Chords for Best of Paul McCartney on YouTube - PART 2
Tempo:
138.7 bpm
Chords used:
E
G
C
D
F#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[Am]
Hi everybody.
Don't worry, it gets loud.
[F]
[Fm] [C] [A] [D]
[G] Whistling.
[C] [A#] [A] [D] [G]
[C] [A] [D] [G]
[C] [E] [F] [F#]
[G] This [A#] [C]
[Am] is Paul.
[D] He's been a quarryman, beetle, [Em] [Am] wain, poet, father, [Bm] frontman, producer, business mogul, [Am] painter, and if that weren't enough, [C] a knight.
[D] [C]
[Am] [D] The key is, [C]
never stop doing what you love.
[G] [F#] I'm getting all emotional.
[N] I love you, [E] like a bird [B] needs a break, a bird needs a break, what are you talking about?
And your mind is racing, you know.
I want your heart baby, yeah, drop it on a [E] plate.
This is my, look [C#m] how old baby, my little darling, [E] wants a drink with me.
[Cm] Come on honey, maybe we'll go back [G] to my flat, my flat.
I'll go on and twist my arm, yeah.
[D#]
It's back, yeah.
[E] A do do do do do do do.
You see you can have [N] acres of fun with this.
Why did Michael Jackson buy the rights to all the people songs?
He took me aside once, he said I want your vice Paul, you know, I won't do the voice.
Okay.
Or should I do the voice?
Go ahead.
Hey, no way.
[G] Anyway, so he said, I like your vice Paul.
No, anyway, no, so he said, Paul I like your advice.
Okay Michael, come over here.
[F#] There's one I've seen [D] tonight, there's one girl [D#] here, go to the side [G#] and says, Paul I want to have your baby.
No, [G]
[Em] just [B] behave yourself.
[Am]
[D] [Dm]
[D] [F#]
[B] [C#]
[F#]
[E] Yes Chris, in my experience it is, I find the more you give, the more you get.
[D] [B]
[N]
[G#m]
A lot of young people too are looking for this equipment now.
I mean I know Lenny [E] Craddock, he uses it.
Crabbits.
I knew I got that wrong.
Lenny Craddock.
Oh no, right.
He calls me [Gm] Paul McCarthy.
[B] [F#] Okay, I'm just an ordinary guy, let's remember that too.
But for us you're [B] not ordinary.
[E] You're not for me are you?
[G]
Okay, get him [C] off.
But my dad sort of kind of made up for it, you know, he sort of over did it.
You know, he'd be super proud, you know, being in a restaurant and he'd just be sort of, he'd nudge me,
he'd say, don't look, he said they spotted you.
[N] That table's got you, they've got you.
Smile, smile over here, smile, go on son.
So [C] he made up for it.
[G] Woo!
Stuff like this, I love the sound.
[E]
Woo, come on baby.
[A] Can I buy you a drink?
[E] Oh I [N] wish there were some people out here to keep me company.
It's so hard in the woods, on your own.
Still, never mind.
So you're planning to go on tour then?
That's right, do you want to come?
I would love to, yeah.
Well you're not [E] coming, you've [C] got to stay with the ghost train.
[D#] Fine, when are you going on tour?
Yeah, we're going in, we're going at the end of the city.
[F] All right, well get practising, get practising your guitar.
I hope you like it.
Oh, that's wonderful Paul, I really [G#m] like that one.
Will you buy it?
No.
[A#] Bring your [C#] Adonis back.
Oh, [C] that's [G#] beautiful.
Our friends, [F]
welcome to the castle.
[Cm] Quite [A] a windy night out [B] here.
[E] [B] But you know, [D] I always love it here, in Hirschweg von Schlechtstein.
[E]
We know our real image, which is nothing like our image.
Forget it.
[A] What I meant to say is, I've never kissed a bear, [E] and that is true.
I've never kissed a goon, that is [F#] equally as true.
[C#] So what more do you want?
Never kissed Peter Sellers [Fm] or [B]
[G] Spike Milligan.
I have kissed Spike Milligan, I must admit.
You have kissed a goon?
Yeah, not French kissing, but just [A] platonic.
Glad [E] to hear it.
[F#]
[E] Now take this moment to say, [F#] I love you.
