Chords for 50 Texas Blues Licks - #18 Classic SRV - Guitar Lesson - Corey Congilio

Tempo:
110.25 bpm
Chords used:

Em

A

G

E

Am

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
50 Texas Blues Licks - #18 Classic SRV - Guitar Lesson - Corey Congilio chords
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Lick number 18 I call Classic SRV because lots of times you hear a song that was more
of a major feel, like Lenny or if he covered Little Wing or some kind of major sounding
tune like that, that almost sounded more like a rock song or something that wasn't necessarily
a 1-4-5 or a shuffle or a blues tune.
It would have this sort of major sound, but he would kind of play minor over it and it would work.
We're going to do that with this lick here and again I would reference songs like Lenny
or his cover of Little Wing to kind of get this idea.
Let's try this one.
[Em]
[Bm] [Em]
[C#] [A]
[G]
[Em]
[A]
[G] [A] [G]
[Em]
[A]
[E]
[F#] Okay, so, you know, like we've been doing, I really like to highlight some of my favorite
points in Stevie Ray Vaughan's career and I love this kind of feel and I love the sort
of subtleness that he plays some of these licks with throughout these next few bars.
This is E minor pentatonic again and we're going to start with [Em] a heavy dose of vibrato
on the third string here on this G.
And kind of this subtle pull off.
So it's going to [E] go vibrato,
[B] [A] [D]
[Em] pull off 14-12, [E] [B] same move on the fifth [E] string.
So fourth, [Am] fifth.
Then what we're going to do is we're going to slide into the 14th fret, third string
[D#]
and [Em] repeat that move again, [Am] except play this little chromatic [B] run in there [A] too.
[Em]
[Am] [F#] So some really [Em] cool, kind of silky phrasing that he has here.
It just moves in and out of the scale.
[A#]
[G] Now on the third time, we're going to do that slide in again.
We're going to grab a double stop 12th fret, [E] [A]
[E] little simplistic run there, [Em]
little quarter
step bend, hammer on pull off or not.
So far we have another
[A] [G] [Em]
[G] double stop toggle, [D] blues bend, [Em] typical riff, 14th fret bend,
whole step.
[Gm]
So we have [G]
[Em]
that kind of punchy sixth triplet-y sort of deal.
[N] Last part of it, you're going to bend on the 15th [E] fret, [F#m] 15th [E] fret to the 12th fret, first string.
So 15th fret, second string bend, [G] little wiggle vibrato with your first finger, [N]
and you're
going to play a little teeny weeny quarter step again and mute with your right hand.
[Em] [C] And these are the kind to get that style really aggressively picked.
[Em] [A#]
[Em] [A]
So in its entire form,
[Bm] [Em] [Am] [G]
[Em]
[A] and that's pretty much it.
[N]
Key:  
Em
121
A
1231
G
2131
E
2311
Am
2311
Em
121
A
1231
G
2131
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_ _ _ _ _ _ _ _
_ _ Lick number 18 I call Classic SRV because lots of times you hear a song that was more
of a major feel, like Lenny or if he covered Little Wing or some kind of major sounding
tune like that, that almost sounded more like a rock song or something that wasn't necessarily
a 1-4-5 or a shuffle or a blues tune.
It would have this sort of major sound, but he would kind of play minor over it and it would work.
We're going to do that with this lick here and again I would reference songs like Lenny
or his cover of Little Wing to kind of get this idea.
Let's try this one.
[Em] _ _
_ _ _ _ [Bm] _ _ [Em] _ _
_ _ _ _ _ _ _ _
_ [C#] _ _ _ _ [A] _ _ _
_ _ _ [G] _ _ _ _ _
_ _ _ _ [Em] _ _ _ _
_ _ _ _ _ _ _ _
[A] _ _ _ _ _ _ _ _
[G] _ _ [A] _ [G] _ _ _ _ _
[Em] _ _ _ _ _ _ _ _
_ _ _ _ _ [A] _ _ _
_ _ _ _ _ [E] _ _ _
_ _ _ [F#] _ _ Okay, so, _ you know, like we've been doing, I really like to highlight some of my favorite
points in Stevie Ray Vaughan's career and _ I love this kind of feel and I love the sort
of subtleness that he plays some of these licks with throughout these next few bars.
_ This is E minor pentatonic again and we're going to start with [Em] a heavy dose of vibrato
on the third string here on this G.
_ _ And kind of this subtle pull off. _ _ _ _
So it's going to [E] go _ vibrato, _ _
[B] _ [A] _ _ _ _ [D] _ _
[Em] pull off 14-12, [E] _ _ [B] _ same move on the fifth [E] string.
So fourth, [Am] fifth. _ _
Then what we're going to do is we're going to slide into the 14th fret, third string
[D#] _
and [Em] repeat that move again, [Am] _ except play this little chromatic [B] run in there [A] too.
[Em] _ _ _ _
_ _ [Am] _ [F#] _ _ So some really [Em] cool, kind of silky phrasing that he has here.
It just moves in and out of the scale.
_ _ _ _ [A#] _
_ _ [G] _ Now on the third time, we're going to do that slide in again.
_ _ _ We're going to grab a double stop 12th fret, _ [E] _ _ _ _ [A] _ _
_ [E] little simplistic run there, [Em] _ _ _
little quarter
step bend, hammer on pull off or not. _ _ _ _ _ _
_ So far we have another _
_ _ [A] _ _ [G] _ _ _ [Em] _
_ _ _ _ [G] _ _ double stop toggle, _ _ _ [D] blues bend, [Em] _ _ _ typical riff, 14th fret bend,
whole step.
_ _ _ [Gm] _ _ _ _
_ So we have _ _ [G] _ _
_ _ _ _ _ _ _ _
[Em] _ _ _ _ _ _ _ _
that kind of punchy sixth _ _ _ triplet-y sort of deal. _ _
_ _ _ [N] _ Last part of it, you're going to bend on the 15th [E] fret, _ _ _ _ _ _ [F#m] 15th [E] fret to the 12th fret, _ first string.
So 15th fret, second string bend, _ _ _ _ [G] little wiggle vibrato with your first finger, [N] _
and you're
going to play a little teeny weeny quarter step again and mute with your right hand.
[Em] _ _ _ [C] And these are the kind to get that style really aggressively picked.
[Em] _ _ [A#] _
_ [Em] _ _ _ _ _ _ [A] _
_ So in its entire form, _
_ [Bm] _ _ [Em] _ _ [Am] _ _ [G] _
[Em] _ _ _ _ _ _ _ _
_ _ [A] _ _ and that's pretty much it.
[N] _

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