Chords for "Fandangos de Huelva" falseta con Subtítulos en español
Tempo:
106.35 bpm
Chords used:
F#
G
D
Bm
B
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[F#]
[Bm] [G] [F#]
[Bm] [G] [F#]
[Bm] [G] [F#] [D]
[F#] [D] [F#]
[D#m] [F#] [G] [F#] [G]
[F#] [G] [F#] [G]
[F#] [G]
[Bm] [F#m] [G] [F#]
[Bm] [F#m] [G] [F#]
[Bm] [G] [F#]
[G] This fandangos is Huelva style [G#m] and I'm going to start with a basic compás [G] strumming to
give you an idea of where in [N] the compás we begin the falseta.
So the basic compás is like this, [F#] I just count in three.
One, [Bm] two, three, one, two, three, [G] one, [F#] two, three, two, [Bm] three, one, two, [A] three, [G] [F#] [C#] one, two,
[D] three, [E] one, two, three, one.
Okay, so we [Gm] begin on B2, the last [C#] measure.
[D]
[F#] Okay, so [Bm] the technique of the right hand I do here is [G] this kind of [C#] arpeggio.
[D] [C#] [D]
[F#] And the left hand, what I can [C#] do is this [D] one.
[E] So I [D] leave the C note [A#m] ringing [D] and [F#]
the hammer pull off on the [G] D string.
[E]
[C#] [D] [E] [A#] [F#]
[D] [F#]
[D] [D#m] [F#] [G] And then we [F#] have this open [D#] C sharp on the fourth [F#] fret.
[C#m]
[D] [F#] And [D] then I do a hammer by itself on the third fret of the fifth string.
[B]
[A#] [B] [C#] [D] [E]
[G] [F#] [E] So I have a hammer [G] here [F#] and let the sixth string ring against it.
[D] [F#]
[D] [F#] [D] [B]
[F#] [D] [G] [F#] And I do an arpeggio, [B] thumb, ring, middle, index.
[F#] [D]
[E] [G] [F#] [G] Or you can pick the last two.
[F#] I [C#] take the same melody and move it up an octave to the fifth position [G] here.
[Em]
[Gm] [F#] [G]
And then again this arpeggio.
And the melody note is now on the third string.
[Em] [G]
[F#] This part is kind of a chord, a thumb [G] only.
[F#] [G]
[F#] [G] [F#]
[G] So then I do this same arpeggio.
[Em] When it [D] gets to the third string it's a little tricky because you have to have the thumb and index on the [B] same [G] string.
[Em] [F#]
So the [Em] last part, the hammer, and then I pick the second string.
[F#] And you have to jump down to the sixth.
[G] [Em] [F#] [G]
[F#] [F#]
Okay, so [A#m] the whole thing [D] together.
[F#] [D] [F#] [D]
[B] [C#] [D] [G] [F#] [G]
[F#] [G] [F#] [G]
[Em] [F#]
And the last [G] part, [C#] [B]
so I do the [C#] same melody [G] lead in.
[E] [F#] And [B]
then the fifth string open.
And then it allows me to jump down to the second position.
[Bm] [A] [D#] Now this part is a [G#] little awkward.
I do a strum across with the thumb.
[D] And then a pull [F#] off.
And then an upstroke [B] with the thumb.
I'm just holding the second fret.
[F#] You can hear the top two [D] strings ring.
[F#] [A] And then I pick the third fret of the sixth string.
[Bm] [A]
And then I do kind of the same technique but [G#] starting a note [F#] lower in the scale.
[F#m] So it'll be the fourth fret.
[B] Pull off.
[F#m]
[G] Open.
Hit the F on the first fret.
[A#] So that part together.
[G] [Bm] [F#m]
[G] And the last part we do some hammer [B] and pull.
[E]
[B] [E] [G] [F#] [Bm]
[F#] [G] While there's no disruption.
[F#]
Okay, and [Em] that's pretty much the end of the falsetto.
We'll do it a little bit slow, the whole thing together.
[F#] [D] [F#] [D] [F#]
[A#] [F#] [A#] [G] [F#]
[G] [F#] [Gm]
[F#] [G]
[F#] [G] [Bm]
[F#m] [G] [F#]
[Bm]
[F#] [Bm] [G]
[F#] [D] [N]
[Bm] [G] [F#]
[Bm] [G] [F#]
[Bm] [G] [F#] [D]
[F#] [D] [F#]
[D#m] [F#] [G] [F#] [G]
[F#] [G] [F#] [G]
[F#] [G]
[Bm] [F#m] [G] [F#]
[Bm] [F#m] [G] [F#]
[Bm] [G] [F#]
[G] This fandangos is Huelva style [G#m] and I'm going to start with a basic compás [G] strumming to
give you an idea of where in [N] the compás we begin the falseta.
So the basic compás is like this, [F#] I just count in three.
One, [Bm] two, three, one, two, three, [G] one, [F#] two, three, two, [Bm] three, one, two, [A] three, [G] [F#] [C#] one, two,
[D] three, [E] one, two, three, one.
Okay, so we [Gm] begin on B2, the last [C#] measure.
[D]
[F#] Okay, so [Bm] the technique of the right hand I do here is [G] this kind of [C#] arpeggio.
[D] [C#] [D]
[F#] And the left hand, what I can [C#] do is this [D] one.
[E] So I [D] leave the C note [A#m] ringing [D] and [F#]
the hammer pull off on the [G] D string.
[E]
[C#] [D] [E] [A#] [F#]
[D] [F#]
[D] [D#m] [F#] [G] And then we [F#] have this open [D#] C sharp on the fourth [F#] fret.
[C#m]
[D] [F#] And [D] then I do a hammer by itself on the third fret of the fifth string.
[B]
[A#] [B] [C#] [D] [E]
[G] [F#] [E] So I have a hammer [G] here [F#] and let the sixth string ring against it.
[D] [F#]
[D] [F#] [D] [B]
[F#] [D] [G] [F#] And I do an arpeggio, [B] thumb, ring, middle, index.
[F#] [D]
[E] [G] [F#] [G] Or you can pick the last two.
[F#] I [C#] take the same melody and move it up an octave to the fifth position [G] here.
[Em]
[Gm] [F#] [G]
And then again this arpeggio.
And the melody note is now on the third string.
[Em] [G]
[F#] This part is kind of a chord, a thumb [G] only.
[F#] [G]
[F#] [G] [F#]
[G] So then I do this same arpeggio.
[Em] When it [D] gets to the third string it's a little tricky because you have to have the thumb and index on the [B] same [G] string.
[Em] [F#]
So the [Em] last part, the hammer, and then I pick the second string.
[F#] And you have to jump down to the sixth.
[G] [Em] [F#] [G]
[F#] [F#]
Okay, so [A#m] the whole thing [D] together.
[F#] [D] [F#] [D]
[B] [C#] [D] [G] [F#] [G]
[F#] [G] [F#] [G]
[Em] [F#]
And the last [G] part, [C#] [B]
so I do the [C#] same melody [G] lead in.
[E] [F#] And [B]
then the fifth string open.
And then it allows me to jump down to the second position.
[Bm] [A] [D#] Now this part is a [G#] little awkward.
I do a strum across with the thumb.
[D] And then a pull [F#] off.
And then an upstroke [B] with the thumb.
I'm just holding the second fret.
[F#] You can hear the top two [D] strings ring.
[F#] [A] And then I pick the third fret of the sixth string.
[Bm] [A]
And then I do kind of the same technique but [G#] starting a note [F#] lower in the scale.
[F#m] So it'll be the fourth fret.
[B] Pull off.
[F#m]
[G] Open.
Hit the F on the first fret.
[A#] So that part together.
[G] [Bm] [F#m]
[G] And the last part we do some hammer [B] and pull.
[E]
[B] [E] [G] [F#] [Bm]
[F#] [G] While there's no disruption.
[F#]
Okay, and [Em] that's pretty much the end of the falsetto.
We'll do it a little bit slow, the whole thing together.
