Chords for Behind The Scenes | The Phantom of the Opera World Tour
Tempo:
138.75 bpm
Chords used:
Ab
Db
Bbm
Ebm
C
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[Db]
[Gb] I think that in [B] this world we all need somewhere [Ab] to escape to now and then [Db] and it seems like
music and the arts and theatre, that's a good place to go for that.
[Bbm] We have people [Db] in this company who [Gb] saw the show when they were [B] children and whose dream
it was [Ab] to be part of the Phantom of the [Eb] Opera.
When I first saw the show, it was [Bbm] 2004 at the [Ebm] State Theatre in Pretoria in South [Ab] Africa
and I turned to [Db] the friend who'd given me [Bbm] the seat and I said, I [Ab] don't care what role
it is, [Db] I want to be part of that show one [Ab] day.
You know, I would have swept the stage but now [Bbm] I'm the [Ebm] Phantom.
[Ab] My [Db] world has been [Gb] consumed, gloriously [Bb] so, by [Db] the world of Phantom [Bb] and so now I get to
[Ebm] time travel back [Fm] as it were and play young Christine [Ebm] [Db] and let me just tell you the feeling
that I had when that organ struck when I saw the show.
[Fm] Now I get that every day.
[Ebm] You can empathise with a character like [B] the Phantom whether you play him or not [Ab] because
we've all been rejected in some [Abm] way, not just rejected [Bbm] but finding [Ebm] redemption in the strangest
places [Gb] and with the [C] strangest people that you never [Db] thought you could connect with.
The whole show [Bbm] is about what it is to be human, broken or [Ebm] whole.
[Abm] [Ab]
[F] Especially this piece [Eb] allows [Bbm] whoever is in the [Ebm] audience to suspend their [Cm] belief [Fm] and they
live for two and [Db] a half hours in the magic [Gb] that's created here and [Db] that's just really thrilling.
[Ab] Falling in love with the soul as opposed to the outer [Eb] appearance of someone [Ab] and being
connected to them [Bbm] via music, [Ebm] that is something [Ab] I very [Db] personally relate to in a sense [Bbm] of
music connects us all [Ab]
and [Ebm] there's [Ab] something about it being a universal language.
My favourite lyric actually comes in one of the songs I [Bbm] sing in All I Ask of You.
[Bb]
Raoul says, let me be your [Fm] freedom and I just [Ab] think that's such a [Db] poetic way of asking to
be a part of someone's life to [Gb] say that the two of us together are better than we [Ab] are apart.
[Db] Very romantic.
The [Abm] cast of this particular tour [Bb] is truly multinational and [E] because we all have different
[N] backgrounds and different work ethics, you are made to be better.
Hi, my name is Clara Vergier.
My name is Chi Hyun-Nu.
Hi, I'm Saverio [G] Pescucci.
Hi, I'm Kirina Lindeva.
My name is Yair Viral-Tsad.
My name is Taviso [D] Massemini.
I'm Luke Grims.
[C] My name is Ayaka Kamei.
I'm Melina Colomas.
I'm from Southern California, United [E] States.
I'm from Seoul, South Korea.
From Sao Paulo, Brazil.
And I'm from Ehime, [F] Japan.
[Dm] I'm from Johannesburg, South Africa.
And I come from a [C] small town near Florence in Italy.
South Africa.
Cape Town, South Africa.
And I'm from New York City in the United States.
I'm excited to be here because traveling and performing are my two favorite [Gm] things in the world.
I'm so thrilled to be in Phantom because it's Phantom!
I'm [G] very excited to be in [N] the show because I'm playing the fabulous character Carlotta.
I'm thrilled to be able to bring this [Bb] iconic show to audiences around the world and connect
with [C] audiences everywhere.
[G] [C]
We always cast the best person we [Bb] possibly can cast.
And we [F] have a really quality cast.
