Chords for Behind the Scenes with Maren Morris & Marcus Mumford – Look At Us Now (Honeycomb) [Amazon Original]
Tempo:
144.45 bpm
Chords used:
Ebm
B
Gb
Db
Abm
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
I don't know who I am.
Okay, that's good.
And Daisy?
Baby, baby, baby.
Okay, let's get this started.
This is Honeycomb, take one.
Yeah.
One, two.
[Ebm] [B]
[Ebm] [Gb]
Hello, [Ab] I'm Marcus and [Ebm] we are working on Look At Us Now,
which Blake and I wrote [Db] together with a bit of help like a year and [Abm] a half ago
[F] for Daisy Jones and Six.
They recorded a face-melting version and now I'm singing on it
and we're going to cut a different version.
So we stripped the song back, [Gb]
right back down to [Db] acoustic guitar,
the vocal, [B] which is how it was written,
and now [Bbm] we're kind of [Eb] building it back up from [Bb] there
and [Db] have just landed on an arrangement that we like
and Maren Morris [Eb] is going to come sing on [Ebm] it.
I hope we nail it today.
[Db] It's going to be great.
Like, I've never sung with Marcus, but I think our tones go together well.
Oh, right.
[B] All right, then.
Here we go.
I don't know who [Ebm] I am.
Baby, [Gb] baby, baby.
Do you know who you are?
[Db] It's fun.
Let's [B] just keep going until it's not fun.
Baby, baby, baby.
[Ebm] My instinct would be [Bb] to sing that as an Englishman.
So, baby.
I don't think it sounds very [Abm] good, so I'll sing American.
I'm singing American for you.
You're the first [G] person ever to get me to sing American.
I'm going to sing Can't.
I met Marcus the day that we recorded,
and I love being in the room and singing with someone live.
Yeah, I try [Gb] not to.
I really think you get those magical moments
when two singers are just in the studio together,
facing each [Ab] other, [B] singing at one another.
[Ebm] Every take felt like a new beginning of something.
[B] Oh, [Ebm]
we [Gb] can make it through [Ebm] this thing, yeah.
[Gb] We [B] [Ebm]
can [Gb] make it through [B] this thing, yeah.
Tell you what, it's fucking [Ebm] fun to sing.
[Eb] It feels so [Db] natural and easy.
Yeah, and it feels emotional, too.
You!
Yeah, you sound so good.
We're singing, we're singing, [B] man.
You sound so good.
You sound amazing.
Man, this could be a bum steer, [Db] and forgive me if it is,
but on verse two, on your verse,
think of stand as being spelled S-T-E-H [B]-N-D.
Now, where do [Ebm] we stand?
[Db] Baby, baby, baby.
[Eb]
Definitely [Bbm] the most professional, so very well done.
[Ebm]
[B] [Ebm]
[Gb] [Abm]
[B] [Ebm]
[Gb] [Abm]
[B] [Ebm]
[Gb] [Abm]
[B] [Ebm]
[Gb] [Abm]
[B] [Ebm]
[Gb] [Abm]
[B] [Ebm]
[Gb] [Abm] Baby, in a sea [B] of love [Ebm]
[Db] [B] Oh, [Ebm]
we can make it through this thing, yeah.
[Gb] Oh, [B] [Ebm]
we can make it through this thing, yeah.
[Gb] [B] Oh, [Ebm]
we can [Gb] make it through this [B] thing.
[Ebm]
[Gb] [B] [Ebm]
[Db] [B]
We've got that.
Okay, that's good.
And Daisy?
Baby, baby, baby.
Okay, let's get this started.
This is Honeycomb, take one.
Yeah.
One, two.
[Ebm] [B]
[Ebm] [Gb]
Hello, [Ab] I'm Marcus and [Ebm] we are working on Look At Us Now,
which Blake and I wrote [Db] together with a bit of help like a year and [Abm] a half ago
[F] for Daisy Jones and Six.
They recorded a face-melting version and now I'm singing on it
and we're going to cut a different version.
So we stripped the song back, [Gb]
right back down to [Db] acoustic guitar,
the vocal, [B] which is how it was written,
and now [Bbm] we're kind of [Eb] building it back up from [Bb] there
and [Db] have just landed on an arrangement that we like
and Maren Morris [Eb] is going to come sing on [Ebm] it.
I hope we nail it today.
[Db] It's going to be great.
Like, I've never sung with Marcus, but I think our tones go together well.
Oh, right.
[B] All right, then.
Here we go.
I don't know who [Ebm] I am.
Baby, [Gb] baby, baby.
Do you know who you are?
[Db] It's fun.
Let's [B] just keep going until it's not fun.
Baby, baby, baby.
[Ebm] My instinct would be [Bb] to sing that as an Englishman.
So, baby.
I don't think it sounds very [Abm] good, so I'll sing American.
I'm singing American for you.
You're the first [G] person ever to get me to sing American.
I'm going to sing Can't.
I met Marcus the day that we recorded,
and I love being in the room and singing with someone live.
Yeah, I try [Gb] not to.
