Chords for “Okie from Muskogee” Dwight Yoakum on 8/5/22@NorthernQuestResortCasino
Tempo:
62.475 bpm
Chords used:
D
A
G
E
C
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[A] excited about the album it's still only it's come out but it hadn't come out yet he told me come
out you know after on the bus i want to [N] play something so after the show i went out there
on the trip for willie's bus on the way there i was thinking about it i was gonna tease you and
ask if he recorded this particular song so i got on the bus and i said now willie let me ask you
all right did you willie where are you willie so i can't i can't see you willie this this is
before he baked i said willie you think i'm kidding you that bus was legendary you come
off of there with about a year-long contact time it was amazing [D] when he started vaping [N] i went on
there you know over the years a lot i looked around man i didn't know the
lip work was so pretty in here williams was amazing but
[A] i said
[C] well
[E] [C] let me i [C#] said let me i got hold of him i said [N] oh i got you i had his beard i said let me
let me ask you something did you uh
started to sound like foster brooks that tells your age if you laugh at that
i said willie did you did you record this song
through the smoke and the haze i saw his twinkling eyes smiling at me and he said oh yeah i did
that's that's the best william person he's trying to do oh yeah i did bad for one second oh yeah i did
sit yeah i used to well i did stuff on [G] willies i would do
[G]
[F] [G] [C]
[D] as [G] we tracked down the runway
and the [D] name about me how i feel
[A]
[G]
[D] oh
[G] [C]
[D]
[G] [N] it's
but i digress really [Am] seriously you see what [D] that bus will do to you pretty soon i'll be singing
just [Am] drifting off into my [D] willy thoughts
[A] [Em] [D] today
[G] freak set the [D] raging
black stallion [Em] and walking [E] the [A] high road today.
[G] [D]
The red-headed stranger had eyes like thunder
and lips that were [A] sad as tide.
[Em] [N] What was I talking about that led me there?
Oh, Willie.
OK.
Yeah.
What's up?
I'm going to tell you in all seriousness,
that song is legendary because it's one of the greatest songs
[A] ever written in country music in terms of what it [Dm] did
in the moment, in [A#] the year that that came out.
I was in college when that album, Red-Headed [E] Stranger, came out.
And it did more to, I [F] think, [Cm] spearhead modern [N] country music
and cause a whole other generation of young singers and songwriters
to realize [D] that country music could still be pertinent.
I [F#] mean, Emmylou and Brian are hurting the records [C#] they were making
on the West Coast was also a seminal signal to everybody
that was [A#m] going to try and pursue a career in country music
that there was a profound way to express yourself with [N] country music
that could still appeal to a huge audience.
And Willie's Red-Headed [B] Stranger album did [N] that for him.
[G#m] So
[D] meanwhile, I said, [N] he said, oh, yeah, I did.
I said, you're kidding.
He said, no, if [A] I'm going to have to swear, I'll try to throw it to my drummer
[N] to scare the audience and use my use for fanfare.
Every time I lose a drummer, it doesn't mean I'm swearing.
So I said, you're kidding.
[A] Because I was shocked.
See if you're shocked [C#m] because I was.
Willie said, that's my [G] favorite Merle Haggard song.
I don't believe Willie.
He said, [D] well, yeah, it is.
We don't smoke marijuana and eat the ghosts.
We don't take our trips down L [A].A. streets.
Oh, and we don't find our trash cans down on Main Street.
Yeah, because we like to live right, [D] set free.
We don't need a party out of love.
[Bm] [D] We like to hold hands and [A] kiss and move.
Oh, and we're in that long straight.
Like the hippies out in San [D] Francisco.
We're sweet.
[A]
Oh, we still cry.
Why?
[Bm] [A] [D]
Hey.
[E]
Hey.
Oh, [B] oh,
oh,
[E]
[B] oh,
why?
[E] [B]
The door.
Hey.
