Chords for Adi Sesha Anantha Shayana Bhajan Tutorial On Veena |Durga Mythreyee

Hello everyone, [F] welcome to Durga Maitreyi s [C] YouTube channel.
In this video, let us learn
how to play Adi [F] Sesha Ananthi Seyana, the song on Lord Venkateshwara Swami on Veena.
[F] So this is set to the ragam Darbari Kannada.
I am considering from Ma Azisa and will be
teaching you.
That link I have provided in the description box.
The original song link
also I have placed in the description box.
You can watch and learn the [Bbm] full song.
The
tune will be the same, so only the lyrics will change.
_ _ The [C] Aarohanam and Avarohanam
of Darbari Kannada.
_ _ _ _ [Db] _ _
[Bb] _ _ _ [Eb] _ _ [C] _ _ _
_ _ _ [F] _ _ [Bbm] Sariga samaa padani _ [C] saa dhani paamaa _ [Bb] pagari saa
This is a Janya Raga of 20th [Bbm] Melakarta Natabhairavi. _
Swarasthanas are
Shadjam, Chatusru Trishabham, Saadharana Gandharam, Shuddha Madhyamam, Panchamam, Shuddha Daivatam
and Kai [Bb] Sikki Nishadham.
So the first four frets in the first string will become the
Mandrasthaai notes.
Open string paam, Da1, Da2, Ni1, Ni2.
So these are the Swarasthanas. _
Notation will not be displayed.
Learn according to the lyrics.
Lyrics will be found very easily
in Google.
_ _ _ This is also called as Ubhaya Vakra Ragam.
That is under Ragam classification,
this falls under Ubhaya Vakram.
That is in the [F] Aarohanam as well as in the Avarohanam,
we have the Vakram, that is the zigzag pattern.
Okay, it is not the Sariga maa padani saa or
Saayi dhaan paam pagari saa order.
That is why it is called [C] Ubhaya Vakra Ragam.
_ _ Aadi Sesha, _ [Bb] Saani, Saani, Paam.
_ _ [F] _
So _ [C] Saani, Ni will be the third fret in the first string only.
Okay.
_ Sesha, Saani, Paam.
There you should not play the [Bb] right hand for Ni.
Okay.
_ _ [F] _ _
_ _ Aadi Sesha, _ Ananta Shayana, [F] Sa Saani, Saani, [Bb] _
Paam.
_ _ Kindly do [F] not play Kakada Nishadam, it is Kaiseki Nishadam, third fret in the Veena.
Okay.
_ [Bbm] Aadi Sesha, Ananta Shayana, _ [C] Sri _ _ Nivasa, Ri Ri Ri, Sa Ri, [Fm] _ _ [Bbm] _ _ [Fm] Ri Ri Ri.
[Bbm] From Ni you should go to Ri.
Sri [F] Nivasa, Sa, Sa Ri.
That is, Ri will not have the right hand there.
_ _ _ _ Okay.
Sri Nivasa, Sri _ [Bbm] _
Venkatesha, Ga Ga Ma Re Sa.
_ [C] _ _
[Bb] _ So Ga Ga, you should pull two times in Sadhana Gandharam.
Ga Ga Ma.
Then again Ma [F] to Ri Jaaru.
Re Sa.
_ [C] _ _ [Bb] _ _ _
_ [Db] _ _ _ _ _ [Fm] _ _
_ _ _ [Gb] _ _ [C] _ _ _
Aadi Sesha, Ananta Shayana, Sri _ Nivasa, Sri _ _ [Bb] Venkatesha.
This will come two times.
Charanam.
[F] Raghu Kula [A] Tilaka, [F] _ Sa Sa Pa Ma Pa Pa Pa Ma.
_ _ _ _ So Pa Pa Pa Ma, that Ma will not have right hand.
_ [C] _ Raghu Kula _ Tilaka, _ _ _ _ _ _ _ _ _ Raghurama Chandra, _ _ [Gb] _ _ _ [F] Ma Pa Ni Pa Ga Re.
_ _ Raghurama, Ma Pa, Pa Tu Ni Jaaru.
_ Raghurama Chandra Ga Re.
[Bbm] Ma Tu Ga and then Ri.
_ [F] _ _ _ _ _ [C] _ _
_ _ _ [F] _ _ Sita Pa Te [G] Sri, Ri Ri Ri Ri Sa Ri.
That Ri will not have right hand. _ _ _ _
Rama Chandra Ga Ma Re [Bbm] Sa. _
[Bb] _ _ _ [F] Ga, two times you have to pull.
One time only right [Bbm] hand.
_ _ [Bb] _ _ _
[F] _ _ _ _ _ _ _ _
Raghurama Chandra, Sita Pa Te Sri, Rama Chandra, _ Aadi Sesha.
One more gamakam you can add.
Sa Ni Sa Ri Sa Ni Pa.
[Bbm] _ _ _ [F] _ Sa only then Ni.
_ Sa Ri Sa Ni Pa Se Sha. _
[Db] _ _ _ _ _ _ _ [F]
Sa Sa Ni Sa Ri Sa Ni Pa Ananta [Bb] Shayana.
_ _ _ Aadi Sesha Ananta [F] Shayana.
Only Shayana will be changed.
[Bb] _ _ Aadi Sesha Ananta [F] Shayana.
Sri Ni Va Sa Si [Bb] _ _ Venkatesha.
Rest all [F] paragraphs will be same.
Only first two lines there is a difference.
Again third and fourth line is again Aadi Sesha Ananta Shayana only.
_ [Bb] _ _ _
[Fm] _ _ [Db] _ _ _ _ _ _
[Bb] _ _ _ _ _ _ [Db] _ _
_ _ _ _ [Fm] _ _ _ _
[Bbm] _ _ _ [C] _ _ _ _ _
_ _ _ _ [Fm] _ _ _ _
[C] _ _ _ _ _ _ _ _
_ _ _ [Fm] _ _ _ _ _
[Bb] _ _ _ _ _ _ _ _
_ _ _ [Fm] _ _ _ [F] _ _
[Gb] _ _ _ [Bb] _ _ _ [F] Okay.
So rest all paragraphs you can follow according to the Sahitya.
Hope you have enjoyed this [Bb] tutorial.
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