Chords for 'Can't You Hear Me Knocking' The Rolling Stones

Tempo:
153.7 bpm
Chords used:

G

B

D

F#

F

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
'Can't You Hear Me Knocking'  The Rolling Stones chords
Start Jamming...
Hi, how are you?
Take two.
Hey, I'm John.
I'm John.
Anyway,
this is some of the things about the [F#] transition.
Can you hear me knocking?
I find it extremely cool.
Apparently it was a spontaneous jam,
Charlie Watts says, so I [B] believe him.
Although, I've got to speculate.
Well, it's one of my big buttons.
Speculation.
About a minute and 30 seconds to go, I believe.
[E] I believe it's exactly a minute and [C#] 30 seconds
to go keep this playing.
You hear him go.
[G] [D]
[G]
And [N] whether they just, whether he wanted to end it there
and they just blew right by him or not,
I don't know, but it [B] indicates to me that
somehow or another they had some idea of what they were doing.
That the jam is spontaneous, though,
doesn't surprise me at all.
That's a great band with great musicians.
And, uh,
unfortunately, though, I don't believe there exists
a version of that song played live
with Mick Taylor and Keith [F#] Richards on it.
I think it's something to [N] hear as well.
Anyway, so that ending,
might as well start [C#] there.
[G] [D]
[C] [G]
[D]
[G] [D]
[A] [D]
Remind me.
[A] Okay, [D#] and then it starts with this.
[G] [A]
This.
[G] [A]
[G] [B]
[G] [D]
Right.
[B] And those are
[C#] [D]
[C#] half-step [F#] slide.
And then this is a double stop.
Half-step slide.
[G] And then three notes here.
[A#] And [F] then
[F#] two notes here with a zitter-nock.
This is an octave.
[B] So slowly.
[F#]
[B]
Sometimes it sounds to me
anyway like he, uh,
[F#] does this occasionally.
[C#] [D] [B]
[F#]
[G] [B]
And [D#] so this
double stop rather than [F#] this one.
[B]
If you were to play
[D] [F] [D]
[G]
[B] throughout,
you'd [Bm] be good to go.
[D] And then from there
does this, you know,
Keith does, and that's what he's
seems to be playing that.
And then [G] you get the saxophone.
[G#] Mick Taylor over the sax solo
is playing, [B] uh,
[F]
you [G]
[A] know what I'm talking about.
I really don't know that.
But he does do this.
[F]
[G] [F]
[G] [F]
[G] [F]
[G] [C#] Don't play the top string,
don't play the bottom string.
And because this is an open G,
it doesn't matter, [F] the chord is there.
You can play all [E] four notes,
five through [F] two.
[G]
[F] [G]
[F] [Em]
Right?
[B] Okay.
And then you get the, uh,
[F#]
I would need the percussion
to get the sauce on that.
Let's just go straight to
[D] this, add [Dm] this note right here.
You get a D minor triad.
And, um, [A#] but if you just play
[N] the in, in
[Dm]
as well.
It's just playing these three [F#] notes
in the rhythm, rhythm.
[D] [B]
[F#m] You add a pick.
You play it here.
[B]
[G#] [Dm]
[Gm] [Bm]
[F#m]
[B] [F#] And then, um,
the ending is already.
Can't think of anything else if I do.
I'll just come back and do another one.
Now if you have any
questions about [N] this.
And by the way, thank you to all the subscribers.
I may not get to write to everybody.
I may not get around to every request.
I don't tend to do requests, uh,
because, uh, I just
can't believe I have 600 some subscribers
now and, uh, and I've got like,
uh, 750 requests.
So I'll do the best I can.
And I know [F#] many of your songs are my favorite songs.
Amongst my favorite songs too.
Key:  
G
2131
B
12341112
D
1321
F#
134211112
F
134211111
G
2131
B
12341112
D
1321
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Hi, how are you?
Take two.
Hey, I'm John.
I'm John.
_ _ Anyway,
_ _ _ _ _ _ this is some of the things about the [F#] transition.
Can you hear me knocking?
I find it extremely cool.
_ _ _ Apparently it was a spontaneous jam,
Charlie Watts says, so I [B] believe him.
Although, I've got to speculate.
_ Well, it's one of my big buttons.
Speculation.
_ _ About a minute and 30 seconds to go, I believe.
[E] I believe it's exactly a minute and [C#] 30 seconds
to go keep this playing.
You hear him go. _
[G] _ _ _ _ _ _ [D] _ _
_ _ _ _ [G] _ _ _ _
_ _ And [N] whether they just, whether he wanted to end it there
and they just blew right by him or not,
I don't know, but it [B] indicates to me that
somehow or another they had some idea of what they were doing.
_ _ That the jam is spontaneous, though,
doesn't surprise me at all.
That's a great band with great musicians.
_ And, uh, _ _ _
_ _ unfortunately, though, I don't believe there exists
a version of that song played live
with Mick Taylor and Keith [F#] Richards on it.
I think it's something to [N] hear as well.
_ _ Anyway, so that ending,
might as well start [C#] there.
_ [G] _ _ [D] _ _
_ _ [C] _ _ _ _ _ [G] _
_ _ [D] _ _ _ _ _ _
[G] _ _ [D] _ _ _ _ _ _
[A] _ _ _ _ _ _ [D] _ _
_ _ Remind me. _ _ _
[A] _ _ _ _ _ _ Okay, _ [D#] and then it starts with this. _ _
[G] _ _ _ [A] _ _ _ _ _
_ _ _ _ _ This. _
_ _ [G] _ _ _ [A] _ _ _
_ _ [G] _ _ _ [B] _ _ _
_ _ [G] _ _ _ _ [D] _ _
Right.
_ [B] And those are _
_ _ [C#] _ _ _ _ [D] _ _
_ [C#] half-step [F#] slide.
_ And then this is a double stop.
_ Half-step slide.
[G] And then three notes here. _ _ _ _
_ _ _ _ _ _ [A#] And [F] then
_ [F#] two notes here with a zitter-nock.
This is an octave.
_ [B] _ _ So slowly.
_ _ _ _ _ [F#] _ _ _
_ _ _ [B] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ Sometimes it sounds to me
anyway like he, uh,
[F#] does this _ occasionally.
_ [C#] _ _ [D] _ _ [B] _ _
_ _ _ _ _ _ _ _
_ _ [F#] _ _ _ _ _ _
_ [G] _ _ _ [B] _ _ _ _
And [D#] so this
double stop rather than [F#] this one.
_ _ [B] _ _ _ _
_ If you were to play _ _
[D] _ _ _ _ [F] _ _ _ [D] _
_ _ [G] _ _ _ _ _ _
_ [B] _ _ throughout,
_ you'd [Bm] be good to go.
[D] And then from there _ _
_ does this, you know,
_ Keith does, and that's what he's _ _ _ _
_ seems to be playing that.
And then [G] you get the saxophone.
[G#] Mick Taylor over the sax solo
is playing, [B] uh,
_ [F] _ _ _ _
_ _ you _ [G] _ _ _
_ [A] _ _ _ _ _ know what I'm talking about.
I really don't know that. _ _ _
But he does do this.
[F] _ _ _ _
[G] _ _ _ _ [F] _ _ _ _
[G] _ _ _ _ [F] _ _ _ _
[G] _ _ _ [F] _ _ _ _ _
[G] _ _ _ _ [C#] Don't play the top string,
don't play the bottom string.
And because this is an open G,
it doesn't matter, [F] the chord is there.
_ You can play all [E] four notes,
five through [F] two. _ _ _ _
_ _ _ _ [G] _ _ _ _
_ _ _ _ _ _ _ _
[F] _ _ _ _ [G] _ _ _ _
[F] _ _ _ _ [Em] _ _ _ _
Right?
[B] Okay.
_ And then you get the, uh,
_ [F#] _ _ _ _
_ _ I would need the percussion
to get the sauce on that.
_ Let's just go straight to
[D] this, _ _ _ _ _ _ _ _
_ _ _ _ _ _ _
add [Dm] this note right here.
_ You get a D minor _ triad.
And, um, [A#] but if you just play
[N] the in, in _ _ _
_ _ _ _ _ _ [Dm] _ _
_ _ _ _ as well.
It's just playing these three [F#] notes
in the rhythm, rhythm.
_ _ _ _ _ _ _ _
_ _ [D] _ _ _ [B] _ _ _
_ _ _ _ _ _ _ _
_ _ [F#m] _ _ You add a pick. _ _ _ _ _ _ _
_ _ _ _ _ _ You play it here. _ _ _ _ _ _ _
[B] _ _ _ _ _ _ _ _
[G#] _ _ _ _ [Dm] _ _ _ _
_ _ _ [Gm] _ _ [Bm] _ _ _
_ _ _ _ _ _ _ _
[F#m] _ _ _ _ _ _ _ _
_ [B] _ _ [F#] And then, um,
the ending is already. _ _ _ _
Can't think of anything else if I do.
_ _ I'll just come back and do another one.
Now if you have any _
questions about [N] this.
_ And by the way, thank you to all the subscribers.
I may not get to write to everybody.
I may not get around to every request.
I don't tend to do requests, uh,
because, uh, I just
can't believe I have 600 some subscribers
now and, uh, and I've got like,
uh, 750 requests.
So I'll do the best I can.
And I know [F#] many of your songs are my favorite songs.
Amongst my favorite songs too. _