Chords for Beautiful Chord Progression in Open G Tuning on Fingerstyle Guitar
Tempo:
119.1 bpm
Chords used:
G
D
A
C
Em
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[D] [G]
[D]
The Open G tuning is an absolutely beautiful journey that everyone should at some point explore.
You don't have to be an expert to play in Open G or any other alternate tuning.
Sometimes it comes down to learning different chord shapes.
In this lesson I'm going to show you a bunch of major and minor chord shapes in Open G tuning.
[Am] [G]
[C] [D] [Em]
[A] [G]
Of course [D] guys, saying major or minor is kind of limiting since as you can see, every time
we play a minor chord we are automatically adding a lot of beautiful, colorful notes
to the chords.
It's super easy to tune in Open G.
We're going to change three strings, the low E string, the A string and the top E string.
The low E string is now a D, so we're going to tune it a whole step down.
The fifth string, the A, is now a G, [G]
so again it's a whole step down.
The D, the G and the B string is standard tuning, so we're not going to change those.
And [D] the top E string is now a D, so it's a whole step down.
We end up with D, G, D, G, B and D.
It's a beautiful G major chord with a D on the bass.
So how do we play and come up with chords in Open G?
I think the most important step is to figure out where the root note of each chord is.
We're going to use the G string, which is now our fifth string, to learn the root note
of each chord that we can play in the key of G major.
So we have the root note G, [A] A, [B] B, [C] C, [D] D, E, [E] [D] F sharp and [G] G again.
You want to memorize this pattern.
It's basically the G major scale on one string.
[B]
[G] The second step is very simple.
We're going to add the third of each one of these chords.
And we're going to add this note on the second string.
The first chord is the G major chord, so we're going to have G and B.
The second chord is the A minor chord.
[A] We have A and [Am] C.
The third chord is the B minor chord.
[B] We have B and D.
[Bm] Then we have the fourth chord, which is [G#] the C major, so we [C] have C and E.
The [C#] next chord is the D major.
We have [D] D [D] and F sharp.
The next chord is [A#] the E minor.
We [Em] have E and G.
The next chord is [G] kind of interesting.
It should be an [F#] F sharp diminished chord.
We're going to change it into something else.
We have the F sharp [D] and the A.
[G] I'm going to go back to the G major.
G and B.
So we're already pretty good.
We already have seven chord shapes.
[C] [Em] [F#m] [G]
The awesome thing about the open G tuning is the fact that it allows you to add so much more color to these simple chord shapes
by adding the third and the first string open to each one of these shapes.
So we will have the thumb always on the fifth string, the index on the third, middle on the second, and ring finger on the first.
And with a simple Pima, thumb, index, middle, and ring, we can create beautiful sounding chords.
Of course, we are not going to analyze each one of these chords.
The open strings are going to add so much extensions and colors to these chords.
Just focus on the chord shape.
Let's play all of them.
[A] [G]
[C]
[D]
[G] It's such an awesome approach.
And the cool thing is [C#] that we don't have to play always the same [G] sequence of chords.
We can mix things up.
For example, we could have G major, [D] D major, E minor, and C [A] major.
Again, guys, I'm calling these chords major, minor, but it's clear that we are adding a lot of different notes to the chords.
Let's just add a little bit more rhythm in a different chord sequence and we end up with something like [G] this.
[D]
[G] [C]
[G]
[A] [G]
But what if we want to strum some of these chords?
Well, in this case, we are going to have to add one more fretted note, which is basically the fifth of each one of these chords.
So far, we have the root note and the third of each one of these chords, but now we are going to add the fifth as well.
And we are going to add this note on the fourth string.
So for the G major, we are going to add the fourth string open, A minor.
We have [A] root note, [Am] third, and fifth on fret number two.
Same thing for the B minor, [B] we just go on the fret number four.
So it's four, four, [Bm] and three.
[C] For the C major, we are going to add the note G, so it's five, five, five.
Same thing for [D] the D major, seven, seven, seven.
[D#] And for the E minor, [Em] it's nine, nine, and eight.
And for the last chord, the F [F#] sharp, it's supposed to be a diminished chord, but we are going to change it into this.
[D]
So we [F#] have eleven, [D] twelve, and ten.
It's quite an interesting [D] chord.
It's more of a D over F sharp.
And back to the [G] G major.
So now we have [A#] the perfect strumming chords.