[E]
out you know after on the bus i want to [N] play something so after the show i went out there
on the trip for willie's bus on the way there i was thinking about it i was gonna tease you and
ask if he recorded this particular song so i got on the bus and i said now willie let me ask you
all right did you willie where are you willie so i can't i can't see you willie this this is
before he baked i said willie you think i'm kidding you that bus was legendary you come
off of there with about a year-long contact time it was amazing [D] when he started vaping [N] i went on
there you know over the years a lot i looked around man i didn't know the
lip work was so pretty in here williams was amazing but
[A] i said
[C] well
[E] [C] let me i [C#] said let me i got hold of him i said [N] oh i got you i had his beard i said let me
let me ask you something did you uh
started to sound like foster brooks that tells your age if you laugh at that
i said willie did you did you record this song
through the smoke and the haze i saw his twinkling eyes smiling at me and he said oh yeah i did
that's that's the best william person he's trying to do oh yeah i did bad for one second oh yeah i did
sit yeah i used to well i did stuff on [G] willies i would do
[G]
[F] [G] [C]
[D] as [G] we tracked down the runway
and the [D] name about me how i feel
[A]
[G]
[D] oh
[G] [C]
[D]
[G] [N] it's
but i digress really [Am] seriously you see what [D] that bus will do to you pretty soon i'll be singing
just [Am] drifting off into my [D] willy thoughts
[A] [Em] [D] today
[G] freak set the [D] raging
black stallion [Em] and walking [E] the [A] high road today.
[G] [D]
The red-headed stranger had eyes like thunder
and lips that were [A] sad as tide.
[Em] [N] What was I talking about that led me there?
Oh, Willie.
OK.
Yeah.
What's up?
I'm going to tell you in all seriousness,
that song is legendary because it's one of the greatest songs
[A] ever written in country music in terms of what it [Dm] did
in the moment, in [A#] the year that that came out.
I was in college when that album, Red-Headed [E] Stranger, came out.
And it did more to, I [F] think, [Cm] spearhead modern [N] country music
and cause a whole other generation of young singers and songwriters
to realize [D] that country music could still be pertinent.
I [F#] mean, Emmylou and Brian are hurting the records [C#] they were making
on the West Coast was also a seminal signal to everybody
that was [A#m] going to try and pursue a career in country music
that there was a profound way to express yourself with [N] country music
that could still appeal to a huge audience.
And Willie's Red-Headed [B] Stranger album did [N] that for him.
[G#m] So
[D] meanwhile, I said, [N] he said, oh, yeah, I did.
I said, you're kidding.
He said, no, if [A] I'm going to have to swear, I'll try to throw it to my drummer
[N] to scare the audience and use my use for fanfare.
Every time I lose a drummer, it doesn't mean I'm swearing.
So I said, you're kidding.
[A] Because I was shocked.
See if you're shocked [C#m] because I was.
Willie said, that's my [G] favorite Merle Haggard song.
I don't believe Willie.
He said, [D] well, yeah, it is.
We don't smoke marijuana and eat the ghosts.
We don't take our trips down L [A].A. streets.
Oh, and we don't find our trash cans down on Main Street.
Yeah, because we like to live right, [D] set free.
We don't need a party out of love.
[Bm] [D] We like to hold hands and [A] kiss and move.
Oh, and we're in that long straight.
Like the hippies out in San [D] Francisco.
We're sweet.
[A]
Oh, we still cry.
Why?
[Bm] [A] [D]
Hey.
[E]
Hey.
Oh, [B] oh,
oh,
[E]
[B] oh,
why?
[E] [B]
The door.
Hey.
[E]
Key:
D
A
G
E
C
D
A
G
[A] excited about the album it's still only it's come out but it hadn't come out yet he told me come
out you know after on the bus i want to [N] play something so after the show i went out there
on the trip for willie's bus on the way there i was thinking about it i was gonna tease you and
ask if he recorded this particular song so i got on the bus and i said now willie let me ask you
all right did you _ willie where are you willie so i can't i can't see you willie _ this this is
before he baked i said willie you _ _ think i'm kidding you that bus was legendary you come
off of there with about a year-long contact time it was amazing [D] when he started vaping [N] i went on
there you know over the years a lot i looked around man i didn't know the
lip work was so pretty in here williams was amazing but
_ _ [A] i said
[C] well _
[E] [C] let me i [C#] said let me i got hold of him i said [N] oh i got you i had his beard i said let me
let me ask you something did you uh
started to sound like foster brooks that tells your age if you laugh at that
i _ said willie did you did you record this song
through the smoke and the haze i saw his twinkling eyes smiling at me and he said oh yeah i did
that's that's the best william person he's trying to do oh yeah i did bad for one second oh yeah i did _ _ _
sit yeah i used to well i did stuff on [G] willies i would do
[G] _ _ _
_ [F] _ _ [G] _ [C] _ _ _ _
[D] as _ _ _ _ _ [G] we _ _ tracked down the runway
and the [D] name about me how i feel
_ _ _ _ [A] _
[G] _ _ _ _ _ _ _ _
[D] oh _ _ _ _ _ _
[G] _ _ _ _ [C] _ _ _ _
[D] _ _ _ _ _ _ _ _
[G] _ _ [N] it's
but i digress _ _ _ really [Am] seriously you see what [D] that bus will do to you pretty soon i'll be singing
_ just [Am] drifting off into my [D] willy thoughts _ _ _
_ _ _ _ _ _ _ _
[A] _ _ [Em] _ [D] today
[G] freak set the [D] raging
black stallion [Em] and walking [E] the [A] high road today.
_ _ [G] _ [D]
The red-headed stranger had eyes like thunder
and lips that were [A] sad as tide.
_ _ _ [Em] _ [N] What was I talking about that led me there?
Oh, Willie.
OK.
Yeah.
_ What's up?
I'm going to tell you in all seriousness,
that song is legendary because it's one of the greatest songs
[A] ever written in country music in terms of what it [Dm] did
in the moment, in [A#] the year that that came out.
I was in college when that album, Red-Headed [E] Stranger, came out.
And it did more to, I [F] think, [Cm] spearhead modern [N] country music
and cause a whole other generation of young singers and songwriters
to realize [D] that country music could still be pertinent.
I [F#] mean, Emmylou and Brian are hurting the records [C#] they were making
on the West Coast was also a seminal signal to everybody
that was [A#m] going to try and pursue a career in country music
that there was a profound way to express yourself with [N] country music
that could still appeal to a huge audience.
And Willie's Red-Headed [B] Stranger album did [N] that for him.
_ _ [G#m] So _
[D] meanwhile, I said, [N] he said, oh, yeah, I did.
I said, you're kidding.
He said, no, if _ _ _ [A] I'm going to have to swear, I'll try to throw it to my drummer
[N] to scare the audience and use my use for fanfare.
Every time I lose a drummer, it doesn't mean I'm swearing.
_ So I said, you're kidding.
[A] Because I was shocked.
See if you're shocked [C#m] because I was.
Willie said, that's my [G] favorite Merle Haggard song.
I don't believe Willie.
He said, [D] well, yeah, it is.
We don't smoke marijuana and eat the ghosts.
_ We don't take our trips down L [A].A. streets.
_ Oh, and we don't find our trash cans down on Main Street.
_ Yeah, because we like to live right, [D] set free.
We _ don't need a party out of love.
_ [Bm] [D] We like to hold hands and [A] kiss and move.
Oh, and we're in that long straight.
_ Like the hippies out in San [D] Francisco. _
_ _ _ _ _ _ _ _
We're sweet.
_ _ [A] _
Oh, _ we still cry. _ _
Why?
_ _ [Bm] _ [A] _ _ [D] _ _
Hey.
[E] _ _ _ _ _ _
_ _ _ Hey. _ _ _
Oh, [B] oh, _ _ _ _ _
_ oh, _ _ _ _ _
_ _ [E] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [B] _ oh, _ _ _
_ why? _ _ _ _ _
_ _ [E] _ _ _ _ _ [B] _
_ The door. _ _ _ _
Hey.
