Chords for 2CELLOS The Morning Show
Tempo:
78.85 bpm
Chords used:
A
Dm
G
D
E
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Well, they're the classical crossover stars who have made their mark on the international stage,
[Gb] wowing a [E] global audience with their [Am] unique fusion of [G] cello [F] and pop.
[G] [A] [G] [F]
[Em]
[Am] Three [Bb] years into their musical careers and the gifted [C] Croatian duo behind two [G] cellos
are playing to packed out arenas worldwide, supporting the [Bb] likes of Elton John
[Db] and collaborating with artists including [D] George Michael.
[A]
[D]
The duo join us live now to perform a reworking of an ACDC classic.
Here [A] are two cellos with Thunderstruck.
[Dm]
[A] [Dm]
[A]
[D] [A] [D] [A] [Dm]
[D] [A] [A]
[D] [A] [G]
[A]
[D]
[E]
[Dm]
[A] [Dm]
[A]
[Dm] [A]
[Dm]
[A] [Dm]
[D] [A]
[D] [A] This is a
[Dm]
[A] [Dm] [A]
[G] [Am] [N]
reworking
of This
is a reworking ACDC classic 1900s.
Good morning.
It means good night but Good night?
No, I'm kidding.
It's good morning.
Welcome back to the show.
You must get exhausted.
Like, that's just that one song.
Yeah, and imagine the whole concert.
Yeah, I know.
How do you, do you train for that?
No?
No.
He's talking to the earphones and I don't think he's hearing me.
Is that better?
Now I can hear you.
Yeah, that's it.
What did you say?
[Eb] Since you said Dover Ultra, the interview's gone really downhill.
[N] Guys, amazing journey.
The highlights, your list of highlights is incredible.
Elton John, that was an amazing highlight for you, right?
Yeah, he's an icon.
Yeah, how'd that come about?
Well, he saw us on YouTube actually.
Thanks to the internet, he discovered us.
And [C] it's so great that, you know, young artists can be discovered this way.
And what about [F] George Michael?
[G] We performed with him together with Elton John [F] at [Em]
[C] the
Some primary, right?
Yes.
[E] Yeah.
Hey, [Gb] so [G] what's a two [Am] cellos live show like?
Because if [Bb] we come back to this shot of us here, you seem to [N] have, you've gone through a whole bunch of stuff.
A live show, just everything is gone.
All gone?
We didn't like, he has like so many bows next to him, I changed them.
Zara just keeps chucking them out.
It used to be horse hairs.
Is it nylon now?
They bring horses on tour.
There you go.
That's good to [E] know.
They ride up on a white one, Barry.
Yeah, yeah, and rip the horses, rip the tail.
Hey guys, great to see you.
I'm not heavy enough.
Thanks for coming in.
And as we [N] say Dopo ucho.
No, that's good night.
Good morning.
Oh, he was joking.
I was joking.
Right, so how do we say goodbye?
Keep it nice, but farewell, goodbye.
What did you say?
I don't know, I forgot.
I haven't been home for so long.
So as we say in Croatian, dobro unu tro.
Thanks guys.
Good stuff.
Thank you and good luck to your horses.
Thank you.
Perhaps they're not really Croatian, they're just like
Yeah, that's the sense I got.
[Eb] But can I just say, Tom, can I just [C] say, this is when you
Is [N] this a bit of paper?
Yeah.
So when we come up and we sound like we can speak every different language in the world,
this is what's being held up.
Someone just Google that and thank [E] yourself.
No, Tom does have Croatian heritage, don't you [Em] Tom?
Married to a Croat.
Married to a Croat.
Wow.
All he knows is swear words, so that's why I didn't trust him.
Thanks guys.
He knows that Croatian women are most beautiful.
Yeah.
[Dm] I wanted to say, poor guy.
[G]
She calls him something very similar to that.
We're not talking to him.
Thank you guys, good to see you.
[N] Thank you.
[Gb] wowing a [E] global audience with their [Am] unique fusion of [G] cello [F] and pop.
[G] [A] [G] [F]
[Em]
[Am] Three [Bb] years into their musical careers and the gifted [C] Croatian duo behind two [G] cellos
are playing to packed out arenas worldwide, supporting the [Bb] likes of Elton John
[Db] and collaborating with artists including [D] George Michael.
