Chords for Billy Sheehan + Bumblefoot (Sons of Apollo) Play Their Favorite Riffs
Tempo:
150.05 bpm
Chords used:
G
A
E
C
B
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[C#m] [D#] [B]
So someone asked me to illustrate a couple of things that made me want to pick up the bass and start playing.
So [N] for me that was, since I'm an old guy, I started very young, the Yardbirds.
Now a lot of people toss the name around as this iconic band and not many people really know a lot about the Yardbirds
or even can name a lot of their songs, but they were one of the foundation bands that started a lot of music we have today.
But they had a bass player, his name was Paul Samuel Smith, and he was an amazing bass player.
And he gets overlooked a lot because of Jeff Beck, Jimmy Page and Eric Clapton.
But he had this one riff, it's in the wrong key because I got a different tune bass here, but it was a song called Lost Woman.
[E]
[A]
[N] [C]
And that was at the time, about 66, that was Yngwie of bass.
No one could even imagine how anyone could play a bass line like that.
Paul McCartney of course, from the Beatles, was a huge thing for me.
Again, tuned differently, but the song Rain, [G] [A]
really great bass line.
And McCartney was quite an aggressive player too, he played a lot of notes.
But that's how pretty much I started like that and just came through and got into everybody and everything.
Ron, how about you?
I was five years old and I heard the Kiss Alive album for the first time.
And as soon as I heard it, I knew that's what I wanted to do.
I'd say the Kiss Alive album, Ace Frehley solo, where he had that
[C] [G]
[A] [D]
[G] [C] [G]
[C] [G] [A]
All that [E] stuff.
But really the very first riffs that I learned when I started taking lessons, I remember the very first thing I was shown by my guitar teacher.
Which is just to get down a swing feel and everything was just this.
And I remember distinctly having trouble lifting this finger where I just kept going one and two notes here.
And just developing the coordination to go [C#m]
[E] at the very beginning.
Keep that going.
Keep on going.
[C#m] [G]
[E] [C#] [G]
[E]
[A] [E]
[A] [D]
[A] [C]
[E]
[G]
[B]
[A] [G]
[E]
[B] [A]
[D#] [E]
So that
And then I remember the first real thing was Rock and Roll Ho Chi Ku.
This riff.
That thing [N] right there and just getting that down.
That was some of the early stuff.
The Beatles were a huge love.
It's like the Beatles made me love music.
Kiss made me want to get into music.
I wanted to get on stage and just explode with energy.
There was this store I would go to every Sunday.
My dad would drive us out to Jersey called Rock and Roll Heaven.
It was a place run by this wonderful couple named John and Marsha Zazulo.
Oh yeah.
And they would always
I was about 10, 11 years old.
And I'd say, hey, check out this thing.
And they said, hey, check this one out.
Anvil, metal on metal.
I was like, okay.
And things like that.
And I would get all my Iron Maiden picture discs
and my Australian imports of ACDC and everything [C] over there.
So I do remember the first song I wrote.
It was a ripoff of Fox on the Run from Sweet.
Because that's what was on the radio at the time.
And that's just what I could retain.
And I used to love writing about the solar system.
And as a little kid, I was really into astronomy and all kinds of stuff.
So it was called Jupiter is Nice.
And it was exactly Fox on the Run.
Just Jupiter [G] [F] is nice.
[G] Take [F] my advice.
And I [G] started with the chorus.
I'm a kid.
[C] Don't [G] chorus.
Get to the [F] chorus.
I say it on the ice.
[C] Jupiter [Gm] [F] is nice.
And then the [G] first verse.
Many clouds [F] of gases.
[G] [C]
[G] Poisonous [F] they are.
[G]
[C] [G] They [F] are so colorful.
[G]
You can see them, they're [F] all for everybody [G] now.
Jupiter [F] is [G] nice.
[E]
[A] [D] Now [C] [G]
[Em] that came from a band called Blood Rock.
[N] But they had a break in a song called,
I think it's I'm a Dyer, not a lover.
But right in the middle of the song,
[Gm] [E]
[Gm] [C] [E]
broke into this other part.
And I just love that riff so much.
So I started to work on it.
And that became Sink Your Teeth Into That.
And I say good writers write and great writers steal.
