Chords for Alter Bridge: Livestream Q&A (Part 1)

Tempo:
116.375 bpm
Chords used:

F

G

E

F#

A#

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
Alter Bridge: Livestream Q&A (Part 1) chords
Start Jamming...
All right, so we just kick in we just started with the with the questions from [A] you all here and
The first one is from Nancy Dietrich.
Hi, Nancy
Question is from me miles.
How are you holding up vocally and [F] otherwise with these back-to-back [G#] tours?
Okay, so far.
I wasn't I wasn't sure at first but
Things are things seem to be going [Gm] well unless I get a cold or a flu [F#] or something that that kind of derails it
for a few days, but
[G#]
It's holding up question
So Corbett four four four four s will alter bridge continue to make albums in the future
[Em]
Of course we're gonna make albums in the future
[F#] we we love working together [C#] and
You know, we'll keep on trying to make it on trying to make every record
something a little different than the last and hopefully a little better than the last and
I'm [A#] trying to not make it three years this time
next [G] question is from
Andre Paulin, I believe.
Hey guys
What's one thing you've learned from the past from past experiences with other bands that you feel is now contributing to the success of altar bridge?
Let's see, I guess
What would be one thing that we've learned?
I don't know you have any ideas there.
I think the more you [F] perform
live the more you
[D] [F] Develop as a [Em] songwriter or a or a musician
You know the more you're challenged the better you're going to get so the more experience you have
You're gonna get you're gonna get better.
Hopefully and that's what I think staying busy on all the fronts that that
We are at this moment.
I think helps us
Be better.
Yeah, definitely.
I think it's like a muscle the more you use it
You know the stronger it gets I know for me even as a singer it seems like [G] I'm
[F] kind of uncomfortable with [F#] downtime because generally
[C#] I feel like the the [F] strength of the instrument kind of diminishes if I [E] sit around [F] and it's like really kind of relearning how to do [G#m] it
so [Gm] constantly touring and [F#] performing and recording just just keeps it I think keeps the keeps I
Guess [Fm] from [Cm] getting cold [F#] and kind of [B] warming down
Let's see here
[A#]
Chuck's revenge miles.
[A#] Do you think you'd be where you are now if you hadn't studied music?
I
don't think so I think that the fact that [F#] I
went to [F] school and and studied [G] I
Studied jazz and I studied [F] popular music and [G] and learned [F#] theory and did all that stuff
[A] That was really really useful.
[G] It's been useful for me [E] for the last, you know, [F] 20 years.
[G] I
think that the
The saying that I I learned actually I [F] think Billy Sheehan I heard this [E] from Billy Sheehan
Great bass player.
He said, you [G] know, you got you got to know the [E] rules before you can break them
[F#] And I always thought that was a very true.
[F] You know, it's it's good just to have that [D#] foundation
[E]
Question I know you guys have wives and kids back home.
How do you deal with being without them so much?
Are you [F] with them often on the road?
Well
Yeah, I have two kids and it's the hardest [E] part about doing [F#m] what I do is being apart from them
When we just did the Creed tour last year, they [F] were out there the whole time
So that wasn't that wasn't bad.
But this last altar bridge tour over in Europe.
We did eight [D#] weeks [E] and
You know, I flew back in the middle for my two-year-olds birthday and
Got to see him which was a big
big moment for me to be able to spend those few days it really helps out but
[A]
you know, it's
We're not [G] nine-to-five kind [F] of dads that that the kids only get to see at nighttime, you know
when we're at home, we're 24 [E] hour day dads and
[F] I'm just I'm about to have [E] three months off here and in about a week or so
I'll be spending [F] plenty plenty of [E] time with my kids and I think it all evens out in the long [A#] run
[A] Next question is from Alex J.
Sopp, I believe
Miles who are your major influences when it comes to [G] singing?
There's so many I think that
Stevie Wonder [F#] and Stevie [F] Wonder in particular was was was huge for me starting out because I used to just sit in my car and
And in [G] practicing with him
Marvin Gaye
Jeff Buckley was a huge [F#] influence
[F] I consider him to be one of the greatest singers in the last 20 years for sure
[G] Robert plant was definitely an influence, you know, I actually I think
[G] because I listened to so much Zeppelin when I was [Fm] growing up and I
Was learning a lot of Jimmy Page's guitar parts because I started as a guitar player and I think that through listening to that
that Roberts
Approach definitely [F] was was was an influence just because I absorbed [A#] so much of that [G] so many of those records
[F#] Yeah, there's so many that's that's a you [G] know another guy I don't I actually don't bring up enough is a guy named [F] Chris Whitley
[F#] who actually was a
Passed away a few years ago, but [G] he recorded one of my favorite records [F] of all time.
It's [E] called dirt floor
[D#m] It's just him and a resonator [F] and it's brilliant.
If you haven't
[E] Haven't heard him definitely check him out a huge influence [A#] on me
[G] Just beats Jonas asks, how do you guys [F] deal with writers block?
[E] Me [G] personally if I'm [F] feeling like I'm having writers [E] block I will tune my guitar differently and usually that
Gives me a fresh slate to work with and it's usually inspiring for me, you know, just starting over and
And [F] then if I run into another wall with [E] that tuning
I'll find another tuning until I write something if I [F] don't write anything [N] after that.
I'll just quit for the day
this is from
Maran Reba or I believe that's that's what it is miles.
What are you doing to warm up your vocals before show?
[A]
It's it's very
Marking a test this it's it's it sounds horrible.
[F#] It's very disturbing.
So I'm sorry.
Show us a little no
I do [G#] about an [G] hour's hour to an hour and a half's worth of [E] like
All sorts of [G#m] scales and [G] arpeggios and and [F] things basically just to get things and get things moving, right?
[F#] it's a [A#] it's not very
[G] It's not very pleasing to the ear
So I try [F#] and find a room somewhere where nobody can hear me because it's kind of embarrassing
But I find that if I don't do it
And the show definitely suffers and I can just put more strain on my voice and it can affect the it actually will affect
You know, not just that show but you know subsequent shows so
[F] It's it's it's it's definitely very important for me and part of my nightly ritual to to do the warm-up
I'm almost superstitious if I [E] don't do it, then you know, I get kind of frazzled.
[F] So
[E] Laura not Croft says if you could tour with any band, who would it be?
[A#]
I
Could list plenty, [E] you know, I'd like to tour with Metallica.
I'd like to tour with
Iron Maiden a
[F#]
Lot of a lot of the old-school bands that that we were fans of growing up I'd like to tour with you mouth
Um
That's a good question.
I [G] mean, I'd love to tour with Mastodon [C#] just so I could watch him every [Dm] night.
[D#] I
Definitely would want us [G] to open so that I after we're [F#] done.
I could go just sit there and take notes.
[A#] Yeah, those guys are great
[G]
[E] What other questions we got here let's do I think we've got all these on this page, yeah
[D#] I'm gonna play another song
Should we play another song while we wait?
Yeah.
Yeah.
All right.
Well, in fact
Leading to this song if we have [Fm] a question from Jordan and [Gm] he's asking or she's asking
[F#]
[G#] what [G] model tailors are you playing right now and which is your favorite [D] and
[A#] The wonderful life I [C#] used the 614.
I think mark did too.
I'm not sure
714 714 and
And we're about to play in just a few minutes here
Here's another 714 right here.
So I think the 714 are
[D#]
Cedar tops and [E] and
[A] Rosewood backs and I think that those are [G] I should really know this but [D#] yeah, they're great guitars
They sound they sound awesome
[N]
Key:  
F
134211111
G
2131
E
2311
F#
134211112
A#
12341111
F
134211111
G
2131
E
2311
Show All Diagrams
Chords
NotesBeta
Download PDF