[A]
[D]
The duo join us live now to perform a reworking of an ACDC classic.
Here [A] are two cellos with Thunderstruck.
[Dm]
[A] [Dm]
[A]
[D] [A] [D] [A] [Dm]
[D] [A] [A]
[D] [A] [G]
[A]
[D]
[E]
[Dm]
[A] [Dm]
[A]
[Dm] [A]
[Dm]
[A] [Dm]
[D] [A]
[D] [A] This is a
[Dm]
[A] [Dm] [A]
[G] [Am] [N]
reworking
of This
is a reworking ACDC classic 1900s.
Good morning.
It means good night but Good night?
No, I'm kidding.
It's good morning.
Welcome back to the show.
You must get exhausted.
Like, that's just that one song.
Yeah, and imagine the whole concert.
Yeah, I know.
How do you, do you train for that?
No?
No.
He's talking to the earphones and I don't think he's hearing me.
Is that better?
Now I can hear you.
Yeah, that's it.
What did you say?
[Eb] Since you said Dover Ultra, the interview's gone really downhill.
[N] Guys, amazing journey.
The highlights, your list of highlights is incredible.
Elton John, that was an amazing highlight for you, right?
Yeah, he's an icon.
Yeah, how'd that come about?
Well, he saw us on YouTube actually.
Thanks to the internet, he discovered us.
And [C] it's so great that, you know, young artists can be discovered this way.
And what about [F] George Michael?
[G] We performed with him together with Elton John [F] at [Em]
[C] the
Some primary, right?
Yes.
[E] Yeah.
Hey, [Gb] so [G] what's a two [Am] cellos live show like?
Because if [Bb] we come back to this shot of us here, you seem to [N] have, you've gone through a whole bunch of stuff.
A live show, just everything is gone.
All gone?
We didn't like, he has like so many bows next to him, I changed them.
Zara just keeps chucking them out.
It used to be horse hairs.
Is it nylon now?
They bring horses on tour.
There you go.
That's good to [E] know.
They ride up on a white one, Barry.
Yeah, yeah, and rip the horses, rip the tail.
Hey guys, great to see you.
I'm not heavy enough.
Thanks for coming in.
And as we [N] say Dopo ucho.
No, that's good night.
Good morning.
Oh, he was joking.
I was joking.
Right, so how do we say goodbye?
Keep it nice, but farewell, goodbye.
What did you say?
I don't know, I forgot.
I haven't been home for so long.
So as we say in Croatian, dobro unu tro.
Thanks guys.
Good stuff.
Thank you and good luck to your horses.
Thank you.
Perhaps they're not really Croatian, they're just like
Yeah, that's the sense I got.
[Eb] But can I just say, Tom, can I just [C] say, this is when you
Is [N] this a bit of paper?
Yeah.
So when we come up and we sound like we can speak every different language in the world,
this is what's being held up.
Someone just Google that and thank [E] yourself.
No, Tom does have Croatian heritage, don't you [Em] Tom?
Married to a Croat.
Married to a Croat.
Wow.
All he knows is swear words, so that's why I didn't trust him.
Thanks guys.
He knows that Croatian women are most beautiful.
Yeah.
[Dm] I wanted to say, poor guy.
[G]
She calls him something very similar to that.
We're not talking to him.
Thank you guys, good to see you.
[N] Thank you.
Key:
A
Dm
G
D
E
A
Dm
G
Well, they're the classical crossover stars who have made their mark on the international stage,
[Gb] wowing a [E] global audience with their [Am] unique fusion of [G] cello [F] and pop.
[G] _ [A] _ [G] _ [F] _
_ _ _ _ _ [Em] _ _ _
_ _ [Am] _ _ Three [Bb] years into their musical careers and the gifted [C] Croatian duo behind two [G] cellos
are playing to packed out arenas worldwide, supporting the [Bb] likes of Elton John
[Db] and collaborating with artists including [D] George Michael.
[A] _
_ [D] _ _ _ _ _ _ _
_ _ The duo join us live now to perform a reworking of an ACDC classic.
