Chords for Best of Anthony Ramos

_ _ _ _ _ _ [C] _ _
_ [G] _ _ [E] She seemed mature and I [F] talked more
_ _ _ _ [C] What the heck I gotta do [Bb] to be with you
What the heck [C] I _ gotta do [Bb] to be with you
_ _ [C] Tell me who I gotta be
[G] _ _ For you to [C] be with me you told her all this in class.
Oh, yeah, I texted her
You know I was like what the heck I gotta do
[Bb] _ _ _
_ _ _ [C] What the heck I gotta do [Bb] to be with you
_ _ [C] _ _ _
_ _ _ [G] _ You to be [C] with me
_ _ [Am] _ [G] _ _
[C] _ _ _ _ _ _ _ [D] _
_ _ _ _ _ [G] _ _ _
_ _ _ [B] _ _ [C] _ _ _
_ [Bbm] _ _ _ _ _ [N] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [Cm] _ _ _
_ _ _ _ _ _ _ [N] _
_ _ _ _ _ _ Oh [Bb] God.
The [C] bad is that, you know, I died once a day.
[B] I died 16 times a week.
Wow.
You [Eb] had a beautiful long mane
[Bb] during the production of Hamilton.
Give me the good and the bad of cutting your long hair.
The good was that I got my first good role
[F] in the big motion picture.
It was crazy.
But the bad was they were like,
yes, you're gonna have to cut your hair.
And then they made me wear a [Ab] helmet the whole time.
Okay, staying on a hair trip.
[Eb] The good and the bad of having a goatee.
The good [G] is that people think I'm an adult actually.
_ The bad is you're a guy with a goatee.
Oh my [Cm] gosh, the bad is I'm a guy with a goatee.
That's the bad.
You are engaged to [Bb] a Hamilton co-star,
[Eb] Jasmine Seaford [Cm] Jones.
Yes.
What is the good and the bad
of dating someone you work with?
The good is that we're on the same [Ab] schedule all the [Bb] time.
So we're having breakfast [Eb] together,
lunch [D] together, dinner together.
So that's very nice.
The bad is you're on the same schedule.
The bad.
You're having breakfast together, lunch [A] together.
_ [G] _ _ _
_ _ _ _ _ [Gb] _ _ _
_ [B] _ _ _ _ [Bm] _ _ _
_ [E] _ _ _ _ [A] _ [C] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [C] _ _ _
[Am] _ _ _ _ _ _ _ _
_ _ _ [C] _ _ _ _ _
_ _ _ _ [Em] _ _ _ _
_ [Cm] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [Ab] _ _ _ _ _
_ [C] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ [Am] _ _ You put your hands [C] on my.
You changed the melody every [Am]
time.
I would always change [D] the line.
I know, I know.
I would [Em] always [E] change the line.
I know, I know. _ _
[B] _ _ _ _ [B] _ _ [D] _ _
[C] _ _ _ _ _ _ [Am] Check it, most dudes want freaks.
I [C] do, I do.
Do I?
I do.
So what, is mine a nickname?
[N]
That was some shenanigans.
Some subterfuge, straight skullduggery.
Nah, it's my government.
My mom, she named me Mars
because she said I'm out of this universe, all right? _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [Ab] _ _ _ _ _ _ _
_ _ _ [B] _ _ _ _ _
_ _ _ _ _ _ When [Bb] I was in Hamilton, [Eb] I laughed [F] through like two numbers.
I was laughing on stage.
I had just gotten a new wig
and none of the cast [Bb] knew I was gonna have this wig.
I kind of [G] took everyone by surprise.
Let's just say I wasn't the [C] only one on stage,
cracking up.
[Cm] The stage manager came in the wing.
[C] Literally, [Gm] she came out of the shadows
[D] and was like, get it together.
And I'm like, [F] yo.
He tricked [Ab] me.
_ _ [Gbm] We don't know, she's taking whatever she wants.
[A] Oh my gosh.
_ I'm gonna kiss your butt.
Surprise?
Yeah.
[D] _ _ _ _ _
_ _ _ _ _ I'm gonna kiss your butt.
[G] _ _ Yo, we got a good, [A] we got a real [N] good.
_ _ _ _ _ Very [D] surprised.
She was [Eb] crying.
_ She never cries. _
[G] She cries sometimes.
Yeah, yeah, sometimes.
Oh [Am] yeah. _
I may not live to see our glory.
[G] _ _
[C] There's a letter for you.
It's from John Lawrence.
_ [Bm] But I will gladly.
[C] _ _ [Am] No, [C] it's from his father.
His [A] father?
And when our [G] children story.
_ [Bm] _ Will you read it for me?
[G] _ They'll tell the story of. _ _
_ On Tuesday, the [D] 27th,
my son was killed in a [Am] gunfight
against British troops retreating in [A] South Carolina.
_ [Cm] _ [Eb] The war was already [G] over.
_ [Bm] As you know, John dreamed of [Em] emancipating
and recruiting 3,000 [Cm] men
for the first [B] all-black military [G] regiment.
_ _ His dream [D] of freedom for these men dies with him.
[Em] _ _ Tomorrow [Eb] there'll be more of [Ab] _ _ _
us.
_ _ _ Alexander, _ _ [A] are you awake? _ _ _ _ _
_ _ _ More [C] of us.
[A] Chuck.
_ _ _ _ [A] _ _
[E] Chuck.
_ [A] _ _ [B] _ _ [E] _
_ [Dbm] _ _ _ _ [Db] _ _ _
[C] _ _ _ [Eb] _ _ _ _ _
[D] _ [G] _ _ _ _ _ _ _
_ _ _ [F] _ _ [G] _ _ _
_ [D] _ _ _ [Bm] _ _ _ _
[Em] _ _ _ _ _ _ [Bm] Good _ _ [Em] _ _ thing you're with family, Chuck.
Right? Yeah.
_ _ _ _ Was not [Bm] expecting this.
Cheers, [Em] baby. _ _
_ [E] _ _ [F] _ _ _ _ _
_ _ _ [A] _ _ [C] _ _ _