Chords for Analogues long trailer oct 17

_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[C] _ I listened to the analogues, I've never heard anything come so [G#m] close to the [A] original records.
I was just really baffled when I heard it.
It was just amazing.
_ _ [C] _
_ That was [G] really, really impressive.
I couldn't [B] believe it.
[G] It was 20 years ago [A] today, [C] when Sergeant Bapin told the band [G] to play.
Kendrick Gordon in and [A] out of style, _ [C] guaranteed a racial [G] smile.
[A] So many years in the U.C [C].U., the engine of all those years.
_ [G] Sergeant Bapin, I'm so proud of you!
_ _ _ [F#] _ Apparently Bart had told me [G#] I had a pretty [C] high, _ hard, _ _ cartoon voice.
_ [D] _ He had let [E] me audition for Raka Janma.
I auditioned [C#m] for him.
[E] _
_ _ _ _ [B] _ _ _ [F#m] _
_ _ _ _ _ _ _ [E] _
_ Most of the [D#] Beatle bands _ [E] _
do the hits, _ _ and leave the hard work behind.
[D]
Or the songs you used to sing yourself.
_ [G] _ _ _ [D] _
_ _ _ _ _ _ _ [G] _
_ _ _ [D] _ _ [D] _ They're [G#] all [A] bands that want to look like The Beatles, and that are mostly visual.
_ _ [A] _ _ _ _
_ _ _ _ _ [D] _ _ [A] _
_ _ [D] _ It's a bit exaggerated, to do that.
[A] But it's all because we want to do it for the people who are there.
If we were there, we would want [F#] to do it too.
_ [F#m] _ _ _ _ [A#] _ _
[D#] _ _ [G#] _ _ [C#] _ I'm annoyed that [Em] the Beatles music [G] doesn't get [B] enough attention. _ _
_ [Em] _ _ _ [C] _ _ _ [B] _
_ [Em] _ _ _ _ [C] _ _ _
_ _ [Em] _ _ _ _ _ _
_ [F#] I want _ everything to be visible, and everything to be [Fm] real.
The real tape 3. _
_ _ _ _ _ _ _ [C#m] _
_ _ [B] _ _ _ _ [B] _ _
_ _ _ _ _ _ The Beatles _ _ _ _ _ are listening to the [E] records under a microscope.
To get them absolutely perfect.
The only way you're going to do that is to go back to the [A] original [E] equipment.
That's all you can do. _
_ [Dm] But if you play the tune on a synthesizer, [Am] and you hear it on the lorry,
_ [F#m] _ the [F] synthesizer doesn't stay.
[A] _ _ _ Sometimes it gets pretty fanatical.
[F#m]
It's about things [F] that you think no one ever heard.
[Am] _
[Am] But _ [F#m] it's a bit illustrative for the fanaticism [G#] on perfection.
_ _ _ _ [A] _
_ _ [Dm] _ _ _ _ [A#] _
It's 40 [Dm] years old.
_ [G] And it's [Cm]
completely [G] _ restored [A#] _ for the analog.
_ _ Our rehearsal room is now a sort of [C#] man cave.
With _ _ _ a whole backline of the most beautiful old stuff.
_ I [C#] wonder what _ happened here.
_ _ _ What am I in now?
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [A#] _ Do [C#] _
you hear it? _ _ _ _
_ _ _ _ _ _ _ _
[A#] _ _ _ What happened at [G#m] Day in the Life,
which made [F#m] us choose [G] to go to Abbey Road, _ _
_ _ [Bm] is that [Em] the song has _ a huge crescendo.
[C] _ Everyone knows it.
_ The Beatles used 40 musicians [G] for that.
_ _ [Bm] _ _ _ [Em]
So we _ _ [C] decided to record _ _ [E] in a studio with more musicians. _
[B] And then we thought, [G] why not [Bm] Abbey Road?
_ _ [Em] _ _ _ _ _ _
_ _ [C] _ _ _ _ [Em] _ _
_ _ _ _ _ _ _ _
[A] _ _ _ _ _ _ _ _
_ _ _ [C#] _ _ _ _ _
[E] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [Em] _
_ _ _ [E] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ And it's just great to hear a new orchestra,
_ the analogs, performing this piece of music. _
If you were to shut your eyes,
I think you'd really be listening to the original record. _ _ _ _ _ _