Chords for Along Comes Mary
Tempo:
149.05 bpm
Chords used:
A
E
D
B
Am
Tuning:Standard Tuning (EADGBE)Capo:+0fret

Jam Along & Learn...
In order to combat the sudden influx of machines into our affluent society,
see before you this evening a machine of our own construction.
You see an association machine, composed of many.
semi-replying percussive invertebrator.
On the center of the machine, we see a digit-flexing instrumentator, or guitar.
machine, you see a transyntherized digit-flexing instrumentator,
To my immediate right, you see a manifold of bifurcated tambourine finger.
consistent
see before you this evening a machine of our own construction.
You see an association machine, composed of many.
semi-replying percussive invertebrator.
On the center of the machine, we see a digit-flexing instrumentator, or guitar.
machine, you see a transyntherized digit-flexing instrumentator,
To my immediate right, you see a manifold of bifurcated tambourine finger.
consistent
100% ➙ 149BPM
A
E
D
B
Am
A
E
D
_ _ _ In order to combat the sudden influx of machines into our affluent society,
you see before you this evening a machine of our own construction.
You see an association _ machine, composed of many.
_ _ _ _ _ A semi-replying percussive invertebrator. _ _
_ _ _ _ _ On the center of the machine, we see a digit-flexing instrumentator, or guitar.
_ _ Towards the other end of the machine, you see a _ transyntherized digit-flexing _ instrumentator,
stamped made in Japan. _ _
To my immediate right, you see a manifold of bifurcated tambourine finger.
_ _ I am a consistent_ _ _ _ _ _ _
Last but not least, the largest single component in the machine,
an elongated, floating vocal integrator. _
_ _ This machine wouldn't program correctly amidst the variety of sounds and rhythmic patterns,
such as one, two, [Bm] one, [E] two.
_ [A] _ _ [Eb] _ _ [A] _ _
_ _ [D] _ _ _ [A] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[E] _ _ [A] Every time I think that I'm the only one, there's only someone _ calls [D] on [E] me.
_ [A] Every now and then, a strange, silent, rambling music just about to be [Em]
me.
And now, long comes Mary. _ _
_ Does she want to give [B] me a kiss?
If I say she's chicken, let me drink a little tea.
_ _ [D] _ _
_ _ [B] _ _ [E] I've [B] got a chair, some [E] other panels, and [B] if you like [Em] it, one [A] in the ceiling.
_ _ _ _ _ [D] With that, [E] I'll chew [F] out a [Dm] bunch.
Now, if you grub, you should [A] treat it to plush. _ _ _ _
_ _ _ _ _ _ _ _
[E] _ _ [A] _ _ _ _ Now, the future's shaking [Am] in the game, [D] baby. _
[E] _ [A] And the master's blaming him [E] alone.
_ [Am] Who's to blame?
No.
[E] _
_ And then along comes Mary. _
_ Does she want a 7-3-11, cereal on a table, when she got a date?
[A] _ _ [D] _ _
_ _ [B] I had [E] a movie, a silent Hollywood star, and I [B] talked to the [E] co-star.
[A] _ _
With [Am] _ _ _ _ [D] that, I'll [F] chew out a bunch.
Now, [D] if you grub, you should treat it [A] to plush. _ _ _ _
_ _ _ _ _ _ _ _
[Em] _ _ [A] _ _ [Eb] _ _ [A] _ _
_ _ [D] And then_
_ [A] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
And then the call of the [A] wolf, a warning, battered the [E] cows,
some badger kills, and [Am] slung it across [A] the stars.
And the night keeps calling, and the shawls upon the stars,
and love comes slugging hard upon _ the stars.
And [E] then along comes Mary. _
_ Does she want to see those stains that every man's a lot of pain?
She's left with all he needs.
_ [D] And _ _
[E] _ _ [B] _ _ _ _ _ _
_ _ _ _ [E] then along [A] comes _ _ _ _ _ _ Mary.
_ [F] _ _ _ [Dm] Does she [A] want to see those stains that every man's a lot of pain? _ _ _ _
She's left with all he [Bm] _ [E] _
_ [A] needs.
And then along _ _ [B] _ [A]
comes Mary.
Does she want to see those stains that every man's a lot of pain?
She's left with all he needs. _ _ _
And then along comes Mary.
_ [G] _ _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
you see before you this evening a machine of our own construction.
You see an association _ machine, composed of many.
_ _ _ _ _ A semi-replying percussive invertebrator. _ _
_ _ _ _ _ On the center of the machine, we see a digit-flexing instrumentator, or guitar.
_ _ Towards the other end of the machine, you see a _ transyntherized digit-flexing _ instrumentator,
stamped made in Japan. _ _
To my immediate right, you see a manifold of bifurcated tambourine finger.
_ _ I am a consistent_ _ _ _ _ _ _
Last but not least, the largest single component in the machine,
an elongated, floating vocal integrator. _
_ _ This machine wouldn't program correctly amidst the variety of sounds and rhythmic patterns,
such as one, two, [Bm] one, [E] two.
_ [A] _ _ [Eb] _ _ [A] _ _
_ _ [D] _ _ _ [A] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[E] _ _ [A] Every time I think that I'm the only one, there's only someone _ calls [D] on [E] me.
_ [A] Every now and then, a strange, silent, rambling music just about to be [Em]
me.
And now, long comes Mary. _ _
_ Does she want to give [B] me a kiss?
If I say she's chicken, let me drink a little tea.
_ _ [D] _ _
_ _ [B] _ _ [E] I've [B] got a chair, some [E] other panels, and [B] if you like [Em] it, one [A] in the ceiling.
_ _ _ _ _ [D] With that, [E] I'll chew [F] out a [Dm] bunch.
Now, if you grub, you should [A] treat it to plush. _ _ _ _
_ _ _ _ _ _ _ _
[E] _ _ [A] _ _ _ _ Now, the future's shaking [Am] in the game, [D] baby. _
[E] _ [A] And the master's blaming him [E] alone.
_ [Am] Who's to blame?
No.
[E] _
_ And then along comes Mary. _
_ Does she want a 7-3-11, cereal on a table, when she got a date?
[A] _ _ [D] _ _
_ _ [B] I had [E] a movie, a silent Hollywood star, and I [B] talked to the [E] co-star.
[A] _ _
With [Am] _ _ _ _ [D] that, I'll [F] chew out a bunch.
Now, [D] if you grub, you should treat it [A] to plush. _ _ _ _
_ _ _ _ _ _ _ _
[Em] _ _ [A] _ _ [Eb] _ _ [A] _ _
_ _ [D] And then_
_ [A] _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
And then the call of the [A] wolf, a warning, battered the [E] cows,
some badger kills, and [Am] slung it across [A] the stars.
And the night keeps calling, and the shawls upon the stars,
and love comes slugging hard upon _ the stars.
And [E] then along comes Mary. _
_ Does she want to see those stains that every man's a lot of pain?
She's left with all he needs.
_ [D] And _ _
[E] _ _ [B] _ _ _ _ _ _
_ _ _ _ [E] then along [A] comes _ _ _ _ _ _ Mary.
_ [F] _ _ _ [Dm] Does she [A] want to see those stains that every man's a lot of pain? _ _ _ _
She's left with all he [Bm] _ [E] _
_ [A] needs.
And then along _ _ [B] _ [A]
comes Mary.
Does she want to see those stains that every man's a lot of pain?
She's left with all he needs. _ _ _
And then along comes Mary.
_ [G] _ _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _