Chords for BIAS rack amplifier - Positive Grid (Isaac Delahaye + Mark Jansen)
Tempo:
172.65 bpm
Chords used:
B
E
D
G
C#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
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Start Jamming...
[B]
[B] [E]
[B]
Hey
[Bm] Isaac and mark from Epica.
That's right.
We're on tour in North America
We're here to talk a little about positive grid what we have been using on this tour
[D] [E]
[B]
[G] [F#]
So [A] for this tour, we pretty much have everything in [G] one rack
[B]
And the bottom four racks are the positive grid bias amps
[G]
The top two are [E] mine
[C#] bottom two are marks [D]
looks
[G#] Neat [D] clean and [C#] it's all we [G] need
[C#] [E]
[G] [C#] [G]
[G#] [D]
[C#] [G]
Positive grid also has the tone cloud which is very handy.
You can download sounds you can put them online right away
So these sounds actually they're all online as [G#] well.
[D] [B] [Gm]
[C#] [B]
[C#]
[D#] [C]
[B]
I
Was a little bit skeptical in the beginning
I must admit when I tried it for the first time I knew with the first [Am] chord that I played it sounded so
natural and so
[E]
Beautiful it [G] I knew right away.
I had a smile [D] on my face and [F] ever since yeah, [Am]
it's great
And also another advantage is there's a lot of silence
So when you're not [G] playing you hear nothing usually when you play with an amp you [D] hear
That [G] added with the [Em] very direct [D] input pretty much wherever I go even [E] close to the drums.
I can still
Hear it [G] very well, I guess
That contributes
[A] to better playing it all depends how much wine is in Paul
[F#m]
And as I [B] said, everything is MIDI [C#m]
controlled
We have the tracks running through [E] this one
Then we have all the wireless is for the instruments [B] wireless is for the in-ears
So everything [F#m] is right here.
I don't have to [B] push any [C#m] pedals anymore on stage and that's pretty damn great, [E] too
This is what you need for for a [B] live
Environment you want to have all the options [C#] there
Actually also [E] our producer he [D#] reached out to positive grid to see [D] if he could also get one [B] for the studio
[C#m] So I guess that [E] says enough
[F#m]
For me it it's even
[D]
Better than it was before so [E] I'm a I'm a happy [D#] camper
[D] [C#]
[C#]
[E]
[N]
[B] [E]
[B]
Hey
[Bm] Isaac and mark from Epica.
That's right.
We're on tour in North America
We're here to talk a little about positive grid what we have been using on this tour
[D] [E]
[B]
[G] [F#]
So [A] for this tour, we pretty much have everything in [G] one rack
[B]
And the bottom four racks are the positive grid bias amps
[G]
The top two are [E] mine
[C#] bottom two are marks [D]
looks
[G#] Neat [D] clean and [C#] it's all we [G] need
[C#] [E]
[G] [C#] [G]
[G#] [D]
[C#] [G]
Positive grid also has the tone cloud which is very handy.
You can download sounds you can put them online right away
So these sounds actually they're all online as [G#] well.
[D] [B] [Gm]
[C#] [B]
[C#]
[D#] [C]
[B]
I
Was a little bit skeptical in the beginning
I must admit when I tried it for the first time I knew with the first [Am] chord that I played it sounded so
natural and so
[E]
Beautiful it [G] I knew right away.
I had a smile [D] on my face and [F] ever since yeah, [Am]
it's great
And also another advantage is there's a lot of silence
So when you're not [G] playing you hear nothing usually when you play with an amp you [D] hear
That [G] added with the [Em] very direct [D] input pretty much wherever I go even [E] close to the drums.
I can still
Hear it [G] very well, I guess
That contributes
[A] to better playing it all depends how much wine is in Paul
[F#m]
And as I [B] said, everything is MIDI [C#m]
controlled
We have the tracks running through [E] this one
Then we have all the wireless is for the instruments [B] wireless is for the in-ears
So everything [F#m] is right here.
I don't have to [B] push any [C#m] pedals anymore on stage and that's pretty damn great, [E] too
This is what you need for for a [B] live
Environment you want to have all the options [C#] there
Actually also [E] our producer he [D#] reached out to positive grid to see [D] if he could also get one [B] for the studio
[C#m] So I guess that [E] says enough
[F#m]
For me it it's even
[D]
Better than it was before so [E] I'm a I'm a happy [D#] camper
[D] [C#]
[C#]
[E]
[N]
Key:
B
E
D
G
C#
B
E
D
_ _ [B] _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ [B] _ _ _ [E] _
_ _ [B] _ _ _ _
Hey
_ [Bm] Isaac and mark from Epica.
That's right.
We're on tour in North America
We're here to talk a little about positive grid what we have been using on this tour _ _ _
_ _ [D] _ _ _ [E] _
_ _ [B] _ _ _ _
[G] _ _ [F#] _ _ _
So [A] for this tour, we pretty much have everything in [G] one rack
_ [B] _
_ And the bottom four racks are the positive grid bias amps
[G] _
The top two are [E] mine
[C#] _ bottom two are marks [D] _
looks
[G#] _ Neat [D] clean and [C#] it's all we [G] need
_ _ [C#] _ _ _ [E] _
[G] _ _ [C#] _ _ _ [G] _
_ _ [G#] _ _ _ [D] _
_ _ [C#] _ _ _ [G] _
_ _ Positive grid also has the tone cloud which is very handy.
You can download sounds you can put them online right away _
So these sounds actually they're all online as [G#] well. _ _ _
[D] _ _ [B] _ _ _ [Gm] _
_ _ [C#] _ _ [B] _ _
_ _ _ _ _ [C#] _
[D#] _ _ [C] _ _ _ _
_ _ _ _ _ _
[B] _ _ _ _ _ _
_ _ _ I
Was a little bit skeptical in the beginning
I must admit when I tried it for the first time I knew with the first [Am] chord that I played it sounded so
natural and so
_ [E] _
Beautiful it [G] _ I knew right away.
I had a smile [D] on my face and _ [F] ever since yeah, [Am]
it's great
And also another advantage is there's a lot of silence
So when you're not [G] playing you hear nothing usually when you play with an amp you [D] hear
_ That [G] added with the [Em] very direct [D] input pretty much wherever I go even [E] close to the drums.
I can still
_ Hear it [G] very well, I guess
That contributes _
_ _ [A] _ to _ better playing _ it all depends how much wine is in Paul
[F#m] _ _ _ _ _
And as I [B] said, everything is MIDI [C#m]
controlled
_ We have the tracks running through [E] this one
Then we have all the wireless is for the instruments [B] wireless is for the in-ears
_ So everything [F#m] is right here. _ _
I don't have to [B] push any [C#m] pedals anymore on stage and that's pretty damn great, [E] too _ _ _
This is what you need for for a [B] live
_ _ Environment you want to have all the options [C#] there
_ Actually also [E] our producer he [D#] reached out to positive grid to see [D] if he could also get one [B] for the studio
[C#m] So I guess that [E] says enough
_ _ [F#m]
For me it it's even
[D] _
_ Better than it was before so [E] I'm a I'm a happy [D#] camper
_ [D] _ _ _ [C#] _ _ _ _
_ _ _ _ _ [C#] _
_ _ _ _ _ [E] _
_ _ _ [N] _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ _ _ _ _
_ _ [B] _ _ _ [E] _
_ _ [B] _ _ _ _
Hey
_ [Bm] Isaac and mark from Epica.
That's right.
We're on tour in North America
We're here to talk a little about positive grid what we have been using on this tour _ _ _
_ _ [D] _ _ _ [E] _
_ _ [B] _ _ _ _
[G] _ _ [F#] _ _ _
So [A] for this tour, we pretty much have everything in [G] one rack
_ [B] _
_ And the bottom four racks are the positive grid bias amps
[G] _
The top two are [E] mine
[C#] _ bottom two are marks [D] _
looks
[G#] _ Neat [D] clean and [C#] it's all we [G] need
_ _ [C#] _ _ _ [E] _
[G] _ _ [C#] _ _ _ [G] _
_ _ [G#] _ _ _ [D] _
_ _ [C#] _ _ _ [G] _
_ _ Positive grid also has the tone cloud which is very handy.
You can download sounds you can put them online right away _
So these sounds actually they're all online as [G#] well. _ _ _
[D] _ _ [B] _ _ _ [Gm] _
_ _ [C#] _ _ [B] _ _
_ _ _ _ _ [C#] _
[D#] _ _ [C] _ _ _ _
_ _ _ _ _ _
[B] _ _ _ _ _ _
_ _ _ I
Was a little bit skeptical in the beginning
I must admit when I tried it for the first time I knew with the first [Am] chord that I played it sounded so
natural and so
_ [E] _
Beautiful it [G] _ I knew right away.
I had a smile [D] on my face and _ [F] ever since yeah, [Am]
it's great
And also another advantage is there's a lot of silence
So when you're not [G] playing you hear nothing usually when you play with an amp you [D] hear
_ That [G] added with the [Em] very direct [D] input pretty much wherever I go even [E] close to the drums.
I can still
_ Hear it [G] very well, I guess
That contributes _
_ _ [A] _ to _ better playing _ it all depends how much wine is in Paul
[F#m] _ _ _ _ _
And as I [B] said, everything is MIDI [C#m]
controlled
_ We have the tracks running through [E] this one
Then we have all the wireless is for the instruments [B] wireless is for the in-ears
_ So everything [F#m] is right here. _ _
I don't have to [B] push any [C#m] pedals anymore on stage and that's pretty damn great, [E] too _ _ _
This is what you need for for a [B] live
_ _ Environment you want to have all the options [C#] there
_ Actually also [E] our producer he [D#] reached out to positive grid to see [D] if he could also get one [B] for the studio
[C#m] So I guess that [E] says enough
_ _ [F#m]
For me it it's even
[D] _
_ Better than it was before so [E] I'm a I'm a happy [D#] camper
_ [D] _ _ _ [C#] _ _ _ _
_ _ _ _ _ [C#] _
_ _ _ _ _ [E] _
_ _ _ [N] _ _ _
_ _ _ _ _ _
_ _ _ _ _ _