Chords for Ashley McBryde - The Story Behind A Little Dive Bar In Dahlonega
Tempo:
73.25 bpm
Chords used:
F#
C#
A#m
G#
E
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[A#m] So we went down to Virginia's and got a six pack of beer and brought it back and
I said, we're all having the [A#m] worst day ever.
[E] So let's not write a song [A#m] today.
Let's just kind of hang out, get to know each other.
And he said, the worst day ever I had at one time.
And I was leaving Atlanta and my car broke down.
[E] And as it kind of pooped out, I took this exit and
it was a place called the Lonegut and I see this bar called the Crimson Moon.
So I just pulled in and I'm gonna wait for the [A#] tow truck there.
And Sean Mullins was inside the bar playing.
[G] And you remember Sean Mullins.
Everything is in there.
And so [A#m] he's like, whatever, I might as well just stay here, have a couple beers.
And he's there singing along with everything's gonna be all right,
rockabye.
He met a girl.
They were together for three years and then they got married.
And that's what you do with the worst day ever.
You [F#] flip it on its back.
You raise your glass.
[C#] To the backpack, first love [F#] leaver, heart cracked, double down [C#] drinker.
My home sick, grass that's [F#] greener and a slice of mama's peach pie.
[C#] To the flat broke, couch cushion gas [F#] money.
To a worker bee that ain't getting no [C#] honey.
Missing someone all the while [G#] running, gunning for the brighter [C] light.
[C#] Here's to the breakups that didn't break us.
[F#] The breakdown, wrong turn that takes you.
[C#] To a little guy far into Lonigan.
[F#] Here are songs from a band that saved every [A#m] man.
It's a hit rock [G#] bottom, stalking maybe [F#] got him.
Nothing's going right.
[A#m] Thinking they're [G#] best of the worst day [C#] kind of night.
[F#] [C#]
[F#] We've [C#] all got a number.
They don't want to drum down.
[F#] To a good friend we ain't seen in a while.
[C#] And a slow dance that didn't need food.
[G#] And a chance at putting down new roots.
[C#] Here's to the breakups that didn't break us.
[F#] The breakdown, wrong turn that takes you.
[C#] To a little guy far into Lonigan.
[F#] Here are songs from a band that saved every [A#m] man.
It's a hit rock [G#] bottom, stalking maybe got [F#] him.
Nothing's going right.
[A#m] Thinking they're best [G#] of the worst day kind [C#] of night.
[F#]
[C#] [F#]
[A#m] [G#] [F#] [A#m]
[G#] [F#] Here's to [C#] the breakups that didn't break us.
The [A#m] breakdown, wrong turn that takes you.
To a little guy far into [F#] Lonigan.
Meet a girl outside Atlanta.
Hey, [A#m] it's a hit rock [G#] bottom, stalking maybe got [F#] him.
Nothing's going right.
[A#m] You're singing along [G#] with your drink [F#] raced.
The pretty little blonde thing's looking your way.
[A#m] Thinking they're best of [G#] the worst day kind of [F#] night.
Yeah, [A#m] it's thinking they're best of [C] the worst day kind of [C#] night.
[F#] Oh, [C#] here's to the breakups.
[F#] It's [C#] that kind of night.
[F#] [C#]
I said, we're all having the [A#m] worst day ever.
[E] So let's not write a song [A#m] today.
Let's just kind of hang out, get to know each other.
And he said, the worst day ever I had at one time.
And I was leaving Atlanta and my car broke down.
[E] And as it kind of pooped out, I took this exit and
it was a place called the Lonegut and I see this bar called the Crimson Moon.
So I just pulled in and I'm gonna wait for the [A#] tow truck there.
And Sean Mullins was inside the bar playing.
[G] And you remember Sean Mullins.
Everything is in there.
And so [A#m] he's like, whatever, I might as well just stay here, have a couple beers.
And he's there singing along with everything's gonna be all right,
rockabye.
He met a girl.
They were together for three years and then they got married.
And that's what you do with the worst day ever.
You [F#] flip it on its back.
You raise your glass.
[C#] To the backpack, first love [F#] leaver, heart cracked, double down [C#] drinker.
My home sick, grass that's [F#] greener and a slice of mama's peach pie.
[C#] To the flat broke, couch cushion gas [F#] money.