Quite the same.
[F#m]
[B] So
[E]
[C#] [G#] I'm [N] lying on the towel on the floor, she's starting to massage me, and I hear,
Yesterday, all my troubles, it's over.
That's true.
True.
But luckily she didn't know the middle age, so it didn't last too long.
I used to actually tell my kids, I tell them now, come on kids, you've got to apply to something, come on, you know.
I did well at school and all that.
And they eventually found one of my old reports, and it was terrible.
It was like, you know, he's the biggest disappointment in the class.
And everyone thought that you were dead or [G] something?
Yeah.
[F#] That was a [D#] hoax, right?
[N] Yeah, I wasn't really dead.
[C] He uses the F word seven times.
[G] Listen.
Big boy [Em] and big career, [C] he becomes for everyone.
[F#] We won't play it either.
The ozone layer, and the big hole in it, 50 mile wide hole.
I don't think, well that's a flipping hole, I think that's a big hole, and it's got to be closed.
[G] Baby, [B] baby.
[Em] We'll get the [F] chords right this time.
[D]
[Bm] Do I like spiders?
[E] Yeah.
I do, yeah, what's wrong with spiders?
Nice little fellas, their favourite food.
It's a hard question that.
Egg and chips.
And why?
Just because, I don't know, I like [G] egg and chips with bread and butter, and you know, ketchup and, you know, something like that.
I think the point is, the tunes that we write aren't [C] in any idiom, idiot.
It just sounded good.
Actually, our rove, er, a rove?
Arrived at it, was I asked EMI?
Yeah.
Highlander, were you listening to this interview?
I think that's, you know, that's it.
Well I'm finished with you, Conan.
Now, you have people that are going to escort me out here and kind of toss me out onto the street.
They've been briefed already.
Okay, well, [E] er.
So if, er.
I guess I'll never be seeing you again [D#] then.
They're like that, [G] no.
Retire?
[N] No, that's quite.
Retire?
And when [D#] do you think you'll achieve [G] that ambition in hand?
I refuse to retire.
The way things are going in the last couple of years.
If going back on tour [F] after all these years is a gamble, as one critic put it, the gamble seems to be paying off.
[D#]
[A#]
[F]
So he's not out there just for the money.
Paul [D] McCartney [E] for over.
I told you.
[A]
Yeah, man.
Yeah, man.
Hi everybody.
Don't worry, it gets loud.
[F]
[Fm] [C] [A] [D]
[G] Whistling.
[C] [A#] [A] [D] [G]
[C] [A] [D] [G]
[C] [E] [F] [F#]
[G] This [A#] [C]
[Am] is Paul.
[D] He's been a quarryman, beetle, [Em] [Am] wain, poet, father, [Bm] frontman, producer, business mogul, [Am] painter, and if that weren't enough, [C] a knight.
[D] [C]
[Am] [D] The key is, [C]
never stop doing what you love.
[G] [F#] I'm getting all emotional.
[N] I love you, [E] like a bird [B] needs a break, a bird needs a break, what are you talking about?
And your mind is racing, you know.
I want your heart baby, yeah, drop it on a [E] plate.
This is my, look [C#m] how old baby, my little darling, [E] wants a drink with me.
[Cm] Come on honey, maybe we'll go back [G] to my flat, my flat.
I'll go on and twist my arm, yeah.
[D#]
It's back, yeah.
[E] A do do do do do do do.
You see you can have [N] acres of fun with this.
Why did Michael Jackson buy the rights to all the people songs?
He took me aside once, he said I want your vice Paul, you know, I won't do the voice.
Okay.
Or should I do the voice?
Go ahead.
Hey, no way.
[G] Anyway, so he said, I like your vice Paul.
No, anyway, no, so he said, Paul I like your advice.
Okay Michael, come over here.
[F#] There's one I've seen [D] tonight, there's one girl [D#] here, go to the side [G#] and says, Paul I want to have your baby.
No, [G]
[Em] just [B] behave yourself.
[Am]
[D] [Dm]
[D] [F#]
[B] [C#]
[F#]
[E] Yes Chris, in my experience it is, I find the more you give, the more you get.
[D] [B]
[N]
[G#m]
A lot of young people too are looking for this equipment now.
