Chords for Along Comes Mary
Tempo:
149.05 bpm
Chords used:
A
E
D
B
Am
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
In order to combat the sudden influx of machines into our affluent society,
you see before you this evening a machine of our own construction.
You see an association machine, composed of many.
A semi-replying percussive invertebrator.
On the center of the machine, we see a digit-flexing instrumentator, or guitar.
Towards the other end of the machine, you see a transyntherized digit-flexing instrumentator,
stamped made in Japan.
To my immediate right, you see a manifold of bifurcated tambourine finger.
I am a consistent
Last but not least, the largest single component in the machine,
an elongated, floating vocal integrator.
This machine wouldn't program correctly amidst the variety of sounds and rhythmic patterns,
such as one, two, [Bm] one, [E] two.
[A] [Eb] [A]
[D] [A]
[E] [A] Every time I think that I'm the only one, there's only someone calls [D] on [E] me.
[A] Every now and then, a strange, silent, rambling music just about to be [Em]
me.
And now, long comes Mary.
Does she want to give [B] me a kiss?
If I say she's chicken, let me drink a little tea.
[D]
[B] [E] I've [B] got a chair, some [E] other panels, and [B] if you like [Em] it, one [A] in the ceiling.
[D] With that, [E] I'll chew [F] out a [Dm] bunch.
Now, if you grub, you should [A] treat it to plush.
[E] [A] Now, the future's shaking [Am] in the game, [D] baby.
[E] [A] And the master's blaming him [E] alone.
[Am] Who's to blame?
No.
[E]
And then along comes Mary.
Does she want a 7-3-11, cereal on a table, when she got a date?
[A] [D]
[B] I had [E] a movie, a silent Hollywood star, and I [B] talked to the [E] co-star.
[A]
With [Am] [D] that, I'll [F] chew out a bunch.
Now, [D] if you grub, you should treat it [A] to plush.
[Em] [A] [Eb] [A]
[D] And then
[A]
And then the call of the [A] wolf, a warning, battered the [E] cows,
some badger kills, and [Am] slung it across [A] the stars.
And the night keeps calling, and the shawls upon the stars,
and love comes slugging hard upon the stars.
And [E] then along comes Mary.
Does she want to see those stains that every man's a lot of pain?
She's left with all he needs.
[D] And
[E] [B]
[E] then along [A] comes Mary.
[F] [Dm] Does she [A] want to see those stains that every man's a lot of pain?
She's left with all he [Bm] [E]
[A] needs.
And then along [B] [A]
comes Mary.
Does she want to see those stains that every man's a lot of pain?
She's left with all he needs.
And then along comes Mary.
[G]
you see before you this evening a machine of our own construction.
You see an association machine, composed of many.
A semi-replying percussive invertebrator.
On the center of the machine, we see a digit-flexing instrumentator, or guitar.
Towards the other end of the machine, you see a transyntherized digit-flexing instrumentator,
stamped made in Japan.
To my immediate right, you see a manifold of bifurcated tambourine finger.
I am a consistent
Last but not least, the largest single component in the machine,
an elongated, floating vocal integrator.
This machine wouldn't program correctly amidst the variety of sounds and rhythmic patterns,
such as one, two, [Bm] one, [E] two.
[A] [Eb] [A]
[D] [A]
[E] [A] Every time I think that I'm the only one, there's only someone calls [D] on [E] me.
[A] Every now and then, a strange, silent, rambling music just about to be [Em]
me.
And now, long comes Mary.
Does she want to give [B] me a kiss?
If I say she's chicken, let me drink a little tea.
[D]
[B] [E] I've [B] got a chair, some [E] other panels, and [B] if you like [Em] it, one [A] in the ceiling.
[D] With that, [E] I'll chew [F] out a [Dm] bunch.
Now, if you grub, you should [A] treat it to plush.
[E] [A] Now, the future's shaking [Am] in the game, [D] baby.
[E] [A] And the master's blaming him [E] alone.
[Am] Who's to blame?
No.
[E]
And then along comes Mary.
Does she want a 7-3-11, cereal on a table, when she got a date?
[A] [D]
[B] I had [E] a movie, a silent Hollywood star, and I [B] talked to the [E] co-star.
[A]
With [Am] [D] that, I'll [F] chew out a bunch.
Now, [D] if you grub, you should treat it [A] to plush.
[Em] [A] [Eb] [A]
[D] And then
[A]
And then the call of the [A] wolf, a warning, battered the [E] cows,
some badger kills, and [Am] slung it across [A] the stars.
And the night keeps calling, and the shawls upon the stars,
and love comes slugging hard upon the stars.
And [E] then along comes Mary.
Does she want to see those stains that every man's a lot of pain?
She's left with all he needs.
[D] And
[E] [B]
[E] then along [A] comes Mary.
[F] [Dm] Does she [A] want to see those stains that every man's a lot of pain?
She's left with all he [Bm] [E]
[A] needs.
And then along [B] [A]
comes Mary.
Does she want to see those stains that every man's a lot of pain?
She's left with all he needs.
And then along comes Mary.
[G]
Key:
A
E
D
B
Am
A
E
D
_ _ _ In order to combat the sudden influx of machines into our affluent society,
you see before you this evening a machine of our own construction.
You see an association _ machine, composed of many.
_ _ _ _ _ A semi-replying percussive invertebrator. _ _
_ _ _ _ _ On the center of the machine, we see a digit-flexing instrumentator, or guitar.
_ _ Towards the other end of the machine, you see a _ transyntherized digit-flexing _ instrumentator,
stamped made in Japan. _ _
To my immediate right, you see a manifold of bifurcated tambourine finger.
_ _ I am a consistent_ _ _ _ _ _ _
Last but not least, the largest single component in the machine,
an elongated, floating vocal integrator. _
_ _ This machine wouldn't program correctly amidst the variety of sounds and rhythmic patterns,
such as one, two, [Bm] one, [E] two.
_ [A] _ _ [Eb] _ _ [A] _ _
_ _ [D] _ _ _ [A] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[E] _ _ [A] Every time I think that I'm the only one, there's only someone _ calls [D] on [E] me.
_ [A] Every now and then, a strange, silent, rambling music just about to be [Em]
me.
And now, long comes Mary. _ _
_ Does she want to give [B] me a kiss?
If I say she's chicken, let me drink a little tea.
_ _ [D] _ _
_ _ [B] _ _ [E] I've [B] got a chair, some [E] other panels, and [B] if you like [Em] it, one [A] in the ceiling.
_ _ _ _ _ [D] With that, [E] I'll chew [F] out a [Dm] bunch.
Now, if you grub, you should [A] treat it to plush. _ _ _ _
_ _ _ _ _ _ _ _
[E] _ _ [A] _ _ _ _ Now, the future's shaking [Am] in the game, [D] baby. _
[E] _ [A] And the master's blaming him [E] alone.
_ [Am] Who's to blame?
No.
[E] _
_ And then along comes Mary. _
_ Does she want a 7-3-11, cereal on a table, when she got a date?
[A] _ _ [D] _ _
_ _ [B] I had [E] a movie, a silent Hollywood star, and I [B] talked to the [E] co-star.
[A] _ _
With [Am] _ _ _ _ [D] that, I'll [F] chew out a bunch.
Now, [D] if you grub, you should treat it [A] to plush. _ _ _ _
_ _ _ _ _ _ _ _
[Em] _ _ [A] _ _ [Eb] _ _ [A] _ _
_ _ [D] And then_
_ [A] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
And then the call of the [A] wolf, a warning, battered the [E] cows,
some badger kills, and [Am] slung it across [A] the stars.
And the night keeps calling, and the shawls upon the stars,
and love comes slugging hard upon _ the stars.
And [E] then along comes Mary. _
_ Does she want to see those stains that every man's a lot of pain?
She's left with all he needs.
_ [D] And _ _
[E] _ _ [B] _ _ _ _ _ _
_ _ _ _ [E] then along [A] comes _ _ _ _ _ _ Mary.
_ [F] _ _ _ [Dm] Does she [A] want to see those stains that every man's a lot of pain? _ _ _ _
She's left with all he [Bm] _ [E] _
_ [A] needs.
And then along _ _ [B] _ [A]
comes Mary.
Does she want to see those stains that every man's a lot of pain?
She's left with all he needs. _ _ _
And then along comes Mary.
_ [G] _ _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
you see before you this evening a machine of our own construction.
You see an association _ machine, composed of many.
_ _ _ _ _ A semi-replying percussive invertebrator. _ _
_ _ _ _ _ On the center of the machine, we see a digit-flexing instrumentator, or guitar.
_ _ Towards the other end of the machine, you see a _ transyntherized digit-flexing _ instrumentator,
stamped made in Japan. _ _
To my immediate right, you see a manifold of bifurcated tambourine finger.
_ _ I am a consistent_ _ _ _ _ _ _
Last but not least, the largest single component in the machine,
an elongated, floating vocal integrator. _
_ _ This machine wouldn't program correctly amidst the variety of sounds and rhythmic patterns,
such as one, two, [Bm] one, [E] two.
_ [A] _ _ [Eb] _ _ [A] _ _
_ _ [D] _ _ _ [A] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[E] _ _ [A] Every time I think that I'm the only one, there's only someone _ calls [D] on [E] me.
_ [A] Every now and then, a strange, silent, rambling music just about to be [Em]
me.
And now, long comes Mary. _ _
_ Does she want to give [B] me a kiss?
If I say she's chicken, let me drink a little tea.
_ _ [D] _ _
_ _ [B] _ _ [E] I've [B] got a chair, some [E] other panels, and [B] if you like [Em] it, one [A] in the ceiling.
_ _ _ _ _ [D] With that, [E] I'll chew [F] out a [Dm] bunch.
Now, if you grub, you should [A] treat it to plush. _ _ _ _
_ _ _ _ _ _ _ _
[E] _ _ [A] _ _ _ _ Now, the future's shaking [Am] in the game, [D] baby. _
[E] _ [A] And the master's blaming him [E] alone.
_ [Am] Who's to blame?
No.
[E] _
_ And then along comes Mary. _
_ Does she want a 7-3-11, cereal on a table, when she got a date?
[A] _ _ [D] _ _
_ _ [B] I had [E] a movie, a silent Hollywood star, and I [B] talked to the [E] co-star.
[A] _ _
With [Am] _ _ _ _ [D] that, I'll [F] chew out a bunch.
Now, [D] if you grub, you should treat it [A] to plush. _ _ _ _
_ _ _ _ _ _ _ _
[Em] _ _ [A] _ _ [Eb] _ _ [A] _ _
_ _ [D] And then_
_ [A] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
And then the call of the [A] wolf, a warning, battered the [E] cows,
some badger kills, and [Am] slung it across [A] the stars.
And the night keeps calling, and the shawls upon the stars,
and love comes slugging hard upon _ the stars.
And [E] then along comes Mary. _
_ Does she want to see those stains that every man's a lot of pain?
She's left with all he needs.
_ [D] And _ _
[E] _ _ [B] _ _ _ _ _ _
_ _ _ _ [E] then along [A] comes _ _ _ _ _ _ Mary.
_ [F] _ _ _ [Dm] Does she [A] want to see those stains that every man's a lot of pain? _ _ _ _
She's left with all he [Bm] _ [E] _
_ [A] needs.
And then along _ _ [B] _ [A]
comes Mary.
Does she want to see those stains that every man's a lot of pain?
She's left with all he needs. _ _ _
And then along comes Mary.
_ [G] _ _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _