Chords for An Interview with Roger Fisher of Heart - Crazy On You

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You used this for the Rock and Roll Hall of Fame induction.
Right.
I just had a white _ custom strat body on it at that time.
At that time?
Oh, okay.
That's why I didn't [N] recognize it from that.
But, you know, the song you played, Crazy on You, right?
Take me back in time with that.
Now, I don't know the details behind how the song was completely written, but you co-wrote it, right?
The guitar lick that comes in, who invented that?
This was a real _ great time of heart.
I had gotten together with Nancy when I was living with Ed Myrenick, learning how to build guitars.
_ And she finally broke down and decided she's going to get together with Raj.
So we got together, and it was just so magical, so wonderful.
It was _ _ a time of _ real self-introspection for me, because I'm now with this girl who is unlike any girl I've ever been with before.
And she was beautiful, real intelligent, _ _ spiritual, [F] _
and _ challenging.
Ann was with Mike, and I was with Nance, and we were all living in this A-frame cabin _ on Point Roberts,
which is a little tip of land that extends south of the 49th parallel _ _ into the United States territory.
So it's actually in the United States, but it's separated by land.
_ You have to go through Canada to get there. _
There's the four of us living in our A-frame little _ _ heaven there.
_ One day, the girls [Am] were horsing around with this guitar idea that was fashioned after a Moody Blues song.
It went _ _ _ like that.
Working [G]
the_
[F] _ _ _ They're doing all this [Am] stuff.
_ _ _ _ _ _ [D] She's doing this galloping thing [Eb] like that.
So then they had their song idea, and they're working on it, and the words are coming.
_ I happened to walk into the room, and Ann said,
Hey, Raj, _ what _ _ _ [Cm] _
guitar part would you put on this?
And so I listened to it, and I [B] heard, _ [A] _ [D] _ [F] _
_ _ _ _ [G] yeah.
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So I played that for them, and they said, yeah, that sounds good. _
So that's how my inclusion of the songwriting was made to that song.
_ The definition of a songwriter's royalty is _ one who _ comes up with the melody _ _ and or lyrics. _ _ _
Of course you _ can't copyright chord progressions.
Otherwise, _ after a while, there wouldn't be anything you could play.
But an important key element of a song that is signature,
that when you hear that, you know that that's that song. _
That's copyrightable, because it's a melody that has the strength to be a key element.
Howard said, you know, Raj should get royalties for that_ _ _ _
_ And if he hadn't said that, I probably wouldn't ever have gotten co _ -writer's _ status with that song.
So thank you, Howard.
_ _ That's how that song was born.
Nice, nice.
Yeah, and _ _ it's_
Oh, those lyrics!
I was a willow last night in my dream.
I bent down over a clear running stream.
I sang you this song that I heard up above, and you kept me alive with your sweet flow and love.
God!
_ That's some of the best lyrics in rock and roll, for sure.
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