I mean I know Lenny [E] Craddock, he uses it.
Crabbits.
I knew I got that wrong.
Lenny Craddock.
Oh no, right.
He calls me [Gm] Paul McCarthy.
[B] [F#] Okay, I'm just an ordinary guy, let's remember that too.
But for us you're [B] not ordinary.
[E] You're not for me are you?
[G]
Okay, get him [C] off.
But my dad sort of kind of made up for it, you know, he sort of over did it.
You know, he'd be super proud, you know, being in a restaurant and he'd just be sort of, he'd nudge me,
he'd say, don't look, he said they spotted you.
[N] That table's got you, they've got you.
Smile, smile over here, smile, go on son.
So [C] he made up for it.
[G] Woo!
Stuff like this, I love the sound.
[E]
Woo, come on baby.
[A] Can I buy you a drink?
[E] Oh I [N] wish there were some people out here to keep me company.
It's so hard in the woods, on your own.
Still, never mind.
So you're planning to go on tour then?
That's right, do you want to come?
I would love to, yeah.
Well you're not [E] coming, you've [C] got to stay with the ghost train.
[D#] Fine, when are you going on tour?
Yeah, we're going in, we're going at the end of the city.
[F] All right, well get practising, get practising your guitar.
I hope you like it.
Oh, that's wonderful Paul, I really [G#m] like that one.
Will you buy it?
No.
[A#] Bring your [C#] Adonis back.
Oh, [C] that's [G#] beautiful.
Our friends, [F]
welcome to the castle.
[Cm] Quite [A] a windy night out [B] here.
[E] [B] But you know, [D] I always love it here, in Hirschweg von Schlechtstein.
[E]
We know our real image, which is nothing like our image.
Forget it.
[A] What I meant to say is, I've never kissed a bear, [E] and that is true.
I've never kissed a goon, that is [F#] equally as true.
[C#] So what more do you want?
Never kissed Peter Sellers [Fm] or [B]
[G] Spike Milligan.
I have kissed Spike Milligan, I must admit.
You have kissed a goon?
Yeah, not French kissing, but just [A] platonic.
Glad [E] to hear it.
[F#]
[E] Now take this moment to say, [F#] I love you.
Quite the same.
[F#m]
[B] So
[E]
[C#] [G#] I'm [N] lying on the towel on the floor, she's starting to massage me, and I hear,
Yesterday, all my troubles, it's over.
That's true.
True.
But luckily she didn't know the middle age, so it didn't last too long.
I used to actually tell my kids, I tell them now, come on kids, you've got to apply to something, come on, you know.
I did well at school and all that.
And they eventually found one of my old reports, and it was terrible.
It was like, you know, he's the biggest disappointment in the class.
And everyone thought that you were dead or [G] something?
Yeah.
[F#] That was a [D#] hoax, right?
[N] Yeah, I wasn't really dead.
[C] He uses the F word seven times.
[G] Listen.
Big boy [Em] and big career, [C] he becomes for everyone.
[F#] We won't play it either.
The ozone layer, and the big hole in it, 50 mile wide hole.
I don't think, well that's a flipping hole, I think that's a big hole, and it's got to be closed.
[G] Baby, [B] baby.
[Em] We'll get the [F] chords right this time.
[D]
[Bm] Do I like spiders?
[E] Yeah.
I do, yeah, what's wrong with spiders?
Nice little fellas, their favourite food.
It's a hard question that.
Egg and chips.
And why?
Just because, I don't know, I like [G] egg and chips with bread and butter, and you know, ketchup and, you know, something like that.
I think the point is, the tunes that we write aren't [C] in any idiom, idiot.
It just sounded good.
Actually, our rove, er, a rove?
Arrived at it, was I asked EMI?
Yeah.
Highlander, were you listening to this interview?
I think that's, you know, that's it.
Well I'm finished with you, Conan.
Now, you have people that are going to escort me out here and kind of toss me out onto the street.
They've been briefed already.
Okay, well, [E] er.
So if, er.
I guess I'll never be seeing you again [D#] then.
They're like that, [G] no.
Retire?
[N] No, that's quite.
Retire?
And when [D#] do you think you'll achieve [G] that ambition in hand?
I refuse to retire.
The way things are going in the last couple of years.
If going back on tour [F] after all these years is a gamble, as one critic put it, the gamble seems to be paying off.
[D#]
[A#]
[F]
So he's not out there just for the money.
Paul [D] McCartney [E] for over.
I told you.
[A]
Yeah, man.
Yeah, man.
Key:
E
G
C
D
F#
E
G
C
_ [Am] _ _ _ _ _ _
Hi everybody.
_ Don't worry, it gets loud.
[F] _
_ [Fm] _ _ [C] _ [A] _ _ [D] _
[G] Whistling.
[C] _ [A#] _ [A] _ [D] _ _ [G] _ _
[C] _ [A] _ _ [D] _ _ _ [G] _ _
_ _ [C] _ _ [E] _ [F] _ _ [F#] _
_ [G] This [A#] _ [C] _ _ _ _
[Am] _ is Paul.
[D] He's been a quarryman, beetle, _ [Em] [Am] wain, poet, father, _ [Bm] frontman, producer, business mogul, [Am] painter, and if that weren't enough, [C] a knight.
_ _ _ [D] _ _ _ [C] _
_ _ [Am] _ _ [D] The key is, [C]
never stop doing what you love.
[G] _ [F#] I'm getting all emotional.
_ _ _ _ [N] _ I _ love you, _ _ _ _ [E] like a bird [B] needs a break, a bird needs a break, what are you talking about?
And your mind is racing, you know.
I want your heart baby, yeah, _ drop it on a [E] plate.
This is my, look [C#m] how old baby, my little darling, _ [E] wants a drink with me.
_ _ [Cm] Come on honey, maybe we'll go back [G] to my flat, my flat.
I'll go on and twist my arm, yeah.
[D#] _
It's back, yeah.
[E] A do do do do do do do.
You see you can have [N] acres of fun with this.
Why did Michael Jackson buy the rights to all the people songs?
He took me aside once, he said I want your vice Paul, you know, I won't do the voice.
Okay.
Or should I do the voice?
Go ahead.
Hey, no way. _ _
_ _ _ [G] Anyway, so he said, _ I like your vice Paul.
No, _ anyway, no, so he said, Paul I like your advice.
_ _ _ _ Okay Michael, come over here.
[F#] There's one I've seen [D] tonight, there's one girl [D#] here, go to the side [G#] and says, Paul I want to have your baby.
No, _ [G] _ _ _ _
[Em] just [B] behave yourself.
_ _ _ [Am] _ _
_ [D] _ _ _ [Dm] _ _ _ _
_ [D] _ _ _ _ _ [F#] _ _
_ _ [B] _ _ [C#] _ _ _ _
_ [F#] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [E] _ _ Yes Chris, in my experience it is, I find the more you give, the more you get.
_ _ [D] _ _ [B] _ _ _
_ _ _ _ [N] _ _ _ _
_ _ _ _ _ _ [G#m] _ _
_ _ _ _ _ A lot of young people too are looking for this equipment now.
I mean I know _ _ Lenny [E] Craddock, _ he uses it. _
Crabbits.
_ I knew I got that wrong.
Lenny Craddock.
_ Oh no, right.
He calls me [Gm] Paul McCarthy.
_ _ [B] _ [F#] Okay, I'm just an ordinary guy, let's remember that too. _
But for us you're [B] not ordinary.
_ _ [E] You're not for me are you?
_ _ _ _ [G] _ _ _
_ _ _ _ _ _ _ _
Okay, _ _ _ _ _ _ get him [C] off.
_ But my dad sort of kind of made up for it, you know, he sort of over did it.
You know, he'd be super proud, you know, being in a restaurant and he'd just be sort of, he'd nudge me,
he'd say, don't look, he said they spotted you.
[N] _ _ That table's got you, they've got you.
Smile, smile over here, smile, go on son.
_ So [C] he made up for it. _
[G] Woo!
_ _ Stuff like this, I love the sound.
_ _ _ _ _ [E] _ _
_ Woo, come on baby.
[A] _ Can I buy you a drink?
_ [E] Oh I [N] wish there were some people out here to keep me company.
_ _ It's so hard in the woods, on your own. _ _
Still, never mind.
_ _ _ So you're planning to go on tour then?
That's right, do you want to come?