Here [A] are two cellos with Thunderstruck. _ _ _
_ _ _ _ _ _ _ [Dm] _
_ _ [A] _ _ _ _ [Dm] _ _
_ _ [A] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[D] _ [A] _ _ _ [D] _ [A] _ [Dm] _ _
[D] _ [A] _ _ _ [A] _ _ _ _
_ _ [D] _ _ _ [A] _ _ [G] _
[A] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [D] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [E] _ _ _
_ _ _ _ [Dm] _ _ _ _
_ _ _ _ [A] _ _ [Dm] _ _
[A] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [Dm] _ _ _ [A] _ _ _
_ [Dm] _ _ _ _ _ _ _
[A] _ [Dm] _ _ _ _ _ _ _
_ _ _ [D] _ _ [A] _ _ _
_ _ [D] _ _ _ [A] This is a
_ _ _ _ _ _ [Dm] _ _
_ [A] _ [Dm] _ _ _ [A] _ _ _
[G] _ [Am] _ _ _ [N] _ _ _ _
_ _ reworking
_ _ of _ _ _ _ _ _ _ _
_ This
is a _ reworking ACDC classic 1900s.
Good morning.
It _ _ _ means good night but Good night?
_ No, I'm kidding.
It's good morning.
Welcome back to the show.
You must get exhausted.
Like, that's just that one song.
Yeah, and imagine the whole concert.
Yeah, I know.
How do you, do you train for that?
No?
No.
He's talking to the earphones and I don't think he's hearing me.
Is that better?
Now I can hear you.
Yeah, that's it.
What did you say?
[Eb] Since you said Dover Ultra, the interview's gone really downhill.
[N] Guys, amazing journey.
The highlights, your list of highlights is incredible.
Elton John, that was an amazing highlight for you, right?
Yeah, he's an icon.
Yeah, how'd that come about?
Well, he saw us on YouTube actually.
Thanks to the internet, he discovered us.
And [C] it's so great that, you know, young artists can be discovered this way.
And what about [F] George Michael?
[G] We performed with him together with Elton John [F] at [Em] _
[C] the_
Some primary, right?
Yes.
[E] Yeah.
Hey, [Gb] so [G] what's a two [Am] cellos live show like?
Because if [Bb] we come back to this shot of us here, you seem to [N] have, you've gone through a whole bunch of stuff.
A live show, just everything is gone.
All gone?
We didn't like, he has like so many bows next to him, I changed them.
Zara just keeps chucking them out.
It used to be horse hairs.
Is it nylon now?
They bring horses on tour.
There you go.
_ That's good to [E] know.
They ride up on a white one, Barry.
Yeah, yeah, and rip the horses, rip the tail.
Hey guys, great to see you.
I'm not heavy enough.
Thanks for coming in.
And as we [N] say_ Dopo ucho.
No, that's good night.
Good morning.
Oh, he was joking.
I was joking.
Right, so how do we say goodbye?
Keep it nice, but farewell, goodbye.
What did you say?
I don't know, I forgot.
I haven't been home for so long.
_ _ So as we say in Croatian, dobro unu tro.
_ Thanks guys.
Good stuff.
Thank you and good luck to your horses.
Thank you.
Perhaps they're not really Croatian, they're just like_
Yeah, that's the sense I got.
_ [Eb] But can I just say, Tom, can I just [C] say, this is when you_
Is [N] this a bit of paper?
Yeah.
So when we come up and we sound like we can speak every different language in the world,
this is what's being held up.
Someone just Google that and thank [E] yourself.
No, Tom does have Croatian heritage, don't you [Em] Tom?
Married to a Croat.
Married to a Croat.
Wow.
All he knows is swear words, so that's why I didn't trust him.
Thanks guys.
He knows that Croatian women are most beautiful.
Yeah.
_ [Dm] I wanted to say, poor guy.
[G] _ _
She calls him something very similar to that.
We're not talking to him.
Thank you guys, good to see you.
[N] Thank you.
[Gb] wowing a [E] global audience with their [Am] unique fusion of [G] cello [F] and pop.
[G] _ [A] _ [G] _ [F] _
_ _ _ _ _ [Em] _ _ _
_ _ [Am] _ _ Three [Bb] years into their musical careers and the gifted [C] Croatian duo behind two [G] cellos
are playing to packed out arenas worldwide, supporting the [Bb] likes of Elton John
[Db] and collaborating with artists including [D] George Michael.
