Chords for Beatrice Rana explains Bach's Goldberg Variations BWV 988

Tempo:
193.45 bpm
Chords used:

D

G

E

Em

A

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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Beatrice Rana explains Bach's Goldberg Variations BWV 988 chords
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[E]
Goldberg Variations were written at [D#] the end of Buck's life, let's say like eight or nine
years before his death.
[D]
Basically we don't know why it's called Goldberg Variations.
There is not [G] Goldberg and there is not variation in the title.
[D]
[Em]
[A]
[D] [E] [D]
[C] [Bm]
[C] [Am]
[E]
[C] [D]
[F#] [G]
[Em]
[B] So the best line is this [G] one, [F#] [E]
[Bm] [C] [D]
[G] which is a very simple and easy one.
That was the original baseline and then of course he continued it and he built this magnificent aria.
[D]
[Em]
[D] [G]
[F#] [G] [A]
[G] [D] [G]
[F#m]
[Bm] [B]
[E] [D]
[G] The variation is [D] a consequence [Em] of the one before.
[E] It's not something that [A] is born by itself.
And [F#m] the
[Em] extreme intelligence in [G] Buck's writing is that whenever there is [Em]
[Bm] a more daring development
[B] in writing, then somehow it goes back to the original [G] harmonic structure.
And that gives a very grounded feeling when you listen to it because you can follow what's
going on, even if it's your first time listening to Goldberg.
[E]
[D]
[G] [C]
[D] [G]
[E]
[A] [D]
[G] [E]
[Bm]
[N] For the whole time the hands are just crossing and the lines are just moving independently
from the physical structure of the pianist.
That's what makes particularly challenging the transcription to the piano because the
piano has only a keyboard.
So we have to deal with that and with [G] the physical limits also of one keyboard.
[E]
[A]
[C] [E]
[Em]
[A] [E]
[G#m]
[B] I'm really looking forward [D] to play Goldberg.
I will be very lucky to play it on a very nice stage like the one [B] at Wibmor Hall or
in [Bm] a Berlin concert [F#] house and so on.
[Am] I feel very grateful to do that because [F#] I think it's a very [Em] nice [D] way [A]
also to present
myself as a musician in this moment.
[G] [D]
[C]
[F#m]
[F#] [D] [G]
[D] [G]
[G]
[F#]
[N]
Key:  
D
1321
G
2131
E
2311
Em
121
A
1231
D
1321
G
2131
E
2311
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_ _ _ _ _ _ _ _
_ _ _ _ _ _ [E] _ _
_ _ _ _ Goldberg _ Variations were written _ _ at [D#] the end of _ Buck's life, let's say like eight or nine
years before his death.
_ [D] _
Basically we don't know why it's called Goldberg Variations.
_ There is not [G] _ Goldberg and there is not variation in the title.
_ _ _ _ _ [D] _
_ _ _ _ _ _ _ _
_ _ _ [Em] _ _ _ _ _
[A] _ _ _ _ _ _ _ _
[D] _ _ _ [E] _ _ _ [D] _ _
_ _ [C] _ _ [Bm] _ _ _ _
_ _ _ _ _ _ _ _
_ _ [C] _ _ _ _ _ [Am] _
_ _ _ _ [E] _ _ _ _
[C] _ _ _ [D] _ _ _ _ _
_ _ [F#] _ _ [G] _ _ _ _
_ _ _ _ _ _ _ [Em] _
_ _ _ _ [B] So the best line is this [G] one, _ _ [F#] _ [E] _ _ _
[Bm] _ _ _ _ [C] _ _ [D] _ _
_ [G] _ _ which is a very simple and easy one.
_ That was the original _ _ baseline _ and then _ _ of course he continued it and he built this magnificent aria.
_ _ _ _ [D] _
_ _ _ _ [Em] _ _ _ _
_ _ [D] _ _ _ _ _ [G] _
_ _ _ _ _ _ _ _
[F#] _ _ [G] _ _ [A] _ _ _ _
_ [G] _ _ _ [D] _ _ [G] _ _
_ _ _ _ _ _ _ [F#m] _
_ [Bm] _ _ _ [B] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[E] _ _ _ _ _ _ [D] _ _
_ _ _ _ [G] The variation is [D] a _ consequence [Em] of the one before.
_ _ _ [E] It's not something that [A] _ _ is born by itself.
_ And [F#m] the _ _
[Em] extreme intelligence in [G] Buck's writing is that whenever there is [Em] _ _
[Bm] _ _ _ a more daring development
[B] in _ writing, _ then somehow it goes back to the original [G] harmonic structure.
_ _ And that gives a very grounded feeling when you listen to it because you can follow _ what's
going on, even if it's your first _ _ _ time listening to Goldberg.
_ _ _ [E] _ _
_ _ _ _ _ _ _ [D] _
_ _ _ [G] _ _ _ _ [C] _
_ _ [D] _ _ _ [G] _ _ _
_ _ [E] _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [A] _ _ _ [D] _ _ _ _
[G] _ _ _ _ [E] _ _ _ _
_ _ _ _ _ _ _ [Bm] _
_ [N] For the whole time the hands are just _ _ _ crossing and _ the lines are just moving _ independently
from the _ physical structure of the pianist. _
That's what makes _ particularly challenging the transcription to the piano because the
piano has only a keyboard.
_ So we have to deal with that and with _ [G] the _ _ _ _ physical limits also of one keyboard.
_ _ [E] _ _ _ _ _ _
_ _ _ _ _ [A] _ _ _
_ [C] _ _ _ [E] _ _ _ _
[Em] _ _ _ _ _ _ _ _
[A] _ _ [E] _ _ _ _ _ _
_ _ _ _ _ _ _ [G#m] _
_ _ _ [B] I'm really looking forward [D] to play Goldberg.
I will be very lucky to _ play it on a very _ nice stage like the one [B] at Wibmor Hall or _
in [Bm] a Berlin concert [F#] house and _ so on.
[Am] I feel very grateful to do that because _ [F#] I think it's a very [Em] nice [D] way [A] _
also to present
myself as a musician in this moment.
[G] _ _ _ _ _ _ _ _ _ _ [D] _ _ _ _
_ _ [C] _ _ _ _ _ _
_ _ _ _ _ _ _ [F#m] _
_ [F#] _ [D] _ _ _ [G] _ _ _
_ _ _ [D] _ _ _ _ [G] _
_ _ _ _ _ _ _ _
_ _ _ [G] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ [F#] _
_ _ _ [N] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _

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