Chords for All Of Me - Piano Jazz Lesson by Antoine Herve (english)
Tempo:
124.55 bpm
Chords used:
E
C
D
G
Dm
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[C] [Am] [Eb]
[D] [E]
[A] [Em] [Cm] [Dbm]
[A] [E] [Dm]
[E] [D] [E]
[Bb] [Am] [Db] [G]
[Eb] [D] [F]
[Ab] [G] [C] [Eb]
Dear friends of Pianiste, today we'll be working on the standard All of Me, written by Simons and Marx.
It's a very famous standard that's been played many, many times by jazz musicians all around the planet for a long time.
We're [Gbm] going to work on [C] a version on the piano that focuses on how to play voicing, meaning little bits of counterpoint with the inner voices.
Look, we're going to play the theme, the accompaniment, and a few voicing.
Here's C major.
[Bb] [Am]
[Cm] [Gb] [Cm] [D]
[Em] This here [Bb] is a passing chromatic chord, F, [D] which we call a 7sus4, which leads chromatically to E7sus4.
[E] The melody goes like this, and then I resolve the delayed resolution [Bb] of the third [Ab]
by doing a [Bb] funny little voicing like so.
[Ab]
Now I'm going to go on an A chord, so I'll make the [E] bass sing.
[A] And here's the melody.
[G] I'm going to embellish this chord here with a little progression.
[Cm]
[Db] [Bbm] It's very classical [A] sounding.
[Db] And a dominant [D] diminished chord [Db] on the tonic [Dm] D minor.
And then I resolve my D minor, [D] and then I pick it up with the bass once more.
[E]
[D] [E]
[B] Same deal [Bm] as earlier on D minor.
[G] Here's a B diminished on A, but I'll play the A [E] afterwards.
[Bb] [Am]
And here's the same thing on the passing chromatic chord,
[Db] Eb7sus4, [C] which leads [G] to D.
The [Bbm] [D] melody.
[Ab] Once more, I'll resolve to the third, [Gb] [Ebm]
all the while playing my [Dm] b9.
[Bm]
[Dm] Now, as I'm going to G, I'm going to use a substitute chord, Ab7 with an added [Ab] 13th.
And here's G7b9, played very [G] pianissimo, like a phrase conclusion.
And now I'll go to the [C] second time.
[E] [Am] [Cm]
[D] [Am] [E]
[A] [G] [Cm] [Dbm] [A]
[E] [Dm]
Here's the second house.
I'll go to the end of the second finish.
[D] [B] [D]
[E] [C]
You can see that my left hand answers the right, plays voicings and inner voices that [Db] stand out and sing.
[A]
Here's a major [B] 13th, [F]
[Db] which goes minor, and a [C] D minor
[Gb] that'll lead once more to an Ab7, [E]
here's without its root.
There's the G, the chord's root.
[C] And I'll keep the G to use on my [G] C major chord.
Here's a little progression, which we call a turnaround in [B] jazz.
D [G] diminished.
[Dm] [G]
[E] [G]
And now I'll play everything again, while straying free of the model I wrote.
[C] [E]
[Am] [Cm] [Eb] [D] [E]
[A]
[G] [Dbm] [A] [E]
[Dm] [E]
[D] [Gm] [E] [Am]
[Db] [G] [Eb]
[D] [F] [G]
[C] [Am]
[Cm] [D] [A]
[G] [Cm] [Db] [E]
[Dm] [Fm]
[C] [A]
[Dm] [E] [C]
[A] [F] [E] [C]
[Cm] [Am] [Eb] [D]
[E] [Am] [B] [C]
[Gb] [Gm] [G] [Dm]
[Eb] [Dbm] [Ab] [E] [Ab]
[A] [Am] [D] [Db] [C] [G]
[Bm] [Gb] [F] [Gbm] [G]
[F] [C] [Dm] [Em]
[Ebm] [Dm] [E] [Bm]
[A] [G] [A] [Dm]
[Dm]
[Fm] [C] [Gb] [A]
[D] [Em] [Gm]
[G] [Dm] [E] [C] [Dm]
[Ebm] [C] [D]
[E] [A] [G] [C] [E]
[Dm] [Eb] [Ab]
[D]
[Db] [C] [G] [D]
[Bm] [Dm] [Fm] [Em] [C]
[D]
[E] [A] [Db]
[Eb] [Dm] [Bbm] [Dm]
[Fm] [Em]
[Dbm] [D] [Gbm] [Dm]
[E] [C] [B] [F]
[E] [G] [B] [A] [F]
[G] [B] [Dm] [E] [Bb]
[B]
[C]
[N]
Here's something you can use to start a standard as a ballad, with lots of harmonies.
It's complicated, so you'll have to slow down and find a few passing notes.
And when you have them down after having played them long enough,
[C] you can start improvising around these passing tones and this arrangement for piano.
Good luck with this, it's a beautiful song.
[Am] [D] [A]
[G] [Cm]
[Db] [Gb] [E] [Dm]
[N]
[D] [E]
[A] [Em] [Cm] [Dbm]
[A] [E] [Dm]
[E] [D] [E]
[Bb] [Am] [Db] [G]
[Eb] [D] [F]
[Ab] [G] [C] [Eb]
Dear friends of Pianiste, today we'll be working on the standard All of Me, written by Simons and Marx.
It's a very famous standard that's been played many, many times by jazz musicians all around the planet for a long time.
We're [Gbm] going to work on [C] a version on the piano that focuses on how to play voicing, meaning little bits of counterpoint with the inner voices.
Look, we're going to play the theme, the accompaniment, and a few voicing.
Here's C major.
[Bb] [Am]
[Cm] [Gb] [Cm] [D]
[Em] This here [Bb] is a passing chromatic chord, F, [D] which we call a 7sus4, which leads chromatically to E7sus4.
[E] The melody goes like this, and then I resolve the delayed resolution [Bb] of the third [Ab]
by doing a [Bb] funny little voicing like so.
[Ab]
Now I'm going to go on an A chord, so I'll make the [E] bass sing.
[A] And here's the melody.
[G] I'm going to embellish this chord here with a little progression.
[Cm]
[Db] [Bbm] It's very classical [A] sounding.
[Db] And a dominant [D] diminished chord [Db] on the tonic [Dm] D minor.
And then I resolve my D minor, [D] and then I pick it up with the bass once more.
[E]
[D] [E]
[B] Same deal [Bm] as earlier on D minor.
[G] Here's a B diminished on A, but I'll play the A [E] afterwards.
[Bb] [Am]
And here's the same thing on the passing chromatic chord,
[Db] Eb7sus4, [C] which leads [G] to D.
The [Bbm] [D] melody.
[Ab] Once more, I'll resolve to the third, [Gb] [Ebm]
all the while playing my [Dm] b9.
[Bm]
[Dm] Now, as I'm going to G, I'm going to use a substitute chord, Ab7 with an added [Ab] 13th.
And here's G7b9, played very [G] pianissimo, like a phrase conclusion.
And now I'll go to the [C] second time.
[E] [Am] [Cm]
[D] [Am] [E]
[A] [G] [Cm] [Dbm] [A]
[E] [Dm]
Here's the second house.
I'll go to the end of the second finish.
[D] [B] [D]
[E] [C]
You can see that my left hand answers the right, plays voicings and inner voices that [Db] stand out and sing.
[A]
Here's a major [B] 13th, [F]
[Db] which goes minor, and a [C] D minor
[Gb] that'll lead once more to an Ab7, [E]
here's without its root.
There's the G, the chord's root.
[C] And I'll keep the G to use on my [G] C major chord.
Here's a little progression, which we call a turnaround in [B] jazz.
D [G] diminished.
[Dm] [G]
[E] [G]
And now I'll play everything again, while straying free of the model I wrote.
