Chords for 4 Things About MUNA You Should Know! | Billboard
Tempo:
86.5 bpm
Chords used:
F#m
D
A
F#
B
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Hey, this is Billboard, and you should know us, Moona.
[G] This is a [A] [F#] topic of much discussion [A] between us because we're not really [F#m] exactly sure.
[C#m] Basically what happened was [A] we'd made a bunch of songs, we didn't have a band name,
and we were like, we need a [D] band name, and then we [F#] were spitballing [A] random [F#] crap, like whatever.
It was like the way that you name a [F#m] dog, like we just kept coming up [B] with options.
And then somebody said, [F#m] Luna, and someone said Moona [F#] shortly after, and then we were like, [F#m] okay.
We were like, okay, [A] the end.
I blocked it all out.
No need to [F#m] look.
Our [B] biggest accomplishment [F#m] is still [A] being able [F#m] to do [F#] music.
[A] I can't [F#m] believe we've made two records.
Yeah, I [D] think it's just like, how long have we been in [Bm] this magnificent band [B] relationship? Six years?
A long [F#m] time.
And we're still friends.
And [F#] I was thinking about this [E] yesterday, like, it's very rare in this society to have a place [F#m] of work
where you know that you're [D] going to be supported.
[F#m] I [D] know that they have my [F#m] back, and that's [D] something that I think is so rare to [F#m] have.
The way that we [D] make music changes kind of all the [F#m] time.
On a typical [D] track, I [F#m] would say that either I've made a rough sketch of a [F#m] beat and sent it to you,
and you've written over it, and then we [D] expand on it as a group, and write [A] parts and change [F#m] the arrangement
to fit what you've written, [B] or you will send us [F#m] a [A] rough track with your vocal on it,
[F#m] and then we'll say, this song's amazing.
[A] How does she do it?
[F#m] It's really different every time for us.
[A] Sometimes we'll just get together and we'll be like, hmmm.
The lyrics come out on a Ouija board.
And pick a note, and then we all rub [D] it out.
[F#m] People should [D] listen to our music because it's the best.
I don't give a shit.
People should listen to our music, [F#] especially our second album, [E] because our second album is objectively great.
[F#] I would say you should listen to our music [D] if you are a [F#m] sensitive soul, [D] definitely.
If you [F#] have a lot of feelings, if you identify [D] with that girl in [F#m] Mean Girls who doesn't even go [D] here,
but just [F#] wants everyone to get along, it's nice to listen [F#m] to music like ours if you're going through heartbreak.
[D] [F#m] [N]
[G] This is a [A] [F#] topic of much discussion [A] between us because we're not really [F#m] exactly sure.
[C#m] Basically what happened was [A] we'd made a bunch of songs, we didn't have a band name,
and we were like, we need a [D] band name, and then we [F#] were spitballing [A] random [F#] crap, like whatever.
It was like the way that you name a [F#m] dog, like we just kept coming up [B] with options.
And then somebody said, [F#m] Luna, and someone said Moona [F#] shortly after, and then we were like, [F#m] okay.
We were like, okay, [A] the end.
I blocked it all out.
No need to [F#m] look.
Our [B] biggest accomplishment [F#m] is still [A] being able [F#m] to do [F#] music.
[A] I can't [F#m] believe we've made two records.
Yeah, I [D] think it's just like, how long have we been in [Bm] this magnificent band [B] relationship? Six years?
A long [F#m] time.
And we're still friends.
And [F#] I was thinking about this [E] yesterday, like, it's very rare in this society to have a place [F#m] of work
where you know that you're [D] going to be supported.
[F#m] I [D] know that they have my [F#m] back, and that's [D] something that I think is so rare to [F#m] have.
The way that we [D] make music changes kind of all the [F#m] time.
On a typical [D] track, I [F#m] would say that either I've made a rough sketch of a [F#m] beat and sent it to you,
and you've written over it, and then we [D] expand on it as a group, and write [A] parts and change [F#m] the arrangement
to fit what you've written, [B] or you will send us [F#m] a [A] rough track with your vocal on it,
[F#m] and then we'll say, this song's amazing.
[A] How does she do it?
[F#m] It's really different every time for us.
[A] Sometimes we'll just get together and we'll be like, hmmm.
The lyrics come out on a Ouija board.
And pick a note, and then we all rub [D] it out.
[F#m] People should [D] listen to our music because it's the best.
I don't give a shit.
People should listen to our music, [F#] especially our second album, [E] because our second album is objectively great.
[F#] I would say you should listen to our music [D] if you are a [F#m] sensitive soul, [D] definitely.
If you [F#] have a lot of feelings, if you identify [D] with that girl in [F#m] Mean Girls who doesn't even go [D] here,
but just [F#] wants everyone to get along, it's nice to listen [F#m] to music like ours if you're going through heartbreak.
