bb] [Eb] [Db]
[Ab]
[Eb]
[E] [Ab]
[Bb] [Db]
[Ab]
[Db] [Ab]
[Dbm]
What was it [N] like to work with Neil Kernan?
You work with Neil Kernan?
Yes!
Wait, let's repeat that because that car is probably going to come out [C] and drown you out
a little bit.
What was it like to work with Neil Kernan?
A little louder.
What was it like to work with Neil Kernan?
A little less [A] fake.
Thank you for working with Neil Kernan.
What was it like to work with Neil [C] Kernan?
It was actually [Gm] really great.
[N] One of the reasons why we had always wanted to work with him was because of his history.
He's basically, aside from doing a lot of the best metal albums that have come out over
the last couple of years, his history actually is he's done all the old Mahavishnu records,
he did a lot of the old fusion [Ab] from the late 70s and early [Gm] 80s.
[F] Agora has a lot of those [G] elements in the music so it made sense to work with somebody who
would understand that [A] stuff.
And me being a [Bb] huge John McLaughlin fan and Neil Kernan being a huge John McLaughlin fan
and he worked with John McLaughlin, it just made sense to [Ab] have him involved.
He actually had contacted us back [Bb] in 98 to do the first record but we just at that time
didn't have the budget to work with him.
[A] But I always had him in [D] mind to do the next record.
I really liked what he did on the Nile [G] stuff.
[A] Stuff that he did with Spastic Ink and Twisted
Not Spastic Ink, I'm sorry, Spiral Architect and Twisted into Form definitely impressed me.
[B] I've always liked the work that he did with [Ab] Queensryche and obviously he worked [A] with one
of my heroes which is George Lynch from Docking and he did all the Docking records.
[A] So it made sense to have a guy that knows and understands the music and understands
both the fusion side of it and the heavy side of it.
If you listen to the new Nile record, [N] it's probably one of the most heavy records I've ever heard.
So I was definitely wanting to work with Neil for a long time.
Yeah, working with Neil [N] was great.
Key:
Ab
B
E
Eb
Db
Ab
B
E
First song for you and this is Atmos. _ _ _ _
_ [Db] _ _ _ [Ab] _ _ _ _
_ _ _ _ [Ab] _ _ _ _
[Gb] _ _ _ _ _ _ [Db] _ _
_ _ _ [Ab] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [N] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [Bb] _ _ _ _
[E] _ _ _ [E] _ _ _ [Ab] _ _
_ [B] _ _ _ [E] _ _ _ _
_ [Dbm] _ _ [Ab] _ _ _ [Bm] _ _
_ [B] _ _ _ _ [Dbm] _ _ _
[Ab] _ _ _ [B] _ _ _ [E] _ _
_ _ [Dbm] _ _ [Eb] _ _ _ _
_ _ _ [Ab] _ _ _ [Eb] _ _
[E] _ _ _ _ [Eb] _ _ _ [B] _
_ _ _ [Eb] _ _ _ [E] _ _
_ [B] _ [Eb] _ _ _ _ [E] _ _
[B] _ _ _ [Eb] _ _ _ _ [B] _
_ [Eb] _ _ _ [E] _ _ _ [B] _
_ [Abm] _ _ [Db] _ _ [B] _ _ _
_ [Ab] _ _ [Db] _ _ [B] _ _ _
_ _ [Ab] _ _ [Db] _ _ [B] _ _
_ _ [Ab] _ _ [Db] _ _ _ [B] _
_ _ _ [Ab] _ _ _ _ _