[C]
[F] [C]
[G]
[F]
[Gb] I think that in [B] this world we all need somewhere [Ab] to escape to now and then [Db] and it seems like
music and the arts and theatre, that's a good place to go for that.
[Bbm] We have people [Db] in this company who [Gb] saw the show when they were [B] children and whose dream
it was [Ab] to be part of the Phantom of the [Eb] Opera.
When I first saw the show, it was [Bbm] 2004 at the [Ebm] State Theatre in Pretoria in South [Ab] Africa
and I turned to [Db] the friend who'd given me [Bbm] the seat and I said, I [Ab] don't care what role
it is, [Db] I want to be part of that show one [Ab] day.
You know, I would have swept the stage but now [Bbm] I'm the [Ebm] Phantom.
[Ab] My [Db] world has been [Gb] consumed, gloriously [Bb] so, by [Db] the world of Phantom [Bb] and so now I get to
[Ebm] time travel back [Fm] as it were and play young Christine [Ebm] [Db] and let me just tell you the feeling
that I had when that organ struck when I saw the show.
[Fm] Now I get that every day.
[Ebm] You can empathise with a character like [B] the Phantom whether you play him or not [Ab] because
we've all been rejected in some [Abm] way, not just rejected [Bbm] but finding [Ebm] redemption in the strangest
places [Gb] and with the [C] strangest people that you never [Db] thought you could connect with.
The whole show [Bbm] is about what it is to be human, broken or [Ebm] whole.
[Abm] [Ab]
[F] Especially this piece [Eb] allows [Bbm] whoever is in the [Ebm] audience to suspend their [Cm] belief [Fm] and they
live for two and [Db] a half hours in the magic [Gb] that's created here and [Db] that's just really thrilling.
[Ab] Falling in love with the soul as opposed to the outer [Eb] appearance of someone [Ab] and being
connected to them [Bbm] via music, [Ebm] that is something [Ab] I very [Db] personally relate to in a sense [Bbm] of
music connects us all [Ab]
and [Ebm] there's [Ab] something about it being a universal language.
My favourite lyric actually comes in one of the songs I [Bbm] sing in All I Ask of You.
[Bb]
Raoul says, let me be your [Fm] freedom and I just [Ab] think that's such a [Db] poetic way of asking to
be a part of someone's life to [Gb] say that the two of us together are better than we [Ab] are apart.
[Db] Very romantic.
The [Abm] cast of this particular tour [Bb] is truly multinational and [E] because we all have different
[N] backgrounds and different work ethics, you are made to be better.
Hi, my name is Clara Vergier.
My name is Chi Hyun-Nu.
Hi, I'm Saverio [G] Pescucci.
Hi, I'm Kirina Lindeva.
My name is Yair Viral-Tsad.
My name is Taviso [D] Massemini.
I'm Luke Grims.
[C] My name is Ayaka Kamei.
I'm Melina Colomas.
I'm from Southern California, United [E] States.
I'm from Seoul, South Korea.
From Sao Paulo, Brazil.
And I'm from Ehime, [F] Japan.
[Dm] I'm from Johannesburg, South Africa.
And I come from a [C] small town near Florence in Italy.
South Africa.
Cape Town, South Africa.
And I'm from New York City in the United States.
I'm excited to be here because traveling and performing are my two favorite [Gm] things in the world.
I'm so thrilled to be in Phantom because it's Phantom!
I'm [G] very excited to be in [N] the show because I'm playing the fabulous character Carlotta.
I'm thrilled to be able to bring this [Bb] iconic show to audiences around the world and connect
with [C] audiences everywhere.
[G] [C]
We always cast the best person we [Bb] possibly can cast.
And we [F] have a really quality cast.
[C]
[F] [C]
[G]
[F]
Key:
Ab
Db
Bbm
Ebm
C
Ab
Db
Bbm
_ [Db] _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ [Gb] I think that in [B] this world we all need somewhere [Ab] to escape to now and then [Db] and it seems like
music and the arts and theatre, that's a good place to go for that.