[F#] [D] [F#] [D] [F#]
[A#] [F#] [A#] [G] [F#]
[G] [F#] [Gm]
[F#] [G]
[F#] [G] [Bm]
[F#m] [G] [F#]
[Bm]
[F#] [Bm] [G]
[F#] [D] [N]
Key:
F#
G
D
Bm
B
F#
G
D
_ _ _ _ _ _ _ [F#] _
[Bm] _ _ _ _ [G] _ [F#] _ _ _
_ [Bm] _ _ _ [G] _ [F#] _ _ _
_ [Bm] _ _ _ [G] _ [F#] _ _ [D] _
_ [F#] _ _ [D] _ _ [F#] _ _ _
[D#m] _ [F#] _ _ _ [G] _ [F#] _ _ [G] _
_ [F#] _ _ [G] _ _ [F#] _ _ [G] _
_ _ _ _ _ [F#] _ _ [G] _
[Bm] _ _ [F#m] _ [G] _ _ [F#] _ _ _
[Bm] _ _ _ [F#m] _ [G] _ [F#] _ _ _
[Bm] _ _ _ [G] _ _ [F#] _ _ _
_ _ _ [G] This fandangos is Huelva style [G#m] and I'm going to start with a basic compás [G] strumming to
give you an idea of where in [N] the compás we begin the falseta.
So the basic compás is like this, [F#] I just count in three.
One, [Bm] two, three, one, two, three, [G] one, [F#] two, three, two, _ _ [Bm] three, one, two, [A] three, [G] _ [F#] _ [C#] one, two,
[D] three, [E] one, two, three, one.
Okay, so we [Gm] begin on B2, the last [C#] measure.
[D] _ _ _ _
[F#] _ _ Okay, so [Bm] the technique of the right hand I do here is [G] this kind of [C#] arpeggio.
[D] _ _ [C#] _ [D] _ _ _
[F#] _ And the left hand, what I can [C#] do is this [D] one. _
[E] So I [D] leave the C note [A#m] ringing [D] and [F#] _
_ the hammer pull off on the [G] D string.
_ [E] _ _
[C#] _ [D] _ [E] _ _ [A#] _ [F#] _ _ _
[D] _ _ _ [F#] _ _ _ _ _
[D] _ [D#m] _ _ [F#] _ [G] And then we [F#] have this open [D#] C sharp on the fourth [F#] fret.
_ _ [C#m] _
[D] _ [F#] And [D] then I do a hammer by itself on the third fret of the fifth string.
_ _ [B] _
[A#] _ _ _ [B] _ _ [C#] _ [D] _ [E] _
[G] _ [F#] _ [E] So I have a hammer [G] here [F#] _ and let the sixth string ring against it.
[D] _ _ [F#] _ _ _
[D] _ _ [F#] _ _ [D] _ [B] _ _ _
[F#] _ [D] _ [G] _ [F#] _ And I do an arpeggio, [B] _ thumb, ring, middle, index.
[F#] _ _ [D] _
[E] _ [G] _ [F#] _ _ _ [G] _ Or you can pick the last two.
_ _ [F#] _ _ I [C#] take the same melody and move it up an octave to the fifth position [G] here.
_ [Em] _
[Gm] _ [F#] _ _ _ _ _ _ [G] _
And then again this arpeggio.
_ _ And the melody note is now on the third string.
_ [Em] _ [G] _ _ _
_ [F#] _ _ This part is kind of a chord, _ a thumb [G] only.
_ _ [F#] _ _ [G] _
_ [F#] _ _ _ _ [G] _ _ [F#] _
_ [G] _ So then I do this same arpeggio. _ _
_ [Em] _ When it [D] gets to the third string it's a little tricky because you have to have the thumb and index on the [B] same [G] string. _ _ _ _ _
_ _ _ _ [Em] _ [F#] _ _ _
_ _ So the [Em] last part, the hammer, and then I pick the second string.
_ [F#] And you have to jump down to the sixth.