_ _ _ _ _ _ [N] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [Ab] _ _ _ [B] _ _ _ _
_ _ _ [E] _ _ _ [Ab] _ _
_ [B] _ _ _ [E] _ _ _ _
_ [E] _ _ [Ab] _ _ _ [B] _ _
_ [E] _ _ _ _ _ _ _
[Ab] _ _ _ [B] _ _ _ _ _
_ [E] _ _ _ [Ab] _ _ [Eb] _ _
[E] _ _ [Abm] _ _ _ [Eb] _ _ _
_ [Gb] _ _ _ [Bb] _ _ _ [E] _
_ [B] _ _ _ _ _ [E] _ _
[B] _ _ [Ab] _ _ _ _ [B] _ _
_ _ [Ab] _ _ _ _ [Abm] _ _
_ _ _ [Dbm] _ _ [Gb] _ _ _
_ _ [Ab] _ _ [Db] _ _ [B] _ _
_ _ [Ab] _ _ [Db] _ _ _ _
_ [Ab] _ _ [Eb] _ _ [Db] _ _ [B] _
_ [Ab] _ _ _ [Ab] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [B] _ _ _
_ _ [E] _ _ _ _ _ _
_ [Ab] _ _ _ _ _ [Bb] _ _
_ _ _ [Eb] _ _ _ [E] _ _
_ _ _ [Ab] _ _ _ _ _
[Bb] _ _ _ [Eb] _ _ _ [Db] _ _
_ _ _ _ [Ab] _ _ _ _
_ _ _ _ _ [Eb] _ _ _
_ [E] _ _ _ _ [Ab] _ _ _
_ _ [Bb] _ _ _ _ [Db] _ _
_ _ _ _ _ _ [Ab] _ _
_ _ [Db] _ _ _ [Ab] _ _ _
_ _ _ _ _ _ [Dbm] _ _
_ What was it [N] like to work with Neil Kernan?
You work with Neil Kernan?
Yes!
Wait, let's repeat that because that car is probably going to come out [C] and drown you out
a little bit.
What was it like to work with Neil Kernan?
A little louder.
What was it like to work with Neil Kernan?
A little less [A] fake. _ _
Thank you for working with Neil Kernan.
What was it like to work with Neil [C] Kernan?
It was actually [Gm] really great.
_ _ [N] _ One of the reasons why we had always wanted to work with him was because of his history.
He's basically, aside from doing a lot of the best metal albums that have come out over
the last couple of years, his history actually is he's done all the old Mahavishnu records,
he did a lot of the old fusion [Ab] from the late 70s and early [Gm] 80s.
_ [F] Agora has a lot of those [G] elements in the music so it made sense to work with somebody who
would understand that [A] stuff.
And me being a [Bb] huge John McLaughlin fan and Neil Kernan being a huge John McLaughlin fan
and he worked with John McLaughlin, it just made sense to [Ab] have him involved.
He actually had contacted us back [Bb] in 98 to do the first record but we just at that time
didn't have the budget to work with him.
[A] But I always had him in [D] mind to do the next record.
I really liked what he did on the Nile [G] stuff.
_ [A] Stuff that he did with Spastic Ink and Twisted_
Not Spastic Ink, I'm sorry, Spiral Architect and Twisted into Form definitely impressed me.
[B] I've always liked the work that he did with [Ab] Queensryche and obviously he worked [A] with one
of my heroes which is George Lynch from Docking and he did all the Docking records.
[A] So it made sense to have a guy that knows and understands the music and understands
both the fusion side of it and the heavy side of it.
If you listen to the new Nile record, [N] it's probably one of the most heavy records I've ever heard.
So I was definitely wanting to work with Neil for a long time.
