Chords for Audition Prep: HAMILTON with Vocal Coach (The Room Where it Happens) (EN subs)

Vocal coaching, COVID times, keep safe, y'all.
Come on, let's go get my food. _ _
_ Where's my hug? _ _ _ _
_ Yay.
I'm so excited.
I am the new vocal coach.
So you'll be on this side.
I'll be on this side with this.
See, the microphone's running to you.
That's like the X for the six feet.
[Eb] I'm doing good.
I'm doing good.
That's beautiful.
Sing [Bm] a song.
Sing it with joy and smile.
Raise your voice and sing [Cm] along.
Sing a [Ab] song.
Intonation.
Sing it with joy and smile.
[Cm] Raise your voice and [A] sing along.
Ava, why do you keep [B] cracking?
What?
[E] Would you quit? _ _
_ _ Raise your, raise your voice.
You're cracking [Bm] on the diphthong.
Sing a song.
Sing it with joy and smile.
Raise your voice and sing [Cm]
along.
Sing a song.
Sing it with joy and smile.
Raise your voice and [Gb] sing along.
[Dm] Pitch, pitch, pitch is pitchy.
Sing a song.
Sing it with joy and smile.
Raise your voice and [B] sing along.
Nice, now.
_ [Eb] _ _
[F] Better.
Everybody lift, lift your hands.
Everybody lift your [Bb] hands.
Okay, you're going to be the first person in [E] history to ever do this exercise right.
No pressure.
Everybody lift, lift your [D] hands.
Everybody lift your hands.
[D] Everybody lift, lift your hands.
Everybody lift your hands.
Everybody lift, lift your [B] hands.
You cracked.
I'm sorry.
What the heck is going [N] on?
Ava, you see how you be losing that support?
Put the bar down and strut with the gloves.
Why do you think you keep cracking like that?
I think it's all probably a manifestation of that same like confidence thing, you know.
Cracking is for freaking amateurs.
Yes.
I mean, I will accept a crack from an amateur.
I will.
I'll accept it.
If it's somebody starting out, but not at your level.
There's no reason for that.
Not one of the best voices in Chicago.
Don't look down, fool.
Yes.
Yes.
Not for one of the best voices in Chicago.
Not for one of the best voices in Chicago.
You heard me?
[Ab] All right.
Now, let's do it.
Everybody lift, lift your [Eb] hands.
Everybody lift your hands.
Everybody lift, lift your hands.
Everybody lift your [E] hands.
Everybody lift, lift your hands.
Everybody lift your hands.
Everybody lift, lift your hands.
[E] Everybody lift your hands.
_ [G] _ _ _ [Abm] Avery's Amazon has finally entered the room.
I feel good.
I [E] can feel.
E-A-R-O.
Ooh, [D] ooh.
Ah.
Get it?
E [F]-A-R-O.
[Eb] You better be happy there's this freaking Plexiglas in the middle,
because I'll pop [Bm] you.
You better be happy that [G] there's Plexiglas between us.
I'm going to blow my whistle.
Each time you flat.
Okay.
And I don't want to blow my whistle.
Ooh, [Ab] ooh.
Ah.
[E] Get it?
[B] E-A-R-O.
Ooh, [B] ooh.
Ah.
[N] All right.
Now, where was I blowing?
On the down.
Yep.
On the down.
_ Hamilton.
[Gb] Which one?
You said you wanted to do?
Let's do room where it happens.
[Em] Okay. _ _
Kill [Am] it.
No one else is [A] in the room where it happens.
The room where [E] it happens.
The room where it [Am] happens.
Body.
No one else [A] is in the room where it happens.
[D] The room where it happens.
[E] The room where it happens.
Is [Abm] this how you would do your audition if you were actually auditioning for this in New York?
Or is this how you would do it?
No.
[N] Then why aren't you doing it?
Because [Eb] I'll tell you what's going to happen.
When you get there, this is how you're going to do it.
If you're doing it like this now, nothing's going to change.
Practice for the big stages.
Don't practice just to practice.
[N] Practice for real life.
The music starts.
No one else was in the room where it happened.
The room where it happened.
Immediately.
[Em] _ _ _ [A] No one else was in the room where it happened.
[D] The room where it happened.
The room where [E] it happened.
No one [F] else was in the room where it happened.
[D] The room where it happened.
[E] The room where it happened.
No one really [C] knows how the game is [D] played.
The rule of the trade.
[E] How the sausage is made.
[F] Just assume that it happens.
[G] No one else was in the room [Am] where it happened.
I love it!
I love that last part.
I love it.
Get there.
[F] The room where it happened.
[G] No one else was in [E] the room where it happened.
[Am] The room where it happened.
What did they say for you to sell New York City down the river?
[C] I'll tell you what.
_ _ _ [N] _ Humming to the bluesy riff _
What did they say to you to get you to sell New York City down the river?
[Am] _ _
_ _ _ _ _ [C] What did Washington know about dinner and did your president [E] uhhh _
_ _ What [D] did Washington know about the dinner, was there presidential pressure to deliver?
Okay, but it becomes like a reggae thing.
Did Washington know about the presidential budget [G] to deliver?
And like change the [C] sound there.
Did Washington know about the dinner with the presidential budget to [E] deliver?
Do you want it?
Do you want it?
Do you want it?
Do you want it?
Do you want it?
Do you [Am] want it?
I [E] want to be in the room where it happens.
The room where it happens.
I [E] want to be in the room where it happens.
The room where it [Am] happens.
I [F] want to be in the room where it [E] happens.
The room where it [Am] happens.
I [A] want to be in [Am] the room where it happens.
I _ _ [F] want _ _ _
[Am] to be [F] in the room where it happens.
I want to be in [D] the room where it happens.
Hold [Am] _
your _ [Dm] nose and close [A] your eyes.
That's [C] what I try to do.
[D] Each time it's wrong.
Da da da da da [N] da da da.
Hold your nose and close your eyes.
That's not right.
Try it again.
Hold your nose and close your eyes.
But you ain't got no vibrato.
Vibrato can't save you, boy.
Hold your nose and close your [C] eyes.
That's it.
[E] Hold your nose and [A] close your eyes.
[C] That's it.
[D] But we don't get a saying where the train's [Am] away.
Get mad!
Get mad, boy!
[Dm] But we dream in the dark for [F] the most part.
Dark has a tune where it [D] happens.
I've got to be [E] in the room.
I've got to be.
[Am] I've got to be [A] in the room.
[Em] _ _ [A] Boom.
[E] Now if you're going to hit that note, it's got to be perfect otherwise I'm going to hit it.
I ain't going to take it if it's not.
[Am] I've got to be.
I've [E] got to be in the [Am] room.
_ _ _ _ _ [E] I'm up.
You show me right [Eb] now why the heck you moved to Chicago.
[G] Show me why you did it.
In [E] this passage.
Show it.
Show it.
Show it like this is what I came here to do.
This is what I want y'all to know about me.
Got [Am] to be in the room.
[Am] I've got to be in that [E] room.
That's it, go to room. _ _ _
_ _ _ _ _ [A] Click, boom.
[E] _ _ That's it.
That's [N] it, Averis.
That last note was butter.
Click, boom.
You had it.
Give me some, baby.
Give me my hand.
I love you.
I believe in you, Averis.
With all my heart.
All of those things that you dream for for your life.
You can do all of that.
Everything that you imagine.
It's a joke.
That's the future.
But if you believe it and you work towards it, that can be your future or a dream.
And now I want you to work for it because I believe in you so much.
And God gave you so much.
And now it starts.
I love you, baby.
See you tonight. _ _ _ _ _ _ _
_ Hey, [D] everybody.
I _ [N] _
always wanted to sing, but maybe all you ever really needed was somebody to cheer for you.
Bye. _
_ _ _ _ _ _ _ _