[Bbm] We have people [Db] in this company who [Gb] saw the show when they were [B] children and whose dream
it was [Ab] to be part of the Phantom of the [Eb] Opera.
When I first saw the show, it was [Bbm] 2004 at the [Ebm] State Theatre in Pretoria in South [Ab] Africa
and I turned to [Db] the friend who'd given me [Bbm] the seat and I said, I [Ab] don't care what role
it is, [Db] I want to be part of that show one [Ab] day.
You know, I would have swept the stage but now [Bbm] I'm _ the [Ebm] Phantom. _ _ _
[Ab] _ My [Db] world _ has been [Gb] _ consumed, gloriously [Bb] so, by [Db] the world of Phantom [Bb] and so now I get to
[Ebm] time travel back [Fm] as it were and play young Christine _ [Ebm] [Db] and let me just tell you the feeling
that I had when that organ struck when I saw the show.
[Fm] Now I get that every day.
[Ebm] You can empathise with a character like [B] the Phantom whether you play him or not [Ab] because
we've all been rejected in some [Abm] way, not just rejected [Bbm] but finding [Ebm] redemption in the strangest
places [Gb] and with the [C] strangest people that you never [Db] thought you could connect with.
The whole show [Bbm] is about what it is to be human, broken or [Ebm] whole.
_ [Abm] _ [Ab] _
_ _ _ [F] Especially this piece [Eb] allows [Bbm] whoever is in the [Ebm] audience to suspend their [Cm] belief [Fm] and they
live for two and [Db] a half hours in the magic [Gb] that's created here and [Db] that's just really thrilling. _
_ [Ab] Falling in love with the soul as opposed to the outer [Eb] appearance of someone [Ab] and being
connected to them [Bbm] via music, [Ebm] _ _ that is something [Ab] I very [Db] personally relate to in a sense [Bbm] of
music connects us all _ [Ab]
and [Ebm] there's [Ab] something about it being a universal language.
My favourite lyric actually comes in one of the songs I [Bbm] sing in All I Ask of You.
[Bb]
Raoul says, let me be your [Fm] freedom and I just [Ab] think that's such a [Db] poetic way of asking to
be a part of someone's life to [Gb] say that the two of us together are better than we [Ab] are apart.
[Db] Very romantic. _
_ The [Abm] cast of this particular tour [Bb] is truly _ multinational and [E] because we all have different
[N] backgrounds and different work ethics, you are made to be better.
_ _ Hi, my name is Clara Vergier.
My name is Chi Hyun-Nu.
Hi, I'm Saverio [G] Pescucci.
Hi, I'm Kirina Lindeva.
My name is Yair Viral-Tsad.
My name is Taviso [D] Massemini.
I'm Luke Grims.
[C] My name is Ayaka Kamei.
I'm Melina Colomas.
I'm from Southern California, United [E] States.
I'm from Seoul, South Korea.
From Sao Paulo, Brazil.
And I'm from Ehime, [F] Japan.
[Dm] I'm from Johannesburg, South Africa.
And I come from a [C] small town near Florence in Italy.
South Africa.
Cape Town, South Africa.
And I'm from New York City in the United States.
I'm excited to be here because traveling and performing are my two favorite [Gm] things in the world.
I'm so thrilled to be in Phantom because it's Phantom!
_ I'm [G] very excited to be in [N] the show because I'm playing the fabulous character Carlotta.
I'm thrilled to be able to bring this [Bb] iconic show to audiences around the world and connect
with [C] audiences everywhere. _
_ _ [G] _ _ _ [C] _
_ We always cast the best person we [Bb] possibly can cast.
And we [F] have a really quality cast.
_ _ [C] _ _ _ _
_ [F] _ _ _ [C] _ _
_ _ [G] _ _ _ _
[F] _ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ [Gb] I think that in [B] this world we all need somewhere [Ab] to escape to now and then [Db] and it seems like
music and the arts and theatre, that's a good place to go for that.
