Chords for Andy Mientus – "Franklin Shepard, Inc" (from 'Merrily We Roll Along')
Tempo:
122 bpm
Chords used:
C
D
A
Eb
Ab
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Now, how do you two work together?
May I [C] answer that?
Please.
[Eb] How do we work together?
Shoot.
[C] He goes, [Dbm] [A]
and I go.
[Dbm] [Eb] And [Db] we're swinging here, humming along.
And that's Paul's writing a [Abm] song.
[Abm] Then he goes, [Ab] and I go.
And the phone [D] goes, brrrring.
And he goes, [C]
murr murr murr murr.
That's his lawyer, Jerome.
Murr murr murr murr murr murr.
Do it, Jerome.
Say, sorry, Charlie.
[E] [B] So I go, [E] [Ab] and he goes, [Abm] [C] and I go.
[Ab]
[Db] And soon we're topping away.
Sorry, Charlie!
It's the secretary on [A] the intercom.
Yes, Ms.
Biz, the messenger.
Thank [E] Ms.
Biz.
Will you tell him to wait?
Will you order the car?
Will you call the bank?
[D] Will you wire the coast?
Will you [C] brrrrring?
Sorry, Charlie.
Murr murr murr murr murr.
Stop, stop.
Murr by the rights.
Murr murr murr murr murr murr.
You want to hold.
[D] He asks Miss Biz at the end of you.
Thanks Miss Biz, but you told him to wait.
Well, you wired the [A] car, we awarded the post,
we'll send up a bank.
There's telephone pipe, it's about to get sold,
and the rest of us, he keeps on holding.
[C] He's in the making movies, he's in the sound programmation.
[Bb] Right?
[C] So I play at home with my wife and kids
and I wait to hear the [C] movie bids
and I got a little sailboat, and I make the meditation.
Right.
[F] He flies off to California.
I discuss him with my shrink.
That's the [A] story of the way we work.
Me and Franklin Shepard.
[C] [Bm] I am surprised how much I'm enjoying that.
[Dm] I heard you guys wrote a song for the Oscars.
I know.
[F]
You [G]
[Eb] work together, I've always been curious.
Which generally [Db] comes first, the words [Ab] or the music?
Generally the [Eb] contract.
Oh, that sounds like you think that making money
is a bad thing for an artist.
Money.
[A] Did I say money?
[Abm] [D] No, I [Db] like money a lot.
Mmm, I mean [E] it's better not.
[Abm] Mmm, but when [Bm] it's money, money, [A]
money,
when you're in money [Ab] and you should be.
[C] Listen, Frank does the money thing very well,
but you know what?
There's other people that do it better.
And Frank does the music very well.
And you know what?
No one does it better.
[F] Still, [D] the telephone's blinked, the buzzer's buzzed,
I really don't know what he does,
[C] but he makes a ton of money.
[Am] And a lot of it for me, [D] right?
So [C] I think, okay, let's start a play.
Somehow knows his right [A] away, brrring.
I might run a red show,
maybe I can create a deal with [D] all the rights.
Look, two weeks out, I'm gonna turn around,
I'm guaranteed by the broker [A] center,
I'm a billing claw.
[E] There I am in
[Em] California,
[D] talking deals [G] and turning,
[E] talking business [G] and I mean [B] just that.
Back with Franklin [G] Shepard.
[E] Very sneaky how it happens.
[C]
Much more sneaky [C] than you think.
[A] Start with nothing, but I'm stoned to [D] say,
next you're Franklin Shepard.
Wait a minute, wait a minute, [B] wait a minute, wait a minute.
Get [Ab] into the music.
You see, Frank [Eb] and I are not that close anymore.
Not as we used to be.
And [C] friendship is like a garden.
You have to water [Eb] it, you have to tend it,
you have to care about it.
[B]
[D]
[A] Nothing permanent has happened.
[Db] [Dm]
Just [Bm] a temporary [C] kick.
[Dbm]
[D] Friendship's something you [Gm] don't really need.
[B] Ladies and gentlemen,
don't let me lose [Eb] the greatest composer
[Ab] any lyricist has ever known.
Tell him, [A]
write to him, stop him on the street,
you'll recognize him,
he's the one going through his checkbook.
Tell that man to get back to his piano.
[Am]
[D] Very sneaky how it happens.
Every day you're on [G] the brink.
[A] First the [D] prizes and [Em] the [A] interviews.
[Bb]
[D] Oh my God, [G] I think it's happened.
[D] Gotta be quick before I sink.
One more triumph that I can't [Em] refuse.
Did [F] you notice this is my first time on TV?
And my last.
No, [D] here's the point.
Whatever [C] happens,
[Dm] then we'll all go [C] have a drink.
[Dm] That's the guy I [Am] love,
the fellow who's [A] inside.
[D] Mutter, mutter, mutter, mutter, quick Jerome,
get the president,
there's a crazy man on my TV screen.
[Em] Inside.
[G] Brrrrring.
[Am] [Dm] Inside Franklin [C] Shepard.
Yeah, just write him,
hair of any man, USA.
[B] [N]
May I [C] answer that?
Please.
[Eb] How do we work together?
Shoot.
[C] He goes, [Dbm] [A]
and I go.
[Dbm] [Eb] And [Db] we're swinging here, humming along.
And that's Paul's writing a [Abm] song.
[Abm] Then he goes, [Ab] and I go.
And the phone [D] goes, brrrring.
And he goes, [C]
murr murr murr murr.
That's his lawyer, Jerome.
Murr murr murr murr murr murr.
Do it, Jerome.
Say, sorry, Charlie.
[E] [B] So I go, [E] [Ab] and he goes, [Abm] [C] and I go.
[Ab]
[Db] And soon we're topping away.
Sorry, Charlie!
It's the secretary on [A] the intercom.
Yes, Ms.
Biz, the messenger.
Thank [E] Ms.
Biz.
Will you tell him to wait?
Will you order the car?
Will you call the bank?
[D] Will you wire the coast?
Will you [C] brrrrring?
Sorry, Charlie.
Murr murr murr murr murr.
Stop, stop.
Murr by the rights.
Murr murr murr murr murr murr.
You want to hold.
[D] He asks Miss Biz at the end of you.
Thanks Miss Biz, but you told him to wait.
Well, you wired the [A] car, we awarded the post,
we'll send up a bank.
There's telephone pipe, it's about to get sold,
and the rest of us, he keeps on holding.
[C] He's in the making movies, he's in the sound programmation.
[Bb] Right?
[C] So I play at home with my wife and kids
and I wait to hear the [C] movie bids
and I got a little sailboat, and I make the meditation.
Right.
[F] He flies off to California.
I discuss him with my shrink.
That's the [A] story of the way we work.
Me and Franklin Shepard.
[C] [Bm] I am surprised how much I'm enjoying that.
[Dm] I heard you guys wrote a song for the Oscars.
I know.
[F]
You [G]
[Eb] work together, I've always been curious.
Which generally [Db] comes first, the words [Ab] or the music?
Generally the [Eb] contract.
Oh, that sounds like you think that making money
is a bad thing for an artist.
Money.
[A] Did I say money?
[Abm] [D] No, I [Db] like money a lot.
Mmm, I mean [E] it's better not.
[Abm] Mmm, but when [Bm] it's money, money, [A]
money,
when you're in money [Ab] and you should be.
[C] Listen, Frank does the money thing very well,
but you know what?
There's other people that do it better.
And Frank does the music very well.
And you know what?
No one does it better.
[F] Still, [D] the telephone's blinked, the buzzer's buzzed,
I really don't know what he does,
[C] but he makes a ton of money.
[Am] And a lot of it for me, [D] right?
So [C] I think, okay, let's start a play.
Somehow knows his right [A] away, brrring.
I might run a red show,
maybe I can create a deal with [D] all the rights.
Look, two weeks out, I'm gonna turn around,
I'm guaranteed by the broker [A] center,
I'm a billing claw.
[E] There I am in
[Em] California,
[D] talking deals [G] and turning,
[E] talking business [G] and I mean [B] just that.
Back with Franklin [G] Shepard.
[E] Very sneaky how it happens.
[C]
Much more sneaky [C] than you think.
[A] Start with nothing, but I'm stoned to [D] say,
next you're Franklin Shepard.
Wait a minute, wait a minute, [B] wait a minute, wait a minute.
Get [Ab] into the music.
You see, Frank [Eb] and I are not that close anymore.
