Chords for Amy Grant - Baby Baby (Behind The Scenes) ft. Tori Kelly
Tempo:
99.55 bpm
Chords used:
C#
F#
D#m
G#
G#m
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[C#] [F#] [G#m]
[D#m] [C#] [F#] [G#m]
[B] So, [C#] I am [F#] super excited to get to be [G#m] a part of [D#m] this tribute.
[C#] I was kind of wondering what your original [G#m] inspiration for [D#m] the song was.
[C#] Honestly, my [F#] baby girl, [G#m] Millie, was six weeks [D#m] old.
[C#] And [F#] Keith Thomas had the [B] idea for Baby Baby, [D#m] and I went, oh my [C#] gosh, that's how I [F#] feel
all the time.
[G#m] And I [D#m] guess, you know, it comes across playful and [F#] romantic, but it really [G#m] was inspired [D#m] by
my daughter, [C#] who's older than you are.
[F#] [B]
[D#m] I got to [C#] perform it on the Grannies, [F#] and [B] the little one that I had [D#m] written the song [C#] about was [F#] two.
[B] And [D#m] so, she [D#] waddled out at the end of the [F#] song, and she was tiny.
[B] And so that [D#m] was [C#] great, to get to say this was [F#] the [G#m] inspiration for that song.
And [D#m] she didn't have a [C#] meltdown [F#] on live TV.
That was [G#m] nice, even though it was about 11 [G#] o'clock at night.
[C#] Baby, baby, [G#m] a voice [Fm] in the cold of the night.
Oh, come here, [C#] baby, baby.
[A#m]
[G#] I'm here for you, baby.
[G#] Do you care [C#] if people are watching you while you [Fm] sing?
It's [G#] nerve-wracking.
It is a little bit, yeah.
I didn't want [C#] that to be the first way that we met, [D#] because it's a little [G#] bit awkward,
especially [C#] singing your song.
[Fm] Yeah, well, [Cm] you killed it.
But I loved [C#] coming in, and you guys were going, well, we still have some work on it.
And to me, it was [Cm] flawless.
Oh, [D#] thank you.
It just [G#] sounded fantastic.
It was [C#] funny for me, being in the [Fm] studio, and just, [D#] I mean, I definitely [G#] wanted to stay
true to [C#] the melody [Fm] and how [D#] the original was made, but it [G#] wasn't hard to stick to [C#] it, because
it made me [Fm] realize just what a great song [D#] it always was.
It just felt so classic and [C#] timeless would [Fm] be a good [G#] word to describe it.
And it was just cool how we could [C#] throw just [Fm] different styles.
We could really [D#] take it anywhere, but the heart of the [G#] song really felt like it [C#] was still there.
[Fm] So I hope I didn't [G#] mess this up.
Oh, my gosh.
You knocked it so far out [C#] of the park.
Thank you.
[D#] Stop alarming it, [F#] baby.
I'm so glad [D#m] you're mine.
[C#] [F#] [B]
[C#] Can't have a symphony without [B] your [C#] devotion.
[B] No, but [N] you
[D#m] [C#] [F#] [G#m]
[B] So, [C#] I am [F#] super excited to get to be [G#m] a part of [D#m] this tribute.
[C#] I was kind of wondering what your original [G#m] inspiration for [D#m] the song was.
[C#] Honestly, my [F#] baby girl, [G#m] Millie, was six weeks [D#m] old.
[C#] And [F#] Keith Thomas had the [B] idea for Baby Baby, [D#m] and I went, oh my [C#] gosh, that's how I [F#] feel
all the time.
[G#m] And I [D#m] guess, you know, it comes across playful and [F#] romantic, but it really [G#m] was inspired [D#m] by
my daughter, [C#] who's older than you are.
[F#] [B]
[D#m] I got to [C#] perform it on the Grannies, [F#] and [B] the little one that I had [D#m] written the song [C#] about was [F#] two.
[B] And [D#m] so, she [D#] waddled out at the end of the [F#] song, and she was tiny.
