Chords for Allan Holdsworth on Rockschool 1987

Tempo:
146.8 bpm
Chords used:

Bm

F#

G

E

Em

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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Allan Holdsworth on Rockschool 1987 chords
Start Jamming...
Its sole purpose is to [Bm] produce information, which it does very well and in this way.
There are two sets of strings.
This set of string takes care of pitch.
When a string makes contact with a fret, it sends a signal to the computer inside saying what the pitch of the note is.
[E] This set of strings
takes [Em] care of note on, note off, velocity and loudness parameters.
However, you can press on left hand trigger so that the
fingerboard does all the triggering like this.
You don't even need to use the strings to trigger it.
You [G] can actually use these keys here like this.
[Bm] [G]
[Bm] [G#]
Now I should also mention that is incredibly expensive, but these things all seem to come down in price eventually.
[G] Now here's a guitarist who's been very associated with the synthax in recent years.
Virtuoso guitarist Alan Holdsworth.
[D] [Bm]
[A#] [D]
[Fm] [Em]
[C#m] [B]
[F#] [A] When [E] this thing came [A#m] along it was just like [C#] I'd been waiting for it all my life.
[A] It was an instrument that I understood
because [F] the notes [F#] are where they [G] are on the guitar.
So [F#m] it will understand [Gm] the language [F] I've come to [F#m] understand
and translate [Fm] it into one which
will [Bm]
[Em] control synthesizers, series.
[D]
[E] [F#] [B] [D#m]
[F#] [A]
Well now with these guitar and [F#] bass synths, we've now got three synth players in the band.
So let's look a bit at creating these
Key:  
Bm
13421112
F#
134211112
G
2131
E
2311
Em
121
Bm
13421112
F#
134211112
G
2131
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_ _ _ _ _ Its sole purpose is to [Bm] produce information, _ which it does very well and in this way.
_ There are two sets of strings.
_ This set of string takes care of pitch.
When a string makes contact with a fret, it sends a signal to the computer inside saying what the pitch of the note is.
_ [E] This set of strings
takes [Em] care of note on, note off, velocity and loudness parameters.
_ However, you can press on left hand trigger so that the
_ fingerboard does all the triggering like this. _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
You don't even need to use the strings to trigger it.
You [G] can actually use these keys here like this.
[Bm] _ _ _ _ _ [G] _ _
_ _ [Bm] _ _ _ _ _ [G#] _
_ _ _ _ _ _ _
Now I should also mention that is incredibly expensive, but these things all seem to come down in price eventually.
_ [G] Now here's a guitarist who's been very associated with the synthax in recent years.
Virtuoso guitarist Alan Holdsworth.
_ _ _ [D] _ _ [Bm] _ _ _
_ [A#] _ _ _ _ [D] _ _ _
_ _ [Fm] _ _ _ _ [Em] _ _
_ _ _ _ _ _ _ _
[C#m] _ _ [B] _ _ _ _ _ _
_ [F#] _ _ _ [A] _ _ When [E] this thing came [A#m] along it was just like [C#] I'd been waiting for it all my life.
[A] It was an instrument that I understood
_ because [F] the notes [F#] are where they [G] are on the guitar.
So [F#m] it will understand [Gm] the language [F] I've come to [F#m] understand _
and translate [Fm] it into one which
will [Bm]
[Em] control synthesizers, series.
_ _ [D] _ _
[E] _ [F#] _ _ _ [B] _ _ [D#m] _ _
_ _ [F#] _ _ _ [A] _ _
Well now with these guitar and [F#] bass synths, we've now got three synth players in the band.
So let's look a bit at creating these