I would love to, yeah.
Well you're not _ [E] coming, you've [C] got to stay with the ghost train.
[D#] Fine, when are you going on tour?
Yeah, we're going in, _ _ we're going at the end of the city.
[F] All right, well get practising, get practising your guitar.
I hope _ you like it. _
Oh, that's wonderful Paul, I really [G#m] like that one.
Will you buy it?
No.
[A#] Bring your [C#] Adonis back.
Oh, _ [C] that's [G#] beautiful. _
Our friends, _ [F] _ _
welcome to the castle.
_ _ [Cm] _ Quite [A] a windy night out [B] here.
_ [E] _ [B] But you know, [D] I always love it here, in Hirschweg von Schlechtstein.
_ [E] _
We know our real image, which is nothing like our image. _ _ _ _ _ _
Forget it.
_ _ _ [A] What I meant to say is, _ I've never kissed a bear, [E] and that is true.
I've never kissed a goon, that is [F#] equally as true.
[C#] So what more do you want?
Never kissed Peter Sellers [Fm] or _ [B] _ _
[G] Spike Milligan.
I have kissed Spike Milligan, I must admit.
You have kissed a goon?
Yeah, not French kissing, but just [A] _ platonic.
Glad [E] to hear it.
_ _ [F#] _ _
[E] _ Now _ _ take this moment to say, _ _ _ [F#] I love you.
_ Quite the same. _ _
_ _ _ [F#m] _ _ _ _ _
_ _ [B] _ _ So _ _
_ [E] _ _ _ _ _ _ _
[C#] _ _ _ _ [G#] I'm [N] lying on the towel on the floor, she's starting to massage me, and I hear, _
Yesterday, _ all my troubles, it's over. _ _ _ _ _ _
_ _ _ _ _ _ That's true.
_ True.
_ _ But luckily she didn't know the middle age, so it didn't last too long.
I used to actually tell my kids, I tell them now, come on kids, you've got to apply to something, come on, you know.
I did well at school and all that. _ _
And they eventually found one of my old reports, and it was _ terrible.
It was like, _ you know, he's the biggest disappointment in the class.
And _ everyone thought that you were dead or [G] something?
Yeah.
_ _ _ _ _ _ [F#] That was a [D#] hoax, right? _ _ _
_ [N] _ _ _ _ _ Yeah, I wasn't really dead.
_ [C] He uses the F word seven times.
[G] Listen.
Big boy [Em] and big career, [C] _ he becomes for everyone.
_ [F#] We won't play it either.
The ozone layer, and the big hole in it, 50 mile wide hole.
I don't think, well that's a flipping hole, I think that's a big hole, and it's got to be closed.
[G] Baby, [B] baby.
[Em] _ _ _ We'll get the [F] chords right this time.
_ _ _ _ [D] _ _ _ _
[Bm] _ _ Do I like spiders?
[E] Yeah.
_ I do, yeah, what's wrong with spiders?
Nice little fellas, their favourite food. _ _
_ It's a hard question that.
Egg and chips. _
_ And why?
Just because, I don't know, I like [G] egg and chips with bread and butter, and you know, ketchup and, you know, something like that.
I think the point is, the tunes that we write aren't [C] in any idiom, idiot.
It just sounded good.
Actually, our rove, er, a rove?
_ Arrived at it, was I asked EMI?
Yeah. _ _
Highlander, were you listening to this interview?
I think that's, you know, that's it.
Well I'm finished with you, Conan.
_ _ _ Now, you have people that are going to escort me out here and kind of toss me out onto the street.
They've been briefed already.
Okay, well, [E] er.
So if, er.
I guess I'll never be seeing you again [D#] then.
They're like that, [G] no. _
_ Retire?
[N] No, that's quite.
Retire? _
And when [D#] do you think you'll achieve [G] that ambition in hand?
I refuse to retire. _ _ _ _
The way things are going in the last couple of years.
_ If going back on tour [F] after all these years is a gamble, as one critic put it, the gamble seems to be paying off. _ _ _ _ _ _ _
_ _ _ _ [D#] _ _ _ _
_ _ _ _ [A#] _ _ _ _
_ _ _ _ [F] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ So he's not out there just for the money.
