Chords for Aaron Jones bouzouki workshop 2006

Tempo:
128.2 bpm
Chords used:

D

A

Bm

F#m

G

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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Aaron Jones bouzouki workshop 2006 chords
Start Jamming...
You kind of play across the rhythm, you know.
[D]
[F#m] [Bm]
[A] [Bm] [F#m] [Em]
[Bm]
[F#m] [Bm] [A] [Bm]
[E]
[G] [D] [A]
[D]
[F#] [A] [Bm]
[D] [G]
[D]
[Bm] [G]
[Em] [G] [A]
[Dm]
[D] [Bm] [F#m]
[A] You could even, if you're playing around on that drum, you can
[C#m] also
I
[A] [F#m]
[A]
[F#m] [A]
[F#m] said [D]
[B] [Dm] that if you can keep those [A] sort of big drums, you can play around with the rhythm.
Keep those strings going, keep that momentum [D] going.
As Bruno [B] says, make some [A] passing work.
But that is
you've got a nice big A there as well.
Yeah, there's all sorts
[D] of
It's quite a big jump up.
Yeah, it's really the only way [C#] to get that version of [Bm] the chord.
[F#m]
[D]
[B]
[G] [D]
So it becomes a lot [C#] more work to get the sound to work.
I mean, it works, and there's no reason why you wouldn't want to do that.
But it's obviously
we were trying to get everything up in [F#] one area.
But in order sometimes to get a certain chord [Bm] voice
I use that chord a [B] lot.
Yeah, it's a tricky chord.
It's nice down the way, so B-flat minor 9.
If you just move the whole [Em] chord
[F] [D] [A] [F#m] [F#]
Key:  
D
1321
A
1231
Bm
13421112
F#m
123111112
G
2131
D
1321
A
1231
Bm
13421112
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_ _ _ _ _ _ _ _
_ _ You kind of play across the rhythm, you know.
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [D] _
_ _ _ [F#m] _ _ [Bm] _ _ _
[A] _ _ [Bm] _ _ _ [F#m] _ _ [Em] _
_ _ _ _ [Bm] _ _ _ _
[F#m] _ _ [Bm] _ _ _ [A] _ _ [Bm] _
_ _ _ _ [E] _ _ _ _
[G] _ _ [D] _ _ _ _ [A] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [D] _ _ _ _
_ _ [F#] _ _ _ [A] _ _ [Bm] _
_ _ _ [D] _ _ [G] _ _ _
_ _ [D] _ _ _ _ _ _
[Bm] _ _ _ _ _ [G] _ _ _
_ _ [Em] _ _ _ [G] _ _ [A] _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [Dm] _ _ _
_ _ [D] _ [Bm] _ _ [F#m] _ _ _
_ _ _ _ _ [A] _ You could even, if you're playing around on that drum, you can _ _
_ _ _ _ [C#m] also_
I _
[A] _ _ _ _ _ _ _ [F#m] _
_ _ _ [A] _ _ _ _ _
_ _ [F#m] _ _ _ _ _ [A] _
_ _ _ _ _ [F#m] _ said _ _ [D] _ _ _ _ _ _
[B] _ _ [Dm] that if you can keep those [A] sort of big drums, you can play around with the rhythm.
Keep those strings going, keep that momentum [D] going.
As Bruno [B] says, _ _ _ make some [A] passing work.
But that is_
you've got a nice big A there as well.
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ Yeah, there's all sorts _ _
[D] _ of_ _ _ _ _ _
_ _ _ _ _ _ _ _
It's quite a big jump up.
Yeah, it's really the only way [C#] to get that version of [Bm] the chord.
_ _ [F#m] _ _ _ _
_ _ [D] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [B] _ _ _
[G] _ _ [D] _ _ _ _ _ _
So it becomes a lot [C#] more work to get the sound to work.
I mean, it works, and there's no reason why you wouldn't want to do that.
But it's obviously_
we were trying to get everything up in [F#] one area.
But in order sometimes to get a certain chord [Bm] voice_
_ I use that chord a [B] lot.
Yeah, it's a tricky chord.
It's nice down the way, so B-flat minor 9.
If you just move the whole [Em] chord_
_ [F] _ _ [D] _ _ [A] _ _ _ [F#m] _ _ _ [F#] _ _ _