Chords for 'Can't You Hear Me Knocking' The Rolling Stones
Tempo:
153.7 bpm
Chords used:
G
B
D
F#
F
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Hi, how are you?
Take two.
Hey, I'm John.
I'm John.
Anyway,
this is some of the things about the [F#] transition.
Can you hear me knocking?
I find it extremely cool.
Apparently it was a spontaneous jam,
Charlie Watts says, so I [B] believe him.
Although, I've got to speculate.
Well, it's one of my big buttons.
Speculation.
About a minute and 30 seconds to go, I believe.
[E] I believe it's exactly a minute and [C#] 30 seconds
to go keep this playing.
You hear him go.
[G] [D]
[G]
And [N] whether they just, whether he wanted to end it there
and they just blew right by him or not,
I don't know, but it [B] indicates to me that
somehow or another they had some idea of what they were doing.
That the jam is spontaneous, though,
doesn't surprise me at all.
That's a great band with great musicians.
And, uh,
unfortunately, though, I don't believe there exists
a version of that song played live
with Mick Taylor and Keith [F#] Richards on it.
I think it's something to [N] hear as well.
Anyway, so that ending,
might as well start [C#] there.
[G] [D]
[C] [G]
[D]
[G] [D]
[A] [D]
Remind me.
[A] Okay, [D#] and then it starts with this.
[G] [A]
This.
[G] [A]
[G] [B]
[G] [D]
Right.
[B] And those are
[C#] [D]
[C#] half-step [F#] slide.
And then this is a double stop.
Half-step slide.
[G] And then three notes here.
[A#] And [F] then
[F#] two notes here with a zitter-nock.
This is an octave.
[B] So slowly.
[F#]
[B]
Sometimes it sounds to me
anyway like he, uh,
[F#] does this occasionally.
[C#] [D] [B]
[F#]
[G] [B]
And [D#] so this
double stop rather than [F#] this one.
[B]
If you were to play
[D] [F] [D]
[G]
[B] throughout,
you'd [Bm] be good to go.
[D] And then from there
does this, you know,
Keith does, and that's what he's
seems to be playing that.
And then [G] you get the saxophone.
[G#] Mick Taylor over the sax solo
is playing, [B] uh,
[F]
you [G]
[A] know what I'm talking about.
I really don't know that.
But he does do this.
[F]
[G] [F]
[G] [F]
[G] [F]
[G] [C#] Don't play the top string,
don't play the bottom string.
And because this is an open G,
it doesn't matter, [F] the chord is there.
You can play all [E] four notes,
five through [F] two.
[G]
[F] [G]
[F] [Em]
Right?
[B] Okay.
And then you get the, uh,
[F#]
I would need the percussion
to get the sauce on that.
Let's just go straight to
[D] this, add [Dm] this note right here.
You get a D minor triad.
And, um, [A#] but if you just play
[N] the in, in
[Dm]
as well.
It's just playing these three [F#] notes
in the rhythm, rhythm.
[D] [B]
[F#m] You add a pick.
You play it here.
[B]
[G#] [Dm]
[Gm] [Bm]
[F#m]
[B] [F#] And then, um,
the ending is already.
Can't think of anything else if I do.
I'll just come back and do another one.
Now if you have any
questions about [N] this.
And by the way, thank you to all the subscribers.
I may not get to write to everybody.
I may not get around to every request.
I don't tend to do requests, uh,
because, uh, I just
can't believe I have 600 some subscribers
now and, uh, and I've got like,
uh, 750 requests.
So I'll do the best I can.
And I know [F#] many of your songs are my favorite songs.
Amongst my favorite songs too.
Take two.
Hey, I'm John.
I'm John.
Anyway,
this is some of the things about the [F#] transition.
Can you hear me knocking?
I find it extremely cool.
Apparently it was a spontaneous jam,
Charlie Watts says, so I [B] believe him.
Although, I've got to speculate.
Well, it's one of my big buttons.
Speculation.
About a minute and 30 seconds to go, I believe.
[E] I believe it's exactly a minute and [C#] 30 seconds
to go keep this playing.
You hear him go.
[G] [D]
[G]
And [N] whether they just, whether he wanted to end it there
and they just blew right by him or not,
I don't know, but it [B] indicates to me that
somehow or another they had some idea of what they were doing.
That the jam is spontaneous, though,
doesn't surprise me at all.
That's a great band with great musicians.
And, uh,
unfortunately, though, I don't believe there exists
a version of that song played live
with Mick Taylor and Keith [F#] Richards on it.
I think it's something to [N] hear as well.
Anyway, so that ending,
might as well start [C#] there.
[G] [D]
[C] [G]
[D]
[G] [D]
[A] [D]
Remind me.
[A] Okay, [D#] and then it starts with this.
[G] [A]
This.
[G] [A]
[G] [B]
[G] [D]
Right.
[B] And those are
[C#] [D]
[C#] half-step [F#] slide.
And then this is a double stop.
Half-step slide.
[G] And then three notes here.
[A#] And [F] then
[F#] two notes here with a zitter-nock.
This is an octave.
[B] So slowly.
[F#]
[B]
Sometimes it sounds to me
anyway like he, uh,
[F#] does this occasionally.
[C#] [D] [B]
[F#]
[G] [B]
And [D#] so this
double stop rather than [F#] this one.
[B]
If you were to play
[D] [F] [D]
[G]
[B] throughout,
you'd [Bm] be good to go.
[D] And then from there
does this, you know,
Keith does, and that's what he's
seems to be playing that.
And then [G] you get the saxophone.
[G#] Mick Taylor over the sax solo
is playing, [B] uh,
[F]
you [G]
[A] know what I'm talking about.
I really don't know that.
But he does do this.
[F]
[G] [F]
[G] [F]
[G] [F]
[G] [C#] Don't play the top string,
don't play the bottom string.
And because this is an open G,
it doesn't matter, [F] the chord is there.
You can play all [E] four notes,
five through [F] two.
[G]
[F] [G]
[F] [Em]
Right?
[B] Okay.
And then you get the, uh,
[F#]
I would need the percussion
to get the sauce on that.
Let's just go straight to
[D] this, add [Dm] this note right here.
You get a D minor triad.
And, um, [A#] but if you just play
[N] the in, in
[Dm]
as well.
It's just playing these three [F#] notes
in the rhythm, rhythm.
[D] [B]
[F#m] You add a pick.
You play it here.
[B]
[G#] [Dm]
[Gm] [Bm]
[F#m]
[B] [F#] And then, um,
the ending is already.
Can't think of anything else if I do.
I'll just come back and do another one.
Now if you have any
questions about [N] this.
And by the way, thank you to all the subscribers.
I may not get to write to everybody.
I may not get around to every request.
I don't tend to do requests, uh,
because, uh, I just
can't believe I have 600 some subscribers
now and, uh, and I've got like,
uh, 750 requests.
So I'll do the best I can.
And I know [F#] many of your songs are my favorite songs.
Amongst my favorite songs too.
Key:
G
B
D
F#
F
G
B
D
Hi, how are you?
Take two.
Hey, I'm John.
I'm John.
_ _ Anyway,
_ _ _ _ _ _ this is some of the things about the [F#] transition.
Can you hear me knocking?
I find it extremely cool.
_ _ _ Apparently it was a spontaneous jam,
Charlie Watts says, so I [B] believe him.
Although, I've got to speculate.
_ Well, it's one of my big buttons.
Speculation.
_ _ About a minute and 30 seconds to go, I believe.
[E] I believe it's exactly a minute and [C#] 30 seconds
to go keep this playing.
You hear him go. _
[G] _ _ _ _ _ _ [D] _ _
_ _ _ _ [G] _ _ _ _
_ _ And [N] whether they just, whether he wanted to end it there
and they just blew right by him or not,
I don't know, but it [B] indicates to me that
somehow or another they had some idea of what they were doing.
_ _ That the jam is spontaneous, though,
doesn't surprise me at all.
That's a great band with great musicians.
_ And, uh, _ _ _
_ _ unfortunately, though, I don't believe there exists
a version of that song played live
with Mick Taylor and Keith [F#] Richards on it.
I think it's something to [N] hear as well.
_ _ Anyway, so that ending,
might as well start [C#] there.
_ [G] _ _ [D] _ _
_ _ [C] _ _ _ _ _ [G] _
_ _ [D] _ _ _ _ _ _
[G] _ _ [D] _ _ _ _ _ _
[A] _ _ _ _ _ _ [D] _ _
_ _ Remind me. _ _ _
[A] _ _ _ _ _ _ Okay, _ [D#] and then it starts with this. _ _
[G] _ _ _ [A] _ _ _ _ _
_ _ _ _ _ This. _
_ _ [G] _ _ _ [A] _ _ _
_ _ [G] _ _ _ [B] _ _ _
_ _ [G] _ _ _ _ [D] _ _
Right.
_ [B] And those are _
_ _ [C#] _ _ _ _ [D] _ _
_ [C#] half-step [F#] slide.
_ And then this is a double stop.
_ Half-step slide.
[G] And then three notes here. _ _ _ _
_ _ _ _ _ _ [A#] And [F] then
_ [F#] two notes here with a zitter-nock.
This is an octave.
_ [B] _ _ So slowly.
_ _ _ _ _ [F#] _ _ _
_ _ _ [B] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ Sometimes it sounds to me
anyway like he, uh,
[F#] does this _ occasionally.
_ [C#] _ _ [D] _ _ [B] _ _
_ _ _ _ _ _ _ _
_ _ [F#] _ _ _ _ _ _
_ [G] _ _ _ [B] _ _ _ _
And [D#] so this
double stop rather than [F#] this one.
_ _ [B] _ _ _ _
_ If you were to play _ _
[D] _ _ _ _ [F] _ _ _ [D] _
_ _ [G] _ _ _ _ _ _
_ [B] _ _ throughout,
_ you'd [Bm] be good to go.
[D] And then from there _ _
_ does this, you know,
_ Keith does, and that's what he's _ _ _ _
_ seems to be playing that.
And then [G] you get the saxophone.
[G#] Mick Taylor over the sax solo
is playing, [B] uh,
_ [F] _ _ _ _
_ _ you _ [G] _ _ _
_ [A] _ _ _ _ _ know what I'm talking about.
I really don't know that. _ _ _
But he does do this.
[F] _ _ _ _
[G] _ _ _ _ [F] _ _ _ _
[G] _ _ _ _ [F] _ _ _ _
[G] _ _ _ [F] _ _ _ _ _
[G] _ _ _ _ [C#] Don't play the top string,
don't play the bottom string.
And because this is an open G,
it doesn't matter, [F] the chord is there.
_ You can play all [E] four notes,
five through [F] two. _ _ _ _
_ _ _ _ [G] _ _ _ _
_ _ _ _ _ _ _ _
[F] _ _ _ _ [G] _ _ _ _
[F] _ _ _ _ [Em] _ _ _ _
Right?
[B] Okay.
_ And then you get the, uh,
_ [F#] _ _ _ _
_ _ I would need the percussion
to get the sauce on that.
_ Let's just go straight to
[D] this, _ _ _ _ _ _ _ _
_ _ _ _ _ _ _
add [Dm] this note right here.
_ You get a D minor _ triad.
And, um, [A#] but if you just play
[N] the in, in _ _ _
_ _ _ _ _ _ [Dm] _ _
_ _ _ _ as well.
It's just playing these three [F#] notes
in the rhythm, rhythm.
_ _ _ _ _ _ _ _
_ _ [D] _ _ _ [B] _ _ _
_ _ _ _ _ _ _ _
_ _ [F#m] _ _ You add a pick. _ _ _ _ _ _ _
_ _ _ _ _ _ You play it here. _ _ _ _ _ _ _
[B] _ _ _ _ _ _ _ _
[G#] _ _ _ _ [Dm] _ _ _ _
_ _ _ [Gm] _ _ [Bm] _ _ _
_ _ _ _ _ _ _ _
[F#m] _ _ _ _ _ _ _ _
_ [B] _ _ [F#] And then, um,
the ending is already. _ _ _ _
Can't think of anything else if I do.
_ _ I'll just come back and do another one.
Now if you have any _
questions about [N] this.
_ And by the way, thank you to all the subscribers.
I may not get to write to everybody.
I may not get around to every request.
I don't tend to do requests, uh,
because, uh, I just
can't believe I have 600 some subscribers
now and, uh, and I've got like,
uh, 750 requests.
So I'll do the best I can.
And I know [F#] many of your songs are my favorite songs.
Amongst my favorite songs too. _
Take two.
Hey, I'm John.
I'm John.
_ _ Anyway,
_ _ _ _ _ _ this is some of the things about the [F#] transition.
Can you hear me knocking?
I find it extremely cool.
_ _ _ Apparently it was a spontaneous jam,
Charlie Watts says, so I [B] believe him.
Although, I've got to speculate.
_ Well, it's one of my big buttons.
Speculation.
_ _ About a minute and 30 seconds to go, I believe.
[E] I believe it's exactly a minute and [C#] 30 seconds
to go keep this playing.
You hear him go. _
[G] _ _ _ _ _ _ [D] _ _
_ _ _ _ [G] _ _ _ _
_ _ And [N] whether they just, whether he wanted to end it there
and they just blew right by him or not,
I don't know, but it [B] indicates to me that
somehow or another they had some idea of what they were doing.
_ _ That the jam is spontaneous, though,
doesn't surprise me at all.
That's a great band with great musicians.
_ And, uh, _ _ _
_ _ unfortunately, though, I don't believe there exists
a version of that song played live
with Mick Taylor and Keith [F#] Richards on it.