_ [E] _ _ _ _ _
out you know after on the bus i want to [N] play something so after the show i went out there
on the trip for willie's bus on the way there i was thinking about it i was gonna tease you and
ask if he recorded this particular song so i got on the bus and i said now willie let me ask you
all right did you _ willie where are you willie so i can't i can't see you willie _ this this is
before he baked i said willie you _ _ think i'm kidding you that bus was legendary you come
off of there with about a year-long contact time it was amazing [D] when he started vaping [N] i went on
there you know over the years a lot i looked around man i didn't know the
lip work was so pretty in here williams was amazing but
_ _ [A] i said
[C] well _
[E] [C] let me i [C#] said let me i got hold of him i said [N] oh i got you i had his beard i said let me
let me ask you something did you uh
started to sound like foster brooks that tells your age if you laugh at that
i _ said willie did you did you record this song
through the smoke and the haze i saw his twinkling eyes smiling at me and he said oh yeah i did
that's that's the best william person he's trying to do oh yeah i did bad for one second oh yeah i did _ _ _
sit yeah i used to well i did stuff on [G] willies i would do
[G] _ _ _
_ [F] _ _ [G] _ [C] _ _ _ _
[D] as _ _ _ _ _ [G] we _ _ tracked down the runway
and the [D] name about me how i feel
_ _ _ _ [A] _
[G] _ _ _ _ _ _ _ _
[D] oh _ _ _ _ _ _
[G] _ _ _ _ [C] _ _ _ _
[D] _ _ _ _ _ _ _ _
[G] _ _ [N] it's
but i digress _ _ _ really [Am] seriously you see what [D] that bus will do to you pretty soon i'll be singing
_ just [Am] drifting off into my [D] willy thoughts _ _ _
_ _ _ _ _ _ _ _
[A] _ _ [Em] _ [D] today
[G] freak set the [D] raging
black stallion [Em] and walking [E] the [A] high road today.
_ _ [G] _ [D]
The red-headed stranger had eyes like thunder
and lips that were [A] sad as tide.
_ _ _ [Em] _ [N] What was I talking about that led me there?
Oh, Willie.
OK.
Yeah.
_ What's up?
I'm going to tell you in all seriousness,
that song is legendary because it's one of the greatest songs
[A] ever written in country music in terms of what it [Dm] did
in the moment, in [A#] the year that that came out.
I was in college when that album, Red-Headed [E] Stranger, came out.
And it did more to, I [F] think, [Cm] spearhead modern [N] country music
and cause a whole other generation of young singers and songwriters
to realize [D] that country music could still be pertinent.
I [F#] mean, Emmylou and Brian are hurting the records [C#] they were making
on the West Coast was also a seminal signal to everybody
that was [A#m] going to try and pursue a career in country music
that there was a profound way to express yourself with [N] country music
that could still appeal to a huge audience.
And Willie's Red-Headed [B] Stranger album did [N] that for him.
_ _ [G#m] So _
[D] meanwhile, I said, [N] he said, oh, yeah, I did.
I said, you're kidding.
He said, no, if _ _ _ [A] I'm going to have to swear, I'll try to throw it to my drummer
[N] to scare the audience and use my use for fanfare.
Every time I lose a drummer, it doesn't mean I'm swearing.
_ So I said, you're kidding.
[A] Because I was shocked.
See if you're shocked [C#m] because I was.
Willie said, that's my [G] favorite Merle Haggard song.
I don't believe Willie.
He said, [D] well, yeah, it is.
We don't smoke marijuana and eat the ghosts.
_ We don't take our trips down L [A].A. streets.
_ Oh, and we don't find our trash cans down on Main Street.
_ Yeah, because we like to live right, [D] set free.
We _ don't need a party out of love.
_ [Bm] [D] We like to hold hands and [A] kiss and move.
Oh, and we're in that long straight.
_ Like the hippies out in San [D] Francisco. _
_ _ _ _ _ _ _ _
We're sweet.
_ _ [A] _
Oh, _ we still cry. _ _
Why?
_ _ [Bm] _ [A] _ _ [D] _ _
Hey.
[E] _ _ _ _ _ _
_ _ _ Hey. _ _ _
Oh, [B] oh, _ _ _ _ _
_ oh, _ _ _ _ _
_ _ [E] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [B] _ oh, _ _ _
_ why? _ _ _ _ _
_ _ [E] _ _ _ _ _ [B] _
_ The door. _ _ _ _
Hey.
_ [E] _ _ _ _ _