[C] [E]
[Am] [Cm] [Eb] [D] [E]
[A]
[G] [Dbm] [A] [E]
[Dm] [E]
[D] [Gm] [E] [Am]
[Db] [G] [Eb]
[D] [F] [G]
[C] [Am]
[Cm] [D] [A]
[G] [Cm] [Db] [E]
[Dm] [Fm]
[C] [A]
[Dm] [E] [C]
[A] [F] [E] [C]
[Cm] [Am] [Eb] [D]
[E] [Am] [B] [C]
[Gb] [Gm] [G] [Dm]
[Eb] [Dbm] [Ab] [E] [Ab]
[A] [Am] [D] [Db] [C] [G]
[Bm] [Gb] [F] [Gbm] [G]
[F] [C] [Dm] [Em]
[Ebm] [Dm] [E] [Bm]
[A] [G] [A] [Dm]
[Dm]
[Fm] [C] [Gb] [A]
[D] [Em] [Gm]
[G] [Dm] [E] [C] [Dm]
[Ebm] [C] [D]
[E] [A] [G] [C] [E]
[Dm] [Eb] [Ab]
[D]
[Db] [C] [G] [D]
[Bm] [Dm] [Fm] [Em] [C]
[D]
[E] [A] [Db]
[Eb] [Dm] [Bbm] [Dm]
[Fm] [Em]
[Dbm] [D] [Gbm] [Dm]
[E] [C] [B] [F]
[E] [G] [B] [A] [F]
[G] [B] [Dm] [E] [Bb]
[B]
[C]
[N]
Here's something you can use to start a standard as a ballad, with lots of harmonies.
It's complicated, so you'll have to slow down and find a few passing notes.
And when you have them down after having played them long enough,
[C] you can start improvising around these passing tones and this arrangement for piano.
Good luck with this, it's a beautiful song.
[Am] [D] [A]
[G] [Cm]
[Db] [Gb] [E] [Dm]
[N]
Key:
E
C
D
G
Dm
E
C
D
[C] _ _ _ _ [Am] _ _ [Eb] _ _
[D] _ _ _ [E] _ _ _ _ _
[A] _ _ _ _ _ [Em] _ [Cm] _ [Dbm] _
[A] _ _ _ [E] _ _ _ [Dm] _ _
_ [E] _ _ _ _ [D] _ [E] _ _
_ _ _ [Bb] _ [Am] _ _ [Db] _ [G] _
_ _ _ [Eb] _ _ [D] _ _ [F] _
_ [Ab] _ [G] _ _ _ _ [C] _ [Eb] _
_ Dear friends of Pianiste, today we'll be working on the standard All of Me, written by Simons and Marx.
_ It's a very famous standard that's been played many, many times by jazz musicians all around the planet for a long time.
We're [Gbm] going to work on [C] a version on the piano that focuses on how to play voicing, meaning little bits of counterpoint with the inner voices.
_ Look, we're going to play the theme, the accompaniment, and a few voicing.
Here's C major.
_ _ _ _ _ [Bb] _ [Am] _
_ _ [Cm] _ [Gb] _ [Cm] _ _ [D] _ _
_ _ _ [Em] _ This here [Bb] is a passing chromatic chord, F, [D] which we call a 7sus4, which leads chromatically to _ E7sus4. _
_ _ _ _ [E] _ The melody goes like this, and then I resolve the delayed resolution [Bb] of the third [Ab]
by doing a [Bb] funny little voicing like so.
[Ab] _ _ _
_ Now I'm going to go on an A chord, so I'll make the [E] bass sing.
_ [A] And _ here's the melody. _
_ _ _ _ _ [G] I'm going to embellish this chord here with a little progression.
_ _ [Cm] _
[Db] _ _ _ [Bbm] It's very classical [A] sounding. _
[Db] _ _ And a dominant [D] diminished chord _ _ [Db] on the tonic [Dm] D minor. _ _ _
And then I resolve my D minor, [D] and then I pick it up with the bass once more.
[E] _
_ _ _ _ _ _ [D] _ [E] _
_ _ [B] _ _ Same deal [Bm] as earlier on D minor.
[G] Here's a B diminished on A, but I'll play the A [E] afterwards.
_ [Bb] _ _ [Am] _ _ _
_ _ And here's the same thing on the passing chromatic chord, _ _ _ _ _
[Db] _ Eb7sus4, _ _ _ [C] which leads [G] to D.
The [Bbm] [D] melody.
_ [Ab] Once more, I'll resolve to the third, _ [Gb] _ _ [Ebm] _ _
_ all the while playing my [Dm] b9.
_ [Bm] _
_ [Dm] _ _ Now, as I'm going to G, I'm going to use a substitute chord, Ab7 with an added [Ab] 13th. _
_ _ And here's _ G7b9, played very [G] pianissimo, _ _ _ _ like a phrase conclusion.
And now I'll go to the [C] second time. _
_ [E] _ _ [Am] _ _ [Cm] _ _ _
[D] _ _ [Am] _ _ [E] _ _ _ _
[A] _ _ _ _ [G] _ [Cm] _ [Dbm] _ [A] _
_ _ [E] _ _ [Dm] _ _ _ _
_ Here's the second house.
I'll go to the end of the second finish.
_ _ [D] _ [B] _ [D] _ _
_ _ _ _ [E] _ _ _ [C]
You can see that my left hand answers the right, plays voicings and inner voices that [Db] stand out and sing.
_ [A] _ _ _
_ Here's a major [B] 13th, _ [F] _
[Db] which goes minor, _ and a [C] D minor _
_ [Gb] that'll lead once more to an _ Ab7, _ _ [E] _ _ _ _ _
here's without its root.
_ _ _ There's the G, the chord's root.
[C] And I'll keep the G _ to use on my [G] C major chord. _ _
Here's a little progression, which we call a turnaround in [B] jazz. _
_ _ D _ [G] diminished. _
_ [Dm] _ _ _ _ _ _ [G] _
_ _ [E] _ _ _ _ [G] _
And now I'll play everything again, while straying free of the model I wrote.
[C] _ _ [E] _ _
[Am] _ _ [Cm] _ [Eb] _ [D] _ _ _ [E] _
_ _ _ _ [A] _ _ _ _
_ [G] _ [Dbm] _ _ [A] _ _ _ [E] _
_ [Dm] _ _ _ _ [E] _ _ _
[D] _ [Gm] _ [E] _ _ _ _ _ [Am] _
_ _ [Db] _ [G] _ _ _ [Eb] _ _
_ [D] _ [F] _ _ _ [G] _ _ _
_ _ [C] _ _ _ _ [Am] _ _
[Cm] _ [D] _ _ [A] _ _ _ _ _
_ _ [G] _ [Cm] _ [Db] _ [E] _ _ _
_ [Dm] _ _ _ _ _ _ [Fm] _
_ _ [C] _ _ _ _ _ [A] _
_ [Dm] _ _ _ [E] _ _ _ [C] _
_ [A] _ _ [F] _ _ [E] _ [C] _ _
_ [Cm] _ _ [Am] _ _ [Eb] _ [D] _ _
[E] _ _ _ _ [Am] _ _ [B] _ [C] _
[Gb] _ [Gm] _ _ _ [G] _ _ [Dm] _ _
[Eb] _ [Dbm] _ [Ab] _ _ _ [E] _ [Ab] _ _
[A] _ _ [Am] _ _ [D] _ [Db] _ [C] _ [G] _
_ [Bm] _ _ _ [Gb] _ [F] _ [Gbm] _ [G] _
_ _ [F] _ _ [C] _ [Dm] _ _ [Em] _
[Ebm] _ _ [Dm] _ _ [E] _ _ [Bm] _ _
[A] _ [G] _ _ [A] _ _ [Dm] _ _ _
_ [Dm] _ _ _ _ _ _ _
[Fm] _ _ [C] _ _ _ [Gb] _ [A] _ _
_ [D] _ _ [Em] _ _ _ [Gm] _ _
[G] _ _ [Dm] _ [E] _ [C] _ _ _ [Dm] _
[Ebm] _ _ [C] _ [D] _ _ _ _ _
[E] _ _ [A] _ _ [G] _ _ [C] _ [E] _
_ _ [Dm] _ _ _ [Eb] _ [Ab] _ _
_ _ _ _ [D] _ _ _ _
_ [Db] _ [C] _ _ [G] _ _ [D] _ _
[Bm] _ [Dm] _ _ [Fm] _ _ _ [Em] _ [C] _
_ _ _ [D] _ _ _ _ _
[E] _ _ _ _ [A] _ _ [Db] _ _
_ [Eb] _ _ [Dm] _ _ [Bbm] _ [Dm] _ _
_ [Fm] _ _ _ _ _ _ [Em] _
[Dbm] _ [D] _ _ [Gbm] _ _ _ [Dm] _ _
_ [E] _ _ [C] _ _ [B] _ _ [F] _
[E] _ _ [G] _ _ [B] _ [A] _ _ [F] _
[G] _ _ [B] _ [Dm] _ _ [E] _ [Bb] _ _
_ _ _ _ _ _ [B] _ _
_ [C] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [N]
Here's something you can use to start a standard as a ballad, with lots of harmonies.