Not as we used to be.
And [C] friendship is like a garden.
You have to water [Eb] it, you have to tend it,
you have to care about it.
[B]
[D]
[A] Nothing permanent has happened.
[Db] [Dm]
Just [Bm] a temporary [C] kick.
[Dbm]
[D] Friendship's something you [Gm] don't really need.
[B] Ladies and gentlemen,
don't let me lose [Eb] the greatest composer
[Ab] any lyricist has ever known.
Tell him, [A]
write to him, stop him on the street,
you'll recognize him,
he's the one going through his checkbook.
Tell that man to get back to his piano.
[Am]
[D] Very sneaky how it happens.
Every day you're on [G] the brink.
[A] First the [D] prizes and [Em] the [A] interviews.
[Bb]
[D] Oh my God, [G] I think it's happened.
[D] Gotta be quick before I sink.
One more triumph that I can't [Em] refuse.
Did [F] you notice this is my first time on TV?
And my last.
No, [D] here's the point.
Whatever [C] happens,
[Dm] then we'll all go [C] have a drink.
[Dm] That's the guy I [Am] love,
the fellow who's [A] inside.
[D] Mutter, mutter, mutter, mutter, quick Jerome,
get the president,
there's a crazy man on my TV screen.
[Em] Inside.
[G] Brrrrring.
[Am] [Dm] Inside Franklin [C] Shepard.
Yeah, just write him,
hair of any man, USA.
[B] [N]
Key:
C
D
A
Eb
Ab
C
D
A
Now, how do you two work together?
May I [C] answer that?
Please.
_ [Eb] How do we work together? _
Shoot.
[C] _ He goes, [Dbm] _ _ [A] _
and I go.
_ [Dbm] _ [Eb] _ And [Db] we're swinging here, humming along.
_ And that's Paul's writing a [Abm] song.
_ [Abm] Then he goes, [Ab] and I go.
_ And the phone [D] goes, brrrring.
And he goes, [C] _ _ _ _
murr murr murr murr.
That's his lawyer, Jerome.
Murr murr murr murr murr murr.
Do it, Jerome.
Say, sorry, Charlie.
[E] _ _ _ [B] _ So I go, [E] _ _ [Ab] and he goes, [Abm] _ _ [C] and I go.
_ [Ab] _
[Db] And soon we're topping away. _ _
Sorry, Charlie!
It's the secretary on [A] the intercom.
Yes, Ms.
Biz, the messenger.
Thank [E] Ms.
Biz.
Will you tell him to wait?
Will you order the car?
Will you call the bank?
[D] Will you wire the coast?
Will you [C] brrrrring?
Sorry, Charlie.
Murr murr murr murr murr.
Stop, stop.
Murr by the rights.
Murr murr murr murr murr murr.
You want to hold.
[D] He asks Miss Biz at the end of you.
Thanks Miss Biz, but you told him to wait.
Well, you wired the [A] car, we awarded the post,
we'll send up a bank.
There's telephone pipe, it's about to get sold,
and the rest of us, he keeps on holding.
[C] He's in the making movies, he's in the sound programmation.
[Bb] Right?
[C] So I play at home with my wife and kids
and I wait to hear the [C] movie bids
and I got a little sailboat, and I make the meditation.
Right.
[F] He flies off to California. _ _
I discuss him with my shrink. _
That's the [A] story of the way we work.
Me and Franklin Shepard.
_ [C] _ [Bm] I am surprised how much I'm enjoying that.
_ _ [Dm] I heard you guys wrote a song for the Oscars.
I know.
[F] _ _
You _ _ _ _ _ _ [G] _
_ _ _ _ [Eb] work together, I've always been curious.
Which generally [Db] comes first, the words [Ab] or the music? _
Generally the [Eb] contract.
_ _ Oh, that sounds like you think that making money
is a bad thing for an artist. _
Money.
_ _ _ [A] Did I say money? _
_ [Abm] _ [D] No, I [Db] like money a lot.
Mmm, I mean [E] it's better not.
[Abm] Mmm, but when [Bm] it's money, money, [A]
money,
when you're in money [Ab] and you should be. _ _
_ _ [C] Listen, Frank does the money thing very well,
but you know what?
There's other people that do it better.
