Chords for Alain Clark - Recording Drums @ Sarm Studio's (Official Video)

[Am] _ _ _ [D] _ _ [N] _ _ _
_ [Am] _ _ [Bm] _ _ [E] _ _ _
_ _ _ [N] _ Today is really the first day of production so we're recording drums with the amazing Ash Song.
How you doing man?
How are you?
Good.
Good to see you.
Yeah, welcome.
Good to see you too.
Thank you.
[Em] How are you?
_ _ _ [N] Top vibes in here, always.
Bob Marley's recorded in here, Led Zeppelin, _ Grace Jones.
I mean it's, kind of the list goes on really.
Nile Rodgers is recorded with Duran Duran I think in this [Em] room too.
So yeah, there's a lot [E] of history in here.
You can kind of tell, can't you?
Yeah, you can sort of feel it when you come in the building.
Yeah.
For sure.
This is [F] Bob Marley's couch.
It isn't, that isn't a joke.
That is, allegedly, that [C] is what Bob got in.
That's crazy.
I bet you can find all kinds of shit in there.
There's all sorts of stuff down the back of that.
[N] _ Yeah.
Usually what I do is I build sort of a demo and I, you know, sort of a pre-production
phase where I try to sketch out certain things that I want to hear. _ _ _
[F] _ _ _ [Bb] _ _ [Gm] _ _ _
[C] _ [F] Hey baby, _ [Bb] _ _ [Gm] _
_ [C] _ _ [F] I've been looking at [Bb] you baby.
[Gm] There ain't [C] no doubt about it.
There's a couple of things [F] that I'm kind of married [Bb] to, as far as the [Ebm] kick pattern [E] goes.
At the same time, I [N] don't, you know, feel free to do [E] whatever you want to do and hear.
_ _ _ [C] Yeah, that's the thing, because that's the bass, but on a couple of spots there's a single kick.
I think the top of [Bb] the chorus is a single one.
[Gm] So this should be it?
[C] _ _
[Dm] _ Yeah.
So it's [B] every four?
Yeah. _
[Gm] The cool thing about [Fm] working with, you know, _ [Bb] amazing professionals like Ash is like, [Ab] you
ask these people because they have something, you know, very valuable to bring to the table.
So I always try to be cautious with _ laying down too much of what's on my mind, you know.
Okay man, well, let me _ send you some stuff.
Let's see how blisteringly loud you [Gm] want it.
Cool.
[N] _ _ _ _
_ [F] _ _ [Bb] _ _ _ [Gm] _ _
[C] _ _ _ [F] _ _ [Bb] _ _ [Gm] _
_ [C] _ _ _ [F] In the [Bb] juvenile, [Gm] there ain't [C] no doubt about it.
It feels good now.
When [Gm] you've finished it, you know it's going to feel good.
If you're playing [C] something and it doesn't feel quite right, [Dm] and you don't say anything,
_ [B] and they record it, and then they put [Gm] all the other instruments on, [Ab] when you hear it
on the radio, it doesn't feel quite right.
Yeah, that's true.
Because it never did.
[E] I played something different in the middle eight, eventually.
That middle eight was perfect.
_ _ _ _ _ _ _
Yeah, that's spot on.
That's spot on.
Great.
[Ab] [N] You're sort of the groundwork of everything that's going to happen after this, you know.
So that's why this is_
We'll get this feeling good then.
Yeah, this is, to me, this is the most important phase of the production, you know. _
It's the basis of the stew, so to speak.
[A] And just add a little salt and pepper and we're cooking. _ _ _ _
[B] _ [F] _ _ [Bb] _ _ _ [Gm] _
[C] Yeah.
Yeah, _ [F] _ _ [Bb] _ _ [Gm] _ _
_ [C] _ _ [Dm] _ _ [C] _ _ _
[F] _ _ [G] _ _ [Bb] _ _ _ _
[D] _ [F] _ _ _ [Bb] _ _ [G] _ [Gm] _
[C] I feel good, man.
I feel great about what we did today.
[Dm] You _ [G] put a great [Fm] vibe on all the songs.
Mate, [C] it's my pleasure.
Thanks, man.
[G] Love it. Great.
Dude.
[Gm] _ [Ab] _ _ [C] _ [Dm] _ _ [C] _
_ [F] _ _ [G] _ _ _ [Bb] _ _
[D] _ _ [Dm] _ _ _ [G] _ _ [Bb] _
_ [F] _ _ _ _ Yeah.
[N] _
Yes, yes.
Yeah, man.
Yeah, I mean, that was the take.
Cool.
Great job, man. _ _