I like to mute the low D string, so the sixth string will be muted.
And we can strum these beautiful chords and it sounds beautiful.
Of course, we are going to strum five [G] strings.
[A]
[G]
[D]
[G]
[D] [G]
Of course, guys, we can [Em] also finger pick these chords in the most simple way.
Just thumb, index, [G] middle, and ring.
Thumb, index, middle, ring.
And then the second time we are going to do thumb, index, middle, with the ring on the first string.
Just to change the singing note of each one of these chords.
[Am] [G]
[C]
[D] [Em]
[D]
[G]
Now, it's true that we are in open G, but that doesn't mean that we always have to play in the key of G major.
We could play in the key of E minor, which is the relative minor key of G major.
And so we could start with an E minor [Em] chord, like this.
[D] [A]
[C] [G]
[D]
[A]
[G]
[F#] So it's a pretty interesting [Em] idea.
E [D] minor, D, [G] and C.
But [A] you see how beautiful it sounds.
And I changed the last chord into some kind of a major six chord or something.
Just a very simple shape.
You see how much we can experiment and change while trying different chord shapes.
And of course, guys, to wrap this up, we can put it [N] all together.
Come up with a pretty cool rhythmic fingerpicking pattern and try all these awesome chords.
I'm going to leave you with this awesome idea.
The tab is down below.
Enjoy this lesson.
I'll see you soon.
[G] [Am] [Bm]
[G] [D]
[Em] [C]
[G]
[Am] [G]
[D]
The Open G tuning is an absolutely beautiful journey that everyone should at some point explore.
You don't have to be an expert to play in Open G or any other alternate tuning.
Sometimes it comes down to learning different chord shapes.
In this lesson I'm going to show you a bunch of major and minor chord shapes in Open G tuning.
[Am] [G]
[C] [D] [Em]
[A] [G]
Of course [D] guys, saying major or minor is kind of limiting since as you can see, every time
we play a minor chord we are automatically adding a lot of beautiful, colorful notes
to the chords.
It's super easy to tune in Open G.
We're going to change three strings, the low E string, the A string and the top E string.
The low E string is now a D, so we're going to tune it a whole step down.
The fifth string, the A, is now a G, [G]
so again it's a whole step down.
The D, the G and the B string is standard tuning, so we're not going to change those.
And [D] the top E string is now a D, so it's a whole step down.
We end up with D, G, D, G, B and D.
It's a beautiful G major chord with a D on the bass.
So how do we play and come up with chords in Open G?
I think the most important step is to figure out where the root note of each chord is.
We're going to use the G string, which is now our fifth string, to learn the root note
of each chord that we can play in the key of G major.
So we have the root note G, [A] A, [B] B, [C] C, [D] D, E, [E] [D] F sharp and [G] G again.
You want to memorize this pattern.
It's basically the G major scale on one string.
[B]
[G] The second step is very simple.
We're going to add the third of each one of these chords.
And we're going to add this note on the second string.
The first chord is the G major chord, so we're going to have G and B.
The second chord is the A minor chord.
[A] We have A and [Am] C.
The third chord is the B minor chord.
[B] We have B and D.
[Bm] Then we have the fourth chord, which is [G#] the C major, so we [C] have C and E.
The [C#] next chord is the D major.
We have [D] D [D] and F sharp.
The next chord is [A#] the E minor.
We [Em] have E and G.
The next chord is [G] kind of interesting.
It should be an [F#] F sharp diminished chord.
We're going to change it into something else.
We have the F sharp [D] and the A.
[G] I'm going to go back to the G major.
G and B.
So we're already pretty good.
We already have seven chord shapes.
[C] [Em] [F#m] [G]
The awesome thing about the open G tuning is the fact that it allows you to add so much more color to these simple chord shapes
by adding the third and the first string open to each one of these shapes.
So we will have the thumb always on the fifth string, the index on the third, middle on the second, and ring finger on the first.
And with a simple Pima, thumb, index, middle, and ring, we can create beautiful sounding chords.
Of course, we are not going to analyze each one of these chords.
The open strings are going to add so much extensions and colors to these chords.
Just focus on the chord shape.
Let's play all of them.
[A] [G]
[C]
[D]
[G] It's such an awesome approach.
And the cool thing is [C#] that we don't have to play always the same [G] sequence of chords.
We can mix things up.