[B] And so that [D#m] was [C#] great, to get to say this was [F#] the [G#m] inspiration for that song.
And [D#m] she didn't have a [C#] meltdown [F#] on live TV.
That was [G#m] nice, even though it was about 11 [G#] o'clock at night.
[C#] Baby, baby, [G#m] a voice [Fm] in the cold of the night.
Oh, come here, [C#] baby, baby.
[A#m]
[G#] I'm here for you, baby.
[G#] Do you care [C#] if people are watching you while you [Fm] sing?
It's [G#] nerve-wracking.
It is a little bit, yeah.
I didn't want [C#] that to be the first way that we met, [D#] because it's a little [G#] bit awkward,
especially [C#] singing your song.
[Fm] Yeah, well, [Cm] you killed it.
But I loved [C#] coming in, and you guys were going, well, we still have some work on it.
And to me, it was [Cm] flawless.
Oh, [D#] thank you.
It just [G#] sounded fantastic.
It was [C#] funny for me, being in the [Fm] studio, and just, [D#] I mean, I definitely [G#] wanted to stay
true to [C#] the melody [Fm] and how [D#] the original was made, but it [G#] wasn't hard to stick to [C#] it, because
it made me [Fm] realize just what a great song [D#] it always was.
It just felt so classic and [C#] timeless would [Fm] be a good [G#] word to describe it.
And it was just cool how we could [C#] throw just [Fm] different styles.
We could really [D#] take it anywhere, but the heart of the [G#] song really felt like it [C#] was still there.
[Fm] So I hope I didn't [G#] mess this up.
Oh, my gosh.
You knocked it so far out [C#] of the park.
Thank you.
[D#] Stop alarming it, [F#] baby.
I'm so glad [D#m] you're mine.
[C#] [F#] [B]
[C#] Can't have a symphony without [B] your [C#] devotion.
[B] No, but [N] you
Key:
C#
F#
D#m
G#
G#m
C#
F#
D#m
_ _ [C#] _ _ [F#] _ _ [G#m] _ _
[D#m] _ _ [C#] _ _ [F#] _ _ [G#m] _ _
[B] So, [C#] I am [F#] super excited to get to be [G#m] a part of [D#m] this tribute.
[C#] I was kind of wondering what your original [G#m] inspiration for [D#m] the song was.
[C#] Honestly, my [F#] baby girl, [G#m] Millie, was six weeks [D#m] old.
_ [C#] And [F#] Keith Thomas had the [B] idea for Baby Baby, [D#m] and I went, oh my [C#] gosh, that's how I [F#] feel
all the time.
[G#m] And I [D#m] guess, you know, it comes across playful and [F#] romantic, but it really [G#m] was inspired [D#m] by
my daughter, [C#] who's older than you are.
[F#] _ _ [B] _ _
[D#m] I got to [C#] perform it on the Grannies, [F#] and [B] the little one that I had [D#m] written the song [C#] about was [F#] two.
_ [B] And [D#m] so, she [D#] waddled out at the end of the [F#] song, and she was tiny.
[B] And so that [D#m] was [C#] great, to get to say this was [F#] the [G#m] inspiration for that song.
And [D#m] she didn't have a [C#] meltdown [F#] on live TV.
That was [G#m] nice, even though it was about 11 [G#] o'clock at night.
_ [C#] Baby, baby, [G#m] a voice [Fm] in the cold of the night.
Oh, come here, [C#] baby, baby.
_ _ [A#m] _ _
[G#] I'm here for you, baby.
[G#] Do you care [C#] if people are watching you while you [Fm] sing?
It's [G#] nerve-wracking.
It is a little bit, yeah.
I didn't want [C#] that to be the first way that we met, [D#] because it's a little [G#] bit awkward,
especially [C#] singing your song.
[Fm] Yeah, well, [Cm] you killed it.
But I loved [C#] coming in, and _ you guys were going, well, we still have some work on it.
And to me, it was [Cm] flawless.
Oh, [D#] thank you.
It just [G#] sounded fantastic.
It was [C#] funny for me, being in the [Fm] studio, and just, [D#] I mean, I definitely [G#] wanted to stay
true to [C#] the melody [Fm] and how [D#] the original was made, but it [G#] wasn't hard to stick to [C#] it, because
it made me [Fm] realize just what a great song [D#] it always was.
It just felt so classic and [C#] timeless would [Fm] be a good [G#] word to describe it.
And it was just cool how we could [C#] throw just [Fm] different styles.
We could really [D#] take it anywhere, but the heart of the [G#] song really felt like it [C#] was still there.
[Fm] So I hope I didn't [G#] mess this up.
Oh, my gosh.
You knocked it so far out [C#] of the park.
Thank you.
[D#] _ Stop alarming it, [F#] baby.
I'm so glad [D#m] you're mine.
[C#] _ _ [F#] _ _ [B] _
[C#] Can't have a symphony without [B] your _ _ [C#] devotion.
_ _ _ [B] _ _ No, but [N] you_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[D#m] _ _ [C#] _ _ [F#] _ _ [G#m] _ _
[B] So, [C#] I am [F#] super excited to get to be [G#m] a part of [D#m] this tribute.
[C#] I was kind of wondering what your original [G#m] inspiration for [D#m] the song was.
[C#] Honestly, my [F#] baby girl, [G#m] Millie, was six weeks [D#m] old.
_ [C#] And [F#] Keith Thomas had the [B] idea for Baby Baby, [D#m] and I went, oh my [C#] gosh, that's how I [F#] feel
all the time.
[G#m] And I [D#m] guess, you know, it comes across playful and [F#] romantic, but it really [G#m] was inspired [D#m] by
my daughter, [C#] who's older than you are.
[F#] _ _ [B] _ _
[D#m] I got to [C#] perform it on the Grannies, [F#] and [B] the little one that I had [D#m] written the song [C#] about was [F#] two.
_ [B] And [D#m] so, she [D#] waddled out at the end of the [F#] song, and she was tiny.
[B] And so that [D#m] was [C#] great, to get to say this was [F#] the [G#m] inspiration for that song.
And [D#m] she didn't have a [C#] meltdown [F#] on live TV.
That was [G#m] nice, even though it was about 11 [G#] o'clock at night.
_ [C#] Baby, baby, [G#m] a voice [Fm] in the cold of the night.
Oh, come here, [C#] baby, baby.
_ _ [A#m] _ _
[G#] I'm here for you, baby.
[G#] Do you care [C#] if people are watching you while you [Fm] sing?
It's [G#] nerve-wracking.
It is a little bit, yeah.
I didn't want [C#] that to be the first way that we met, [D#] because it's a little [G#] bit awkward,
especially [C#] singing your song.
[Fm] Yeah, well, [Cm] you killed it.
But I loved [C#] coming in, and _ you guys were going, well, we still have some work on it.
And to me, it was [Cm] flawless.
Oh, [D#] thank you.
It just [G#] sounded fantastic.
It was [C#] funny for me, being in the [Fm] studio, and just, [D#] I mean, I definitely [G#] wanted to stay
true to [C#] the melody [Fm] and how [D#] the original was made, but it [G#] wasn't hard to stick to [C#] it, because
it made me [Fm] realize just what a great song [D#] it always was.
It just felt so classic and [C#] timeless would [Fm] be a good [G#] word to describe it.
And it was just cool how we could [C#] throw just [Fm] different styles.
We could really [D#] take it anywhere, but the heart of the [G#] song really felt like it [C#] was still there.
[Fm] So I hope I didn't [G#] mess this up.
Oh, my gosh.
You knocked it so far out [C#] of the park.
Thank you.
[D#] _ Stop alarming it, [F#] baby.
I'm so glad [D#m] you're mine.
[C#] _ _ [F#] _ _ [B] _
[C#] Can't have a symphony without [B] your _ _ [C#] devotion.
_ _ _ [B] _ _ No, but [N] you_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _