Chords for Aaron Keyes Live - Sovereign Over Us
Tempo:
79.15 bpm
Chords used:
B
F#
E
G#m
A#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[G#m] [E] [B] Welcome to the [F#] New Song Cafe at worshiptogether.com.
Today [B] we're joined by Aaron Keys, who's going to share with us [G#m] his song, Sovereign Over Us.
So sit back and [E] enjoy this New Song Cafe.
[G] Aaron, Austin, welcome.
Happy to have you guys here.
Thank you.
Aaron, you're going to share a song called Sovereign Over Us.
You wrote the song with a couple of other people, right?
Yeah, two good friends, Jack Mooring and Brian Brown.
Tell us a little bit about that.
Yeah, it was fun.
So, Brian and I, we got together actually on a writer's retreat about a year ago, and
we started writing a song.
We wanted to write a song about just being honest about how we hurt sometimes and how
we, even as believers, we go through seasons of mourning and grieving, you know?
But the Lord's, He's there in those seasons.
Not only that, He's sovereign over those seasons.
And the chorus kind of came from Jeremiah 29, 11, where you probably know it.
It says, I have plans to prosper you and not to harm you.
I also give you hope and a future.
So, we wanted to really be able to sing that promise.
Your plans are still to prosper us, even in the middle of whatever we're going through.
And it's kind of like the Romans 8 thing.
All things work together for our good.
But more than that, at the end of Genesis, Joseph says, even what you intended for evil,
God meant for good.
And so, I kind of wanted to put that in as the bridge because it's not just that God's
able to take everything and turn it for our good and for His glory.
Even what the enemy means to harm us, God is able to redeem and to transform, to bless
us and to bring Him more glory.
And so, we want to write a song about that.
We'd love it if you guys would share the song with us.
Yeah, so here's the bite-sized version of it.
It [F#m] goes like this.
There [G#m] is strength within [B] the sorrow.
[F#]
There [B] is beauty in our tears.
[G#m]
When you meet us [B] in our mourning, [F#]
with the love [B] that casts out fear.
[G#m] You are [B] working in our waiting.
[F#] You're [B] sanctifying us.
Been beyond our understanding.
[F#] You're [B] teaching us to trust that your plans are still to prosper.
[F#] You have not forgotten [G#m]
us.
[E] You're with us [B] in the fire and the [F#] flood.
[E] Faithful [B] forever, [F#] perfect [B] in love.
You are sovereign over us.
Even what the enemy means for evil, you turn [E] it for our [C#m] good.
You turn [F#] it for our good.
And for your [B] glory, even in the valley, you [E] are faithful.
You're working for our good.
You're working [F#] for our good.
For your [B] glory, your plans are still to prosper.
[F#] You've not [G#m] forgotten us.
[B] You're with us in the fire and the [F#] flood.
[B]
Faithful forever, [F#] perfect [G#m] in love.
[B] You are sovereign over us.
Faithful forever, [F#] perfect [B] in love.
You are sovereign over us.
That was a great song, guys.
[G#] Really is.
I love how that bridge, kind of when you're making that declaration from the end of Genesis,
how even melodically it's such a big, powerful section.
Cool, thanks, man.
We'd love it if you'd kind of teach us the chords.
And it looked like there's some cool voicings that you're playing if you just walk us through those.
Yeah, well, the song's actually in B, and I'm playing it in C,
and I just tuned my whole guitar down half of a step.
Oh, great.
So I'm cheating, very much cheating, because I hate playing in B,
because all the shapes are stupid.
Maybe not cheating, maybe you're just smart.
Maybe.
It's a shortcut, though.
[A#] But I like tuning the guitar down every [G#] now and then,
because you can really get those deeper, rich [E] tones.
And [B] so if [F#] you're cheating, or you're playing it in C,
the whole verse is just real simple.
It's 6 [G#]-4-5-1.
So in C, it's A minor, strength, then [E] the saw, then F.
So there's the four chord.
[F#] And then it's a five over seven.
There's beauty in our tears.
[A#] So it's a G over [F#] B, [B] and then C.
[E] And then when you were playing that F,
[F] could [B] you just show me the voicing that you were [G#m] playing real quick
when you were [B] singing through it?
Yeah, yeah.
Yeah, so that's kind of an [F#] F9 chord, because it leaves a [B] G string to ring [G#] out.
And so coming from that A minor, there's strength, then [E] the saw.
Yeah, that's great.
[B] And [A#] then that G [F#] over B.
There's beauty in [B] our tears.
So that's the whole [Cm] verse.
You just cycle [E] through those chords.
And the chorus starts in the four chord.
[B] [F#]
[G#m] C.
A [E] minor.
[B] [F#] So [C] I guess it's 4-1-5-6 [E]-4-1-5.
And you just do that twice.
[B]
[F#] [G#m] And then 4-5 [E]-1.
[B]
And then the bridge is kind of just one.
[E] Four.
[C#m]
[F#] Two.
Five.
[B] Same thing twice.
So in this case, you're [E] going C, [Cm] F, [C#m] D minor, [F#] and then G.
So I mean, again, that's tuned [A#] down.
If you wanted to play it in B, like if you wanted to be more [G] honest,
it'd [A#] be like G sharp minor, [D#] and then E, [A#] then F [F] sharp.
There's beauty in [A#] our tears.
Right, but since [E] I'm tuned down half a [G] step, now we're actually in B flat.
[D#] So you just put [E] it in B if you wanted it in G.
Yeah.
Awesome, [G#m] and could you walk us through how to play those couple of lead lines that you're
playing?
There's one in the verse, and then I felt like there was one in the chorus that
you're playing kind of over the whole thing.
Sure.
There's this great piano part on the recording, and it's kind of complicated.
So I've just picked out the most prominent melody line on the top.
And it's kind of just this kind of rising melody line.
It kind of goes like this.
[B] [F#]
[B] [G#m] So pretty much it, yeah.
Cool, yeah.
[Em] It kind of just [G#m] goes back and forth between a couple notes, kind of all the way up, you know, so.
And then on the chorus, it's just one simple lick that kind of resets after each chord
of the chorus.
It kind of works over all of them, and it's pretty [B] much Yeah, thanks.
[E] [B]
[G#m] [E] [B]
That's cool.
It's amazing how much simple little tasteful things like that can add to the overall arrangement though.
Appreciate you teaching that, and appreciate you guys being here and sharing the song with us.
[E] [C#m] [F#]
[B] [E]
[C#m] [N]
Today [B] we're joined by Aaron Keys, who's going to share with us [G#m] his song, Sovereign Over Us.
So sit back and [E] enjoy this New Song Cafe.
[G] Aaron, Austin, welcome.
Happy to have you guys here.
Thank you.
Aaron, you're going to share a song called Sovereign Over Us.
You wrote the song with a couple of other people, right?
Yeah, two good friends, Jack Mooring and Brian Brown.
Tell us a little bit about that.
Yeah, it was fun.
So, Brian and I, we got together actually on a writer's retreat about a year ago, and
we started writing a song.
We wanted to write a song about just being honest about how we hurt sometimes and how
we, even as believers, we go through seasons of mourning and grieving, you know?
But the Lord's, He's there in those seasons.
Not only that, He's sovereign over those seasons.
And the chorus kind of came from Jeremiah 29, 11, where you probably know it.
It says, I have plans to prosper you and not to harm you.
I also give you hope and a future.
So, we wanted to really be able to sing that promise.
Your plans are still to prosper us, even in the middle of whatever we're going through.
And it's kind of like the Romans 8 thing.
All things work together for our good.
But more than that, at the end of Genesis, Joseph says, even what you intended for evil,
God meant for good.
And so, I kind of wanted to put that in as the bridge because it's not just that God's
able to take everything and turn it for our good and for His glory.
Even what the enemy means to harm us, God is able to redeem and to transform, to bless
us and to bring Him more glory.
And so, we want to write a song about that.
We'd love it if you guys would share the song with us.
Yeah, so here's the bite-sized version of it.
It [F#m] goes like this.
There [G#m] is strength within [B] the sorrow.
[F#]
There [B] is beauty in our tears.
[G#m]
When you meet us [B] in our mourning, [F#]
with the love [B] that casts out fear.
[G#m] You are [B] working in our waiting.
[F#] You're [B] sanctifying us.
Been beyond our understanding.
[F#] You're [B] teaching us to trust that your plans are still to prosper.
[F#] You have not forgotten [G#m]
us.
[E] You're with us [B] in the fire and the [F#] flood.
[E] Faithful [B] forever, [F#] perfect [B] in love.
You are sovereign over us.
Even what the enemy means for evil, you turn [E] it for our [C#m] good.
You turn [F#] it for our good.
And for your [B] glory, even in the valley, you [E] are faithful.
You're working for our good.
You're working [F#] for our good.
For your [B] glory, your plans are still to prosper.
[F#] You've not [G#m] forgotten us.
[B] You're with us in the fire and the [F#] flood.
[B]
Faithful forever, [F#] perfect [G#m] in love.
[B] You are sovereign over us.
Faithful forever, [F#] perfect [B] in love.
You are sovereign over us.
That was a great song, guys.
[G#] Really is.
I love how that bridge, kind of when you're making that declaration from the end of Genesis,
how even melodically it's such a big, powerful section.
Cool, thanks, man.
We'd love it if you'd kind of teach us the chords.
And it looked like there's some cool voicings that you're playing if you just walk us through those.
Yeah, well, the song's actually in B, and I'm playing it in C,
and I just tuned my whole guitar down half of a step.
Oh, great.
So I'm cheating, very much cheating, because I hate playing in B,
because all the shapes are stupid.
Maybe not cheating, maybe you're just smart.
Maybe.
It's a shortcut, though.
[A#] But I like tuning the guitar down every [G#] now and then,
because you can really get those deeper, rich [E] tones.
And [B] so if [F#] you're cheating, or you're playing it in C,
the whole verse is just real simple.
It's 6 [G#]-4-5-1.
So in C, it's A minor, strength, then [E] the saw, then F.
So there's the four chord.
[F#] And then it's a five over seven.
There's beauty in our tears.
[A#] So it's a G over [F#] B, [B] and then C.
[E] And then when you were playing that F,
[F] could [B] you just show me the voicing that you were [G#m] playing real quick
when you were [B] singing through it?
Yeah, yeah.
Yeah, so that's kind of an [F#] F9 chord, because it leaves a [B] G string to ring [G#] out.
And so coming from that A minor, there's strength, then [E] the saw.
Yeah, that's great.
[B] And [A#] then that G [F#] over B.
There's beauty in [B] our tears.
So that's the whole [Cm] verse.
You just cycle [E] through those chords.
And the chorus starts in the four chord.
[B] [F#]
[G#m] C.
A [E] minor.
[B] [F#] So [C] I guess it's 4-1-5-6 [E]-4-1-5.
And you just do that twice.
[B]
[F#] [G#m] And then 4-5 [E]-1.
[B]
And then the bridge is kind of just one.
[E] Four.
[C#m]
[F#] Two.
Five.
[B] Same thing twice.
So in this case, you're [E] going C, [Cm] F, [C#m] D minor, [F#] and then G.
So I mean, again, that's tuned [A#] down.
If you wanted to play it in B, like if you wanted to be more [G] honest,
it'd [A#] be like G sharp minor, [D#] and then E, [A#] then F [F] sharp.
There's beauty in [A#] our tears.
Right, but since [E] I'm tuned down half a [G] step, now we're actually in B flat.
[D#] So you just put [E] it in B if you wanted it in G.
Yeah.
Awesome, [G#m] and could you walk us through how to play those couple of lead lines that you're
playing?
There's one in the verse, and then I felt like there was one in the chorus that
you're playing kind of over the whole thing.
Sure.
There's this great piano part on the recording, and it's kind of complicated.
So I've just picked out the most prominent melody line on the top.
And it's kind of just this kind of rising melody line.
It kind of goes like this.
[B] [F#]
[B] [G#m] So pretty much it, yeah.
Cool, yeah.
[Em] It kind of just [G#m] goes back and forth between a couple notes, kind of all the way up, you know, so.
And then on the chorus, it's just one simple lick that kind of resets after each chord
of the chorus.
It kind of works over all of them, and it's pretty [B] much Yeah, thanks.
[E] [B]
[G#m] [E] [B]
That's cool.
It's amazing how much simple little tasteful things like that can add to the overall arrangement though.
Appreciate you teaching that, and appreciate you guys being here and sharing the song with us.
[E] [C#m] [F#]
[B] [E]
[C#m] [N]
Key:
B
F#
E
G#m
A#
B
F#
E
[G#m] _ _ _ [E] _ _ _ [B] Welcome to the [F#] New Song Cafe at worshiptogether.com.
Today [B] we're joined by Aaron Keys, who's going to share with us [G#m] his song, Sovereign Over Us.
So sit back and [E] enjoy this New Song Cafe.
[G] Aaron, Austin, welcome.
Happy to have you guys here.
Thank you.
Aaron, you're going to share a song called Sovereign Over Us.
You wrote the song with a couple of other people, right?
Yeah, two good friends, Jack Mooring and Brian Brown.