Yeah, working with Neil [N] was great. _
_ [Db] _ _ _ [Ab] _ _ _ _
_ _ _ _ [Ab] _ _ _ _
[Gb] _ _ _ _ _ _ [Db] _ _
_ _ _ [Ab] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [N] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [Bb] _ _ _ _
[E] _ _ _ [E] _ _ _ [Ab] _ _
_ [B] _ _ _ [E] _ _ _ _
_ [Dbm] _ _ [Ab] _ _ _ [Bm] _ _
_ [B] _ _ _ _ [Dbm] _ _ _
[Ab] _ _ _ [B] _ _ _ [E] _ _
_ _ [Dbm] _ _ [Eb] _ _ _ _
_ _ _ [Ab] _ _ _ [Eb] _ _
[E] _ _ _ _ [Eb] _ _ _ [B] _
_ _ _ [Eb] _ _ _ [E] _ _
_ [B] _ [Eb] _ _ _ _ [E] _ _
[B] _ _ _ [Eb] _ _ _ _ [B] _
_ [Eb] _ _ _ [E] _ _ _ [B] _
_ [Abm] _ _ [Db] _ _ [B] _ _ _
_ [Ab] _ _ [Db] _ _ [B] _ _ _
_ _ [Ab] _ _ [Db] _ _ [B] _ _
_ _ [Ab] _ _ [Db] _ _ _ [B] _
_ _ _ [Ab] _ _ _ _ _
_ _ _ _ _ _ [N] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [Ab] _ _ _ [B] _ _ _ _
_ _ _ [E] _ _ _ [Ab] _ _
_ [B] _ _ _ [E] _ _ _ _
_ [E] _ _ [Ab] _ _ _ [B] _ _
_ [E] _ _ _ _ _ _ _
[Ab] _ _ _ [B] _ _ _ _ _
_ [E] _ _ _ [Ab] _ _ [Eb] _ _
[E] _ _ [Abm] _ _ _ [Eb] _ _ _
_ [Gb] _ _ _ [Bb] _ _ _ [E] _
_ [B] _ _ _ _ _ [E] _ _
[B] _ _ [Ab] _ _ _ _ [B] _ _
_ _ [Ab] _ _ _ _ [Abm] _ _
_ _ _ [Dbm] _ _ [Gb] _ _ _
_ _ [Ab] _ _ [Db] _ _ [B] _ _
_ _ [Ab] _ _ [Db] _ _ _ _
_ [Ab] _ _ [Eb] _ _ [Db] _ _ [B] _
_ [Ab] _ _ _ [Ab] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [B] _ _ _
_ _ [E] _ _ _ _ _ _
_ [Ab] _ _ _ _ _ [Bb] _ _
_ _ _ [Eb] _ _ _ [E] _ _
_ _ _ [Ab] _ _ _ _ _
[Bb] _ _ _ [Eb] _ _ _ [Db] _ _
_ _ _ _ [Ab] _ _ _ _
_ _ _ _ _ [Eb] _ _ _
_ [E] _ _ _ _ [Ab] _ _ _
_ _ [Bb] _ _ _ _ [Db] _ _
_ _ _ _ _ _ [Ab] _ _
_ _ [Db] _ _ _ [Ab] _ _ _
_ _ _ _ _ _ [Dbm] _ _
_ What was it [N] like to work with Neil Kernan?
You work with Neil Kernan?
Yes!
Wait, let's repeat that because that car is probably going to come out [C] and drown you out
a little bit.
What was it like to work with Neil Kernan?
A little louder.
What was it like to work with Neil Kernan?
A little less [A] fake. _ _
Thank you for working with Neil Kernan.
What was it like to work with Neil [C] Kernan?
It was actually [Gm] really great.
_ _ [N] _ One of the reasons why we had always wanted to work with him was because of his history.
He's basically, aside from doing a lot of the best metal albums that have come out over
the last couple of years, his history actually is he's done all the old Mahavishnu records,
he did a lot of the old fusion [Ab] from the late 70s and early [Gm] 80s.
_ [F] Agora has a lot of those [G] elements in the music so it made sense to work with somebody who
would understand that [A] stuff.
And me being a [Bb] huge John McLaughlin fan and Neil Kernan being a huge John McLaughlin fan
and he worked with John McLaughlin, it just made sense to [Ab] have him involved.
He actually had contacted us back [Bb] in 98 to do the first record but we just at that time
didn't have the budget to work with him.
[A] But I always had him in [D] mind to do the next record.
I really liked what he did on the Nile [G] stuff.
_ [A] Stuff that he did with Spastic Ink and Twisted_
Not Spastic Ink, I'm sorry, Spiral Architect and Twisted into Form definitely impressed me.
[B] I've always liked the work that he did with [Ab] Queensryche and obviously he worked [A] with one
of my heroes which is George Lynch from Docking and he did all the Docking records.
[A] So it made sense to have a guy that knows and understands the music and understands
both the fusion side of it and the heavy side of it.
If you listen to the new Nile record, [N] it's probably one of the most heavy records I've ever heard.
So I was definitely wanting to work with Neil for a long time.
Yeah, working with Neil [N] was great. _