[G] _ _ _ [Em] _ [F#] _ _ [G] _
_ _ _ [F#] _ _ [F#] _ _ _
_ Okay, so [A#m] the whole thing [D] together. _ _
[F#] _ _ [D] _ _ [F#] _ _ [D] _ _
[B] _ _ [C#] _ [D] _ [G] _ [F#] _ _ [G] _
_ [F#] _ _ [G] _ _ [F#] _ _ [G] _
_ _ _ _ _ [Em] _ [F#] _ _
And the last [G] part, _ _ [C#] _ [B] _
so I do the [C#] same melody [G] lead in.
[E] _ [F#] And [B]
then the fifth string open.
And then it allows me to jump down to the second position.
[Bm] _ _ [A] _ [D#] Now this part is a [G#] little awkward.
I do a strum across with the thumb.
[D] _ And then a pull [F#] off.
And then an upstroke [B] with the thumb.
I'm just holding the second fret.
[F#] You can hear the top two [D] strings ring.
_ [F#] _ [A] _ And then I pick the third fret of the sixth string.
_ [Bm] _ _ [A] _
And then I do kind of the same technique but [G#] starting a note [F#] lower in the scale.
[F#m] _ _ So it'll be the fourth fret.
[B] Pull off.
[F#m] _
[G] Open.
Hit the F on the first fret. _
[A#] So that part together.
[G] _ _ [Bm] _ _ _ [F#m] _
[G] _ _ And the last part we do some hammer [B] and pull.
[E] _
_ [B] _ [E] _ [G] _ _ [F#] _ [Bm] _ _
[F#] _ _ _ [G] While there's no disruption.
_ [F#] _
_ _ Okay, and [Em] that's pretty much the end of the falsetto.
We'll do it a little bit slow, the whole thing together.
[F#] _ [D] _ _ _ [F#] _ _ [D] _ _ _ [F#] _ _ _
_ [A#] _ [F#] _ _ [A#] _ [G] _ [F#] _ _
_ [G] _ _ [F#] _ _ [Gm] _ _ _
[F#] _ _ [G] _ _ _ _ _ _
_ [F#] _ _ _ [G] _ _ [Bm] _ _
[F#m] _ _ [G] _ _ [F#] _ _ _ _
_ _ _ _ _ [Bm] _ _ _
[F#] _ _ _ [Bm] _ _ _ [G] _ _
[F#] _ _ [D] _ [N] _ _ _ _ _
_ _ _ _ _ _ _ _
[Bm] _ _ _ _ [G] _ [F#] _ _ _
_ [Bm] _ _ _ [G] _ [F#] _ _ _
_ [Bm] _ _ _ [G] _ [F#] _ _ [D] _
_ [F#] _ _ [D] _ _ [F#] _ _ _
[D#m] _ [F#] _ _ _ [G] _ [F#] _ _ [G] _
_ [F#] _ _ [G] _ _ [F#] _ _ [G] _
_ _ _ _ _ [F#] _ _ [G] _
[Bm] _ _ [F#m] _ [G] _ _ [F#] _ _ _
[Bm] _ _ _ [F#m] _ [G] _ [F#] _ _ _
[Bm] _ _ _ [G] _ _ [F#] _ _ _
_ _ _ [G] This fandangos is Huelva style [G#m] and I'm going to start with a basic compás [G] strumming to
give you an idea of where in [N] the compás we begin the falseta.
So the basic compás is like this, [F#] I just count in three.
One, [Bm] two, three, one, two, three, [G] one, [F#] two, three, two, _ _ [Bm] three, one, two, [A] three, [G] _ [F#] _ [C#] one, two,
[D] three, [E] one, two, three, one.
Okay, so we [Gm] begin on B2, the last [C#] measure.
[D] _ _ _ _
[F#] _ _ Okay, so [Bm] the technique of the right hand I do here is [G] this kind of [C#] arpeggio.
[D] _ _ [C#] _ [D] _ _ _
[F#] _ And the left hand, what I can [C#] do is this [D] one. _
[E] So I [D] leave the C note [A#m] ringing [D] and [F#] _
_ the hammer pull off on the [G] D string.
_ [E] _ _
[C#] _ [D] _ [E] _ _ [A#] _ [F#] _ _ _
[D] _ _ _ [F#] _ _ _ _ _
[D] _ [D#m] _ _ [F#] _ [G] And then we [F#] have this open [D#] C sharp on the fourth [F#] fret.