To a worker bee that ain't getting no [C#] honey.
Missing someone all the while [G#] running, gunning for the brighter [C] light.
[C#] Here's to the breakups that didn't break us.
[F#] The breakdown, wrong turn that takes you.
[C#] To a little guy far into Lonigan.
[F#] Here are songs from a band that saved every [A#m] man.
It's a hit rock [G#] bottom, stalking maybe [F#] got him.
Nothing's going right.
[A#m] Thinking they're [G#] best of the worst day [C#] kind of night.
[F#] [C#]
[F#] We've [C#] all got a number.
They don't want to drum down.
[F#] To a good friend we ain't seen in a while.
[C#] And a slow dance that didn't need food.
[G#] And a chance at putting down new roots.
[C#] Here's to the breakups that didn't break us.
[F#] The breakdown, wrong turn that takes you.
[C#] To a little guy far into Lonigan.
[F#] Here are songs from a band that saved every [A#m] man.
It's a hit rock [G#] bottom, stalking maybe got [F#] him.
Nothing's going right.
[A#m] Thinking they're best [G#] of the worst day kind [C#] of night.
[F#]
[C#] [F#]
[A#m] [G#] [F#] [A#m]
[G#] [F#] Here's to [C#] the breakups that didn't break us.
The [A#m] breakdown, wrong turn that takes you.
To a little guy far into [F#] Lonigan.
Meet a girl outside Atlanta.
Hey, [A#m] it's a hit rock [G#] bottom, stalking maybe got [F#] him.
Nothing's going right.
[A#m] You're singing along [G#] with your drink [F#] raced.
The pretty little blonde thing's looking your way.
[A#m] Thinking they're best of [G#] the worst day kind of [F#] night.
Yeah, [A#m] it's thinking they're best of [C] the worst day kind of [C#] night.
[F#] Oh, [C#] here's to the breakups.
[F#] It's [C#] that kind of night.
[F#] [C#]
Key:
F#
C#
A#m
G#
E
F#
C#
A#m
[A#m] So we went down to Virginia's and got a six pack of beer and brought it back and
I said, we're all having the [A#m] worst day ever.
[E] So let's not write a song [A#m] today.
Let's just kind of hang out, get to know each other.
And he said, the worst day ever I had at one time.
And I was leaving Atlanta and my car broke down.
[E] And as it kind of pooped out, I took this exit and
it was a place called the Lonegut and I see this bar called the Crimson Moon.
So I just pulled in and I'm gonna wait for the [A#] tow truck there.
And Sean Mullins was inside the bar playing.
[G] And you remember Sean Mullins.
Everything is in there.
And so [A#m] he's like, whatever, I might as well just stay here, have a couple beers.
And he's there singing along with everything's gonna be all right,
rockabye.
He met a girl.
They were together for three years and then they got married.
And that's what you do with the worst day ever.
You [F#] flip it on its back.
You raise your glass.
[C#] To the backpack, first love [F#] leaver, heart cracked, double down [C#] drinker.
My home sick, grass that's [F#] greener and a slice of mama's peach pie.
[C#] To the flat broke, couch cushion gas [F#] money.
To a worker bee that ain't getting no [C#] honey.
Missing someone all the while [G#] running, gunning for the brighter [C] light.
[C#] Here's to the breakups that didn't break us.
[F#] The breakdown, wrong turn that takes you.
[C#] To a little guy far into Lonigan.
[F#] Here are songs from a band that saved every [A#m] man.
It's a hit rock [G#] bottom, stalking maybe [F#] got him.
Nothing's going right.
[A#m] Thinking they're [G#] best of the worst day [C#] kind of night. _ _ _
[F#] _ _ _ _ [C#] _ _ _ _
[F#] _ _ We've [C#] all got a number.
They don't want to drum down.
[F#] To a good friend we ain't seen in a while.
[C#] And a slow dance that didn't need food.
[G#] And a chance at putting down new roots.
[C#] Here's to the breakups that didn't break us.
[F#] The breakdown, wrong turn that takes you.
[C#] To a little guy far into Lonigan.
[F#] Here are songs from a band that saved every [A#m] man.
It's a hit rock [G#] bottom, stalking maybe got [F#] him.
Nothing's going right.
[A#m] Thinking they're best [G#] of the worst day kind [C#] of night.
_ _ _ [F#] _ _ _ _
[C#] _ _ _ _ [F#] _ _ _ _
[A#m] _ [G#] _ _ _ [F#] _ _ _ [A#m] _
_ [G#] _ _ [F#] _ _ _ Here's to [C#] the breakups that didn't break us.
The [A#m] breakdown, wrong turn that takes you.
To a little guy far into [F#] Lonigan.
Meet a girl outside Atlanta.
Hey, [A#m] it's a hit rock [G#] bottom, stalking maybe got [F#] him.
Nothing's going right.
[A#m] You're singing along [G#] with your drink [F#] raced.
The pretty little blonde thing's looking your way.
[A#m] Thinking they're best of [G#] the worst day kind of [F#] night.
_ Yeah, [A#m] it's thinking they're best of [C] the worst day kind of [C#] night. _ _
[F#] Oh, _ [C#] here's to the breakups. _ _
[F#] _ It's [C#] that kind of night. _ _ _
[F#] _ _ _ _ [C#] _ _ _ _
I said, we're all having the [A#m] worst day ever.
[E] So let's not write a song [A#m] today.
Let's just kind of hang out, get to know each other.
And he said, the worst day ever I had at one time.
And I was leaving Atlanta and my car broke down.
[E] And as it kind of pooped out, I took this exit and
it was a place called the Lonegut and I see this bar called the Crimson Moon.
So I just pulled in and I'm gonna wait for the [A#] tow truck there.
And Sean Mullins was inside the bar playing.
[G] And you remember Sean Mullins.
Everything is in there.
And so [A#m] he's like, whatever, I might as well just stay here, have a couple beers.
And he's there singing along with everything's gonna be all right,
rockabye.
He met a girl.
They were together for three years and then they got married.
And that's what you do with the worst day ever.
You [F#] flip it on its back.
You raise your glass.
[C#] To the backpack, first love [F#] leaver, heart cracked, double down [C#] drinker.
My home sick, grass that's [F#] greener and a slice of mama's peach pie.
[C#] To the flat broke, couch cushion gas [F#] money.
To a worker bee that ain't getting no [C#] honey.
Missing someone all the while [G#] running, gunning for the brighter [C] light.
[C#] Here's to the breakups that didn't break us.
[F#] The breakdown, wrong turn that takes you.
[C#] To a little guy far into Lonigan.
[F#] Here are songs from a band that saved every [A#m] man.
It's a hit rock [G#] bottom, stalking maybe [F#] got him.
Nothing's going right.
[A#m] Thinking they're [G#] best of the worst day [C#] kind of night. _ _ _
[F#] _ _ _ _ [C#] _ _ _ _
[F#] _ _ We've [C#] all got a number.
They don't want to drum down.
[F#] To a good friend we ain't seen in a while.
[C#] And a slow dance that didn't need food.
[G#] And a chance at putting down new roots.
[C#] Here's to the breakups that didn't break us.
[F#] The breakdown, wrong turn that takes you.
[C#] To a little guy far into Lonigan.
[F#] Here are songs from a band that saved every [A#m] man.
It's a hit rock [G#] bottom, stalking maybe got [F#] him.
Nothing's going right.
[A#m] Thinking they're best [G#] of the worst day kind [C#] of night.
_ _ _ [F#] _ _ _ _
[C#] _ _ _ _ [F#] _ _ _ _
[A#m] _ [G#] _ _ _ [F#] _ _ _ [A#m] _
_ [G#] _ _ [F#] _ _ _ Here's to [C#] the breakups that didn't break us.
The [A#m] breakdown, wrong turn that takes you.
To a little guy far into [F#] Lonigan.
Meet a girl outside Atlanta.
Hey, [A#m] it's a hit rock [G#] bottom, stalking maybe got [F#] him.
Nothing's going right.
[A#m] You're singing along [G#] with your drink [F#] raced.
The pretty little blonde thing's looking your way.
[A#m] Thinking they're best of [G#] the worst day kind of [F#] night.
_ Yeah, [A#m] it's thinking they're best of [C] the worst day kind of [C#] night. _ _
[F#] Oh, _ [C#] here's to the breakups. _ _
[F#] _ It's [C#] that kind of night. _ _ _
[F#] _ _ _ _ [C#] _ _ _ _