I think it's something to [N] hear as well.
_ _ Anyway, so that ending,
might as well start [C#] there.
_ [G] _ _ [D] _ _
_ _ [C] _ _ _ _ _ [G] _
_ _ [D] _ _ _ _ _ _
[G] _ _ [D] _ _ _ _ _ _
[A] _ _ _ _ _ _ [D] _ _
_ _ Remind me. _ _ _
[A] _ _ _ _ _ _ Okay, _ [D#] and then it starts with this. _ _
[G] _ _ _ [A] _ _ _ _ _
_ _ _ _ _ This. _
_ _ [G] _ _ _ [A] _ _ _
_ _ [G] _ _ _ [B] _ _ _
_ _ [G] _ _ _ _ [D] _ _
Right.
_ [B] And those are _
_ _ [C#] _ _ _ _ [D] _ _
_ [C#] half-step [F#] slide.
_ And then this is a double stop.
_ Half-step slide.
[G] And then three notes here. _ _ _ _
_ _ _ _ _ _ [A#] And [F] then
_ [F#] two notes here with a zitter-nock.
This is an octave.
_ [B] _ _ So slowly.
_ _ _ _ _ [F#] _ _ _
_ _ _ [B] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ Sometimes it sounds to me
anyway like he, uh,
[F#] does this _ occasionally.
_ [C#] _ _ [D] _ _ [B] _ _
_ _ _ _ _ _ _ _
_ _ [F#] _ _ _ _ _ _
_ [G] _ _ _ [B] _ _ _ _
And [D#] so this
double stop rather than [F#] this one.
_ _ [B] _ _ _ _
_ If you were to play _ _
[D] _ _ _ _ [F] _ _ _ [D] _
_ _ [G] _ _ _ _ _ _
_ [B] _ _ throughout,
_ you'd [Bm] be good to go.
[D] And then from there _ _
_ does this, you know,
_ Keith does, and that's what he's _ _ _ _
_ seems to be playing that.
And then [G] you get the saxophone.
[G#] Mick Taylor over the sax solo
is playing, [B] uh,
_ [F] _ _ _ _
_ _ you _ [G] _ _ _
_ [A] _ _ _ _ _ know what I'm talking about.
I really don't know that. _ _ _
But he does do this.
[F] _ _ _ _
[G] _ _ _ _ [F] _ _ _ _
[G] _ _ _ _ [F] _ _ _ _
[G] _ _ _ [F] _ _ _ _ _
[G] _ _ _ _ [C#] Don't play the top string,
don't play the bottom string.
And because this is an open G,
it doesn't matter, [F] the chord is there.
_ You can play all [E] four notes,
five through [F] two. _ _ _ _
_ _ _ _ [G] _ _ _ _
_ _ _ _ _ _ _ _
[F] _ _ _ _ [G] _ _ _ _
[F] _ _ _ _ [Em] _ _ _ _
Right?
[B] Okay.
_ And then you get the, uh,
_ [F#] _ _ _ _
_ _ I would need the percussion
to get the sauce on that.
_ Let's just go straight to
[D] this, _ _ _ _ _ _ _ _
_ _ _ _ _ _ _
add [Dm] this note right here.
_ You get a D minor _ triad.
And, um, [A#] but if you just play
[N] the in, in _ _ _
_ _ _ _ _ _ [Dm] _ _
_ _ _ _ as well.
It's just playing these three [F#] notes
in the rhythm, rhythm.
_ _ _ _ _ _ _ _
_ _ [D] _ _ _ [B] _ _ _
_ _ _ _ _ _ _ _
_ _ [F#m] _ _ You add a pick. _ _ _ _ _ _ _
_ _ _ _ _ _ You play it here. _ _ _ _ _ _ _
[B] _ _ _ _ _ _ _ _
[G#] _ _ _ _ [Dm] _ _ _ _
_ _ _ [Gm] _ _ [Bm] _ _ _
_ _ _ _ _ _ _ _
[F#m] _ _ _ _ _ _ _ _
_ [B] _ _ [F#] And then, um,
the ending is already. _ _ _ _
Can't think of anything else if I do.
_ _ I'll just come back and do another one.
Now if you have any _
questions about [N] this.
_ And by the way, thank you to all the subscribers.
I may not get to write to everybody.
I may not get around to every request.
I don't tend to do requests, uh,
because, uh, I just
can't believe I have 600 some subscribers
now and, uh, and I've got like,
uh, 750 requests.
So I'll do the best I can.
And I know [F#] many of your songs are my favorite songs.
Amongst my favorite songs too. _