_ And Frank does the music very well.
_ And you know what? _
No one does it better.
[F] Still, [D] the telephone's blinked, the buzzer's buzzed,
I really don't know what he does,
[C] but he makes a ton of money.
[Am] And a lot of it for me, [D] right?
So [C] I think, okay, let's start a play.
Somehow knows his right [A] away, brrring.
I might run a red show,
maybe I can create a deal with [D] all the rights.
Look, two weeks out, I'm gonna turn around,
I'm guaranteed by the broker [A] center,
I'm a billing claw.
[E] There I am in _
[Em] California,
_ [D] talking deals [G] and turning, _
_ _ [E] _ talking business [G] and I mean [B] just that.
Back with Franklin [G] Shepard. _ _
_ [E] Very sneaky how it happens.
_ [C]
Much more sneaky [C] than you think.
_ [A] Start with nothing, but I'm stoned to [D] say,
next you're Franklin Shepard.
Wait a minute, wait a minute, [B] wait a minute, wait a minute.
Get [Ab] into the music.
You see, Frank [Eb] and I are not that close anymore.
Not as we used to be.
And [C] friendship is like a garden.
You have to water [Eb] it, you have to tend it,
you have to care about it.
_ _ _ _ _ [B] _
_ _ _ _ _ _ _ _
[D] _ _ _ _ _ _ _ _
_ _ _ _ [A] _ Nothing permanent has happened.
_ _ [Db] _ _ [Dm] _
Just [Bm] a temporary [C] kick.
_ [Dbm] _ _
_ [D] _ _ Friendship's something you [Gm] don't really need.
[B] Ladies and gentlemen,
don't let me lose [Eb] the greatest composer
[Ab] any lyricist has ever known.
Tell him, [A]
write to him, stop him on the street,
you'll recognize him,
he's the one going through his checkbook. _
Tell that man to get back to his piano.
_ _ [Am] _
[D] Very sneaky how it happens.
_ _ _ Every day you're on [G] the brink.
_ _ _ [A] First the [D] prizes and [Em] the _ [A] interviews.
[Bb] _
_ _ [D] Oh my God, [G] I think it's happened.
[D] _ Gotta be quick before I sink.
One more triumph that I can't [Em] refuse.
Did [F] you notice this is my first time on TV?
And my last.
No, [D] here's the point.
Whatever [C] _ happens,
[Dm] then we'll all go [C] have a drink.
_ [Dm] That's the guy I [Am] love,
the fellow who's [A] _ inside.
[D] Mutter, mutter, mutter, mutter, quick Jerome,
get the president,
there's a crazy man on my TV screen.
_ [Em] Inside.
_ _ [G] Brrrrring.
_ [Am] _ [Dm] Inside Franklin [C] Shepard.
Yeah, just write him,
hair of any man, USA.
_ _ [B] _ _ _ _ [N] _ _ _ _ _ _
_ _ _ _ _ _ _ _
May I [C] answer that?
Please.
_ [Eb] How do we work together? _
Shoot.
[C] _ He goes, [Dbm] _ _ [A] _
and I go.
_ [Dbm] _ [Eb] _ And [Db] we're swinging here, humming along.
_ And that's Paul's writing a [Abm] song.
_ [Abm] Then he goes, [Ab] and I go.
_ And the phone [D] goes, brrrring.
And he goes, [C] _ _ _ _
murr murr murr murr.
That's his lawyer, Jerome.
Murr murr murr murr murr murr.
Do it, Jerome.
Say, sorry, Charlie.
[E] _ _ _ [B] _ So I go, [E] _ _ [Ab] and he goes, [Abm] _ _ [C] and I go.
_ [Ab] _
[Db] And soon we're topping away. _ _
Sorry, Charlie!
It's the secretary on [A] the intercom.
Yes, Ms.
Biz, the messenger.
Thank [E] Ms.
Biz.
Will you tell him to wait?
Will you order the car?
Will you call the bank?
[D] Will you wire the coast?
Will you [C] brrrrring?
Sorry, Charlie.
Murr murr murr murr murr.
Stop, stop.
Murr by the rights.
Murr murr murr murr murr murr.
You want to hold.
[D] He asks Miss Biz at the end of you.
Thanks Miss Biz, but you told him to wait.
Well, you wired the [A] car, we awarded the post,
we'll send up a bank.
There's telephone pipe, it's about to get sold,
and the rest of us, he keeps on holding.
[C] He's in the making movies, he's in the sound programmation.
[Bb] Right?
[C] So I play at home with my wife and kids
and I wait to hear the [C] movie bids
and I got a little sailboat, and I make the meditation.
Right.
[F] He flies off to California. _ _
I discuss him with my shrink. _
That's the [A] story of the way we work.
Me and Franklin Shepard.
_ [C] _ [Bm] I am surprised how much I'm enjoying that.
_ _ [Dm] I heard you guys wrote a song for the Oscars.
I know.
[F] _ _
You _ _ _ _ _ _ [G] _
_ _ _ _ [Eb] work together, I've always been curious.
Which generally [Db] comes first, the words [Ab] or the music? _
Generally the [Eb] contract.
_ _ Oh, that sounds like you think that making money
is a bad thing for an artist. _
Money.
_ _ _ [A] Did I say money? _
_ [Abm] _ [D] No, I [Db] like money a lot.
Mmm, I mean [E] it's better not.
[Abm] Mmm, but when [Bm] it's money, money, [A]
money,
when you're in money [Ab] and you should be. _ _
_ _ [C] Listen, Frank does the money thing very well,
but you know what?
There's other people that do it better.
_ And Frank does the music very well.
_ And you know what? _
No one does it better.
[F] Still, [D] the telephone's blinked, the buzzer's buzzed,
I really don't know what he does,
[C] but he makes a ton of money.
[Am] And a lot of it for me, [D] right?
So [C] I think, okay, let's start a play.
Somehow knows his right [A] away, brrring.
I might run a red show,
maybe I can create a deal with [D] all the rights.
Look, two weeks out, I'm gonna turn around,
I'm guaranteed by the broker [A] center,
I'm a billing claw.
[E] There I am in _
[Em] California,
_ [D] talking deals [G] and turning, _
_ _ [E] _ talking business [G] and I mean [B] just that.
Back with Franklin [G] Shepard. _ _
_ [E] Very sneaky how it happens.
_ [C]
Much more sneaky [C] than you think.
_ [A] Start with nothing, but I'm stoned to [D] say,
next you're Franklin Shepard.
Wait a minute, wait a minute, [B] wait a minute, wait a minute.
Get [Ab] into the music.
You see, Frank [Eb] and I are not that close anymore.
Not as we used to be.
And [C] friendship is like a garden.
You have to water [Eb] it, you have to tend it,
you have to care about it.
_ _ _ _ _ [B] _
_ _ _ _ _ _ _ _
[D] _ _ _ _ _ _ _ _
_ _ _ _ [A] _ Nothing permanent has happened.
_ _ [Db] _ _ [Dm] _
Just [Bm] a temporary [C] kick.
_ [Dbm] _ _
_ [D] _ _ Friendship's something you [Gm] don't really need.
[B] Ladies and gentlemen,
don't let me lose [Eb] the greatest composer
[Ab] any lyricist has ever known.
Tell him, [A]
write to him, stop him on the street,
you'll recognize him,
he's the one going through his checkbook. _
Tell that man to get back to his piano.
_ _ [Am] _
[D] Very sneaky how it happens.
_ _ _ Every day you're on [G] the brink.
_ _ _ [A] First the [D] prizes and [Em] the _ [A] interviews.
[Bb] _
_ _ [D] Oh my God, [G] I think it's happened.
[D] _ Gotta be quick before I sink.
One more triumph that I can't [Em] refuse.
Did [F] you notice this is my first time on TV?
And my last.
No, [D] here's the point.
Whatever [C] _ happens,
[Dm] then we'll all go [C] have a drink.
_ [Dm] That's the guy I [Am] love,
the fellow who's [A] _ inside.
[D] Mutter, mutter, mutter, mutter, quick Jerome,
get the president,
there's a crazy man on my TV screen.
_ [Em] Inside.
_ _ [G] Brrrrring.
_ [Am] _ [Dm] Inside Franklin [C] Shepard.
Yeah, just write him,
hair of any man, USA.
_ _ [B] _ _ _ _ [N] _ _ _ _ _ _
_ _ _ _ _ _ _ _