Chords for 15 'Henry Rollins vs. Everyone' Moments

_ [A] _ _ _ [E] _ _ _
[Em] Me too!
Get in the van, man!
[E] Get in the van!
Oh! _
Oh, I see.
Is this where the young elitist hipsters take on the ancient dodgy in-the-way types?
Oh, no, no!
I love your band!
I love your band, too.
You don't know my band!
It's called Sexual Race!
I'm the 45-year [Db]-old narc?
I don't read that Maximum Rock [G] and Roll.
I don't read that flip side.
I don't watch [B] that TV set.
You [N] ever get the feeling that L.A. is dead?
_ [D] Not deadder than any other [B] place.
That's true.
A lot deadder than some people's minds. _ _ _
[E] Okay, boy, wrap it up.
I'm cold, I'm wet, and I'm busy selling out, so I [B] gotta get backstage to my women and [Bb] my cocaine.
[B] So what else do you wanna know?
Quite [Db] _ _ _
[G] _ _ _ _ _ _ _ _
[E] _ _ [Eb] honestly, most women bore me. _
[Eb] You know, if they smoke, I'm turned off.
If they drink, I'm outta there.
[Db]
If they're stupid, I'm bored.
If they're mean, I'm bored.
If they're trying to use me, I'm outta there.
So I guess I'm very picky.
If they don't work out, I'm not interested.
If their mind is lazy and their body's lazy, who cares?
[G] You mean working out, physically working out?
If they're not in shape, hey, go be fat on someone else's time.
Now one more thing, you write a lot, [A] and we know that you're a [G] publicist as well.
How will your diary of today look [A] like?
[F] _
We came and played our guts out, and then I had to do this interview when I should have been able to be left alone so I [G] could breathe hard.
I'm sorry [Abm] for that.
[F] That's okay.
Okay, I'll see you later [G] on then.
Okay.
_ [B] _
_ _ _ _ [C] _ _ _
Can [D] I help you guys?
_ I just want to check my hand.
Don't talk.
Why don't you go away for a while?
I just want to check my hand.
[B] Why don't you guys go away for a while?
No, [D] we're gonna get this on.
You actually do target U2 [G] quite a lot.
Is that because they actually took your old record label, SST, to court and kind of made them go bust?
No, no, a lot of bands, a lot of people want to take [N] SST to court.
No, I just think they're just one of the examples of how music has been made into a travesty over the years.
I mean, a band like that takes a year to make ten little songs, and they take three years to tour it, and then they want you to elect them to some kind of [G] disgusting hierarchy.
These guys just see it okay to, you know, just go to do [Eb] those 80,000 cedars and keep milking and milking you.
It's not very musically ambitious for someone who seems to be so sincere.
_ [Ab] _
[Bb] You got it wrong, son.
Here's an [Ab] example.
Singer's trying to sing.
Don't get it in [Gb] the singer's way when he's trying to sing.
Good deal?
[Db] Go away now.
_ [D] Dear Anne, you used to be fun, [B] at least funny, [Ab] at least gently and amusingly insane.
But girlfriend, you've changed.
The thousand-yard stare you've acquired [Gb] in the last couple of years says lonely nights, too much wine, and insecurity about the future of your career.
Where to now, my sweet fascist?
Do you want to see?
No.
Oh, come on, I want to take my [Eb] clone off to the record store.
[Ab] Please.
Is this not inhuman enough?
[Ab]
Just see.
_ _ [A] _ _ Just a [C] peek.
_ _ I've had [N] a cop put his gun in my eye socket, came into my room.
It's John Wayne time, man.
California cowboys riding those motorcycles, riding those cars.
They're all buffed out, you know, got the pants all tailored, all tight and everything.
These guys look great, you know, it's all Gold's Gym and, you know, they're tan.
They got, you know, they got that big neck, you know, they got that, you know, mustache.
And the thing that's really great about these cops is they look like leather boys.
They look like hardcore gay guys.
They go, I'm afraid of you.
_ And they go, I thought you'd hit me or something.
And I go, [Gb] why do you think that?
Because you look so crazy when you play.
What is your [Em] opinion of the recent heavy metal [D] craze of the last couple of years?
If you really wanted to be hard about it, you should get up in all the silly clothes and then go down to East LA
and see how long you last, you know, dress in your Motley Crue outfit, you know, and scream your lyrics
and then go [A] down to East LA where the real hard people live. _ _ _
_ _ _ _ Listen to that [B] fucking stupid asshole Redneck telling me to get [Bb] a haircut and go home.
_ Listen to that [Em] fuckhead. _
[Gb] _ _ [D] _ _ _ Hey, go home, dear, [A] eh?
Go home and leave me [G] so I can drink and fucking be [Em] non-existent, dear.
I [D] _ [A] don't want to be anything.
I [G] want to just fucking be dead and drunk and stupid, [Em] dear.
Okay?
[N] So we're going to cut our hair and we're going to get some guns and we're [G] going to fuck you right in your ass.
Most of [Gbm] my [G] work comes from outrage.
It [N] motivates me to, it puts enough fire in my blood to where I can get up and have to write something.
That's why I don't write it like, hi girl, it's nice to see you again.
_ You know, like so many of these bands, I just [G] look at them and go like,
[Gb] _ [D] how dare you get on a stage and [G] waste people's time with this insipid [D] crap, you know?
_ [Fm] _ _ _ _ _ _ _ _ _ _ _ [N] _ _