For example, we could have G major, [D] D major, E minor, and C [A] major.
Again, guys, I'm calling these chords major, minor, but it's clear that we are adding a lot of different notes to the chords.
Let's just add a little bit more rhythm in a different chord sequence and we end up with something like [G] this.
[D]
[G] [C]
[G]
[A] [G]
But what if we want to strum some of these chords?
Well, in this case, we are going to have to add one more fretted note, which is basically the fifth of each one of these chords.
So far, we have the root note and the third of each one of these chords, but now we are going to add the fifth as well.
And we are going to add this note on the fourth string.
So for the G major, we are going to add the fourth string open, A minor.
We have [A] root note, [Am] third, and fifth on fret number two.
Same thing for the B minor, [B] we just go on the fret number four.
So it's four, four, [Bm] and three.
[C] For the C major, we are going to add the note G, so it's five, five, five.
Same thing for [D] the D major, seven, seven, seven.
[D#] And for the E minor, [Em] it's nine, nine, and eight.
And for the last chord, the F [F#] sharp, it's supposed to be a diminished chord, but we are going to change it into this.
[D]
So we [F#] have eleven, [D] twelve, and ten.
It's quite an interesting [D] chord.
It's more of a D over F sharp.
And back to the [G] G major.
So now we have [A#] the perfect strumming chords.
I like to mute the low D string, so the sixth string will be muted.
And we can strum these beautiful chords and it sounds beautiful.
Of course, we are going to strum five [G] strings.
[A]
[G]
[D]
[G]
[D] [G]
Of course, guys, we can [Em] also finger pick these chords in the most simple way.
Just thumb, index, [G] middle, and ring.
Thumb, index, middle, ring.
And then the second time we are going to do thumb, index, middle, with the ring on the first string.
Just to change the singing note of each one of these chords.
[Am] [G]
[C]
[D] [Em]
[D]
[G]
Now, it's true that we are in open G, but that doesn't mean that we always have to play in the key of G major.
We could play in the key of E minor, which is the relative minor key of G major.
And so we could start with an E minor [Em] chord, like this.
[D] [A]
[C] [G]
[D]
[A]
[G]
[F#] So it's a pretty interesting [Em] idea.
E [D] minor, D, [G] and C.
But [A] you see how beautiful it sounds.
And I changed the last chord into some kind of a major six chord or something.
Just a very simple shape.
You see how much we can experiment and change while trying different chord shapes.
And of course, guys, to wrap this up, we can put it [N] all together.
Come up with a pretty cool rhythmic fingerpicking pattern and try all these awesome chords.
I'm going to leave you with this awesome idea.
The tab is down below.
Enjoy this lesson.
I'll see you soon.
[G] [Am] [Bm]
[G] [D]
[Em] [C]
[G]
[Am] [G]
Key:
G
D
A
C
Em
G
D
A
_ _ _ _ [D] _ _ _ [G] _
_ _ _ _ [D] _ _ _ _
_ _ _ The Open G tuning is an absolutely beautiful journey that everyone should at some point explore.
You don't have to be an expert to play in Open G or any other alternate tuning.
Sometimes it comes down to learning different chord shapes.
In this lesson I'm going to show you a bunch of major and minor chord shapes in Open G tuning.
_ _ [Am] _ _ _ [G] _
_ [C] _ _ [D] _ _ _ [Em] _ _
_ [A] _ _ _ [G] _ _ _ _
_ Of course [D] guys, saying major or minor is kind of limiting since as you can see, every time
we play a minor chord we are automatically adding a lot of beautiful, colorful notes
to the chords.
It's super easy to tune in Open G.
We're going to change three strings, the low E string, the A string and the top E string.
The low E string is now a D, so we're going to tune it a whole step down. _
The fifth string, the A, is now a G, [G]
so again it's a whole step down.
_ The D, the G and the B string is standard tuning, so we're not going to change those.
_ And [D] the top E string is now a D, so it's a whole step down.
_ We end up with D, G, D, G, B and D.
It's a beautiful G major chord with a D on the bass. _ _ _ _ _
_ So how do we play and come up with chords in Open G?
I think the most important step is to figure out where the root note of each chord is.
We're going to use the G string, which is now our fifth string, _ to learn the root note
of each chord that we can play in the key of G major.