[A] _
_ [D] _ _ _ _ _ _ _
_ _ The duo join us live now to perform a reworking of an ACDC classic.
Here [A] are two cellos with Thunderstruck. _ _ _
_ _ _ _ _ _ _ [Dm] _
_ _ [A] _ _ _ _ [Dm] _ _
_ _ [A] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[D] _ [A] _ _ _ [D] _ [A] _ [Dm] _ _
[D] _ [A] _ _ _ [A] _ _ _ _
_ _ [D] _ _ _ [A] _ _ [G] _
[A] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [D] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [E] _ _ _
_ _ _ _ [Dm] _ _ _ _
_ _ _ _ [A] _ _ [Dm] _ _
[A] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [Dm] _ _ _ [A] _ _ _
_ [Dm] _ _ _ _ _ _ _
[A] _ [Dm] _ _ _ _ _ _ _
_ _ _ [D] _ _ [A] _ _ _
_ _ [D] _ _ _ [A] This is a
_ _ _ _ _ _ [Dm] _ _
_ [A] _ [Dm] _ _ _ [A] _ _ _
[G] _ [Am] _ _ _ [N] _ _ _ _
_ _ reworking
_ _ of _ _ _ _ _ _ _ _
_ This
is a _ reworking ACDC classic 1900s.
Good morning.
It _ _ _ means good night but Good night?
_ No, I'm kidding.
It's good morning.
Welcome back to the show.
You must get exhausted.
Like, that's just that one song.
Yeah, and imagine the whole concert.
Yeah, I know.
How do you, do you train for that?
No?
No.
He's talking to the earphones and I don't think he's hearing me.
Is that better?
Now I can hear you.
Yeah, that's it.
What did you say?
[Eb] Since you said Dover Ultra, the interview's gone really downhill.
[N] Guys, amazing journey.
The highlights, your list of highlights is incredible.
Elton John, that was an amazing highlight for you, right?
Yeah, he's an icon.
Yeah, how'd that come about?
Well, he saw us on YouTube actually.
Thanks to the internet, he discovered us.
And [C] it's so great that, you know, young artists can be discovered this way.
And what about [F] George Michael?
[G] We performed with him together with Elton John [F] at [Em] _
[C] the_
Some primary, right?
Yes.
[E] Yeah.
Hey, [Gb] so [G] what's a two [Am] cellos live show like?
Because if [Bb] we come back to this shot of us here, you seem to [N] have, you've gone through a whole bunch of stuff.
A live show, just everything is gone.
All gone?
We didn't like, he has like so many bows next to him, I changed them.
Zara just keeps chucking them out.
It used to be horse hairs.
Is it nylon now?
They bring horses on tour.
There you go.
_ That's good to [E] know.
They ride up on a white one, Barry.
Yeah, yeah, and rip the horses, rip the tail.
Hey guys, great to see you.
I'm not heavy enough.
Thanks for coming in.
And as we [N] say_ Dopo ucho.
No, that's good night.
Good morning.
Oh, he was joking.
I was joking.
Right, so how do we say goodbye?
Keep it nice, but farewell, goodbye.
What did you say?
I don't know, I forgot.
I haven't been home for so long.
_ _ So as we say in Croatian, dobro unu tro.
_ Thanks guys.
Good stuff.
Thank you and good luck to your horses.
Thank you.
Perhaps they're not really Croatian, they're just like_
Yeah, that's the sense I got.
_ [Eb] But can I just say, Tom, can I just [C] say, this is when you_
Is [N] this a bit of paper?
Yeah.
So when we come up and we sound like we can speak every different language in the world,
this is what's being held up.
Someone just Google that and thank [E] yourself.
No, Tom does have Croatian heritage, don't you [Em] Tom?
Married to a Croat.
Married to a Croat.
Wow.
All he knows is swear words, so that's why I didn't trust him.
Thanks guys.
He knows that Croatian women are most beautiful.
Yeah.
_ [Dm] I wanted to say, poor guy.
[G] _ _
She calls him something very similar to that.
We're not talking to him.
Thank you guys, good to see you.
[N] Thank you.