Chords for Adam Cohen , So Long Marianne, Vicar street Dublin 13 11 2012

Tempo:
92.475 bpm
Chords used:

G

C

D

Em

E

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
Adam Cohen , So Long Marianne, Vicar street Dublin 13 11 2012 chords
Start Jamming...
I'm gonna do that.
That's about to happen.
You're gonna lose.
[Gm] Oh!
[G] Did you find yourself knowing the words you're supposed to say?
[G]
[D]
Oh, I see you're taking this one, [G] but not the others.
No!
Are you okay?
I'm just
I'm just
What's up?
[F#m]
[G] I'm just Yeah!
Yeah!
You know, it's Bobby and it's
It's Bobby and it's
They're either thinking, what's Celine's song?
You know, sometimes the anticipation of pleasure is better than the pleasure itself.
A little respect.
Come over to the window, my [Am] darling.
[C]
I'd like to try and [Em] read your [G] palm.
[F]
I used to think I was some [C] kind of gypsy boy.
[E]
Before I let you [D] take me home.
[G] For so long, Mary [Em] Anne.
It's time that we began [D] to laugh and cry.
I thought [G] about it all again.
When we [Am] were lost.
[C]
Deep [C] in the green [G] wildlife parlor.
[F]
You held on to me like [C] I was a crazy bitch.
[Em]
As we went kneeling [D] through the dark.
[G] For so long, Mary Anne.
[Em]
It's time that we began [D] to laugh and cry.
You laugh, oh God.
[G]
[Em] [G]
Now you really are such [Am] a pretty one.
I see you when [G] I've changed [G] your name again.
[F]
[C] Oh, mountainside.
I [E]
[Em] wash my lips in the [D] Dublin rain.
[G] For so long, Mary Anne.
[Em]
It's time that we began [D] to laugh and cry.
[G]
Oh, Mary [C] Anne.
[D] It's time [B] that we began [D] to laugh and cry.
[C] [G]
[C] You sing less than you did in my life.
[Em] [G]
[G]
[C] Okay, [Em] this [F#m] was a very short and curtailed [F] evening for the fray.
[G]
[C] Listen, Rufus [F#] doesn't want us to play to the [G] evening.
[Bm]
[C] [G]
[C] [G]
But he must [C] be very, very, [G]
um
He must be very [E] interested in the [G] danger.
Because we will be falling.
But we'll give this a [C] sound check at once.
[G]
There [A] are many people I have to [F#] thank this evening.
First and foremost, you.
Yeah!
[G]
[C] [G]
[C] I'd also like to thank our sound man, who was just an impeccable fellow.
He was pretty handsome, too.
Alvermere, thank you.
Right.
Great.
[C]
[G] The wolves.
[G#]
[G] Montreal.
[C] Arctic.
Bristol.
[G] The tested city of London.
But I'd like to reserve my kind thank yous [F#] for the people who accompanied me on stage.
[G] [C]
[G]
Each day that I look at you is a gem, and a good one, and [C] a treasure.
I'm [F#] happy to announce to you that in [G] the woman to my right,
[C]
[G] from Montreal,
[C]
with [G] an angel's voice,
[C] from Los Angeles, [G] California,
Miss [C] Mai Bloomfield.
[G]
[G] [Gm]
[G]
[D]
[G]
[D]
[G]
[C]
[Em] To my left, you will find one [C] guitar,
one drum,
percussion,
[G] deep in the eyebrows,
[C]
[G] from [Em] Los Angeles, California,
[G] Don Miguel.
I
[E] [G]
[C] [E] [G]
guess it would be nice.
[A]
[C]
[G]
[C] [G]
Folks, this man was out of the house.
[C]
[G]
[C] He's here [G] to see Zion, he's in summer.
That's not true.
I'd like to invite [Bm] you to sing a song one last time before we love you over you.
Are you ready?
Yes!
[G] Oh, so long, Marianne.
[Em] It's time we meet again,
[D] to laugh and cry,
and cry and laugh,
while we're all young.
[G] [D]
[G]
[D#]
[C]
[N]
Key:  
G
2131
C
3211
D
1321
Em
121
E
2311
G
2131
C
3211
D
1321
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_ _ _ _ I'm gonna do that.
That's about to happen.
You're gonna lose.
[Gm] Oh!
_ [G] Did you find yourself knowing the words you're supposed to say?
_ _ [G] _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ [D] _ _ _ _
Oh, I see you're taking this one, [G] but not the others. _
_ No!
Are you okay? _ _
I'm just_
I'm just_
What's up?
[F#m] _
[G] _ I'm _ _ _ _ _ _ _ just_ Yeah!
_ Yeah!
You know, it's Bobby and it's_
It's Bobby and it's_
They're either thinking, what's Celine's song?
You _ _ _ _ know, sometimes the anticipation of pleasure is better than the pleasure itself. _
_ _ _ _ _ _
_ _ _ _ _
A little respect. _ _ _
_ _ _ _ _
Come over to the window, my [Am] darling.
_ _ _ [C] _
_ I'd like to try and [Em] read your [G] palm.
_ _ _ _ [F] _
I used to think I was some [C] kind of gypsy boy.
_ [E] _
Before I let you [D] take me home.
_ _ _ [G] For so _ long, Mary [Em] Anne.
It's time that we began [D] to laugh and cry. _ _
_ _ I thought [G] about it all again. _ _ _ _
_ _ _ _ _ _
_ When we [Am] were lost.
_ _ _ _ [C] _
Deep [C] in the green [G] wildlife parlor.
_ _ _ [F] _
You held on to me like [C] I was a crazy bitch.
_ _ [Em] _
As we went kneeling [D] through the dark.
_ _ [G] For so long, Mary Anne.
[Em] _
It's time that we began [D] to laugh and cry. _ _
_ You laugh, oh God.
[G] _
_ _ _ _ _ _
_ _ [Em] _ _ _ [G] _
Now you really are such [Am] a pretty one. _ _ _
I see you when [G] I've changed [G] your name again.
_ _ [F] _ _ _
_ _ _ [C] Oh, _ _ mountainside.
I _ _ [E] _
[Em] wash my lips in the [D] Dublin _ rain.
_ [G] For so _ long, Mary Anne.
[Em] _
It's time that we began [D] to laugh and cry. _ _
_ _ _ _ _ [G] _
_ _ _ _ _ _
Oh, Mary [C] _ Anne.
[D] It's time [B] that we began [D] to laugh and cry. _ _
[C] _ _ _ _ _ [G] _
_ _ [C] You sing less than you did in my life.
_ _ [Em] _ _ _ [G] _
_ _ _ [G] _ _ _
_ _ [C] Okay, [Em] this [F#m] was a very short and curtailed [F] evening for the fray.
[G] _
_ [C] Listen, Rufus [F#] doesn't want us to play to the [G] evening.
_ _ [Bm] _
_ _ [C] _ _ _ [G] _
_ _ [C] _ _ _ [G] _
_ But he must [C] be very, very, [G]
um_
He must be very [E] interested in the [G] danger.
_ Because we will be falling. _
_ _ _ _ _
But we'll give this a [C] sound check at once.
_ [G] _
_ There [A] are many people I have to [F#] thank this evening.
First and foremost, you.
Yeah!
[G] _
_ _ _ _ _ _
_ _ [C] _ _ _ [G] _
_ _ [C] I'd also like to thank our sound man, who was just an impeccable fellow.
He was pretty handsome, too.
Alvermere, thank you.
Right.
Great.
[C] _ _ _
[G] The wolves.
_ [G#] _
[G] Montreal.
_ [C] Arctic.
Bristol.
[G] The tested city of London. _ _ _
But I'd like to reserve my kind thank yous [F#] for the people who accompanied me on stage.
[G] _ _ [C] _ _ _
[G] _ _ _ _ _
Each day that I look at you is a gem, and a good one, and [C] a treasure.
I'm [F#] happy to announce to you that in [G] the woman to my right,
[C] _
_ [G] _ from Montreal,
[C] _
with [G] an angel's voice,
[C] from Los Angeles, [G] California,
Miss [C] Mai Bloomfield.
_ [G] _ _ _ _ _
_ [G] _ _ _ [Gm] _ _
_ _ [G] _ _ _ _
_ _ [D] _ _ _ _
[G] _ _ _ _ _ _
_ _ [D] _ _ _ _
_ _ _ _ _ [G] _
_ _ _ _ _ [C] _
_ [Em] _ _ To my left, you will find one [C] guitar, _
_ one drum, _
percussion,
_ [G] deep in the eyebrows,
[C] _
_ _ [G] _ from [Em] Los Angeles, California,
[G] Don Miguel. _
I _ _ _ _ _
[E] _ _ _ [G] _ _ _
[C] _ _ [E] _ _ _ [G] _
_ _ _ _ _ _
guess it would be nice.
_ _ [A] _
_ _ _ _ _ [C] _
_ _ _ [G] _ _ _
_ _ _ _ _ _
_ [C] _ _ [G] _ _ _
Folks, this man was out of the house. _ _
_ _ [C] _ _ _ _
_ _ _ _ _ [G] _
_ _ _ [C] He's here [G] to see Zion, he's in summer. _ _ _ _
That's not true. _ _
I'd like to invite [Bm] you to sing a song one last time before we love you over you.
Are you ready?
Yes! _ _
[G] Oh, so long, _ Marianne.
[Em] It's time we meet again,
[D] to laugh and cry,
and cry and laugh,
while we're all young.
_ [G] _ _ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ [D] _ _ _ _ _
_ _ [G] _ _ _ _
_ _ _ _ _ _
_ _ [D#] _ _ _ _
_ _ _ _ _ [C] _
_ _ _ _ _ _
[N] _ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _

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