Chords for Access All Areas: starring Mick Ronson (Spontanuity promo clip)

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[D] _ [B] Well, Nick was one of those guys that we [D] all knew, you know, he's a great guitar player.
_ [F#] And never got to the point where he got to be in that _ _
[D] magical, you know, back [G] page.
He would have been though, if [Dm] he would have stayed alive, [E] he would have been one of those guys.
Everybody that's into any kind of glam rock, [A] any _ of that [G] kind of rock, _ worships Mick Bronson.
_ _ _ _ _ [F#] Oh, we don't talk much, [A] we just ball and play, and [B] I'm a move around like tigers on grass.
_ _ _ _ _ You know [G#] the bit of Punjab [A] better on a stone than guitar, [B] you're the blessed red [F#m] spider's foot.
[B] _ _ _ _ Yeah, [C] come on, [Am] come on, [C] you really got everything.
[E] When something new happens, there's always a goldfish bowl, you know, and everybody gets [Em] very precious because [E] they're part of it.
You know, money doesn't matter, [G] it's just something that's happening, it's [C] great.
You looked at [G] David, who was like from another planet, and then you looked at Mick, [C] who was like God's gift to women, you know.
I mean, it was like a lethal [G] combination, [C] and it was going places, and it was going places quick.
[F] _ [C] _ _ _ _ I'm up on the 11th [F] floor and I'm watching the [C] cruises below. _
[F] _ [C] _ _ _ [F] _ [C] Down on the street and it's [F] dry, I'm watching the cruises go flow. _
_ [C] _ _ _ [F] Oh, my [C] heart's in the basement.
I looked at it for [F] about two seconds, and [C] it was like [A] looking at Hendrix [C] for the first time.
It was like, oh, no, you know, _ [D] now we have to deal with this.
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_ _ _ _ _ _ Look down my six-string razor [D] _ and hit the [G] sky.
_ _ [Am] _ Halfway to [G] Milford, or I'll [Em] bring you down.
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[C] _ _ _ [G] He was my favourite guitar player, and probably always will [E] be. _ _ _
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[E] He was _ musically trained, and could [A] play just about [E] anything, and did.
Had a revolutionary spirit about it, and it didn't stay around long enough to get stale.
It kind of zipped off real fast.
We'd been through Plow Pow and Blue, that's [A] what had come before,
[E]
and everybody felt like we need a bit of showbiz, we need a bit of pizzazz, you know.
And it was really [E] brilliant the way it was done.
_ Elton walked out halfway through, said, this ain't rock and roll, and it wasn't, but it was amazing.
What was interesting about it, they were like three and a half minute songs, you [B] know, with a flippery _ guitar sound.
There was a sexuality in the music.
Certainly there was a sexuality in David's attitude.
Certainly there was a sexuality in what happened between David and Mick,
and even though it was a proper thing, it [A] turned the girls on enormously.
There was nothing [E] stereotypical about what [A] they were doing.
They were laying down a [D] new [E] cypher.
When he played his first few notes, and just was getting his tone out of his amplifier,
David and I looked at each other, and we went like silently, wow.
_ Mr.
[F#] Bowie, what a [Em] fucking [G] caper.
_ _ [F] _ _ _ [C] _
_ _ I visited the recording [G] session of Transformer [F] on one day when [C] David invited me.
To me it sounded so awesome and revolutionary, you know, really brand [F] new, crisp sound and all that.
I [C] was really impressed.
Mick was [G] a great producer, [F] and what he did, your arsenal for [C] Morrissey is considered Morrissey's, [G] one of his best solo [F] albums.
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[D] _ _ _ [F#] Mick Malmey said, hey, I'm playing with [F] Bob Dylan.
This is why the world loved Ronald.
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_ Because man, he came up to the [D] stage, and somebody put the guitar [G] in his hand. _ _
[Dm] And he didn't ask what key [F] it was, he didn't ask [G] what the song was, he just started playing it.
_ He [Dm] just started playing, and he blew the [G] place apart. _
[E] Absolutely blew the place apart.
He wasn't innocent _ exactly [G] in that other way, because none of us [D] were.
But he wasn't innocent. _
I'd like to introduce you to my partner over there on the guitar, Mr.
Mick Ronson, called Sweet Dreven. _ _ _ _ _
_ _ _ It was a privilege, it was a privilege [C#m] _
_ _ _ musically, it was a [D] privilege because he was a good friend, you know.
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And real [D] good friends don't go untruth.
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