Chords for Action Bronson - 'Mr. Wonderful' Teaser
Tempo:
80.5 bpm
Chords used:
C
E
Bm
G
D
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Hey Action, are you ready man?
I'm ready.
Of course I'm ready.
Alright, we're rolling.
This is Mr.
Wonderful, Only in America, take 22.
[C]
Only in America, [D] I just can't seem [C] to get you off of my [Bm] mind.
Give me some more bass.
[G] [C]
[E] Just a little more bass.
Only [Bm] in [C] America.
[G] [C] Slightly more bass.
[E] Alright.
[G] [C] This [Bm] is the one we've been waiting for.
[C]
[A] I'm waiting for lunch.
This is half time.
We need, we [C] need em on this.
[B] [C] [E]
You [C] think that the bass is rounding out the vocal?
[E] [A] I don't think so, I think it sounds pretty balanced [Bm] to me.
The bass is definitely drowning out [E] the vocal.
Take the bass out, turn it down a [G] little bit, turn the vocal up.
[E] Do what you said man.
[G] Bring it up.
I'm sick and I'm tired of [C] having people play.
[Bb] [G] Having people [Bb] play.
[C] Ow!
[E] Listen, it doesn't matter, I need the vocal right.
[D] The bass is [C] drowning it.
Bass.
Alright.
[E] Is this better?
Does this sound better to you now?
[C]
How do you think, [Bm] definitely better?
There's [D] absolutely no bass.
[B] At all.
Bring up the bass.
You've [E] been fooling, say I don't [C] rule it.
We need the tapes.
If we take the tapes to the label, they're gonna give us the record deal.
Have you even heard what's on there?
Pure [Am] gold.
I'm falling [Gb] for the sun.
[A]
[C] Guys, out of your fucking mind.
You see, this [Bm] is how it works, okay.
[E] First you pay me the money, [C] then you get the tapes.
We need the tapes [G] first.
How are we gonna get the deal without the [C] tapes?
It ain't gonna happen, you know why?
[E] It's a catch 22.
What the fuck does that even mean?
[Am] It's a catch 22.
What does that mean?
[Bm] I have no idea what that means.
[C] I'm in the fucking band.
[Bm] [C] [D]
I'm ready.
Of course I'm ready.
Alright, we're rolling.
This is Mr.
Wonderful, Only in America, take 22.
[C]
Only in America, [D] I just can't seem [C] to get you off of my [Bm] mind.
Give me some more bass.
[G] [C]
[E] Just a little more bass.
Only [Bm] in [C] America.
[G] [C] Slightly more bass.
[E] Alright.
[G] [C] This [Bm] is the one we've been waiting for.
[C]
[A] I'm waiting for lunch.
This is half time.
We need, we [C] need em on this.
[B] [C] [E]
You [C] think that the bass is rounding out the vocal?
[E] [A] I don't think so, I think it sounds pretty balanced [Bm] to me.
The bass is definitely drowning out [E] the vocal.
Take the bass out, turn it down a [G] little bit, turn the vocal up.
[E] Do what you said man.
[G] Bring it up.
I'm sick and I'm tired of [C] having people play.
[Bb] [G] Having people [Bb] play.
[C] Ow!
[E] Listen, it doesn't matter, I need the vocal right.
[D] The bass is [C] drowning it.
Bass.
Alright.
[E] Is this better?
Does this sound better to you now?
[C]
How do you think, [Bm] definitely better?
There's [D] absolutely no bass.
[B] At all.
Bring up the bass.
You've [E] been fooling, say I don't [C] rule it.
We need the tapes.
If we take the tapes to the label, they're gonna give us the record deal.
Have you even heard what's on there?
Pure [Am] gold.
I'm falling [Gb] for the sun.
[A]
[C] Guys, out of your fucking mind.
You see, this [Bm] is how it works, okay.
[E] First you pay me the money, [C] then you get the tapes.
We need the tapes [G] first.
How are we gonna get the deal without the [C] tapes?
It ain't gonna happen, you know why?
[E] It's a catch 22.
What the fuck does that even mean?
[Am] It's a catch 22.
What does that mean?
[Bm] I have no idea what that means.
[C] I'm in the fucking band.
[Bm] [C] [D]
Key:
C
E
Bm
G
D
C
E
Bm
_ _ _ _ Hey Action, are you ready man?
I'm ready.
Of course I'm ready.
_ Alright, we're rolling.
This is Mr.
Wonderful, Only in America, take 22.
_ _ [C] _
Only in America, _ [D] I just can't seem [C] to get you off of my [Bm] mind.
Give me some more bass.
[G] _ _ [C]
[E] Just a little more bass.
Only [Bm] in [C] America.
_ [G] _ [C] Slightly more bass.
[E] Alright. _ _ _ _ _ _
_ _ [G] _ [C] This [Bm] is the one we've been waiting for.
[C] _
[A] I'm waiting for lunch.
This is half time.
We need, we [C] need em on this.
_ [B] _ [C] _ _ [E] _ _
You _ _ [C] _ think that the bass is rounding out the vocal?
[E] _ [A] I don't think so, I think it sounds pretty balanced [Bm] to me.
The bass is definitely drowning out [E] the vocal.
Take the bass out, turn it down a [G] little bit, turn the vocal up.
[E] Do what you said man.
[G] Bring it up.
I'm sick and I'm tired of [C] having people play.
[Bb] _ [G] Having people [Bb] play.
[C] Ow!
_ [E] Listen, it doesn't matter, I need the vocal right.
[D] The bass is [C] drowning it.
Bass.
Alright.
[E] Is this better?
Does this sound better to you now?
_ _ [C]
How do you think, [Bm] definitely better?
There's [D] absolutely no bass.
[B] At all.
Bring up the bass.
You've [E] been fooling, say I don't [C] rule it.
We need the tapes.
If we take the tapes to the label, they're gonna give us the record deal.
Have you even heard what's on there?
Pure [Am] gold.
I'm falling [Gb] for the sun.
[A] _
_ [C] Guys, out of your fucking mind.
You see, this [Bm] is how it works, okay.
[E] First you pay me the money, [C] then you get the tapes.
We need the tapes [G] first.
How are we gonna get the deal without the [C] tapes?
It ain't gonna happen, you know why?
[E] It's a catch 22.
What the fuck does that even mean?
[Am] It's a catch 22.
What does that mean?
[Bm] I have no idea what that means.
[C] I'm in the fucking band.
_ [Bm] _ [C] _ _ [D] _ _ _
I'm ready.
Of course I'm ready.
_ Alright, we're rolling.
This is Mr.
Wonderful, Only in America, take 22.
_ _ [C] _
Only in America, _ [D] I just can't seem [C] to get you off of my [Bm] mind.
Give me some more bass.
[G] _ _ [C]
[E] Just a little more bass.
Only [Bm] in [C] America.
_ [G] _ [C] Slightly more bass.
[E] Alright. _ _ _ _ _ _
_ _ [G] _ [C] This [Bm] is the one we've been waiting for.
[C] _
[A] I'm waiting for lunch.
This is half time.
We need, we [C] need em on this.
_ [B] _ [C] _ _ [E] _ _
You _ _ [C] _ think that the bass is rounding out the vocal?
[E] _ [A] I don't think so, I think it sounds pretty balanced [Bm] to me.
The bass is definitely drowning out [E] the vocal.
Take the bass out, turn it down a [G] little bit, turn the vocal up.
[E] Do what you said man.
[G] Bring it up.
I'm sick and I'm tired of [C] having people play.
[Bb] _ [G] Having people [Bb] play.
[C] Ow!
_ [E] Listen, it doesn't matter, I need the vocal right.
[D] The bass is [C] drowning it.
Bass.
Alright.
[E] Is this better?
Does this sound better to you now?
_ _ [C]
How do you think, [Bm] definitely better?
There's [D] absolutely no bass.
[B] At all.
Bring up the bass.
You've [E] been fooling, say I don't [C] rule it.
We need the tapes.
If we take the tapes to the label, they're gonna give us the record deal.
Have you even heard what's on there?
Pure [Am] gold.
I'm falling [Gb] for the sun.
[A] _
_ [C] Guys, out of your fucking mind.
You see, this [Bm] is how it works, okay.
[E] First you pay me the money, [C] then you get the tapes.
We need the tapes [G] first.
How are we gonna get the deal without the [C] tapes?
It ain't gonna happen, you know why?
[E] It's a catch 22.
What the fuck does that even mean?
[Am] It's a catch 22.
What does that mean?
[Bm] I have no idea what that means.
[C] I'm in the fucking band.
_ [Bm] _ [C] _ _ [D] _ _ _