Tell us a little bit about that.
Yeah, it was fun.
So, Brian and I, we got together actually on a writer's retreat about a year ago, and
we started writing a song.
We wanted to write a song about just being honest about how we hurt sometimes and how
we, even as believers, we go through seasons of mourning and grieving, you know?
But the Lord's, He's there in those seasons.
Not only that, He's sovereign over those seasons.
And the chorus kind of came from Jeremiah 29, 11, where you probably know it.
It says, I have plans to prosper you and not to harm you.
I also give you hope and a future.
So, we wanted to really be able to sing that promise.
Your plans are still to prosper us, even in the middle of whatever we're going through.
And it's kind of like the Romans 8 thing.
All things work together for our good.
But more than that, at the end of Genesis, Joseph says, even what you intended for evil,
God meant for good.
And so, I kind of wanted to put that in as the bridge because it's not just that God's
able to take everything and turn it for our good and for His glory.
Even what the enemy means to harm us, God is able to redeem and to transform, to bless
us and to bring Him more glory.
And so, we want to write a song about that.
We'd love it if you guys would share the song with us.
Yeah, so here's the bite-sized version of it.
It [F#m] goes like this.
There [G#m] _ is strength within [B] the sorrow.
_ _ _ [F#] _
There [B] is beauty in our tears.
_ _ _ [G#m]
When you meet us [B] in our mourning, _ _ _ [F#] _
with the love [B] that casts out fear. _ _ _
[G#m] You are [B] working in our waiting. _ _ _
[F#] You're [B] sanctifying us. _ _ _
Been beyond our understanding. _ _ _
[F#] _ You're [B] teaching us to trust _ that your plans are still to prosper.
[F#] You have not forgotten [G#m]
us.
[E] You're with us [B] in the fire and the [F#] flood. _
_ [E] Faithful [B] forever, [F#] perfect [B] in love.
You are sovereign over us.
_ _ _ Even what the enemy means for evil, you turn [E] it for our [C#m] good.
You turn [F#] it for our good.
And for your [B] glory, even in the valley, you [E] are faithful.
You're working for our good.
You're working [F#] for our good.
For your [B] glory, your plans are still to prosper.
[F#] You've not [G#m] forgotten us.
[B] You're with us in the fire and the [F#] flood.
_ _ [B] _ _ _
Faithful forever, [F#] perfect [G#m] in love.
[B] You are sovereign over us.
_ _ Faithful forever, _ [F#] perfect [B] in love.
You are sovereign over us.
_ _ That was a great song, guys.
[G#] Really is.
I love how that bridge, kind of when you're making that declaration from the end of Genesis,
how even melodically it's such a big, powerful section.
Cool, thanks, man.
We'd love it if you'd kind of teach us the chords.
And it looked like there's some cool voicings that you're playing if you just walk us through those.
Yeah, well, the song's actually in B, and I'm playing it in C,
and I just tuned my whole guitar down half of a step.
Oh, great.
So I'm cheating, very much cheating, because I hate playing in B,
because all the shapes are stupid.
_ Maybe not cheating, maybe you're just smart.
Maybe.
It's a shortcut, though.
[A#] But I like tuning the guitar down every [G#] now and then,
because you can really get those deeper, rich [E] tones.
And [B] so if [F#] you're cheating, or you're playing it in C,
the whole verse is just real simple.
It's 6 [G#]-4-5-1.
So in C, it's A minor, strength, then [E] the saw, then F.
So there's the four chord.
[F#] And then it's a five over seven.
There's beauty in our tears.
[A#] So it's a G over [F#] B, [B] and then C.
[E] And then when you were playing that F,
[F] could [B] you just show me the voicing that you were [G#m] playing real quick
when you were [B] singing through it?
Yeah, yeah.
Yeah, so that's kind of an [F#] F9 chord, because it leaves a [B] G string to ring [G#] out.
And so coming from that A minor, there's strength, then [E] the saw.
Yeah, that's great.
[B] And [A#] then that G [F#] over B.
There's beauty in [B] our tears.
So that's the whole [Cm] verse.
You just cycle [E] through those chords.
And the chorus starts in the four chord.
_ [B] _ _ [F#] _ _
[G#m] C.
A [E] minor.
_ _ [B] _ [F#] So [C] I guess it's 4-1-5-6 [E]-4-1-5.
And you just do that twice.
_ [B] _
[F#] _ _ [G#m] And then 4-5 [E]-1.
[B] _ _ _
And then the bridge is kind of just one. _ _
[E] Four.
_ _ _ [C#m] _ _ _
[F#] Two.
Five.
_ [B] Same thing twice.
So in this case, you're [E] going C, [Cm] F, [C#m] D minor, [F#] and then G.
So I mean, again, that's tuned [A#] down.
If you wanted to play it in B, like if you wanted to be more [G] honest,
it'd [A#] be like G sharp minor, [D#] and then E, _ [A#] then F [F] sharp.
There's beauty in [A#] our tears.
Right, but since [E] I'm tuned down half a [G] step, now we're actually in B flat. _ _
[D#] So you just put [E] it in B if you wanted it in G.
Yeah.
Awesome, [G#m] and could you walk us through how to play those couple of lead lines that you're
playing?
There's one in the verse, and then I felt like there was one in the chorus that
you're playing kind of over the whole thing.
Sure.
There's this great piano part on the recording, and it's kind of complicated.
So I've just picked out the most prominent melody line on the top.
And it's kind of just this kind of rising melody line.
It kind of goes like this. _ _ _ _ _ _
[B] _ _ _ _ _ [F#] _ _ _
[B] _ _ _ [G#m] _ _ _ So pretty much it, yeah.
Cool, yeah.
[Em] It kind of just [G#m] goes back and forth between a couple notes, kind of all the way up, you know, so.
And then on the chorus, it's just one simple lick that kind of resets after each chord
of the chorus.
It kind of works over all of them, and it's pretty [B] much_ Yeah, thanks.
[E] _ [B] _ _ _ _ _
[G#m] _ _ _ [E] _ [B] _ _ _ _
_ _ _ _ That's cool.
It's amazing how much simple little tasteful things like that can add to the overall arrangement though.
Appreciate you teaching that, and appreciate you guys being here and sharing the song with us.
_ _ _ [E] _ _ _ _ [C#m] _ _ _ _ [F#] _ _
_ _ [B] _ _ _ _ [E] _ _
_ _ [C#m] _ _ _ _ _ [N] _
Today [B] we're joined by Aaron Keys, who's going to share with us [G#m] his song, Sovereign Over Us.
So sit back and [E] enjoy this New Song Cafe.
[G] Aaron, Austin, welcome.
Happy to have you guys here.
Thank you.
Aaron, you're going to share a song called Sovereign Over Us.
You wrote the song with a couple of other people, right?
Yeah, two good friends, Jack Mooring and Brian Brown.
Tell us a little bit about that.
Yeah, it was fun.
So, Brian and I, we got together actually on a writer's retreat about a year ago, and
we started writing a song.
We wanted to write a song about just being honest about how we hurt sometimes and how
we, even as believers, we go through seasons of mourning and grieving, you know?
But the Lord's, He's there in those seasons.
Not only that, He's sovereign over those seasons.
And the chorus kind of came from Jeremiah 29, 11, where you probably know it.
It says, I have plans to prosper you and not to harm you.
I also give you hope and a future.
So, we wanted to really be able to sing that promise.
Your plans are still to prosper us, even in the middle of whatever we're going through.
And it's kind of like the Romans 8 thing.
All things work together for our good.
But more than that, at the end of Genesis, Joseph says, even what you intended for evil,
God meant for good.
And so, I kind of wanted to put that in as the bridge because it's not just that God's
able to take everything and turn it for our good and for His glory.
Even what the enemy means to harm us, God is able to redeem and to transform, to bless
us and to bring Him more glory.
And so, we want to write a song about that.
We'd love it if you guys would share the song with us.
Yeah, so here's the bite-sized version of it.
It [F#m] goes like this.
There [G#m] _ is strength within [B] the sorrow.
_ _ _ [F#] _
There [B] is beauty in our tears.
_ _ _ [G#m]
When you meet us [B] in our mourning, _ _ _ [F#] _
with the love [B] that casts out fear. _ _ _
[G#m] You are [B] working in our waiting. _ _ _
[F#] You're [B] sanctifying us. _ _ _
Been beyond our understanding. _ _ _
[F#] _ You're [B] teaching us to trust _ that your plans are still to prosper.
[F#] You have not forgotten [G#m]
us.
[E] You're with us [B] in the fire and the [F#] flood. _
_ [E] Faithful [B] forever, [F#] perfect [B] in love.
You are sovereign over us.
_ _ _ Even what the enemy means for evil, you turn [E] it for our [C#m] good.
You turn [F#] it for our good.
And for your [B] glory, even in the valley, you [E] are faithful.
You're working for our good.
You're working [F#] for our good.
For your [B] glory, your plans are still to prosper.
[F#] You've not [G#m] forgotten us.
[B] You're with us in the fire and the [F#] flood.
_ _ [B] _ _ _
Faithful forever, [F#] perfect [G#m] in love.
[B] You are sovereign over us.
_ _ Faithful forever, _ [F#] perfect [B] in love.
You are sovereign over us.
_ _ That was a great song, guys.
[G#] Really is.
I love how that bridge, kind of when you're making that declaration from the end of Genesis,
how even melodically it's such a big, powerful section.
Cool, thanks, man.
We'd love it if you'd kind of teach us the chords.
And it looked like there's some cool voicings that you're playing if you just walk us through those.
Yeah, well, the song's actually in B, and I'm playing it in C,
and I just tuned my whole guitar down half of a step.
Oh, great.
So I'm cheating, very much cheating, because I hate playing in B,
because all the shapes are stupid.
_ Maybe not cheating, maybe you're just smart.
Maybe.
It's a shortcut, though.
[A#] But I like tuning the guitar down every [G#] now and then,
because you can really get those deeper, rich [E] tones.
And [B] so if [F#] you're cheating, or you're playing it in C,
the whole verse is just real simple.
It's 6 [G#]-4-5-1.
So in C, it's A minor, strength, then [E] the saw, then F.
So there's the four chord.
[F#] And then it's a five over seven.
There's beauty in our tears.
[A#] So it's a G over [F#] B, [B] and then C.
[E] And then when you were playing that F,
[F] could [B] you just show me the voicing that you were [G#m] playing real quick
when you were [B] singing through it?
Yeah, yeah.
Yeah, so that's kind of an [F#] F9 chord, because it leaves a [B] G string to ring [G#] out.
And so coming from that A minor, there's strength, then [E] the saw.
Yeah, that's great.
[B] And [A#] then that G [F#] over B.
There's beauty in [B] our tears.
So that's the whole [Cm] verse.
You just cycle [E] through those chords.
And the chorus starts in the four chord.
_ [B] _ _ [F#] _ _
[G#m] C.
A [E] minor.
_ _ [B] _ [F#] So [C] I guess it's 4-1-5-6 [E]-4-1-5.
And you just do that twice.
_ [B] _
[F#] _ _ [G#m] And then 4-5 [E]-1.
[B] _ _ _
And then the bridge is kind of just one. _ _
[E] Four.
_ _ _ [C#m] _ _ _
[F#] Two.
Five.
_ [B] Same thing twice.
So in this case, you're [E] going C, [Cm] F, [C#m] D minor, [F#] and then G.
So I mean, again, that's tuned [A#] down.
If you wanted to play it in B, like if you wanted to be more [G] honest,
it'd [A#] be like G sharp minor, [D#] and then E, _ [A#] then F [F] sharp.
There's beauty in [A#] our tears.
Right, but since [E] I'm tuned down half a [G] step, now we're actually in B flat. _ _
[D#] So you just put [E] it in B if you wanted it in G.
Yeah.
Awesome, [G#m] and could you walk us through how to play those couple of lead lines that you're
playing?
There's one in the verse, and then I felt like there was one in the chorus that
you're playing kind of over the whole thing.
Sure.
There's this great piano part on the recording, and it's kind of complicated.
So I've just picked out the most prominent melody line on the top.
And it's kind of just this kind of rising melody line.
It kind of goes like this. _ _ _ _ _ _
[B] _ _ _ _ _ [F#] _ _ _
[B] _ _ _ [G#m] _ _ _ So pretty much it, yeah.
Cool, yeah.
[Em] It kind of just [G#m] goes back and forth between a couple notes, kind of all the way up, you know, so.
And then on the chorus, it's just one simple lick that kind of resets after each chord
of the chorus.
It kind of works over all of them, and it's pretty [B] much_ Yeah, thanks.
[E] _ [B] _ _ _ _ _
[G#m] _ _ _ [E] _ [B] _ _ _ _
_ _ _ _ That's cool.
It's amazing how much simple little tasteful things like that can add to the overall arrangement though.
Appreciate you teaching that, and appreciate you guys being here and sharing the song with us.
_ _ _ [E] _ _ _ _ [C#m] _ _ _ _ [F#] _ _
_ _ [B] _ _ _ _ [E] _ _
_ _ [C#m] _ _ _ _ _ [N] _