So we have the root note G, [A] A, _ [B] B, [C] C, _ [D] D, E, [E] _ [D] F sharp and [G] G again.
_ _ You want to memorize this pattern.
It's basically the G major scale on one string.
_ [B] _
_ _ _ _ [G] _ The second step is very simple.
We're going to add the third of each one of these chords.
And we're going to add this note on the second string.
The first chord is the G major chord, so we're going to have G and B. _
The second chord is the A minor chord.
[A] We have A and [Am] C.
The third chord is the B minor chord.
[B] We have B and D.
[Bm] Then we have the fourth chord, which is [G#] the C major, so we [C] have C and E.
_ The [C#] next chord is the D major.
We have [D] D [D] and _ F sharp.
The next chord is [A#] the E minor.
We [Em] have E and G.
_ The next chord is [G] kind of interesting.
It should be an [F#] F sharp diminished chord.
We're going to change it into something else.
We have the F sharp [D] and the A.
_ _ _ [G] I'm going to go back to the G major.
G and B.
_ So we're already pretty good.
We already have seven chord shapes. _ _ _ _
_ [C] _ _ _ [Em] _ _ [F#m] _ [G] _
The awesome thing about the open G tuning is the fact that it allows you to add so much more color to these simple chord shapes
by adding the third and the first string open to each one of these shapes.
So we will have the thumb always on the fifth string, the index on the third, middle on the second, and ring finger on the first.
And with a simple Pima, thumb, index, middle, and ring, we can create beautiful sounding chords.
Of course, we are not going to analyze each one of these chords.
The open strings are going to add so much extensions and colors to these chords.
Just focus on the chord shape.
Let's play all of them. _ _ _ _
_ _ _ [A] _ _ _ _ [G] _
_ _ _ _ [C] _ _ _ _
_ [D] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[G] _ _ _ _ It's such an awesome approach.
And the cool thing is [C#] that we don't have to play always the same [G] sequence of chords.
We can mix things up.
For example, we could have G major, _ [D] D major, _ E minor, _ _ and C [A] major.
Again, guys, I'm calling these chords major, minor, but it's clear that we are adding a lot of different notes to the chords.
Let's just add a little bit more rhythm in a different chord sequence and we end up with something like [G] this. _
_ _ _ _ _ [D] _ _ _
_ _ _ _ [G] _ _ [C] _ _
_ [G] _ _ _ _ _ _ _
_ [A] _ _ _ _ _ _ [G] _
_ _ But what if we want to strum some of these chords?
Well, in this case, we are going to have to add one more fretted note, which is basically the fifth of each one of these chords.
So far, we have the root note and the third of each one of these chords, but now we are going to add the fifth as well.
And we are going to add this note on the fourth string.
So for the G major, we are going to add the fourth string open, _ A minor.
We have [A] root note, [Am] _ third, and fifth on fret number two.
_ _ _ Same thing for the B minor, [B] we just go on the fret number four.
So it's four, four, [Bm] _ and three. _
[C] For the C major, we are going to add the note G, so it's five, five, five.
_ Same thing for [D] the D major, seven, seven, _ seven.
_ [D#] And for the E minor, [Em] it's nine, nine, and eight.
And for the last chord, the F [F#] sharp, it's supposed to be a diminished chord, but we are going to change it into this.
[D] _ _ _
_ So we [F#] have eleven, [D] twelve, _ and ten.
It's quite an interesting [D] chord.
_ _ It's more of a D over F sharp.
And _ back to the [G] G major.
_ So now we have [A#] the perfect strumming chords.
I like to mute the low D string, so the sixth string will be muted.
And we can strum these beautiful chords and it sounds beautiful.
Of course, we are going to strum five [G] strings.
_ _ _ _ _ [A] _
_ _ _ _ [G] _ _ _ _
_ _ [D] _ _ _ _ _ _
_ _ _ _ [G] _ _ _ _
_ _ [D] _ _ _ _ _ [G] _
_ _ _ Of course, guys, we can [Em] also finger pick these chords in the most simple way.
Just thumb, index, [G] middle, and ring.
Thumb, index, middle, ring.
And then the second time we are going to do thumb, index, middle, with the ring on the first string.
Just to change the singing note of each one of these chords. _ _ _ _
_ _ _ [Am] _ _ _ _ [G] _
_ _ _ _ [C] _ _ _ _
_ [D] _ _ _ _ _ _ [Em] _
_ _ _ _ [D] _ _ _ _
_ [G] _ _ _ _ _ _ _
_ Now, it's true that we are in open G, but that doesn't mean that we always have to play in the key of G major.
We could play in the key of E minor, which is the relative minor key of G major.
And so we could start with an E minor [Em] chord, like this. _
_ _ [D] _ _ _ _ _ [A] _
[C] _ _ _ _ _ _ _ [G] _
_ _ _ _ _ _ [D] _ _
[A] _ _ _ _ _ _ _ _
_ _ _ [G] _ _ _ _ _
_ _ [F#] So it's a pretty interesting [Em] idea.
E [D] minor, D, _ [G] _ and C.
But [A] you see how beautiful it sounds.
And I changed the last chord _ _ _ into some kind of a major six chord or something.
_ Just a very simple shape.
You see how much we can experiment and change while trying different chord shapes.
And of course, guys, to wrap this up, we can put it [N] all together.
Come up with a pretty cool rhythmic fingerpicking pattern and try all these awesome chords.
I'm going to leave you with this awesome idea.
The tab is down below.
Enjoy this lesson.
I'll see you soon.
[G] _ _ _ _ _ [Am] _ _ _ _ [Bm] _
[G] _ _ _ [D] _ _ _ _ _
_ _ [Em] _ _ _ _ _ [C] _
_ _ _ _ _ _ [G] _ _
_ _ [Am] _ _ _ _ _ [G] _
_ _ _ _ [D] _ _ _ _
_ _ _ The Open G tuning is an absolutely beautiful journey that everyone should at some point explore.
You don't have to be an expert to play in Open G or any other alternate tuning.
Sometimes it comes down to learning different chord shapes.
In this lesson I'm going to show you a bunch of major and minor chord shapes in Open G tuning.
_ _ [Am] _ _ _ [G] _
_ [C] _ _ [D] _ _ _ [Em] _ _
_ [A] _ _ _ [G] _ _ _ _
_ Of course [D] guys, saying major or minor is kind of limiting since as you can see, every time
we play a minor chord we are automatically adding a lot of beautiful, colorful notes
to the chords.
It's super easy to tune in Open G.
We're going to change three strings, the low E string, the A string and the top E string.
The low E string is now a D, so we're going to tune it a whole step down. _
The fifth string, the A, is now a G, [G]
so again it's a whole step down.
_ The D, the G and the B string is standard tuning, so we're not going to change those.
_ And [D] the top E string is now a D, so it's a whole step down.
_ We end up with D, G, D, G, B and D.
It's a beautiful G major chord with a D on the bass. _ _ _ _ _
_ So how do we play and come up with chords in Open G?
I think the most important step is to figure out where the root note of each chord is.
We're going to use the G string, which is now our fifth string, _ to learn the root note
of each chord that we can play in the key of G major.
So we have the root note G, [A] A, _ [B] B, [C] C, _ [D] D, E, [E] _ [D] F sharp and [G] G again.
_ _ You want to memorize this pattern.
It's basically the G major scale on one string.
_ [B] _
_ _ _ _ [G] _ The second step is very simple.
We're going to add the third of each one of these chords.
And we're going to add this note on the second string.
The first chord is the G major chord, so we're going to have G and B. _
The second chord is the A minor chord.
[A] We have A and [Am] C.
The third chord is the B minor chord.
[B] We have B and D.
[Bm] Then we have the fourth chord, which is [G#] the C major, so we [C] have C and E.
_ The [C#] next chord is the D major.
We have [D] D [D] and _ F sharp.
The next chord is [A#] the E minor.
We [Em] have E and G.
_ The next chord is [G] kind of interesting.
It should be an [F#] F sharp diminished chord.
We're going to change it into something else.
We have the F sharp [D] and the A.
_ _ _ [G] I'm going to go back to the G major.
G and B.
_ So we're already pretty good.
We already have seven chord shapes. _ _ _ _
_ [C] _ _ _ [Em] _ _ [F#m] _ [G] _
The awesome thing about the open G tuning is the fact that it allows you to add so much more color to these simple chord shapes
by adding the third and the first string open to each one of these shapes.
So we will have the thumb always on the fifth string, the index on the third, middle on the second, and ring finger on the first.
And with a simple Pima, thumb, index, middle, and ring, we can create beautiful sounding chords.
Of course, we are not going to analyze each one of these chords.
The open strings are going to add so much extensions and colors to these chords.
Just focus on the chord shape.
Let's play all of them. _ _ _ _
_ _ _ [A] _ _ _ _ [G] _
_ _ _ _ [C] _ _ _ _
_ [D] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
[G] _ _ _ _ It's such an awesome approach.
And the cool thing is [C#] that we don't have to play always the same [G] sequence of chords.
We can mix things up.
For example, we could have G major, _ [D] D major, _ E minor, _ _ and C [A] major.
Again, guys, I'm calling these chords major, minor, but it's clear that we are adding a lot of different notes to the chords.
Let's just add a little bit more rhythm in a different chord sequence and we end up with something like [G] this. _
_ _ _ _ _ [D] _ _ _
_ _ _ _ [G] _ _ [C] _ _
_ [G] _ _ _ _ _ _ _
_ [A] _ _ _ _ _ _ [G] _
_ _ But what if we want to strum some of these chords?
Well, in this case, we are going to have to add one more fretted note, which is basically the fifth of each one of these chords.
So far, we have the root note and the third of each one of these chords, but now we are going to add the fifth as well.
And we are going to add this note on the fourth string.
So for the G major, we are going to add the fourth string open, _ A minor.
We have [A] root note, [Am] _ third, and fifth on fret number two.
_ _ _ Same thing for the B minor, [B] we just go on the fret number four.
So it's four, four, [Bm] _ and three. _
[C] For the C major, we are going to add the note G, so it's five, five, five.
_ Same thing for [D] the D major, seven, seven, _ seven.
_ [D#] And for the E minor, [Em] it's nine, nine, and eight.
And for the last chord, the F [F#] sharp, it's supposed to be a diminished chord, but we are going to change it into this.
[D] _ _ _
_ So we [F#] have eleven, [D] twelve, _ and ten.
It's quite an interesting [D] chord.
_ _ It's more of a D over F sharp.
And _ back to the [G] G major.
_ So now we have [A#] the perfect strumming chords.
I like to mute the low D string, so the sixth string will be muted.
And we can strum these beautiful chords and it sounds beautiful.
Of course, we are going to strum five [G] strings.
_ _ _ _ _ [A] _
_ _ _ _ [G] _ _ _ _
_ _ [D] _ _ _ _ _ _
_ _ _ _ [G] _ _ _ _
_ _ [D] _ _ _ _ _ [G] _
_ _ _ Of course, guys, we can [Em] also finger pick these chords in the most simple way.
Just thumb, index, [G] middle, and ring.
Thumb, index, middle, ring.
And then the second time we are going to do thumb, index, middle, with the ring on the first string.
Just to change the singing note of each one of these chords. _ _ _ _
_ _ _ [Am] _ _ _ _ [G] _
_ _ _ _ [C] _ _ _ _
_ [D] _ _ _ _ _ _ [Em] _
_ _ _ _ [D] _ _ _ _
_ [G] _ _ _ _ _ _ _
_ Now, it's true that we are in open G, but that doesn't mean that we always have to play in the key of G major.
We could play in the key of E minor, which is the relative minor key of G major.
And so we could start with an E minor [Em] chord, like this. _
_ _ [D] _ _ _ _ _ [A] _
[C] _ _ _ _ _ _ _ [G] _
_ _ _ _ _ _ [D] _ _
[A] _ _ _ _ _ _ _ _
_ _ _ [G] _ _ _ _ _
_ _ [F#] So it's a pretty interesting [Em] idea.
E [D] minor, D, _ [G] _ and C.
But [A] you see how beautiful it sounds.
And I changed the last chord _ _ _ into some kind of a major six chord or something.
_ Just a very simple shape.
You see how much we can experiment and change while trying different chord shapes.
And of course, guys, to wrap this up, we can put it [N] all together.
Come up with a pretty cool rhythmic fingerpicking pattern and try all these awesome chords.
I'm going to leave you with this awesome idea.
The tab is down below.
Enjoy this lesson.
I'll see you soon.
[G] _ _ _ _ _ [Am] _ _ _ _ [Bm] _
[G] _ _ _ [D] _ _ _ _ _
_ _ [Em] _ _ _ _ _ [C] _
_ _ _ _ _ _ [G] _ _
_ _ [Am] _ _ _ _ _ [G] _