Chords for Batida Diferente | Romero Lubambo

Tempo:
70.45 bpm
Chords used:

D

G

C

Dm

Gm

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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Batida Diferente | Romero Lubambo chords
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[Ab] [D] [G] [C] [Cm] [D]
[Gm] [D] [G] [Am] [D] [Eb]
[G] [C] [Cm] [D] [G] [Db]
[F] [Fm] [Gm] [Dm] [Em]
[C] [Em] [Am] [Dm]
[Ab] [D] [Dm] [C] [Cm] [D]
[G] [Fm] [D] [Ab] [Db] [D]
[Em] This is the whole song, this is one chorus of the song, A, A, B, A.
[C] So we're going to start talking about the beginning here.
It's sort of obvious, [E] but I don't know.
[Dm] [G] The song is in D major, but we start already [D] going to the [G] Dm7, [C] G7 to C.
So we go straight to changing key to C major.
[Eb] Cm, [Dm] [Bm] F, [E] E7 sharp 9, [Am]
Am.
[Dm] And then would be D7 [Bm] sharp [E] 9.
In this [Dm] case I'm doing
[Gm] [E] Just because I'm playing the melody around [Em] here, so
So it's
[E] [Dm] [D] the melody [D] is
Instead of doing this, I [Dbm] [C] do
In this third [D] string.
[Ab] [A] [Gb] [Dm] [Ab]
[Gm] [Eb] [Dm] [G] [Ab]
[Gm] [F] [G] [Fm] [C]
[G] That's the melody.
But a lot of times I use this chromatic thing that he used here in the melody.
[Gb] [Dm] [G] [Em] As an approach.
Sometimes if I'm doing like an improvisation with the [Db] [Gm] chords
[G] [F] [C] [Eb] [D] [Abm]
[Db] [C] [D] [Bm] [Bb] [Db] [C] [D]
[E] [D] [Gm] [C] [Bb] [Bm]
Key:  
D
1321
G
2131
C
3211
Dm
2311
Gm
123111113
D
1321
G
2131
C
3211
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Chords
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[Ab] _ _ [D] _ [G] _ [C] _ [Cm] _ _ [D] _
[Gm] _ _ [D] _ [G] _ [Am] _ [D] _ _ [Eb] _
[G] _ [C] _ _ [Cm] _ [D] _ [G] _ _ [Db] _
[F] _ [Fm] _ [Gm] _ [Dm] _ _ [Em] _ _ _
[C] _ [Em] _ _ _ [Am] _ _ [Dm] _ _
[Ab] _ [D] _ [Dm] _ [C] _ _ [Cm] _ _ [D] _
[G] _ [Fm] _ [D] _ [Ab] _ _ _ [Db] _ [D] _
[Em] This is the whole song, this is one chorus of the song, A, A, B, A.
[C] So we're going to start talking about the beginning here.
It's sort of obvious, [E] but I don't know.
_ _ [Dm] [G] The song is in D major, but we start already [D] going to the [G] Dm7, [C] G7 to C.
So we go straight to changing key to C major.
_ [Eb] Cm, [Dm] _ [Bm] F, _ [E] _ E7 sharp 9, _ [Am] _
Am.
[Dm] And then would be D7 [Bm] sharp [E] 9.
In this [Dm] case I'm doing_
_ _ _ [Gm] [E] Just because I'm playing the melody around [Em] here, so_
So it's_
[E] _ _ _ [Dm] [D] the melody [D] is_
Instead of doing this, I [Dbm] [C] do_
In this third [D] string.
[Ab] _ [A] _ [Gb] _ [Dm] _ _ [Ab] _ _ _
[Gm] _ [Eb] _ [Dm] _ [G] _ _ _ [Ab] _ _
_ [Gm] _ [F] _ [G] _ _ [Fm] _ [C] _ _
[G] That's the melody.
But a lot of times I use this chromatic thing that he used here in the melody.
[Gb] _ [Dm] _ [G] [Em] As an approach.
Sometimes if I'm doing like an improvisation with the [Db] [Gm] chords_
_ [G] _ _ [F] _ [C] _ _ [Eb] _ _ [D] _ _ [Abm] _
[Db] _ [C] _ [D] _ [Bm] _ [Bb] _ [Db] _ [C] _ [D] _
[E] _ [D] _ [Gm] _ [C] _ _ _ [Bb] _ [Bm] _

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