[Bbm] We have people [Db] in this company who [Gb] saw the show when they were [B] children and whose dream
it was [Ab] to be part of the Phantom of the [Eb] Opera.
When I first saw the show, it was [Bbm] 2004 at the [Ebm] State Theatre in Pretoria in South [Ab] Africa
and I turned to [Db] the friend who'd given me [Bbm] the seat and I said, I [Ab] don't care what role
it is, [Db] I want to be part of that show one [Ab] day.
You know, I would have swept the stage but now [Bbm] I'm _ the [Ebm] Phantom. _ _ _
[Ab] _ My [Db] world _ has been [Gb] _ consumed, gloriously [Bb] so, by [Db] the world of Phantom [Bb] and so now I get to
[Ebm] time travel back [Fm] as it were and play young Christine _ [Ebm] [Db] and let me just tell you the feeling
that I had when that organ struck when I saw the show.
[Fm] Now I get that every day.
[Ebm] You can empathise with a character like [B] the Phantom whether you play him or not [Ab] because
we've all been rejected in some [Abm] way, not just rejected [Bbm] but finding [Ebm] redemption in the strangest
places [Gb] and with the [C] strangest people that you never [Db] thought you could connect with.
The whole show [Bbm] is about what it is to be human, broken or [Ebm] whole.
_ [Abm] _ [Ab] _
_ _ _ [F] Especially this piece [Eb] allows [Bbm] whoever is in the [Ebm] audience to suspend their [Cm] belief [Fm] and they
live for two and [Db] a half hours in the magic [Gb] that's created here and [Db] that's just really thrilling. _
_ [Ab] Falling in love with the soul as opposed to the outer [Eb] appearance of someone [Ab] and being
connected to them [Bbm] via music, [Ebm] _ _ that is something [Ab] I very [Db] personally relate to in a sense [Bbm] of
music connects us all _ [Ab]
and [Ebm] there's [Ab] something about it being a universal language.
My favourite lyric actually comes in one of the songs I [Bbm] sing in All I Ask of You.
[Bb]
Raoul says, let me be your [Fm] freedom and I just [Ab] think that's such a [Db] poetic way of asking to
be a part of someone's life to [Gb] say that the two of us together are better than we [Ab] are apart.
[Db] Very romantic. _
_ The [Abm] cast of this particular tour [Bb] is truly _ multinational and [E] because we all have different
[N] backgrounds and different work ethics, you are made to be better.
_ _ Hi, my name is Clara Vergier.
My name is Chi Hyun-Nu.
Hi, I'm Saverio [G] Pescucci.
Hi, I'm Kirina Lindeva.
My name is Yair Viral-Tsad.
My name is Taviso [D] Massemini.
I'm Luke Grims.
[C] My name is Ayaka Kamei.
I'm Melina Colomas.
I'm from Southern California, United [E] States.
I'm from Seoul, South Korea.
From Sao Paulo, Brazil.
And I'm from Ehime, [F] Japan.
[Dm] I'm from Johannesburg, South Africa.
And I come from a [C] small town near Florence in Italy.
South Africa.
Cape Town, South Africa.
And I'm from New York City in the United States.
I'm excited to be here because traveling and performing are my two favorite [Gm] things in the world.
I'm so thrilled to be in Phantom because it's Phantom!
_ I'm [G] very excited to be in [N] the show because I'm playing the fabulous character Carlotta.
I'm thrilled to be able to bring this [Bb] iconic show to audiences around the world and connect
with [C] audiences everywhere. _
_ _ [G] _ _ _ [C] _
_ We always cast the best person we [Bb] possibly can cast.
And we [F] have a really quality cast.
_ _ [C] _ _ _ _
_ [F] _ _ _ [C] _ _
_ _ [G] _ _ _ _
[F] _ _ _ _ _ _
_ _ _ _ _ _