[D] [F#m] [N]
Key:
F#m
D
A
F#
B
F#m
D
A
Hey, this is Billboard, and you should know us, Moona. _ _
_ _ _ [G] This is a [A] [F#] topic of much discussion [A] between us because we're not really [F#m] exactly sure.
[C#m] Basically what happened was [A] we'd made a bunch of songs, we didn't have a band name,
and we were like, we need a [D] band name, and then we [F#] were spitballing [A] random [F#] crap, like whatever.
It was like the way that you name a [F#m] dog, like we just kept coming up [B] with options.
And then somebody said, [F#m] Luna, and someone said Moona [F#] shortly after, and then we were like, [F#m] okay.
We were like, okay, [A] the end.
I blocked it all out.
No need to [F#m] look.
Our [B] biggest accomplishment [F#m] is still [A] being able [F#m] to do [F#] music.
_ [A] I can't [F#m] believe we've made two records.
Yeah, I [D] think it's just like, how long have we been in [Bm] this magnificent band [B] relationship? Six years?
A long [F#m] time.
And we're still friends.
And [F#] I was thinking about this [E] yesterday, like, it's very rare in this society to have a place [F#m] of work
where you know that you're [D] going to be supported.
[F#m] _ I [D] know that they have my [F#m] back, and that's [D] something that I think is so rare to [F#m] have.
_ The way that we [D] make music changes kind of all the [F#m] time.
On a typical [D] track, I [F#m] would say that either I've made a rough sketch of a [F#m] beat and sent it to you,
and you've written over it, and then we [D] expand on it as a group, and write [A] parts and change [F#m] the arrangement
to fit what you've written, [B] or you will send us [F#m] a [A] rough track with your vocal on it,
[F#m] and then we'll say, this song's amazing.
[A] How does she do it?
[F#m] It's really different every time for us.
[A] Sometimes we'll just get together and we'll be like, hmmm.
The lyrics come out on a Ouija board.
And pick a note, and then we all rub [D] it out.
_ [F#m] _ People should [D] listen to our music because it's the best.
I don't give a shit.
People should listen to our music, [F#] especially our second album, [E] because our second album is objectively great.
[F#] I would say you should listen to our music [D] if you are a [F#m] sensitive soul, [D] _ definitely.
If you [F#] have a lot of feelings, if you identify [D] with that girl in [F#m] Mean Girls who doesn't even go [D] here,
but just [F#] wants everyone to get along, it's nice to listen [F#m] to music like ours if you're going through heartbreak.
_ [D] _ _ [F#m] _ _ [N] _
_ _ _ [G] This is a [A] [F#] topic of much discussion [A] between us because we're not really [F#m] exactly sure.
[C#m] Basically what happened was [A] we'd made a bunch of songs, we didn't have a band name,
and we were like, we need a [D] band name, and then we [F#] were spitballing [A] random [F#] crap, like whatever.
It was like the way that you name a [F#m] dog, like we just kept coming up [B] with options.
And then somebody said, [F#m] Luna, and someone said Moona [F#] shortly after, and then we were like, [F#m] okay.
We were like, okay, [A] the end.
I blocked it all out.
No need to [F#m] look.
Our [B] biggest accomplishment [F#m] is still [A] being able [F#m] to do [F#] music.
_ [A] I can't [F#m] believe we've made two records.
Yeah, I [D] think it's just like, how long have we been in [Bm] this magnificent band [B] relationship? Six years?
A long [F#m] time.
And we're still friends.
And [F#] I was thinking about this [E] yesterday, like, it's very rare in this society to have a place [F#m] of work
where you know that you're [D] going to be supported.
[F#m] _ I [D] know that they have my [F#m] back, and that's [D] something that I think is so rare to [F#m] have.
_ The way that we [D] make music changes kind of all the [F#m] time.
On a typical [D] track, I [F#m] would say that either I've made a rough sketch of a [F#m] beat and sent it to you,
and you've written over it, and then we [D] expand on it as a group, and write [A] parts and change [F#m] the arrangement
to fit what you've written, [B] or you will send us [F#m] a [A] rough track with your vocal on it,
[F#m] and then we'll say, this song's amazing.
[A] How does she do it?
[F#m] It's really different every time for us.
[A] Sometimes we'll just get together and we'll be like, hmmm.
The lyrics come out on a Ouija board.
And pick a note, and then we all rub [D] it out.
_ [F#m] _ People should [D] listen to our music because it's the best.
I don't give a shit.
People should listen to our music, [F#] especially our second album, [E] because our second album is objectively great.
[F#] I would say you should listen to our music [D] if you are a [F#m] sensitive soul, [D] _ definitely.
If you [F#] have a lot of feelings, if you identify [D] with that girl in [F#m] Mean Girls who doesn't even go [D] here,
but just [F#] wants everyone to get along, it's nice to listen [F#m] to music like ours if you're going through heartbreak.
_ [D] _ _ [F#m] _ _ [N] _