Chords for 2. Push - Rob Thomas - Atlantic City 8/22/10
Tempo:
144.9 bpm
Chords used:
C#
D#m
B
F#
G#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Um, I uh, so when I started playing music I was in Orlando in my first band, a band called Tabitha Secret.
Me and uh, me and Paul, thanks mom, me and Paul and uh Brian from Matchbox 20 were in that band.
And it was, we thought we were hot shit because we were the big local band.
And it's funny how like, later on when you actually, you know, get a record deal you think that's your main goal.
And then you get a record deal and you realize that that's just, you know, that's the ticket for the ride.
It doesn't even count.
Like that's when you have to start working.
And then next thing you know you're on a bill and you're playing with like Dave [B] Matthews and the Rolling Stones.
And you're like, shit these guys are good.
But uh, so we were in this [A#] band and we had a lot of songs and we went to Atlantic Records to try and get a record deal.
And they came and saw us and they passed on us.
And uh, but it was like a slow pass and they said, well you know, later on we'll come back and check in on you.
So we broke up as a band and I went away [D#m] for like a 3-4 month period and just wrote a bunch of songs.
And uh, I [C] finally met up, this sounds shadier than it is I promise, but I met up with this guy from Atlantic Records [G#] at a Motel 6.
[N]
And I blew it.
No, and
Just kidding.
Just kidding.
But I met him and so in the room he was like, okay what do you got?
And I played [D#m] him like 2 or 3 songs and this was the song [F#] that got us a record deal.
[C#]
[D#m] [F#]
[C#] [D#m]
[F#]
[C#]
[D#m]
[C#] [A#m]
[D#m]
[F#]
[C#] [D#m]
[C#]
This ain't over, no not [B] here, not while I still need you [C#]
around.
If you don't want me, we might [B] change it.
[D#m] Yeah we [C#] just might feel [F#] good, I wanna [C#] push you [D#m]
around.
Well I [G#] will, well [F#] I will, I wanna [C#] push you [B] down.
[D#m] Well I [C#] will, man I [D#m] will, I wanna [G#] take you [D#m] for granted.
[C#] [D#m]
I [G#] wanna take you for [B] granted, [G#] yeah.
And [F#] I will,
[C#] [D#m]
[F#] I will.
[C#] [D#m]
[B]
[F#] You said I don't know [C#] why you ever would lie [D#m] to me.
Like I'm a little untrusted [F#] when I think that the truth is gonna hurt you.
[F#] And I don't know why [C#] you wouldn't just [D#m] stay with me.
You couldn't stand to be near [F#] me when my face don't [A#m] seem to wanna [D#m] shine.
Cause it's a little bit [C#] dirty, well don't just stand there.
Say nice [B] things to me.
Cause I've been cheating, I've been [C#]
wrong and you, you don't know me.
Yeah well I [B] can't change no more.
And I won't do [C#] anything [F#] at all, I wanna [C#] push you around.
[B]
Well I [C#] will, well I [F#] will, I wanna [C#] push you [B] down.
Well I [G#]
will, man I [D#m] will, I wanna [C#] take you [B] for granted.
[G#] [D#m]
I wanna take [C#] you for [B] granted, yeah.
[C#]
And I [D#m] will, oh but [A#m] don't fall me over.
[B] Just wait a [C#] minute, well it kinda [D#] fell apart.
Things get [C#] so [B]
crazy, [D#] crazy.
Don't [C#] rush this [B] baby.
[C#] [D#m] Don't rush [C#] me [B]
baby, [C#] baby.
[F#]
I wanna [C#] push you [B] around.
Well I [C#] will, well I [F#] will, I wanna [C#] push you [B] down.
Well I will, [C#] man I [D#m] will, I [C#] wanna take you [B] for granted.
[C#]
[D#m] I wanna [C#] take you, and [B] take you, yeah.
[G#] Well I [F#] will, well I [C#] will, I [B] will, I [C#] will, yeah.
[F#]
Well I [C#] will, I [D#m] will, I [B] will, yeah.
[F#] I'll push you [D#m] around, and I'll [B] drag [F#] you down.
I wanna push you [D#m] around.
[B]
I will.
[F#] [N]
Me and uh, me and Paul, thanks mom, me and Paul and uh Brian from Matchbox 20 were in that band.
And it was, we thought we were hot shit because we were the big local band.
And it's funny how like, later on when you actually, you know, get a record deal you think that's your main goal.
And then you get a record deal and you realize that that's just, you know, that's the ticket for the ride.
It doesn't even count.
Like that's when you have to start working.
And then next thing you know you're on a bill and you're playing with like Dave [B] Matthews and the Rolling Stones.
And you're like, shit these guys are good.
But uh, so we were in this [A#] band and we had a lot of songs and we went to Atlantic Records to try and get a record deal.
And they came and saw us and they passed on us.
And uh, but it was like a slow pass and they said, well you know, later on we'll come back and check in on you.
So we broke up as a band and I went away [D#m] for like a 3-4 month period and just wrote a bunch of songs.
And uh, I [C] finally met up, this sounds shadier than it is I promise, but I met up with this guy from Atlantic Records [G#] at a Motel 6.
[N]
And I blew it.
No, and
Just kidding.
Just kidding.
But I met him and so in the room he was like, okay what do you got?
And I played [D#m] him like 2 or 3 songs and this was the song [F#] that got us a record deal.
[C#]
[D#m] [F#]
[C#] [D#m]
[F#]
[C#]
[D#m]
[C#] [A#m]
[D#m]
[F#]
[C#] [D#m]
[C#]
This ain't over, no not [B] here, not while I still need you [C#]
around.
If you don't want me, we might [B] change it.
[D#m] Yeah we [C#] just might feel [F#] good, I wanna [C#] push you [D#m]
around.
Well I [G#] will, well [F#] I will, I wanna [C#] push you [B] down.
[D#m] Well I [C#] will, man I [D#m] will, I wanna [G#] take you [D#m] for granted.
[C#] [D#m]
I [G#] wanna take you for [B] granted, [G#] yeah.
And [F#] I will,
[C#] [D#m]
[F#] I will.
[C#] [D#m]
[B]
[F#] You said I don't know [C#] why you ever would lie [D#m] to me.
Like I'm a little untrusted [F#] when I think that the truth is gonna hurt you.
[F#] And I don't know why [C#] you wouldn't just [D#m] stay with me.
You couldn't stand to be near [F#] me when my face don't [A#m] seem to wanna [D#m] shine.
Cause it's a little bit [C#] dirty, well don't just stand there.
Say nice [B] things to me.
Cause I've been cheating, I've been [C#]
wrong and you, you don't know me.
Yeah well I [B] can't change no more.
And I won't do [C#] anything [F#] at all, I wanna [C#] push you around.
[B]
Well I [C#] will, well I [F#] will, I wanna [C#] push you [B] down.
Well I [G#]
will, man I [D#m] will, I wanna [C#] take you [B] for granted.
[G#] [D#m]
I wanna take [C#] you for [B] granted, yeah.
[C#]
And I [D#m] will, oh but [A#m] don't fall me over.
[B] Just wait a [C#] minute, well it kinda [D#] fell apart.
Things get [C#] so [B]
crazy, [D#] crazy.
Don't [C#] rush this [B] baby.
[C#] [D#m] Don't rush [C#] me [B]
baby, [C#] baby.
[F#]
I wanna [C#] push you [B] around.
Well I [C#] will, well I [F#] will, I wanna [C#] push you [B] down.
Well I will, [C#] man I [D#m] will, I [C#] wanna take you [B] for granted.
[C#]
[D#m] I wanna [C#] take you, and [B] take you, yeah.
[G#] Well I [F#] will, well I [C#] will, I [B] will, I [C#] will, yeah.
[F#]
Well I [C#] will, I [D#m] will, I [B] will, yeah.
[F#] I'll push you [D#m] around, and I'll [B] drag [F#] you down.
I wanna push you [D#m] around.
[B]
I will.
[F#] [N]
Key:
C#
D#m
B
F#
G#
C#
D#m
B
_ _ _ _ _ _
_ Um, I uh, so when I started playing music I was in Orlando in my first band, a band called Tabitha Secret.
Me and uh, me and Paul, thanks mom, me and Paul _ and uh Brian from Matchbox 20 were in that band.
And it was, we thought we were hot shit because we were the big local band.
And it's funny how like, later on when you actually, you know, get a record deal you think that's your main goal.
And then you get a record deal and you realize that that's just, you know, that's the ticket for the ride.
It doesn't even count.
Like that's when you have to start working.
And then next thing you know you're on a bill and you're playing with like Dave [B] Matthews and the Rolling Stones.
And you're like, shit these guys are good. _
_ _ _ _ _
But uh, so we were in this [A#] band and we had a lot of songs and we went to Atlantic Records to try and get a record deal.
And they came and saw us and they passed on us.
And uh, but it was like a slow pass and they said, well you know, later on we'll come back and check in on you.
So _ we broke up as a band and I went away [D#m] for like a 3-4 month period and just wrote a bunch of songs.
And uh, _ I [C] finally met up, this sounds shadier than it is I promise, but I met up with this guy from Atlantic Records [G#] at a Motel 6.
[N] _ _ _ _ _ _
And I blew it.
No, and_
_ _ _ _ Just kidding.
_ _ _ Just kidding.
_ _ _ But I met him and so in the room he was like, okay what do you got?
And I played [D#m] him like 2 or 3 songs and this was the song [F#] that got us a record deal. _
_ _ _ _ _ _
_ _ _ _ _ [C#] _
_ _ [D#m] _ _ _ [F#] _
_ _ _ _ _ _
_ _ [C#] _ _ _ [D#m] _
_ _ _ _ [F#] _ _
_ _ _ _ _ [C#] _
_ _ [D#m] _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
[C#] _ _ _ _ _ [A#m] _
_ _ [D#m] _ _ _ _
_ _ _ [F#] _ _ _
_ _ [C#] _ _ _ [D#m] _
_ _ _ _ _ _
[C#] _ _ _ _ _
This ain't over, _ no not [B] here, _ _ _ _ _ _ not while I still need you [C#]
around.
_ _ If you don't want me, _ we might [B] change it. _
_ _ _ _ [D#m] Yeah we [C#] just might feel [F#] good, I wanna [C#] push you [D#m]
around.
Well I [G#] will, well [F#] I will, I wanna [C#] push you [B] down.
[D#m] Well I [C#] will, man I [D#m] will, I wanna [G#] take you [D#m] for granted.
_ _ [C#] _ _ [D#m] _
I [G#] wanna take you for [B] granted, _ [G#] yeah.
And [F#] I will, _ _
[C#] _ _ _ [D#m] _ _ _
_ _ _ [F#] _ I will.
_ _ [C#] _ _ [D#m] _
_ _ _ _ _ [B] _
[F#] You said I don't know [C#] why you ever would lie [D#m] to me. _
Like I'm a little _ untrusted [F#] when I think that the truth is gonna hurt you. _ _ _ _
[F#] And I don't know why [C#] you wouldn't just [D#m] stay with me.
You couldn't stand to be near [F#] me when my face don't [A#m] seem to wanna [D#m] shine.
_ Cause it's a little bit [C#] dirty, well _ _ don't just stand there. _ _
Say nice [B] things to me.
_ _ _ Cause I've been cheating, I've been [C#]
wrong and you, _ you don't know me.
Yeah well I [B] can't change no more.
_ _ And I won't do [C#] anything [F#] at all, I wanna [C#] push you around.
[B] _
Well I [C#] will, well I [F#] will, I wanna [C#] push you [B] down.
_ Well I [G#]
will, man I [D#m] will, I wanna [C#] take you [B] for granted.
_ _ [G#] _ _ _ [D#m] _
I wanna take [C#] you for [B] granted, yeah.
[C#]
And I [D#m] will, _ oh but [A#m] don't fall me over.
[B] _ Just wait a [C#] minute, well it kinda [D#] fell apart.
Things get [C#] so [B] _
crazy, _ [D#] _ crazy.
_ _ Don't [C#] rush this _ [B] baby. _ _
[C#] _ _ _ [D#m] _ Don't rush [C#] me [B] _
baby, _ _ [C#] baby.
[F#] _
I wanna [C#] push you [B] around.
Well I [C#] will, well I [F#] will, I wanna [C#] push you [B] down.
Well I will, [C#] man I [D#m] will, I [C#] wanna take you [B] for granted.
_ [C#] _ _ _
[D#m] _ I wanna [C#] take you, and [B] take you, yeah.
[G#] Well I [F#] will, well I [C#] will, I [B] will, I [C#] will, yeah.
[F#] _
Well I [C#] will, I [D#m] will, I [B] will, yeah.
[F#] _ _ _ I'll push you [D#m] around, and I'll [B] drag [F#] you down.
I wanna push you [D#m] around.
_ _ _ [B] _ _
I will.
_ [F#] _ _ _ _ _ _ _
_ _ _ _ _ [N] _
_ Um, I uh, so when I started playing music I was in Orlando in my first band, a band called Tabitha Secret.
Me and uh, me and Paul, thanks mom, me and Paul _ and uh Brian from Matchbox 20 were in that band.
And it was, we thought we were hot shit because we were the big local band.
And it's funny how like, later on when you actually, you know, get a record deal you think that's your main goal.
And then you get a record deal and you realize that that's just, you know, that's the ticket for the ride.
It doesn't even count.