_ _ [C#m] _
[D] _ [F#] And [D] then I do a hammer by itself on the third fret of the fifth string.
_ _ [B] _
[A#] _ _ _ [B] _ _ [C#] _ [D] _ [E] _
[G] _ [F#] _ [E] So I have a hammer [G] here [F#] _ and let the sixth string ring against it.
[D] _ _ [F#] _ _ _
[D] _ _ [F#] _ _ [D] _ [B] _ _ _
[F#] _ [D] _ [G] _ [F#] _ And I do an arpeggio, [B] _ thumb, ring, middle, index.
[F#] _ _ [D] _
[E] _ [G] _ [F#] _ _ _ [G] _ Or you can pick the last two.
_ _ [F#] _ _ I [C#] take the same melody and move it up an octave to the fifth position [G] here.
_ [Em] _
[Gm] _ [F#] _ _ _ _ _ _ [G] _
And then again this arpeggio.
_ _ And the melody note is now on the third string.
_ [Em] _ [G] _ _ _
_ [F#] _ _ This part is kind of a chord, _ a thumb [G] only.
_ _ [F#] _ _ [G] _
_ [F#] _ _ _ _ [G] _ _ [F#] _
_ [G] _ So then I do this same arpeggio. _ _
_ [Em] _ When it [D] gets to the third string it's a little tricky because you have to have the thumb and index on the [B] same [G] string. _ _ _ _ _
_ _ _ _ [Em] _ [F#] _ _ _
_ _ So the [Em] last part, the hammer, and then I pick the second string.
_ [F#] And you have to jump down to the sixth.
[G] _ _ _ [Em] _ [F#] _ _ [G] _
_ _ _ [F#] _ _ [F#] _ _ _
_ Okay, so [A#m] the whole thing [D] together. _ _
[F#] _ _ [D] _ _ [F#] _ _ [D] _ _
[B] _ _ [C#] _ [D] _ [G] _ [F#] _ _ [G] _
_ [F#] _ _ [G] _ _ [F#] _ _ [G] _
_ _ _ _ _ [Em] _ [F#] _ _
And the last [G] part, _ _ [C#] _ [B] _
so I do the [C#] same melody [G] lead in.
[E] _ [F#] And [B]
then the fifth string open.
And then it allows me to jump down to the second position.
[Bm] _ _ [A] _ [D#] Now this part is a [G#] little awkward.
I do a strum across with the thumb.
[D] _ And then a pull [F#] off.
And then an upstroke [B] with the thumb.
I'm just holding the second fret.
[F#] You can hear the top two [D] strings ring.
_ [F#] _ [A] _ And then I pick the third fret of the sixth string.
_ [Bm] _ _ [A] _
And then I do kind of the same technique but [G#] starting a note [F#] lower in the scale.
[F#m] _ _ So it'll be the fourth fret.
[B] Pull off.
[F#m] _
[G] Open.
Hit the F on the first fret. _
[A#] So that part together.
[G] _ _ [Bm] _ _ _ [F#m] _
[G] _ _ And the last part we do some hammer [B] and pull.
[E] _
_ [B] _ [E] _ [G] _ _ [F#] _ [Bm] _ _
[F#] _ _ _ [G] While there's no disruption.
_ [F#] _
_ _ Okay, and [Em] that's pretty much the end of the falsetto.
We'll do it a little bit slow, the whole thing together.
[F#] _ [D] _ _ _ [F#] _ _ [D] _ _ _ [F#] _ _ _
_ [A#] _ [F#] _ _ [A#] _ [G] _ [F#] _ _
_ [G] _ _ [F#] _ _ [Gm] _ _ _
[F#] _ _ [G] _ _ _ _ _ _
_ [F#] _ _ _ [G] _ _ [Bm] _ _
[F#m] _ _ [G] _ _ [F#] _ _ _ _
_ _ _ _ _ [Bm] _ _ _
[F#] _ _ _ [Bm] _ _ _ [G] _ _
[F#] _ _ [D] _ [N] _ _ _ _ _
_ _ _ _ _ _ _ _