Download Midi
Edit This Version
Hide Lyrics Hint
All right, so we just kick in we just started with the with the questions from [A] you all here and
The first one is from Nancy Dietrich.
Hi, Nancy
_ _ Question is from me miles.
How are you holding up vocally and [F] otherwise with these back-to-back [G#] tours? _
Okay, so far.
I wasn't I wasn't sure at first but
Things are things seem to be going [Gm] well unless I get a cold or a flu [F#] or something that that kind of derails it
for a few days, but
[G#] _
_ It's holding up question _ _
So Corbett four four four four s will alter bridge continue to make albums in the future
_ _ _ [Em] _
_ Of course we're gonna make albums in the future _
[F#] _ we we love working together [C#] and
You know, we'll keep on trying to make it on trying to make every record
something a little different than the last and hopefully a little better than the last and
_ I'm [A#] trying to not make it three years this time
_ next [G] question is from
_ _ Andre Paulin, I believe.
Hey guys
What's one thing you've learned from the past from past experiences with other bands that you feel is now contributing to the success of altar bridge?
_ _ _ _ _ _ Let's see, _ _ _ _ I guess _
What would be one thing that we've learned?
I don't know you have any ideas there.
I think the more you [F] perform
live the more you
[D] _ _ [F] _ Develop as a [Em] songwriter or a or a musician
_ _ You know the more you're challenged the better you're going to get so the more experience you have
You're gonna get you're gonna get better.
Hopefully and that's what I think staying busy on all the fronts that that
We are at this moment.
I think helps us
Be better.
Yeah, definitely.
I think it's like a muscle the more you use it
You know the stronger it gets I know for me even as a singer it seems like [G] I'm
_ [F] kind of uncomfortable with [F#] downtime because generally
[C#] _ I feel like the the [F] strength of the instrument kind of diminishes if I [E] sit around [F] and it's like really kind of relearning how to do [G#m] it
_ so [Gm] constantly touring and [F#] performing and recording just just keeps it I think keeps the keeps I
Guess [Fm] from [Cm] getting cold [F#] and kind of [B] warming down _ _ _
Let's see here
_ [A#] _ _ _
_ _ _ _ Chuck's revenge miles.
[A#] Do you think you'd be where you are now if you hadn't studied music?
I
_ don't think so I think that the fact that [F#] I
_ went to [F] school and and studied [G] I
_ Studied jazz and I studied [F] popular music and [G] and learned [F#] theory and did all that stuff _
[A] That was really really useful.
[G] It's been useful for me [E] for the last, you know, [F] 20 years.
[G] _ I
think that the
The saying that I I learned actually I [F] think Billy Sheehan I heard this [E] from Billy Sheehan
Great bass player.
He said, you [G] know, you got you got to know the [E] rules before you can break them
[F#] And I always thought that was a very true.
[F] You know, it's it's good just to have that [D#] foundation
_ _ _ [E] _ _ _ _ _
Question I know you guys have wives and kids back home.
How do you deal with being without them so much?
Are you [F] with them often on the road?
Well
_ Yeah, I have two kids and it's the hardest [E] part about doing [F#m] what I do is being apart from them
When we just did the Creed tour last year, they [F] were out there the whole time
So that wasn't that wasn't bad.
But this last altar bridge tour over in Europe.
We did eight [D#] weeks _ [E] and
You know, I flew back in the middle for my two-year-olds birthday and
Got to see him which was a big
big moment for me to be able to spend those few days it really helps out but
[A] _
you know, it's
We're not [G] nine-to-five kind [F] of dads that that the kids only get to see at nighttime, you know
when we're at home, we're 24 [E] hour day dads and
[F] I'm just I'm about to have [E] three months off here and in about a week or so
I'll be spending [F] plenty plenty of [E] time with my kids and I think it all evens out in the long [A#] run
_ _ [A] _ Next question is from Alex J.
Sopp, I believe
_ Miles who are your major influences when it comes to [G] singing?
_ There's so many _ I think that
Stevie Wonder [F#] and Stevie [F] Wonder in particular was was was huge for me starting out because I used to just sit in my car and
And in [G] practicing with him
_ Marvin Gaye
_ _ Jeff Buckley was a huge [F#] influence _
[F] I consider him to be one of the greatest singers in the last 20 years for sure
_ [G] _ Robert plant was definitely an influence, you know, I actually I think
_ [G] because I listened to so much Zeppelin when I was [Fm] growing up and I
Was learning a lot of Jimmy Page's guitar parts because I started as a guitar player and I think that through listening to that
that Roberts _
Approach definitely [F] was was was an influence just because I absorbed [A#] so much of that [G] so many of those records
_ _ [F#] Yeah, there's so many that's that's a you [G] know another guy I don't I actually don't bring up enough is a guy named [F] Chris Whitley
[F#] who actually was a
Passed away a few years ago, but [G] he recorded one of my favorite records [F] of all time.
It's [E] called dirt floor
[D#m] It's just him and a resonator [F] and it's brilliant.
If you haven't
[E] Haven't heard him definitely check him out a huge influence [A#] on me _ _ _ _ _ _
[G] _ _ Just beats Jonas asks, how do you guys [F] deal with writers block?
[E] _ _ _ Me [G] personally if I'm [F] feeling like I'm having writers [E] block I will tune my guitar differently and usually that _ _ _
Gives me a fresh slate to work with and it's usually inspiring for me, you know, just starting over and
And _ [F] then if I run into another wall with [E] that tuning
I'll find another tuning until I write something if I [F] don't write anything [N] after that.
I'll just quit for the day _ _ _ _ _
_ _ this is from
Maran Reba or I believe that's that's what it is miles.
What are you doing to warm up your vocals before show?
[A] _ _ _
It's it's very
Marking a test this it's it's it sounds horrible.
[F#] It's very disturbing.
So I'm sorry.
Show us a little no
_ _ _ I do [G#] about an [G] hour's hour to an hour and a half's worth of [E] like _
All sorts of [G#m] scales and [G] arpeggios and and [F] things basically just to get things and get things moving, right?
_ [F#] it's a [A#] it's not very
[G] It's not very pleasing to the ear
So I try [F#] and find a room somewhere where nobody can hear me because it's kind of embarrassing
But I find that if I don't do it
And the show definitely suffers and I can just put more strain on my voice and it can affect the it actually will affect
_ You know, not just that show but you know subsequent shows so
_ [F] It's it's it's it's definitely very important for me and part of my nightly ritual to to do the warm-up
I'm almost superstitious if I [E] don't do it, then you know, I get kind of frazzled.
[F] So _ _
_ _ [E] Laura not Croft says if you could tour with any band, who would it be?
_ _ _ _ [A#] _
_ _ _ I
Could list plenty, [E] _ you know, I'd like to tour with Metallica.
I'd like to tour with _
Iron Maiden a
_ [F#] _ _
Lot of a lot of the old-school bands that that we were fans of growing up I'd like to tour with _ _ you mouth _
Um
_ _ That's a good question.
I [G] mean, I'd love to tour with Mastodon [C#] just so I could watch him every [Dm] night. _
[D#] I
Definitely would want us [G] to open so that I after we're [F#] done.
I could go just sit there and take notes.
[A#] Yeah, those guys are great
[G] _ _
[E] _ _ What other questions we got here let's do I _ _ think we've got all these on this page, yeah
[D#] _ _ I'm gonna play another song
Should we play another song while we wait?
Yeah.
Yeah.
All right.
Well, in fact
_ Leading to this song if we have [Fm] a question from Jordan and [Gm] he's asking or she's asking
[F#] _
[G#] what [G] model tailors are you playing right now and which is your favorite [D] and
_ [A#] The wonderful life I [C#] used the 614.
I think mark did too.
I'm not sure _ _ _
714 714 and
And _ we're about to play in just a few minutes here
Here's another 714 right here.
So I think the 714 are
[D#] _ _
Cedar tops and [E] and
[A] Rosewood backs and I think that those are [G] I should really know this but [D#] yeah, they're great guitars
They sound they sound awesome
[N] _