Chords for "You Don't Have to Cry" by Stephen Stills, performed by Kipyn Martin
Tempo:
94.5 bpm
Chords used:
G
F
C
Bb
Gm
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
It's kind of interesting, on the drive down here, my partner and I were listening to Eva
Cassidy's Songbird album, and when I was writing that last song, Nightbird, I was totally channeling
Eva Cassidy, Autumn Leaves, and it was kind of haunting listening to that on the way here,
so I don't know if you could probably hear some of that Eva Cassidy color in there, [G] but
I was totally trying to [Gm] channel her with that too.
[G]
Here's a Stephen Stills song.
[C]
[Bb] In the morning, when you [F] rise, you [C] think of me and how you left [G] me crying.
[Bb] Are you thinking [F] of your telephones?
[C] They're more managers than the way you [G] got so key at home.
[Bb] You are living [F] a reality [C] that I left years ago and it quite [G] nearly killed me.
[Bb] And in the long run, [F] it will make you cry and make [C] you crazy, but hold for [G] your time.
[Bb] The difference between [F] me and you, I won't [C] argue right or wrong, but I have [G] time to cry.
Baby, you don't have to cry.
I said cry my baby.
You can sing it, come on, here we go.
I said cry my baby.
You don't have to cry.
[F] [Bb] In the morning, when [F] you rise, [C] you think of me and how you [G] left me crying.
[Bb] Are you thinking of [F] those telephones?
[C] They're more managers than the way you got so [G] key at home.
You [F] are living [Bb]
a [F] reality that I [C] left years ago and [G] it quite nearly killed me.
And in [Bb] the long run, it [F] will make you cry and make [C] you crazy, but hold [G] for your time.
[Bb] The difference [F] between me and you, I won't argue [C] right or wrong, but I have time [G] to cry.
Baby, you don't have to cry.
I said cry my baby.
You don't have to cry.
I said cry my baby.
You don't have to cry.
[Bb]
[N]
Cassidy's Songbird album, and when I was writing that last song, Nightbird, I was totally channeling
Eva Cassidy, Autumn Leaves, and it was kind of haunting listening to that on the way here,
so I don't know if you could probably hear some of that Eva Cassidy color in there, [G] but
I was totally trying to [Gm] channel her with that too.
[G]
Here's a Stephen Stills song.
[C]
[Bb] In the morning, when you [F] rise, you [C] think of me and how you left [G] me crying.
[Bb] Are you thinking [F] of your telephones?
[C] They're more managers than the way you [G] got so key at home.
[Bb] You are living [F] a reality [C] that I left years ago and it quite [G] nearly killed me.
[Bb] And in the long run, [F] it will make you cry and make [C] you crazy, but hold for [G] your time.
[Bb] The difference between [F] me and you, I won't [C] argue right or wrong, but I have [G] time to cry.
Baby, you don't have to cry.
I said cry my baby.
You can sing it, come on, here we go.
I said cry my baby.
You don't have to cry.
[F] [Bb] In the morning, when [F] you rise, [C] you think of me and how you [G] left me crying.
[Bb] Are you thinking of [F] those telephones?
[C] They're more managers than the way you got so [G] key at home.
You [F] are living [Bb]
a [F] reality that I [C] left years ago and [G] it quite nearly killed me.
And in [Bb] the long run, it [F] will make you cry and make [C] you crazy, but hold [G] for your time.
[Bb] The difference [F] between me and you, I won't argue [C] right or wrong, but I have time [G] to cry.
Baby, you don't have to cry.
I said cry my baby.
You don't have to cry.
I said cry my baby.
You don't have to cry.
[Bb]
[N]
Key:
G
F
C
Bb
Gm
G
F
C
_ _ _ _ _ It's kind of interesting, on the drive down here, my partner and I were listening to Eva
Cassidy's Songbird album, and when I was writing that last song, Nightbird, I was totally channeling
Eva Cassidy, Autumn Leaves, and it was kind of haunting listening to that on the way here,
so I don't know if you could probably hear some of that Eva Cassidy color in there, [G] but
I was totally trying to [Gm] channel her with that too.
_ _ [G] _
Here's a Stephen Stills song. _ _ _ _ _
_ _ _ _ _ [C] _ _
[Bb] In the morning, when you [F] rise, you [C] think of me and how you left [G] me crying. _
[Bb] Are you thinking _ [F] of your telephones?
[C] They're more managers than the way you [G] got so key at home.
[Bb] You are living _ [F] a reality _ [C] that I left years ago and it quite [G] nearly killed me.
[Bb] And in the long run, [F] it will make you cry and make [C] you crazy, but hold for [G] your time.
_ [Bb] _ _ The difference between [F] me and you, I won't [C] argue right or wrong, but I have [G] time to cry.
Baby, you don't have to cry.
I said cry my baby.
You can sing it, come on, here we go.
I said cry my baby.
You don't have to _ cry.
_ _ _ _ [F] [Bb] In the morning, when [F] you rise, _ [C] you think of me and how you [G] left me crying.
_ [Bb] Are you thinking of [F] those telephones?
[C] They're more managers than the way you got so [G] key at home.
You [F] are living [Bb]
a [F] reality that I [C] left years ago and [G] it quite nearly killed me.
And in [Bb] the long run, it [F] will make you cry and make [C] you crazy, but hold [G] for your time.
_ [Bb] _ _ The difference [F] between me and you, I won't argue [C] right or wrong, but I have time [G] to cry.
_ Baby, you don't have to cry.
I said cry my baby.
You don't have to cry.
I said cry my baby.
You don't have to cry.
_ _ _ _ _ [Bb] _ _ _
_ _ _ [N] _ _ _ _ _
Cassidy's Songbird album, and when I was writing that last song, Nightbird, I was totally channeling
Eva Cassidy, Autumn Leaves, and it was kind of haunting listening to that on the way here,
so I don't know if you could probably hear some of that Eva Cassidy color in there, [G] but
I was totally trying to [Gm] channel her with that too.
_ _ [G] _
Here's a Stephen Stills song. _ _ _ _ _
_ _ _ _ _ [C] _ _
[Bb] In the morning, when you [F] rise, you [C] think of me and how you left [G] me crying. _
[Bb] Are you thinking _ [F] of your telephones?
[C] They're more managers than the way you [G] got so key at home.
[Bb] You are living _ [F] a reality _ [C] that I left years ago and it quite [G] nearly killed me.
[Bb] And in the long run, [F] it will make you cry and make [C] you crazy, but hold for [G] your time.
_ [Bb] _ _ The difference between [F] me and you, I won't [C] argue right or wrong, but I have [G] time to cry.
Baby, you don't have to cry.
I said cry my baby.
You can sing it, come on, here we go.
I said cry my baby.
You don't have to _ cry.
_ _ _ _ [F] [Bb] In the morning, when [F] you rise, _ [C] you think of me and how you [G] left me crying.
_ [Bb] Are you thinking of [F] those telephones?
[C] They're more managers than the way you got so [G] key at home.
You [F] are living [Bb]
a [F] reality that I [C] left years ago and [G] it quite nearly killed me.
And in [Bb] the long run, it [F] will make you cry and make [C] you crazy, but hold [G] for your time.
_ [Bb] _ _ The difference [F] between me and you, I won't argue [C] right or wrong, but I have time [G] to cry.
_ Baby, you don't have to cry.
I said cry my baby.
You don't have to cry.
I said cry my baby.
You don't have to cry.
_ _ _ _ _ [Bb] _ _ _
_ _ _ [N] _ _ _ _ _