Paul [D] McCartney [E] for over. _ _
_ _ _ _ _ _ _
I told you.
[A] _ _ _ _ _ _
_ _ _ _ _ _ _
Yeah, man.
Yeah, _ man. _
Hi everybody.
_ Don't worry, it gets loud.
[F] _
_ [Fm] _ _ [C] _ [A] _ _ [D] _
[G] Whistling.
[C] _ [A#] _ [A] _ [D] _ _ [G] _ _
[C] _ [A] _ _ [D] _ _ _ [G] _ _
_ _ [C] _ _ [E] _ [F] _ _ [F#] _
_ [G] This [A#] _ [C] _ _ _ _
[Am] _ is Paul.
[D] He's been a quarryman, beetle, _ [Em] [Am] wain, poet, father, _ [Bm] frontman, producer, business mogul, [Am] painter, and if that weren't enough, [C] a knight.
_ _ _ [D] _ _ _ [C] _
_ _ [Am] _ _ [D] The key is, [C]
never stop doing what you love.
[G] _ [F#] I'm getting all emotional.
_ _ _ _ [N] _ I _ love you, _ _ _ _ [E] like a bird [B] needs a break, a bird needs a break, what are you talking about?
And your mind is racing, you know.
I want your heart baby, yeah, _ drop it on a [E] plate.
This is my, look [C#m] how old baby, my little darling, _ [E] wants a drink with me.
_ _ [Cm] Come on honey, maybe we'll go back [G] to my flat, my flat.
I'll go on and twist my arm, yeah.
[D#] _
It's back, yeah.
[E] A do do do do do do do.
You see you can have [N] acres of fun with this.
Why did Michael Jackson buy the rights to all the people songs?
He took me aside once, he said I want your vice Paul, you know, I won't do the voice.
Okay.
Or should I do the voice?
Go ahead.
Hey, no way. _ _
_ _ _ [G] Anyway, so he said, _ I like your vice Paul.
No, _ anyway, no, so he said, Paul I like your advice.
_ _ _ _ Okay Michael, come over here.
[F#] There's one I've seen [D] tonight, there's one girl [D#] here, go to the side [G#] and says, Paul I want to have your baby.
No, _ [G] _ _ _ _
[Em] just [B] behave yourself.
_ _ _ [Am] _ _
_ [D] _ _ _ [Dm] _ _ _ _
_ [D] _ _ _ _ _ [F#] _ _
_ _ [B] _ _ [C#] _ _ _ _
_ [F#] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [E] _ _ Yes Chris, in my experience it is, I find the more you give, the more you get.
_ _ [D] _ _ [B] _ _ _
_ _ _ _ [N] _ _ _ _
_ _ _ _ _ _ [G#m] _ _
_ _ _ _ _ A lot of young people too are looking for this equipment now.
I mean I know _ _ Lenny [E] Craddock, _ he uses it. _
Crabbits.
_ I knew I got that wrong.
Lenny Craddock.
_ Oh no, right.
He calls me [Gm] Paul McCarthy.
_ _ [B] _ [F#] Okay, I'm just an ordinary guy, let's remember that too. _
But for us you're [B] not ordinary.
_ _ [E] You're not for me are you?
_ _ _ _ [G] _ _ _
_ _ _ _ _ _ _ _
Okay, _ _ _ _ _ _ get him [C] off.
_ But my dad sort of kind of made up for it, you know, he sort of over did it.
You know, he'd be super proud, you know, being in a restaurant and he'd just be sort of, he'd nudge me,
he'd say, don't look, he said they spotted you.
[N] _ _ That table's got you, they've got you.
Smile, smile over here, smile, go on son.
_ So [C] he made up for it. _
[G] Woo!
_ _ Stuff like this, I love the sound.
_ _ _ _ _ [E] _ _
_ Woo, come on baby.
[A] _ Can I buy you a drink?
_ [E] Oh I [N] wish there were some people out here to keep me company.
_ _ It's so hard in the woods, on your own. _ _
Still, never mind.
_ _ _ So you're planning to go on tour then?
That's right, do you want to come?
I would love to, yeah.
Well you're not _ [E] coming, you've [C] got to stay with the ghost train.
[D#] Fine, when are you going on tour?
Yeah, we're going in, _ _ we're going at the end of the city.
[F] All right, well get practising, get practising your guitar.
I hope _ you like it. _
Oh, that's wonderful Paul, I really [G#m] like that one.
Will you buy it?
No.
[A#] Bring your [C#] Adonis back.
Oh, _ [C] that's [G#] beautiful. _
Our friends, _ [F] _ _
welcome to the castle.
_ _ [Cm] _ Quite [A] a windy night out [B] here.
_ [E] _ [B] But you know, [D] I always love it here, in Hirschweg von Schlechtstein.
_ [E] _
We know our real image, which is nothing like our image. _ _ _ _ _ _
Forget it.
_ _ _ [A] What I meant to say is, _ I've never kissed a bear, [E] and that is true.
I've never kissed a goon, that is [F#] equally as true.
[C#] So what more do you want?
Never kissed Peter Sellers [Fm] or _ [B] _ _
[G] Spike Milligan.
I have kissed Spike Milligan, I must admit.
You have kissed a goon?
Yeah, not French kissing, but just [A] _ platonic.
Glad [E] to hear it.
_ _ [F#] _ _
[E] _ Now _ _ take this moment to say, _ _ _ [F#] I love you.
_ Quite the same. _ _
_ _ _ [F#m] _ _ _ _ _
_ _ [B] _ _ So _ _
_ [E] _ _ _ _ _ _ _
[C#] _ _ _ _ [G#] I'm [N] lying on the towel on the floor, she's starting to massage me, and I hear, _
Yesterday, _ all my troubles, it's over. _ _ _ _ _ _
_ _ _ _ _ _ That's true.
_ True.
_ _ But luckily she didn't know the middle age, so it didn't last too long.
I used to actually tell my kids, I tell them now, come on kids, you've got to apply to something, come on, you know.
I did well at school and all that. _ _
And they eventually found one of my old reports, and it was _ terrible.
It was like, _ you know, he's the biggest disappointment in the class.
And _ everyone thought that you were dead or [G] something?
Yeah.
_ _ _ _ _ _ [F#] That was a [D#] hoax, right? _ _ _
_ [N] _ _ _ _ _ Yeah, I wasn't really dead.
_ [C] He uses the F word seven times.
[G] Listen.
Big boy [Em] and big career, [C] _ he becomes for everyone.
_ [F#] We won't play it either.
The ozone layer, and the big hole in it, 50 mile wide hole.
I don't think, well that's a flipping hole, I think that's a big hole, and it's got to be closed.
[G] Baby, [B] baby.
[Em] _ _ _ We'll get the [F] chords right this time.
_ _ _ _ [D] _ _ _ _
[Bm] _ _ Do I like spiders?
[E] Yeah.
_ I do, yeah, what's wrong with spiders?
Nice little fellas, their favourite food. _ _
_ It's a hard question that.
Egg and chips. _
_ And why?
Just because, I don't know, I like [G] egg and chips with bread and butter, and you know, ketchup and, you know, something like that.
I think the point is, the tunes that we write aren't [C] in any idiom, idiot.
It just sounded good.
Actually, our rove, er, a rove?
_ Arrived at it, was I asked EMI?
Yeah. _ _
Highlander, were you listening to this interview?
I think that's, you know, that's it.
Well I'm finished with you, Conan.
_ _ _ Now, you have people that are going to escort me out here and kind of toss me out onto the street.
They've been briefed already.
Okay, well, [E] er.
So if, er.
I guess I'll never be seeing you again [D#] then.
They're like that, [G] no. _
_ Retire?
[N] No, that's quite.
Retire? _
And when [D#] do you think you'll achieve [G] that ambition in hand?
I refuse to retire. _ _ _ _
The way things are going in the last couple of years.
_ If going back on tour [F] after all these years is a gamble, as one critic put it, the gamble seems to be paying off. _ _ _ _ _ _ _
_ _ _ _ [D#] _ _ _ _
_ _ _ _ [A#] _ _ _ _
_ _ _ _ [F] _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ So he's not out there just for the money.
Paul [D] McCartney [E] for over. _ _
_ _ _ _ _ _ _
I told you.
[A] _ _ _ _ _ _
_ _ _ _ _ _ _
Yeah, man.
Yeah, _ man. _