I really think you get those magical moments
when two singers are just in the studio together,
facing each [Ab] other, [B] singing at one another.
[Ebm] Every take felt like a new beginning of something.
[B] Oh, [Ebm]
we [Gb] can make it through [Ebm] this thing, yeah.
[Gb] We [B] [Ebm]
can [Gb] make it through [B] this thing, yeah.
Tell you what, it's fucking [Ebm] fun to sing.
[Eb] It feels so [Db] natural and easy.
Yeah, and it feels emotional, too.
You!
Yeah, you sound so good.
We're singing, we're singing, [B] man.
You sound so good.
You sound amazing.
Man, this could be a bum steer, [Db] and forgive me if it is,
but on verse two, on your verse,
think of stand as being spelled S-T-E-H [B]-N-D.
Now, where do [Ebm] we stand?
[Db] Baby, baby, baby.
[Eb]
Definitely [Bbm] the most professional, so very well done.
[Ebm]
[B] [Ebm]
[Gb] [Abm]
[B] [Ebm]
[Gb] [Abm]
[B] [Ebm]
[Gb] [Abm]
[B] [Ebm]
[Gb] [Abm]
[B] [Ebm]
[Gb] [Abm]
[B] [Ebm]
[Gb] [Abm] Baby, in a sea [B] of love [Ebm]
[Db] [B] Oh, [Ebm]
we can make it through this thing, yeah.
[Gb] Oh, [B] [Ebm]
we can make it through this thing, yeah.
[Gb] [B] Oh, [Ebm]
we can [Gb] make it through this [B] thing.
[Ebm]
[Gb] [B] [Ebm]
[Db] [B]
We've got that.
Key:
Ebm
B
Gb
Db
Abm
Ebm
B
Gb
I don't know who I _ am.
_ _ _ Okay, that's good.
And Daisy?
Baby, baby, baby.
_ Okay, let's get this started.
This is Honeycomb, _ take one.
_ _ Yeah.
_ _ One, two. _ _
_ _ _ _ _ _ _ _
[Ebm] _ _ _ _ _ _ _ [B] _
[Ebm] _ _ _ _ [Gb] _ _ _ _
_ _ _ Hello, [Ab] I'm Marcus _ and [Ebm] we are working on Look At Us Now,
which Blake and I wrote [Db] together with a bit of help like a year and [Abm] a half ago
[F] for Daisy Jones and Six.
They recorded a face-melting version and now I'm singing on it
and we're going to cut a different version.
So we stripped the song back, [Gb]
right back down to [Db] acoustic guitar,
the vocal, [B] which is how it was written,
and now [Bbm] we're kind of [Eb] building it back up from [Bb] there
and [Db] have just landed on an arrangement that we like
and Maren Morris [Eb] is going to come sing on [Ebm] it.
I hope we nail it today.
[Db] It's going to be great.
Like, I've never sung with Marcus, but I think our tones go together well.
Oh, right.
[B] All right, then.
Here we go.
I don't know who [Ebm] I _ am.
_ _ Baby, [Gb] baby, baby.
_ Do you know who you are?
[Db] _ _ It's fun.
Let's [B] just keep going until it's not fun.
_ Baby, baby, baby.
[Ebm] My instinct would be [Bb] to sing that as an Englishman.
So, baby. _
I don't think it sounds very [Abm] good, so I'll sing American.
I'm singing American for you.
You're the first [G] person ever to get me to sing American.
I'm going to sing Can't.
I met Marcus the day that we recorded,
and I love being in the room and singing with someone live.
Yeah, I try [Gb] not to.
I really think you get those magical moments
when two singers are just in the studio together,
facing each [Ab] other, [B] singing at one another.
[Ebm] Every take felt like a new beginning of something.
[B] Oh, [Ebm] _
_ we [Gb] can make it through [Ebm] this thing, yeah.
_ _ [Gb] We _ [B] _ _ [Ebm] _
_ can [Gb] make it through [B] this thing, yeah.
_ Tell you what, it's fucking [Ebm] fun to sing.
[Eb] It feels _ so [Db] natural and easy.
Yeah, and it feels emotional, too.
You!
Yeah, you sound so good.
We're singing, we're singing, [B] man.
You sound so good.
You sound amazing.
Man, this could be a bum steer, [Db] and forgive me if it is,
but on verse two, on your verse,
think of stand as being spelled S-T-E-H [B]-N-D. _ _ _
Now, where do [Ebm] we _ stand? _
_ [Db] Baby, baby, baby.
[Eb] _ _
Definitely [Bbm] the most professional, so very well done.
_ [Ebm] _
_ [B] _ _ [Ebm] _ _ _ _ _
_ [Gb] _ _ _ _ [Abm] _ _ _
_ [B] _ _ _ [Ebm] _ _ _ _
[Gb] _ _ _ _ _ [Abm] _ _ _
_ [B] _ _ _ _ [Ebm] _ _ _
_ [Gb] _ _ _ _ [Abm] _ _ _
_ [B] _ _ _ [Ebm] _ _ _ _
_ [Gb] _ _ _ _ [Abm] _ _ _
_ [B] _ _ _ _ [Ebm] _ _ _
_ [Gb] _ _ _ _ [Abm] _ _ _
[B] _ _ _ _ _ [Ebm] _ _ _
_ [Gb] _ _ _ [Abm] Baby, in a sea [B] of _ love _ [Ebm] _ _ _
_ [Db] _ _ _ _ [B] Oh, [Ebm] _
_ we can make it through this thing, yeah.
_ _ [Gb] Oh, _ [B] _ _ [Ebm] _
_ we can make it through this thing, yeah.
_ _ _ [Gb] _ [B] Oh, _ [Ebm] _
_ we can [Gb] make it through this [B] thing.
_ [Ebm] _
_ _ _ [Gb] _ _ [B] _ _ [Ebm] _
_ _ _ [Db] _ _ _ [B] _ _
_ We've _ _ _ _ _ _ _ _ _ got that. _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ Okay, that's good.
And Daisy?
Baby, baby, baby.
_ Okay, let's get this started.
This is Honeycomb, _ take one.
_ _ Yeah.
_ _ One, two. _ _
_ _ _ _ _ _ _ _
[Ebm] _ _ _ _ _ _ _ [B] _
[Ebm] _ _ _ _ [Gb] _ _ _ _
_ _ _ Hello, [Ab] I'm Marcus _ and [Ebm] we are working on Look At Us Now,
which Blake and I wrote [Db] together with a bit of help like a year and [Abm] a half ago
[F] for Daisy Jones and Six.
They recorded a face-melting version and now I'm singing on it
and we're going to cut a different version.
So we stripped the song back, [Gb]
right back down to [Db] acoustic guitar,
the vocal, [B] which is how it was written,
and now [Bbm] we're kind of [Eb] building it back up from [Bb] there
and [Db] have just landed on an arrangement that we like
and Maren Morris [Eb] is going to come sing on [Ebm] it.
I hope we nail it today.
[Db] It's going to be great.
Like, I've never sung with Marcus, but I think our tones go together well.
Oh, right.
[B] All right, then.
Here we go.
I don't know who [Ebm] I _ am.
_ _ Baby, [Gb] baby, baby.
_ Do you know who you are?
[Db] _ _ It's fun.
Let's [B] just keep going until it's not fun.
_ Baby, baby, baby.
[Ebm] My instinct would be [Bb] to sing that as an Englishman.
So, baby. _
I don't think it sounds very [Abm] good, so I'll sing American.
I'm singing American for you.
You're the first [G] person ever to get me to sing American.
I'm going to sing Can't.
I met Marcus the day that we recorded,
and I love being in the room and singing with someone live.
Yeah, I try [Gb] not to.
I really think you get those magical moments
when two singers are just in the studio together,
facing each [Ab] other, [B] singing at one another.
[Ebm] Every take felt like a new beginning of something.
[B] Oh, [Ebm] _
_ we [Gb] can make it through [Ebm] this thing, yeah.
_ _ [Gb] We _ [B] _ _ [Ebm] _
_ can [Gb] make it through [B] this thing, yeah.
_ Tell you what, it's fucking [Ebm] fun to sing.
[Eb] It feels _ so [Db] natural and easy.
Yeah, and it feels emotional, too.
You!
Yeah, you sound so good.
We're singing, we're singing, [B] man.
You sound so good.
You sound amazing.
Man, this could be a bum steer, [Db] and forgive me if it is,
but on verse two, on your verse,
think of stand as being spelled S-T-E-H [B]-N-D. _ _ _
Now, where do [Ebm] we _ stand? _
_ [Db] Baby, baby, baby.
[Eb] _ _
Definitely [Bbm] the most professional, so very well done.
_ [Ebm] _
_ [B] _ _ [Ebm] _ _ _ _ _
_ [Gb] _ _ _ _ [Abm] _ _ _
_ [B] _ _ _ [Ebm] _ _ _ _
[Gb] _ _ _ _ _ [Abm] _ _ _
_ [B] _ _ _ _ [Ebm] _ _ _
_ [Gb] _ _ _ _ [Abm] _ _ _
_ [B] _ _ _ [Ebm] _ _ _ _
_ [Gb] _ _ _ _ [Abm] _ _ _
_ [B] _ _ _ _ [Ebm] _ _ _
_ [Gb] _ _ _ _ [Abm] _ _ _
[B] _ _ _ _ _ [Ebm] _ _ _
_ [Gb] _ _ _ [Abm] Baby, in a sea [B] of _ love _ [Ebm] _ _ _
_ [Db] _ _ _ _ [B] Oh, [Ebm] _
_ we can make it through this thing, yeah.
_ _ [Gb] Oh, _ [B] _ _ [Ebm] _
_ we can make it through this thing, yeah.
_ _ _ [Gb] _ [B] Oh, _ [Ebm] _
_ we can [Gb] make it through this [B] thing.
_ [Ebm] _
_ _ _ [Gb] _ _ [B] _ _ [Ebm] _
_ _ _ [Db] _ _ _ [B] _ _
_ We've _ _ _ _ _ _ _ _ _ got that. _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _