Chords for Argyle Bluegrass Festival Workshops - Joe Mullins 1
Tempo:
124.1 bpm
Chords used:
D
E
Bm
G
Em
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
You can go all over this fretboard on the bottom two strings.
[E]
[Dm] [F] [E] [Ab]
[G] [A] [Am]
[C]
[D] [B]
[N] You got the whole neck.
You can do that all day long with two fingers.
Your right hand was way up.
Moving, yeah, yeah.
You get different tone.
You can fatten the tone up some, you know.
[Bm] You don't sound as good [E] down here when somebody's [G] singing.
[E] [E]
[B] [D]
[Gb] [D]
[G] [Dm]
[D] [Em]
[Bm] [Em]
[D] [E] Same thing with chord positions, and you can do the same thing.
This is something that came to me 20 years ago, and I have used it so much.
You can do the same thing on the first and the third strings.
As you just, all that little crazy stuff on the bottom two.
[Bm] [Bb]
[Em] [E]
[Gbm]
[Bm] [E] [Em]
[E] [C] [E] You got, you can just, [Bb] you know, same thing on the first [Gm] and the third.
For a simple [A] backup, that's a great place [Ab] to start.
No neck, no little chord position.
[G]
Let's play in [D] D.
[Bm]
[D]
[Bb]
It's just [D] one of them aggravating things.
Like what Sonny Osborne said about tuning a banjo?
Huh?
What Sonny Osborne said about tuning a banjo?
Which [E] one?
What'd he say?
There's a video on YouTube of what Sonny Osborne thinks about tuning a banjo.
[D] What'd he say?
Can't repeat it.
Oh, yeah.
Well, there's all [G] kinds of fun things out of D, but if you play a Rubens fret, it isn't.
[D] [Gb]
[D]
[Bm]
[D]
[Gb]
[D]
[N]
[E]
[Dm] [F] [E] [Ab]
[G] [A] [Am]
[C]
[D] [B]
[N] You got the whole neck.
You can do that all day long with two fingers.
Your right hand was way up.
Moving, yeah, yeah.
You get different tone.
You can fatten the tone up some, you know.
[Bm] You don't sound as good [E] down here when somebody's [G] singing.
[E] [E]
[B] [D]
[Gb] [D]
[G] [Dm]
[D] [Em]
[Bm] [Em]
[D] [E] Same thing with chord positions, and you can do the same thing.
This is something that came to me 20 years ago, and I have used it so much.
You can do the same thing on the first and the third strings.
As you just, all that little crazy stuff on the bottom two.
[Bm] [Bb]
[Em] [E]
[Gbm]
[Bm] [E] [Em]
[E] [C] [E] You got, you can just, [Bb] you know, same thing on the first [Gm] and the third.
For a simple [A] backup, that's a great place [Ab] to start.
No neck, no little chord position.
[G]
Let's play in [D] D.
[Bm]
[D]
[Bb]
It's just [D] one of them aggravating things.
Like what Sonny Osborne said about tuning a banjo?
Huh?
What Sonny Osborne said about tuning a banjo?
Which [E] one?
What'd he say?
There's a video on YouTube of what Sonny Osborne thinks about tuning a banjo.
[D] What'd he say?
Can't repeat it.
Oh, yeah.
Well, there's all [G] kinds of fun things out of D, but if you play a Rubens fret, it isn't.
[D] [Gb]
[D]
[Bm]
[D]
[Gb]
[D]
[N]
Key:
D
E
Bm
G
Em
D
E
Bm
You can go all over this fretboard on the bottom two strings. _
_ _ _ _ _ [E] _ _ _
[Dm] _ _ [F] _ _ [E] _ _ [Ab] _ _
_ [G] _ _ [A] _ _ _ [Am] _ _
_ _ _ [C] _ _ _ _ _
_ _ [D] _ _ _ [B] _ _ _
[N] You got the whole neck.
You can do that all day long with two fingers.
Your right hand was _ _ way up.
Moving, yeah, yeah.
You get different tone.
You can fatten the tone up some, you know.
[Bm] _ You don't sound as good [E] down here when somebody's [G] singing.
_ _ _ _ [E] _ _ [E] _
_ _ _ [B] _ _ [D] _ _ _
[Gb] _ _ _ _ [D] _ _ _ _
_ _ [G] _ _ _ [Dm] _ _ _
[D] _ _ _ _ _ _ [Em] _ _
_ [Bm] _ _ _ _ _ [Em] _ _
[D] _ _ _ [E] Same thing with chord positions, and you can do the same thing.
This is something that came to me 20 years ago, and I have used it so much.
You can do the same thing on the first and the third strings.
As you just, all that little crazy stuff on the bottom two.
[Bm] _ _ [Bb] _ _ _ _ _ _
[Em] _ _ _ _ _ [E] _ _ _
_ _ _ _ _ [Gbm] _ _ _
[Bm] _ _ [E] _ _ _ [Em] _ _ _
[E] _ _ _ [C] _ [E] You got, you can just, [Bb] you know, same thing on the first [Gm] and the third.
For a simple [A] backup, that's a great place [Ab] to start.
No neck, no little chord position.
_ _ _ [G] _ _ _ _
Let's play in [D] D. _ _ _ _
_ _ _ _ _ _ _ _
[Bm] _ _ _ _ _ _ _ _
_ _ _ _ [D] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [Bb] _
_ It's just [D] one of them aggravating things. _ _
_ _ _ _ _ _ _ _
_ Like what Sonny Osborne said about tuning a banjo?
Huh?
What Sonny Osborne said about tuning a banjo?
_ Which [E] one?
What'd he say?
There's a video on YouTube of what Sonny Osborne thinks about tuning a banjo.
[D] What'd he say?
_ Can't repeat it.
Oh, yeah. _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ Well, there's all [G] kinds of fun things out of D, but if you play a Rubens fret, it isn't.
_ [D] _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [Gb] _ _ _ _ _ _ _
[D] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [Bm] _
_ _ _ _ _ _ _ _
_ _ [D] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [Gb] _ _ _
[D] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[N] _ _ _ _ _ _ _ _
_ _ _ _ _ [E] _ _ _
[Dm] _ _ [F] _ _ [E] _ _ [Ab] _ _
_ [G] _ _ [A] _ _ _ [Am] _ _
_ _ _ [C] _ _ _ _ _
_ _ [D] _ _ _ [B] _ _ _
[N] You got the whole neck.
You can do that all day long with two fingers.
Your right hand was _ _ way up.
Moving, yeah, yeah.
You get different tone.
You can fatten the tone up some, you know.
[Bm] _ You don't sound as good [E] down here when somebody's [G] singing.
_ _ _ _ [E] _ _ [E] _
_ _ _ [B] _ _ [D] _ _ _
[Gb] _ _ _ _ [D] _ _ _ _
_ _ [G] _ _ _ [Dm] _ _ _
[D] _ _ _ _ _ _ [Em] _ _
_ [Bm] _ _ _ _ _ [Em] _ _
[D] _ _ _ [E] Same thing with chord positions, and you can do the same thing.
This is something that came to me 20 years ago, and I have used it so much.
You can do the same thing on the first and the third strings.
As you just, all that little crazy stuff on the bottom two.
[Bm] _ _ [Bb] _ _ _ _ _ _
[Em] _ _ _ _ _ [E] _ _ _
_ _ _ _ _ [Gbm] _ _ _
[Bm] _ _ [E] _ _ _ [Em] _ _ _
[E] _ _ _ [C] _ [E] You got, you can just, [Bb] you know, same thing on the first [Gm] and the third.
For a simple [A] backup, that's a great place [Ab] to start.
No neck, no little chord position.
_ _ _ [G] _ _ _ _
Let's play in [D] D. _ _ _ _
_ _ _ _ _ _ _ _
[Bm] _ _ _ _ _ _ _ _
_ _ _ _ [D] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [Bb] _
_ It's just [D] one of them aggravating things. _ _
_ _ _ _ _ _ _ _
_ Like what Sonny Osborne said about tuning a banjo?
Huh?
What Sonny Osborne said about tuning a banjo?
_ Which [E] one?
What'd he say?
There's a video on YouTube of what Sonny Osborne thinks about tuning a banjo.
[D] What'd he say?
_ Can't repeat it.
Oh, yeah. _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ Well, there's all [G] kinds of fun things out of D, but if you play a Rubens fret, it isn't.
_ [D] _ _ _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [Gb] _ _ _ _ _ _ _
[D] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [Bm] _
_ _ _ _ _ _ _ _
_ _ [D] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [Gb] _ _ _
[D] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[N] _ _ _ _ _ _ _ _