It's complicated, so you'll have to slow down and find a few passing notes.
And when you have them down after having played them long enough,
[C] you can start improvising around these passing tones and this arrangement for piano.
Good luck with this, it's a beautiful song. _
_ _ [Am] _ _ _ [D] _ _ [A] _
_ _ _ _ _ _ [G] _ [Cm] _
[Db] _ [Gb] _ [E] _ _ _ [Dm] _ _ _
_ _ _ _ _ _ [N] _ _
[D] _ _ _ [E] _ _ _ _ _
[A] _ _ _ _ _ [Em] _ [Cm] _ [Dbm] _
[A] _ _ _ [E] _ _ _ [Dm] _ _
_ [E] _ _ _ _ [D] _ [E] _ _
_ _ _ [Bb] _ [Am] _ _ [Db] _ [G] _
_ _ _ [Eb] _ _ [D] _ _ [F] _
_ [Ab] _ [G] _ _ _ _ [C] _ [Eb] _
_ Dear friends of Pianiste, today we'll be working on the standard All of Me, written by Simons and Marx.
_ It's a very famous standard that's been played many, many times by jazz musicians all around the planet for a long time.
We're [Gbm] going to work on [C] a version on the piano that focuses on how to play voicing, meaning little bits of counterpoint with the inner voices.
_ Look, we're going to play the theme, the accompaniment, and a few voicing.
Here's C major.
_ _ _ _ _ [Bb] _ [Am] _
_ _ [Cm] _ [Gb] _ [Cm] _ _ [D] _ _
_ _ _ [Em] _ This here [Bb] is a passing chromatic chord, F, [D] which we call a 7sus4, which leads chromatically to _ E7sus4. _
_ _ _ _ [E] _ The melody goes like this, and then I resolve the delayed resolution [Bb] of the third [Ab]
by doing a [Bb] funny little voicing like so.
[Ab] _ _ _
_ Now I'm going to go on an A chord, so I'll make the [E] bass sing.
_ [A] And _ here's the melody. _
_ _ _ _ _ [G] I'm going to embellish this chord here with a little progression.
_ _ [Cm] _
[Db] _ _ _ [Bbm] It's very classical [A] sounding. _
[Db] _ _ And a dominant [D] diminished chord _ _ [Db] on the tonic [Dm] D minor. _ _ _
And then I resolve my D minor, [D] and then I pick it up with the bass once more.
[E] _
_ _ _ _ _ _ [D] _ [E] _
_ _ [B] _ _ Same deal [Bm] as earlier on D minor.
[G] Here's a B diminished on A, but I'll play the A [E] afterwards.
_ [Bb] _ _ [Am] _ _ _
_ _ And here's the same thing on the passing chromatic chord, _ _ _ _ _
[Db] _ Eb7sus4, _ _ _ [C] which leads [G] to D.
The [Bbm] [D] melody.
_ [Ab] Once more, I'll resolve to the third, _ [Gb] _ _ [Ebm] _ _
_ all the while playing my [Dm] b9.
_ [Bm] _
_ [Dm] _ _ Now, as I'm going to G, I'm going to use a substitute chord, Ab7 with an added [Ab] 13th. _
_ _ And here's _ G7b9, played very [G] pianissimo, _ _ _ _ like a phrase conclusion.
And now I'll go to the [C] second time. _
_ [E] _ _ [Am] _ _ [Cm] _ _ _
[D] _ _ [Am] _ _ [E] _ _ _ _
[A] _ _ _ _ [G] _ [Cm] _ [Dbm] _ [A] _
_ _ [E] _ _ [Dm] _ _ _ _
_ Here's the second house.
I'll go to the end of the second finish.
_ _ [D] _ [B] _ [D] _ _
_ _ _ _ [E] _ _ _ [C]
You can see that my left hand answers the right, plays voicings and inner voices that [Db] stand out and sing.
_ [A] _ _ _
_ Here's a major [B] 13th, _ [F] _
[Db] which goes minor, _ and a [C] D minor _
_ [Gb] that'll lead once more to an _ Ab7, _ _ [E] _ _ _ _ _
here's without its root.
_ _ _ There's the G, the chord's root.
[C] And I'll keep the G _ to use on my [G] C major chord. _ _
Here's a little progression, which we call a turnaround in [B] jazz. _
_ _ D _ [G] diminished. _
_ [Dm] _ _ _ _ _ _ [G] _
_ _ [E] _ _ _ _ [G] _
And now I'll play everything again, while straying free of the model I wrote.
[C] _ _ [E] _ _
[Am] _ _ [Cm] _ [Eb] _ [D] _ _ _ [E] _
_ _ _ _ [A] _ _ _ _
_ [G] _ [Dbm] _ _ [A] _ _ _ [E] _
_ [Dm] _ _ _ _ [E] _ _ _
[D] _ [Gm] _ [E] _ _ _ _ _ [Am] _
_ _ [Db] _ [G] _ _ _ [Eb] _ _
_ [D] _ [F] _ _ _ [G] _ _ _
_ _ [C] _ _ _ _ [Am] _ _
[Cm] _ [D] _ _ [A] _ _ _ _ _
_ _ [G] _ [Cm] _ [Db] _ [E] _ _ _
_ [Dm] _ _ _ _ _ _ [Fm] _
_ _ [C] _ _ _ _ _ [A] _
_ [Dm] _ _ _ [E] _ _ _ [C] _
_ [A] _ _ [F] _ _ [E] _ [C] _ _
_ [Cm] _ _ [Am] _ _ [Eb] _ [D] _ _
[E] _ _ _ _ [Am] _ _ [B] _ [C] _
[Gb] _ [Gm] _ _ _ [G] _ _ [Dm] _ _
[Eb] _ [Dbm] _ [Ab] _ _ _ [E] _ [Ab] _ _
[A] _ _ [Am] _ _ [D] _ [Db] _ [C] _ [G] _
_ [Bm] _ _ _ [Gb] _ [F] _ [Gbm] _ [G] _
_ _ [F] _ _ [C] _ [Dm] _ _ [Em] _
[Ebm] _ _ [Dm] _ _ [E] _ _ [Bm] _ _
[A] _ [G] _ _ [A] _ _ [Dm] _ _ _
_ [Dm] _ _ _ _ _ _ _
[Fm] _ _ [C] _ _ _ [Gb] _ [A] _ _
_ [D] _ _ [Em] _ _ _ [Gm] _ _
[G] _ _ [Dm] _ [E] _ [C] _ _ _ [Dm] _
[Ebm] _ _ [C] _ [D] _ _ _ _ _
[E] _ _ [A] _ _ [G] _ _ [C] _ [E] _
_ _ [Dm] _ _ _ [Eb] _ [Ab] _ _
_ _ _ _ [D] _ _ _ _
_ [Db] _ [C] _ _ [G] _ _ [D] _ _
[Bm] _ [Dm] _ _ [Fm] _ _ _ [Em] _ [C] _
_ _ _ [D] _ _ _ _ _
[E] _ _ _ _ [A] _ _ [Db] _ _
_ [Eb] _ _ [Dm] _ _ [Bbm] _ [Dm] _ _
_ [Fm] _ _ _ _ _ _ [Em] _
[Dbm] _ [D] _ _ [Gbm] _ _ _ [Dm] _ _
_ [E] _ _ [C] _ _ [B] _ _ [F] _
[E] _ _ [G] _ _ [B] _ [A] _ _ [F] _
[G] _ _ [B] _ [Dm] _ _ [E] _ [Bb] _ _
_ _ _ _ _ _ [B] _ _
_ [C] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [N]
Here's something you can use to start a standard as a ballad, with lots of harmonies.
It's complicated, so you'll have to slow down and find a few passing notes.
And when you have them down after having played them long enough,
[C] you can start improvising around these passing tones and this arrangement for piano.
Good luck with this, it's a beautiful song. _
_ _ [Am] _ _ _ [D] _ _ [A] _
_ _ _ _ _ _ [G] _ [Cm] _
[Db] _ [Gb] _ [E] _ _ _ [Dm] _ _ _
_ _ _ _ _ _ [N] _ _