Chords for Anne Hathaway + Joseph Gordon Levitt sing together LIVE HD
Tempo:
141.7 bpm
Chords used:
G
Cm
C
Eb
Fm
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Oh, Jesus.
Oh, Jesus.
Oh, Jesus.
[Eb] I did it with [C] your red button.
Are we recording?
Yeah!
I thought that you did [N] with your show.
Oh my gosh.
Thank you.
So Annie came [Gb] to a littler show that we did in [Ab] London at the [D] BFI, which was like 450 people.
And now we [Bb] have, like, I think [Eb] there's 16, 1700 [N] people in the room.
Thank you so much.
Oh, you know, when people ask [Eb] me to perform at the Orchia, I usually like, [Abm] you know, say yes.
[Eb]
I guess we are at the [Abm] Orchia.
That's weird.
We're at the Orchia.
That's weird.
I saw Tom York play [B] here.
Did you?
And you were standing.
[C] Wait, am I standing where he was standing?
You are also standing where he was standing, but at a different moment, [Eb] unless he's even
more talented than I am.
[C] I'm so glad you're here to sing this song with us today.
I'm [E] thrilled.
Thank you.
Alright, so we have [Ebm] one more young lady that's also [Dm] going to join us for this song.
This is [Ebm] a young lady that I [C] only just personally met today.
I know [Eb] her work through Hit Record, and she goes by The Metafictionist.
Is Lorraine here?
[N]
[C] Your dress is fabulous, darling.
[E] How are you?
[B] So, [C] how long has it been since you joined Hit [G] Record?
I joined in August 2010.
[N] So just over a year.
Over a year.
Okay, so has it changed much since then?
It's gotten a lot [Fm] bigger.
[B]
Well, I'm so glad you're here.
I'm so [F] glad you're here.
You [Dm] guys are [C] familiar with her recommendation videos that she does, like, where we go [Ab] off
and make her a new voice [N] message video every week?
They're really good.
I find a [Ab] lot of energy from [Eb] your recommendations.
Thank you.
So, we're going to do a song [F] here tonight that was [N] written by, in fact, it was written
by a young lady, the same young lady who wrote Morgan and Mormonstress.
Morgan, right?
[Ab] Yeah, do it.
Right.
Awesome.
Yeah.
[N]
Alright.
[C] It was [Ebm] written by [A] Metaphorist, who also wrote Morgan and [Ab] Morganstress, they were destined.
But [G] written in French.
And [Ebm] she's an Irish lady, and her French is surprisingly good [Am] for an Irish [B] lady.
[Ab] And I didn't catch the mistake, so if there's any French people, [N] you know, va-tre-en-front.
And also, [C] we're going [Db] to play this [Eb] song.
Y'all ready?
Meister.
[C]
[Cm] [C]
[Cm]
[G]
[Cm]
[G] [Cm]
[Fm]
[G] [Cm] J 'ai [G] des fois trop mon petit [Cm]
visage Dans [G] les nuages, [Eb] dans [Cm] le vent
Dans [Fm] les larmes, quand [G] il trompe [Cm] constamment C'est [G] dommage, [Cm] petite vie
Que tout est [G] mort dans [Cm] la vie Sans [Fm] espoir, [G] avec la douleur
[Cm] Dans la vie
[G] Dans [Cm] tout, tout est seul, là Quand [G] tu sais, c'est [Cm]
douleur
La [Fm] misère dans [G] les yeux Dans les yeux, [Cm] dans le coeur
[Fm] [G] C'est notre peau, aujourd'hui [Cm]
perdue Dans un [G] monde
[Cm] encore nouveau
Tout a [Fm]
crime et [G] la sorte, m [Cm]'entends-tu?
[G] Retourne [Cm] à moi, je t [G]
'attendrai [Cm] toujours
[Fm] Retourne [C] à moi
[G] Je t 'entends, je t'entends
[Cm]
[Ab] [N]
[G]
[C]
Oh, Jesus.
Oh, Jesus.
[Eb] I did it with [C] your red button.
Are we recording?
Yeah!
I thought that you did [N] with your show.
Oh my gosh.
Thank you.
So Annie came [Gb] to a littler show that we did in [Ab] London at the [D] BFI, which was like 450 people.
