Nonstop Disco Powerpack Chords by Beastie Boys
Tempo:
95.85 bpm
Chords used:
Ab
Bb
C
E
G
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[Bb]
[C]
[A]
[Ab]
[E] [N]
[E]
[C] I'm feeling well, bona fide, [Ab] qualified with my story to [A] tell, how you [Abm] feeling Mike D?
Well I feel all good, all [E] day, it's how we're playing in the neighborhood, [C] how you [Ab] feeling MCA?
Well I feel right, [C] I speak my words in the chat, cause the track sounds tight.
Well if you're feeling [Am] good and you're feeling [E] right, somebody stop and grab a mic.
I know everybody and how you been, it's sad, [Bm] but I'm on my phone again, [C] I got [Bb] gray's class
and I'm in the dust, you know you're not smoking on the [N] microphone much, there's a certain
special talent that I never lacked.
[Bb] And that's the fact, cause you shine like the chrome on a cancer lab, [G] you better [D] make
a wish for a little bit of the white [Bbm] lab, whatever that is, [Ab] that is that, I'm with a
non-stop, let's go, [Dbm] power back, uh, that's [G] right, we go all night, who gonna be next
to [E] bless the mic now?
Cause in the way we run it down, we're getting high [N] on the funky sound, cause in the way
we get it on, we boys in the house to the break, come on.
See I make my style up like a cement mixer, smooth the picture like a Ronald Lixer, you
so good, tell me, make my spike louder, make [Gm] the sound cheap like a box of goose powder,
I'm maxing, relax, I'm Castro, G-Eazy, [N] I'm Orlando, you don't know Benito, you can tell
me, Shell, Haley, Normie, and Gordon, and Shacko, they got it going on, since he's in
the hocker like a 73, [Bb] looking over his shoulder, [Eb] and it's looking at me, I'm [Db] a fight in the
face, power up my waist, what's up with that raps inside the cloud, I'm going to make a
move, see [Bb] how I play, undetected, not leaving a trace, party [Abm] done, [Bb]
microphone crack, wine's
been drunk, and has been checked, I [Ab] see one left for funeral, I make my play, I'm trying
to microphone the [Dbm] MCA, non-stop, on the top, and you're clapping, [Gm] we rock, never thinking,
we're sticking with the big hip hop, come on everybody, [F] get down, [N] hands in spot, jack,
give you that [C] countdown, cause I'm a break it down for you, how we run the town, have
a bout, keep the [G] bass lines round, see a [D] wild chick rocking, talking more sound, moving through
a [Gm] big crowd, and grew up in [Bb] hip hop, still got mad love for a record called D-Rock, no
matter what, I'm still in on my own, [G] and shout out [Dm] to the African band, and to the [Gb] SBA, and
the WNY, the one MC, [N] we can't deny, I've seen plenty of records that made us cry, sit down
and write, and the pen reads five, construct a line, with [Eb] specific intent, flipping the
break cells right to the vent, letting the people [Dm] down, [Gm] now turn the mic, words feel
so old, turn them on and [A] ice, walk through the mic, saturate the tape, people be in the
mix, nice little footage, [Gm] and the records that are on rock, sell it in the store, and we
[D] just been looking out on the dance floor, come on, get [Ab] a shake, you [Db] hear drum, [N] break
cells, get lit, you hear, do that rock, get it on, we gonna rock the house until the break
dawn, [G] the mic feed, get it on, we gonna rock [N] the house until the break dawn, and MCA, get
it on, we gonna rock the house until the break dawn, all these boys in the house, don't stop!
[Db]
[Ab] [A]
[Ab]
[C]
[A]
[Ab]
[E] [N]
[E]
[C] I'm feeling well, bona fide, [Ab] qualified with my story to [A] tell, how you [Abm] feeling Mike D?
Well I feel all good, all [E] day, it's how we're playing in the neighborhood, [C] how you [Ab] feeling MCA?
Well I feel right, [C] I speak my words in the chat, cause the track sounds tight.
Well if you're feeling [Am] good and you're feeling [E] right, somebody stop and grab a mic.
I know everybody and how you been, it's sad, [Bm] but I'm on my phone again, [C] I got [Bb] gray's class
and I'm in the dust, you know you're not smoking on the [N] microphone much, there's a certain
special talent that I never lacked.
[Bb] And that's the fact, cause you shine like the chrome on a cancer lab, [G] you better [D] make
a wish for a little bit of the white [Bbm] lab, whatever that is, [Ab] that is that, I'm with a
non-stop, let's go, [Dbm] power back, uh, that's [G] right, we go all night, who gonna be next
to [E] bless the mic now?
Cause in the way we run it down, we're getting high [N] on the funky sound, cause in the way
we get it on, we boys in the house to the break, come on.
See I make my style up like a cement mixer, smooth the picture like a Ronald Lixer, you
so good, tell me, make my spike louder, make [Gm] the sound cheap like a box of goose powder,
I'm maxing, relax, I'm Castro, G-Eazy, [N] I'm Orlando, you don't know Benito, you can tell
me, Shell, Haley, Normie, and Gordon, and Shacko, they got it going on, since he's in
the hocker like a 73, [Bb] looking over his shoulder, [Eb] and it's looking at me, I'm [Db] a fight in the
face, power up my waist, what's up with that raps inside the cloud, I'm going to make a
move, see [Bb] how I play, undetected, not leaving a trace, party [Abm] done, [Bb]
microphone crack, wine's
been drunk, and has been checked, I [Ab] see one left for funeral, I make my play, I'm trying
to microphone the [Dbm] MCA, non-stop, on the top, and you're clapping, [Gm] we rock, never thinking,
we're sticking with the big hip hop, come on everybody, [F] get down, [N] hands in spot, jack,
give you that [C] countdown, cause I'm a break it down for you, how we run the town, have
a bout, keep the [G] bass lines round, see a [D] wild chick rocking, talking more sound, moving through
a [Gm] big crowd, and grew up in [Bb] hip hop, still got mad love for a record called D-Rock, no
matter what, I'm still in on my own, [G] and shout out [Dm] to the African band, and to the [Gb] SBA, and
the WNY, the one MC, [N] we can't deny, I've seen plenty of records that made us cry, sit down
and write, and the pen reads five, construct a line, with [Eb] specific intent, flipping the
break cells right to the vent, letting the people [Dm] down, [Gm] now turn the mic, words feel
so old, turn them on and [A] ice, walk through the mic, saturate the tape, people be in the
mix, nice little footage, [Gm] and the records that are on rock, sell it in the store, and we
[D] just been looking out on the dance floor, come on, get [Ab] a shake, you [Db] hear drum, [N] break
cells, get lit, you hear, do that rock, get it on, we gonna rock the house until the break
dawn, [G] the mic feed, get it on, we gonna rock [N] the house until the break dawn, and MCA, get
it on, we gonna rock the house until the break dawn, all these boys in the house, don't stop!
[Db]
[Ab] [A]
[Ab]
Key:
Ab
Bb
C
E
G
Ab
Bb
C
_ _ _ _ _ _
_ _ _ _ _ [Bb] _
_ _ _ [C] _ _ _
_ _ _ _ [A] _ _
[Ab] _ _ _ _ _ _
_ _ _ _ _ _
[E] _ _ [N] _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
[E] _ _ _ _ _ _
_ _ [C] _ _ I'm feeling well, bona fide, [Ab] qualified with my story to [A] tell, how you [Abm] feeling Mike D?
Well I feel all good, all [E] day, it's how we're playing in the neighborhood, [C] how you [Ab] feeling MCA?
Well I feel right, [C] I speak my words in the chat, cause the track sounds tight.
Well if you're feeling [Am] good and you're feeling [E] right, somebody stop and grab a mic.
I know everybody and how you been, it's sad, [Bm] but I'm on my phone again, [C] I got [Bb] gray's class
and I'm in the dust, you know you're not smoking on the [N] microphone much, there's a certain
special talent that I never lacked.
[Bb] And that's the fact, cause you shine like the chrome on a cancer lab, [G] you better [D] make
a wish for a little bit of the white [Bbm] lab, whatever that is, [Ab] that is that, I'm with a
non-stop, let's go, [Dbm] power back, uh, that's [G] right, we go all night, who gonna be next
to [E] bless the mic now?
Cause in the way we run it down, we're getting high [N] on the funky sound, cause in the way
we get it on, we boys in the house to the break, come on.
See I make my style up like a cement mixer, smooth the picture like a Ronald Lixer, you
so good, tell me, make my spike louder, make [Gm] the sound cheap like a box of goose powder,
I'm maxing, relax, I'm Castro, G-Eazy, [N] I'm Orlando, you don't know Benito, you can tell
me, Shell, Haley, Normie, and Gordon, and Shacko, they got it going on, since he's in
the hocker like a 73, [Bb] looking over his shoulder, [Eb] and it's looking at me, I'm [Db] a fight in the
face, power up my waist, what's up with that raps inside the cloud, I'm going to make a
move, see [Bb] how I play, undetected, not leaving a trace, party [Abm] done, [Bb]
microphone crack, wine's
been drunk, and has been checked, I [Ab] see one left for funeral, I make my play, I'm trying
to microphone the [Dbm] MCA, non-stop, on the top, and you're clapping, [Gm] we rock, never thinking,
we're sticking with the big hip hop, come on everybody, [F] get down, _ [N] _ hands in spot, jack,
give you that [C] countdown, cause I'm a break it down for you, how we run the town, have
a bout, keep the [G] bass lines round, see a [D] wild chick rocking, talking more sound, moving through
a [Gm] big crowd, and grew up in [Bb] hip hop, still got mad love for a record called D-Rock, no
matter what, I'm still in on my own, [G] and shout out [Dm] to the African band, and to the [Gb] SBA, and
the WNY, the one MC, [N] we can't deny, I've seen plenty of records that made us cry, sit down
and write, and the pen reads five, construct a line, with [Eb] specific intent, flipping the
break cells right to the vent, letting the people [Dm] down, [Gm] now turn the mic, words feel
so old, turn them on and [A] ice, walk through the mic, saturate the tape, people be in the
mix, nice little footage, [Gm] and the records that are on rock, sell it in the store, and we
[D] just been looking out on the dance floor, come on, get [Ab] a shake, you [Db] hear drum, [N] break
cells, get lit, you hear, do that rock, get it on, we gonna rock the house until the break
dawn, [G] the mic feed, get it on, we gonna rock [N] the house until the break dawn, and MCA, get
it on, we gonna rock the house until the break dawn, all these boys in the house, don't stop!
_ _ _ _ _ _
_ _ [Db] _ _ _ _
_ [Ab] _ _ _ _ [A] _
_ _ [Ab] _ _ _ _
_ _ _ _ _ [Bb] _
_ _ _ [C] _ _ _
_ _ _ _ [A] _ _
[Ab] _ _ _ _ _ _
_ _ _ _ _ _
[E] _ _ [N] _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
[E] _ _ _ _ _ _
_ _ [C] _ _ I'm feeling well, bona fide, [Ab] qualified with my story to [A] tell, how you [Abm] feeling Mike D?
Well I feel all good, all [E] day, it's how we're playing in the neighborhood, [C] how you [Ab] feeling MCA?
Well I feel right, [C] I speak my words in the chat, cause the track sounds tight.
Well if you're feeling [Am] good and you're feeling [E] right, somebody stop and grab a mic.
I know everybody and how you been, it's sad, [Bm] but I'm on my phone again, [C] I got [Bb] gray's class
and I'm in the dust, you know you're not smoking on the [N] microphone much, there's a certain
special talent that I never lacked.
[Bb] And that's the fact, cause you shine like the chrome on a cancer lab, [G] you better [D] make
a wish for a little bit of the white [Bbm] lab, whatever that is, [Ab] that is that, I'm with a
non-stop, let's go, [Dbm] power back, uh, that's [G] right, we go all night, who gonna be next
to [E] bless the mic now?
Cause in the way we run it down, we're getting high [N] on the funky sound, cause in the way
we get it on, we boys in the house to the break, come on.
See I make my style up like a cement mixer, smooth the picture like a Ronald Lixer, you
so good, tell me, make my spike louder, make [Gm] the sound cheap like a box of goose powder,
I'm maxing, relax, I'm Castro, G-Eazy, [N] I'm Orlando, you don't know Benito, you can tell
me, Shell, Haley, Normie, and Gordon, and Shacko, they got it going on, since he's in
the hocker like a 73, [Bb] looking over his shoulder, [Eb] and it's looking at me, I'm [Db] a fight in the
face, power up my waist, what's up with that raps inside the cloud, I'm going to make a
move, see [Bb] how I play, undetected, not leaving a trace, party [Abm] done, [Bb]
microphone crack, wine's
been drunk, and has been checked, I [Ab] see one left for funeral, I make my play, I'm trying
to microphone the [Dbm] MCA, non-stop, on the top, and you're clapping, [Gm] we rock, never thinking,
we're sticking with the big hip hop, come on everybody, [F] get down, _ [N] _ hands in spot, jack,
give you that [C] countdown, cause I'm a break it down for you, how we run the town, have
a bout, keep the [G] bass lines round, see a [D] wild chick rocking, talking more sound, moving through
a [Gm] big crowd, and grew up in [Bb] hip hop, still got mad love for a record called D-Rock, no
matter what, I'm still in on my own, [G] and shout out [Dm] to the African band, and to the [Gb] SBA, and
the WNY, the one MC, [N] we can't deny, I've seen plenty of records that made us cry, sit down
and write, and the pen reads five, construct a line, with [Eb] specific intent, flipping the
break cells right to the vent, letting the people [Dm] down, [Gm] now turn the mic, words feel
so old, turn them on and [A] ice, walk through the mic, saturate the tape, people be in the
mix, nice little footage, [Gm] and the records that are on rock, sell it in the store, and we
[D] just been looking out on the dance floor, come on, get [Ab] a shake, you [Db] hear drum, [N] break
cells, get lit, you hear, do that rock, get it on, we gonna rock the house until the break
dawn, [G] the mic feed, get it on, we gonna rock [N] the house until the break dawn, and MCA, get
it on, we gonna rock the house until the break dawn, all these boys in the house, don't stop!
_ _ _ _ _ _
_ _ [Db] _ _ _ _
_ [Ab] _ _ _ _ [A] _
_ _ [Ab] _ _ _ _