Chords for Anne Linnet "Ingen Tid At Spilde"
Tempo:
89.95 bpm
Chords used:
Ab
Db
Eb
Fm
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[Ab] [Db] [Ab]
[Eb] [Fm] [Eb] [Ab] [Db]
[Ab] How did you get the idea to record this song?
Ingen Tid At Spilde is about the fact that there is no time to play.
It's very short.
[Db] I [Ab] remember that what got me into the process,
because it's a song I made with my producer, Markus.
He had recorded some [Db] guitars, which I thought had [Ab] a really cool energy.
And that's what the
[Fm] [Ab] spark was for, what this [Db] song was about.
[Ab]
When we first get to the mix, it's again about considering what's most important.
[Db]
Which instruments should be [Ab] the most visible,
[Db] to [Fm] get the feeling that's in the vocals.
[Eb] Then you [Db] have to listen to the mix, and [Ab]
I always like to do that in my car,
because it's not necessarily [Eb] that the [Fm] facility [Eb] is super cool,
[Db] but that's what I'm used to listening to.
Then [Ab] we come from the studio, where everything sounds super cool,
and then we get in the car, and [Fm] drive [Eb] around, and listen [Db] to it on the facility.
[Ab] [Db] [Ab] [Fm]
[Eb] [Db] [Ab]
[Db] [Ab] [Fm]
[Eb] [Db] [Ab]
[Db] [Ab] [Fm]
[Eb] [Db]
[Eb] [Fm] [Eb] [Ab] [Db]
[Ab] How did you get the idea to record this song?
Ingen Tid At Spilde is about the fact that there is no time to play.
It's very short.
[Db] I [Ab] remember that what got me into the process,
because it's a song I made with my producer, Markus.
He had recorded some [Db] guitars, which I thought had [Ab] a really cool energy.
And that's what the
[Fm] [Ab] spark was for, what this [Db] song was about.
[Ab]
When we first get to the mix, it's again about considering what's most important.
[Db]
Which instruments should be [Ab] the most visible,
[Db] to [Fm] get the feeling that's in the vocals.
[Eb] Then you [Db] have to listen to the mix, and [Ab]
I always like to do that in my car,
because it's not necessarily [Eb] that the [Fm] facility [Eb] is super cool,
[Db] but that's what I'm used to listening to.
Then [Ab] we come from the studio, where everything sounds super cool,
and then we get in the car, and [Fm] drive [Eb] around, and listen [Db] to it on the facility.
[Ab] [Db] [Ab] [Fm]
[Eb] [Db] [Ab]
[Db] [Ab] [Fm]
[Eb] [Db] [Ab]
[Db] [Ab] [Fm]
[Eb] [Db]
Key:
Ab
Db
Eb
Fm
Ab
Db
Eb
Fm
_ [Ab] _ _ _ _ [Db] _ _ [Ab] _
[Eb] _ [Fm] _ [Eb] _ [Ab] _ _ [Db] _ _ _
[Ab] How did you get the idea to record this song?
Ingen Tid At Spilde is about the fact that there is no time to play.
It's very short.
_ _ _ _ _ [Db] I [Ab] remember that what got me into the process,
because it's a song I made with my producer, Markus.
He had recorded some [Db] guitars, which I thought had [Ab] a really cool energy.
And _ that's what the _
[Fm] [Ab] spark was for, what this [Db] song was about.
[Ab] _ _
_ _ When we first get to the mix, it's again about considering what's most important.
[Db] _
_ Which instruments should be [Ab] the most visible,
[Db] to [Fm] get the feeling that's in the vocals.
[Eb] Then you [Db] have to listen to the mix, and [Ab]
I always like to do that in my car,
because it's not necessarily [Eb] that the [Fm] facility [Eb] is super cool,
[Db] but that's what I'm used to listening to.
Then [Ab] we come from the studio, where everything sounds super cool,
and then we get in the car, and [Fm] drive [Eb] around, and listen [Db] to it on the facility.
_ _ [Ab] _ _ _ _ _ [Db] _ [Ab] _ _ [Fm] _
_ [Eb] _ _ [Db] _ _ _ _ [Ab] _
_ _ _ [Db] _ _ [Ab] _ _ [Fm] _
_ [Eb] _ _ [Db] _ _ _ _ [Ab] _
_ _ _ [Db] _ _ [Ab] _ _ [Fm] _
_ [Eb] _ _ [Db] _ _ _ _ _
_ _ _ _ _ _ _ _
[Eb] _ [Fm] _ [Eb] _ [Ab] _ _ [Db] _ _ _
[Ab] How did you get the idea to record this song?
Ingen Tid At Spilde is about the fact that there is no time to play.
It's very short.
_ _ _ _ _ [Db] I [Ab] remember that what got me into the process,
because it's a song I made with my producer, Markus.
He had recorded some [Db] guitars, which I thought had [Ab] a really cool energy.
And _ that's what the _
[Fm] [Ab] spark was for, what this [Db] song was about.
[Ab] _ _
_ _ When we first get to the mix, it's again about considering what's most important.
[Db] _
_ Which instruments should be [Ab] the most visible,
[Db] to [Fm] get the feeling that's in the vocals.
[Eb] Then you [Db] have to listen to the mix, and [Ab]
I always like to do that in my car,
because it's not necessarily [Eb] that the [Fm] facility [Eb] is super cool,
[Db] but that's what I'm used to listening to.
Then [Ab] we come from the studio, where everything sounds super cool,
and then we get in the car, and [Fm] drive [Eb] around, and listen [Db] to it on the facility.
_ _ [Ab] _ _ _ _ _ [Db] _ [Ab] _ _ [Fm] _
_ [Eb] _ _ [Db] _ _ _ _ [Ab] _
_ _ _ [Db] _ _ [Ab] _ _ [Fm] _
_ [Eb] _ _ [Db] _ _ _ _ [Ab] _
_ _ _ [Db] _ _ [Ab] _ _ [Fm] _
_ [Eb] _ _ [Db] _ _ _ _ _
_ _ _ _ _ _ _ _