And now we [Bb] have, like, I think [Eb] there's 16, 1700 [N] people in the room.
Thank you so much.
Oh, you know, when people ask [Eb] me to perform at the Orchia, I usually like, [Abm] you know, say yes.
[Eb]
I guess we are at the [Abm] Orchia.
That's weird.
We're at the Orchia.
That's weird.
I saw Tom York play [B] here.
Did you?
And you were standing.
[C] Wait, am I standing where he was standing?
You are also standing where he was standing, but at a different moment, [Eb] unless he's even
more talented than I am.
[C] I'm so glad you're here to sing this song with us today.
I'm [E] thrilled.
Thank you.
Alright, so we have [Ebm] one more young lady that's also [Dm] going to join us for this song.
This is [Ebm] a young lady that I [C] only just personally met today.
I know [Eb] her work through Hit Record, and she goes by The Metafictionist.
Is Lorraine here?
[N]
[C] Your dress is fabulous, darling.
[E] How are you?
[B] So, [C] how long has it been since you joined Hit [G] Record?
I joined in August 2010.
[N] So just over a year.
Over a year.
Okay, so has it changed much since then?
It's gotten a lot [Fm] bigger.
[B]
Well, I'm so glad you're here.
I'm so [F] glad you're here.
You [Dm] guys are [C] familiar with her recommendation videos that she does, like, where we go [Ab] off
and make her a new voice [N] message video every week?
They're really good.
I find a [Ab] lot of energy from [Eb] your recommendations.
Thank you.
So, we're going to do a song [F] here tonight that was [N] written by, in fact, it was written
by a young lady, the same young lady who wrote Morgan and Mormonstress.
Morgan, right?
[Ab] Yeah, do it.
Right.
Awesome.
Yeah.
[N]
Alright.
[C] It was [Ebm] written by [A] Metaphorist, who also wrote Morgan and [Ab] Morganstress, they were destined.
But [G] written in French.
And [Ebm] she's an Irish lady, and her French is surprisingly good [Am] for an Irish [B] lady.
[Ab] And I didn't catch the mistake, so if there's any French people, [N] you know, va-tre-en-front.
And also, [C] we're going [Db] to play this [Eb] song.
Y'all ready?
Meister.
[C]
[Cm] [C]
[Cm]
[G]
[Cm]
[G] [Cm]
[Fm]
[G] [Cm] J 'ai [G] des fois trop mon petit [Cm]
visage Dans [G] les nuages, [Eb] dans [Cm] le vent
Dans [Fm] les larmes, quand [G] il trompe [Cm] constamment C'est [G] dommage, [Cm] petite vie
Que tout est [G] mort dans [Cm] la vie Sans [Fm] espoir, [G] avec la douleur
[Cm] Dans la vie
[G] Dans [Cm] tout, tout est seul, là Quand [G] tu sais, c'est [Cm]
douleur
La [Fm] misère dans [G] les yeux Dans les yeux, [Cm] dans le coeur
[Fm] [G] C'est notre peau, aujourd'hui [Cm]
perdue Dans un [G] monde
[Cm] encore nouveau
Tout a [Fm]
crime et [G] la sorte, m [Cm]'entends-tu?
[G] Retourne [Cm] à moi, je t [G]
'attendrai [Cm] toujours
[Fm] Retourne [C] à moi
[G] Je t 'entends, je t'entends
[Cm]
[Ab] [N]
[G]
[C]
Key:
G
Cm
C
Eb
Fm
G
Cm
C
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ Oh, Jesus. _ _
Oh, Jesus.
Oh, Jesus. _ _ _
_ _ _ _ _ _ _ _
[Eb] _ _ _ _ I did it with [C] your red button.
Are we recording?
Yeah! _ _ _ _ _
_ I thought that you did [N] with your show.
Oh my gosh.
Thank you.
So Annie came [Gb] to a littler show that we did in [Ab] London at the [D] BFI, which was like 450 people.
And now we [Bb] have, like, I think [Eb] there's 16, 1700 [N] people in the room. _ _ _ _
_ Thank you so much.
Oh, you know, when people ask [Eb] me to perform at the Orchia, I usually like, [Abm] you know, say yes.
[Eb] _ _
_ I guess we are at the [Abm] Orchia.
That's weird.
We're at the Orchia.
That's weird.
I saw Tom York play [B] here.
Did you? _
And you were _ _ _ standing.
[C] Wait, am I standing where he was standing?
You are also standing where he was standing, but at a different moment, [Eb] unless he's even
more talented than I am. _ _
[C] I'm so glad you're here to sing this song with us today.
I'm [E] thrilled.
Thank you.
Alright, so we have [Ebm] one more young lady that's also [Dm] going to join us for this song.
This is [Ebm] a young lady that I [C] only just personally met today.
I know [Eb] her work through Hit Record, and she goes by The Metafictionist.
Is Lorraine here?
[N] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _
[C] Your dress is fabulous, darling.
[E] How are you? _ _
_ [B] So, _ [C] how long has it been since you _ _ _ _ _ _ joined Hit [G] Record?
I joined in August _ 2010.
[N] So just over a year.
Over a year.
Okay, so has it changed much since then?
It's gotten a lot [Fm] bigger.
[B] _
_ _ Well, I'm so glad you're here.
I'm so [F] glad you're here.
You [Dm] guys are [C] familiar with her recommendation videos that she does, like, where we go [Ab] off
and make her a new voice [N] message video every week?
They're really good.
I find a [Ab] lot of energy from [Eb] your recommendations.
Thank you.
So, we're going to do a song [F] here tonight that was [N] written by, in fact, it was written
by _ a young lady, the same young lady who wrote Morgan and Mormonstress.
_ _ Morgan, right?
_ _ [Ab] Yeah, do it.
Right.
Awesome.
Yeah.
[N] _
_ _ _ Alright. _ _ _
[C] It was [Ebm] written by _ [A] Metaphorist, who also wrote Morgan and [Ab] Morganstress, they were destined.
But [G] written in French.
And [Ebm] she's an Irish lady, and her French is surprisingly good [Am] _ _ for an Irish [B] lady.
[Ab] And I didn't catch the mistake, so if there's any French people, [N] _ you know, va-tre-en-front. _
And _ also, [C] _ we're going [Db] to play this [Eb] song.
Y'all ready?
Meister.
[C] _ _
_ [Cm] _ _ _ _ _ _ [C] _
_ _ _ [Cm] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [G] _ _
_ _ _ _ [Cm] _ _ _ _
_ [G] _ _ _ _ _ [Cm] _ _
_ _ _ [Fm] _ _ _ _ _
[G] _ _ _ _ _ _ [Cm] J _ _ _ _ _ _ 'ai [G] des fois trop mon petit [Cm] _ _
visage Dans [G] les nuages, [Eb] dans [Cm] le vent
_ Dans [Fm] les _ larmes, quand [G] il _ trompe _ [Cm] _ _ _ constamment _ _ _ _ C'est [G] _ _ dommage, _ [Cm] petite vie
Que tout est [G] _ mort dans [Cm] la vie Sans [Fm] _ _ espoir, _ [G] avec la _ douleur
[Cm] Dans la _ _ _ _ vie
_ _ [G] _ Dans [Cm] tout, _ tout est seul, _ là Quand [G] tu sais, c'est [Cm] _ _
douleur
La _ [Fm] misère _ dans [G] les yeux Dans les yeux, [Cm] dans le _ _ coeur
_ _ [Fm] [G] C'est notre peau, aujourd'hui [Cm] _
perdue Dans un [G] _ monde _
[Cm] encore nouveau
Tout a [Fm] _ _
crime et [G] la sorte, m [Cm]'entends-tu? _ _ _ _ _ _
[G] _ _ _ _ _ Retourne [Cm] à moi, je t [G] _ _ _
'attendrai [Cm] toujours _ _ _ _
[Fm] _ Retourne [C] à moi _
_ [G] Je t _ 'entends, je t'entends _
_ [Cm] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [Ab] _ _ _ _ [N] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [G] _ _ _ _
_ _ _ [C] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ Oh, Jesus. _ _
Oh, Jesus.
Oh, Jesus. _ _ _
_ _ _ _ _ _ _ _
[Eb] _ _ _ _ I did it with [C] your red button.
Are we recording?
Yeah! _ _ _ _ _
_ I thought that you did [N] with your show.
Oh my gosh.
Thank you.
So Annie came [Gb] to a littler show that we did in [Ab] London at the [D] BFI, which was like 450 people.
And now we [Bb] have, like, I think [Eb] there's 16, 1700 [N] people in the room. _ _ _ _
_ Thank you so much.
Oh, you know, when people ask [Eb] me to perform at the Orchia, I usually like, [Abm] you know, say yes.
[Eb] _ _
_ I guess we are at the [Abm] Orchia.
That's weird.
We're at the Orchia.
That's weird.
I saw Tom York play [B] here.
Did you? _
And you were _ _ _ standing.
[C] Wait, am I standing where he was standing?
You are also standing where he was standing, but at a different moment, [Eb] unless he's even
more talented than I am. _ _
[C] I'm so glad you're here to sing this song with us today.
I'm [E] thrilled.
Thank you.
Alright, so we have [Ebm] one more young lady that's also [Dm] going to join us for this song.
This is [Ebm] a young lady that I [C] only just personally met today.
I know [Eb] her work through Hit Record, and she goes by The Metafictionist.
Is Lorraine here?
[N] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _
[C] Your dress is fabulous, darling.
[E] How are you? _ _
_ [B] So, _ [C] how long has it been since you _ _ _ _ _ _ joined Hit [G] Record?
I joined in August _ 2010.
[N] So just over a year.
Over a year.
Okay, so has it changed much since then?
It's gotten a lot [Fm] bigger.
[B] _
_ _ Well, I'm so glad you're here.
I'm so [F] glad you're here.
You [Dm] guys are [C] familiar with her recommendation videos that she does, like, where we go [Ab] off
and make her a new voice [N] message video every week?
They're really good.
I find a [Ab] lot of energy from [Eb] your recommendations.
Thank you.
So, we're going to do a song [F] here tonight that was [N] written by, in fact, it was written
by _ a young lady, the same young lady who wrote Morgan and Mormonstress.
_ _ Morgan, right?
_ _ [Ab] Yeah, do it.
Right.
Awesome.
Yeah.
[N] _
_ _ _ Alright. _ _ _
[C] It was [Ebm] written by _ [A] Metaphorist, who also wrote Morgan and [Ab] Morganstress, they were destined.
But [G] written in French.
And [Ebm] she's an Irish lady, and her French is surprisingly good [Am] _ _ for an Irish [B] lady.
[Ab] And I didn't catch the mistake, so if there's any French people, [N] _ you know, va-tre-en-front. _
And _ also, [C] _ we're going [Db] to play this [Eb] song.
Y'all ready?
Meister.
[C] _ _
_ [Cm] _ _ _ _ _ _ [C] _
_ _ _ [Cm] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ [G] _ _
_ _ _ _ [Cm] _ _ _ _
_ [G] _ _ _ _ _ [Cm] _ _
_ _ _ [Fm] _ _ _ _ _
[G] _ _ _ _ _ _ [Cm] J _ _ _ _ _ _ 'ai [G] des fois trop mon petit [Cm] _ _
visage Dans [G] les nuages, [Eb] dans [Cm] le vent
_ Dans [Fm] les _ larmes, quand [G] il _ trompe _ [Cm] _ _ _ constamment _ _ _ _ C'est [G] _ _ dommage, _ [Cm] petite vie
Que tout est [G] _ mort dans [Cm] la vie Sans [Fm] _ _ espoir, _ [G] avec la _ douleur
[Cm] Dans la _ _ _ _ vie
_ _ [G] _ Dans [Cm] tout, _ tout est seul, _ là Quand [G] tu sais, c'est [Cm] _ _
douleur
La _ [Fm] misère _ dans [G] les yeux Dans les yeux, [Cm] dans le _ _ coeur
_ _ [Fm] [G] C'est notre peau, aujourd'hui [Cm] _
perdue Dans un [G] _ monde _
[Cm] encore nouveau
Tout a [Fm] _ _
crime et [G] la sorte, m [Cm]'entends-tu? _ _ _ _ _ _
[G] _ _ _ _ _ Retourne [Cm] à moi, je t [G] _ _ _
'attendrai [Cm] toujours _ _ _ _
[Fm] _ Retourne [C] à moi _
_ [G] Je t _ 'entends, je t'entends _
_ [Cm] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [Ab] _ _ _ _ [N] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [G] _ _ _ _
_ _ _ [C] _ _ _ _ _