Like that's when you have to start working.
And then next thing you know you're on a bill and you're playing with like Dave [B] Matthews and the Rolling Stones.
And you're like, shit these guys are good. _
_ _ _ _ _
But uh, so we were in this [A#] band and we had a lot of songs and we went to Atlantic Records to try and get a record deal.
And they came and saw us and they passed on us.
And uh, but it was like a slow pass and they said, well you know, later on we'll come back and check in on you.
So _ we broke up as a band and I went away [D#m] for like a 3-4 month period and just wrote a bunch of songs.
And uh, _ I [C] finally met up, this sounds shadier than it is I promise, but I met up with this guy from Atlantic Records [G#] at a Motel 6.
[N] _ _ _ _ _ _
And I blew it.
No, and_
_ _ _ _ Just kidding.
_ _ _ Just kidding.
_ _ _ But I met him and so in the room he was like, okay what do you got?
And I played [D#m] him like 2 or 3 songs and this was the song [F#] that got us a record deal. _
_ _ _ _ _ _
_ _ _ _ _ [C#] _
_ _ [D#m] _ _ _ [F#] _
_ _ _ _ _ _
_ _ [C#] _ _ _ [D#m] _
_ _ _ _ [F#] _ _
_ _ _ _ _ [C#] _
_ _ [D#m] _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
[C#] _ _ _ _ _ [A#m] _
_ _ [D#m] _ _ _ _
_ _ _ [F#] _ _ _
_ _ [C#] _ _ _ [D#m] _
_ _ _ _ _ _
[C#] _ _ _ _ _
This ain't over, _ no not [B] here, _ _ _ _ _ _ not while I still need you [C#]
around.
_ _ If you don't want me, _ we might [B] change it. _
_ _ _ _ [D#m] Yeah we [C#] just might feel [F#] good, I wanna [C#] push you [D#m]
around.
Well I [G#] will, well [F#] I will, I wanna [C#] push you [B] down.
[D#m] Well I [C#] will, man I [D#m] will, I wanna [G#] take you [D#m] for granted.
_ _ [C#] _ _ [D#m] _
I [G#] wanna take you for [B] granted, _ [G#] yeah.
And [F#] I will, _ _
[C#] _ _ _ [D#m] _ _ _
_ _ _ [F#] _ I will.
_ _ [C#] _ _ [D#m] _
_ _ _ _ _ [B] _
[F#] You said I don't know [C#] why you ever would lie [D#m] to me. _
Like I'm a little _ untrusted [F#] when I think that the truth is gonna hurt you. _ _ _ _
[F#] And I don't know why [C#] you wouldn't just [D#m] stay with me.
You couldn't stand to be near [F#] me when my face don't [A#m] seem to wanna [D#m] shine.
_ Cause it's a little bit [C#] dirty, well _ _ don't just stand there. _ _
Say nice [B] things to me.
_ _ _ Cause I've been cheating, I've been [C#]
wrong and you, _ you don't know me.
Yeah well I [B] can't change no more.
_ _ And I won't do [C#] anything [F#] at all, I wanna [C#] push you around.
[B] _
Well I [C#] will, well I [F#] will, I wanna [C#] push you [B] down.
_ Well I [G#]
will, man I [D#m] will, I wanna [C#] take you [B] for granted.
_ _ [G#] _ _ _ [D#m] _
I wanna take [C#] you for [B] granted, yeah.
[C#]
And I [D#m] will, _ oh but [A#m] don't fall me over.
[B] _ Just wait a [C#] minute, well it kinda [D#] fell apart.
Things get [C#] so [B] _
crazy, _ [D#] _ crazy.
_ _ Don't [C#] rush this _ [B] baby. _ _
[C#] _ _ _ [D#m] _ Don't rush [C#] me [B] _
baby, _ _ [C#] baby.
[F#] _
I wanna [C#] push you [B] around.
Well I [C#] will, well I [F#] will, I wanna [C#] push you [B] down.
Well I will, [C#] man I [D#m] will, I [C#] wanna take you [B] for granted.
_ [C#] _ _ _
[D#m] _ I wanna [C#] take you, and [B] take you, yeah.
[G#] Well I [F#] will, well I [C#] will, I [B] will, I [C#] will, yeah.
[F#] _
Well I [C#] will, I [D#m] will, I [B] will, yeah.
[F#] _ _ _ I'll push you [D#m] around, and I'll [B] drag [F#] you down.
I wanna push you [D#m] around.
_ _ _ [B] _ _
I will.
_ [F#] _ _ _ _ _ _ _
_ _ _ _ _ [N] _