So we're going to play a little bit of Goodbye Divinity,
the first song of the new 2020 MMXX album from Sons of Apollo.
I'm ready if you are.
I'm ready.
[B]
[D]
[E] [Bm]
[F#m] [B]
[Dm] [E]
[G]
[A] [E]
I got two and a half.
Two, one, two, three, four.
[B]
[D] [B]
[Bm]
[B] [G]
[A] You can hear I'm giggling [E] inside.
[Em] [Bm]
[B]
[Am] [G#]
Well, here's a little, we'll start that little riff from Oblivion.
[A] One, two, three, four.
[D]
[G] [D] [Cm]
[A#] [D]
[A] [D#] [D] [C]
[G] [F#m] [G#] [B] [G] [G#]
[A] [B]
[F#m]
[A] Dynamic.
[G] [F#] [A]
[C]
[A#] [A]
[C] [E]
[D#m] [C] [F#] [N]
So someone asked me to illustrate a couple of things that made me want to pick up the bass and start playing.
So [N] for me that was, since I'm an old guy, I started very young, the Yardbirds.
Now a lot of people toss the name around as this iconic band and not many people really know a lot about the Yardbirds
or even can name a lot of their songs, but they were one of the foundation bands that started a lot of music we have today.
But they had a bass player, his name was Paul Samuel Smith, and he was an amazing bass player.
And he gets overlooked a lot because of Jeff Beck, Jimmy Page and Eric Clapton.
But he had this one riff, it's in the wrong key because I got a different tune bass here, but it was a song called Lost Woman.
[E]
[A]
[N] [C]
And that was at the time, about 66, that was Yngwie of bass.
No one could even imagine how anyone could play a bass line like that.
Paul McCartney of course, from the Beatles, was a huge thing for me.
Again, tuned differently, but the song Rain, [G] [A]
really great bass line.
And McCartney was quite an aggressive player too, he played a lot of notes.
But that's how pretty much I started like that and just came through and got into everybody and everything.
Ron, how about you?
I was five years old and I heard the Kiss Alive album for the first time.
And as soon as I heard it, I knew that's what I wanted to do.
I'd say the Kiss Alive album, Ace Frehley solo, where he had that
[C] [G]
[A] [D]
[G] [C] [G]
[C] [G] [A]
All that [E] stuff.
But really the very first riffs that I learned when I started taking lessons, I remember the very first thing I was shown by my guitar teacher.
Which is just to get down a swing feel and everything was just this.
And I remember distinctly having trouble lifting this finger where I just kept going one and two notes here.
And just developing the coordination to go [C#m]
[E] at the very beginning.
Keep that going.
Keep on going.
[C#m] [G]
[E] [C#] [G]
[E]
[A] [E]
[A] [D]
[A] [C]
[E]
[G]
[B]
[A] [G]
[E]
[B] [A]
[D#] [E]
So that
And then I remember the first real thing was Rock and Roll Ho Chi Ku.
This riff.
That thing [N] right there and just getting that down.
That was some of the early stuff.
The Beatles were a huge love.
It's like the Beatles made me love music.
Kiss made me want to get into music.
I wanted to get on stage and just explode with energy.
There was this store I would go to every Sunday.
My dad would drive us out to Jersey called Rock and Roll Heaven.
It was a place run by this wonderful couple named John and Marsha Zazulo.
Oh yeah.
And they would always
I was about 10, 11 years old.
And I'd say, hey, check out this thing.
And they said, hey, check this one out.
Anvil, metal on metal.
I was like, okay.
And things like that.
And I would get all my Iron Maiden picture discs
and my Australian imports of ACDC and everything [C] over there.
So I do remember the first song I wrote.
It was a ripoff of Fox on the Run from Sweet.
Because that's what was on the radio at the time.
And that's just what I could retain.
And I used to love writing about the solar system.
And as a little kid, I was really into astronomy and all kinds of stuff.
So it was called Jupiter is Nice.
And it was exactly Fox on the Run.
Just Jupiter [G] [F] is nice.
[G] Take [F] my advice.
And I [G] started with the chorus.
I'm a kid.
[C] Don't [G] chorus.
Get to the [F] chorus.
I say it on the ice.
[C] Jupiter [Gm] [F] is nice.
And then the [G] first verse.
Many clouds [F] of gases.
[G] [C]
[G] Poisonous [F] they are.
[G]
[C] [G] They [F] are so colorful.
[G]
You can see them, they're [F] all for everybody [G] now.
Jupiter [F] is [G] nice.
[E]
[A] [D] Now [C] [G]
[Em] that came from a band called Blood Rock.
[N] But they had a break in a song called,
I think it's I'm a Dyer, not a lover.
But right in the middle of the song,
[Gm] [E]
[Gm] [C] [E]
broke into this other part.
And I just love that riff so much.
So I started to work on it.
And that became Sink Your Teeth Into That.
And I say good writers write and great writers steal.
So we're going to play a little bit of Goodbye Divinity,
the first song of the new 2020 MMXX album from Sons of Apollo.
I'm ready if you are.
I'm ready.
[B]
[D]
[E] [Bm]
[F#m] [B]
[Dm] [E]
[G]
[A] [E]
I got two and a half.
Two, one, two, three, four.
[B]
[D] [B]
[Bm]
[B] [G]
[A] You can hear I'm giggling [E] inside.
[Em] [Bm]
[B]
[Am] [G#]
Well, here's a little, we'll start that little riff from Oblivion.
[A] One, two, three, four.
[D]
[G] [D] [Cm]
[A#] [D]
[A] [D#] [D] [C]
[G] [F#m] [G#] [B] [G] [G#]
[A] [B]
[F#m]
[A] Dynamic.
[G] [F#] [A]
[C]
[A#] [A]
[C] [E]
[D#m] [C] [F#] [N]
Key:
G
A
E
C
B
G
A
E
[C#m] _ _ _ _ _ [D#] _ [B] _ _
_ _ So someone asked me to illustrate a couple of things that made me want to pick up the bass and start playing.
So [N] for me that was, _ since I'm an old guy, I started very _ young, _ the Yardbirds.
Now a lot of people toss the name around as this iconic band and not many people really know a lot about the Yardbirds
or even can name a lot of their songs, but they were one of the foundation bands that started a lot of music we have today.
But they had a bass player, his name was Paul Samuel Smith, and he was an amazing bass player.
And he gets overlooked a lot because of Jeff Beck, Jimmy Page and Eric Clapton.
But he had this one riff, it's in the wrong key because I got a different tune bass here, but it was a song called Lost Woman. _ _ _ _ _ _
_ _ _ _ [E] _ _ _ _
_ _ _ _ _ _ _ _
_ _ [A] _ _ _ _ _ _
[N] _ _ _ _ _ _ [C] _ _
_ And that was at the time, about _ 66, _ _ _ _ that was Yngwie of bass.
No one could even imagine how anyone could play a bass line like that.
Paul McCartney of course, from the Beatles, was a huge thing for me.
Again, tuned differently, but the song Rain, _ _ _ _ [G] _ _ [A] _ _
_ _ _ _ really great bass line.
And McCartney was quite an aggressive player too, he played a lot of notes.
_ But that's how pretty much I started like that and just came through and got into everybody and everything.
Ron, how about you? _
I was five years old and I heard the Kiss Alive album for the first time.
And as soon as I heard it, I knew that's what I wanted to do.
_ I'd say the Kiss Alive album, Ace Frehley solo, where he had _ that_
[C] _ _ _ _ _ [G] _ _
[A] _ _ _ _ [D] _ _ _ _
_ [G] _ _ [C] _ _ _ [G] _ _
[C] _ _ _ [G] _ _ [A] _ _ _
_ _ _ _ _ All that [E] stuff.
But really the very first riffs that I learned when I started taking lessons, I remember the very first thing I was shown by my guitar teacher.
Which is just to get down a swing feel and everything was just this. _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ And I remember _ distinctly having trouble lifting this finger where I just kept going one and two notes here. _ _ _
And just developing the coordination to go _ [C#m]
[E] at _ _ _ _ _ the very beginning.
_ Keep that going.
_ Keep on going.
_ _ _ [C#m] _ _ _ [G] _
_ [E] _ _ _ [C#] _ _ [G] _ _
_ [E] _ _ _ _ _ _ _
_ [A] _ _ _ _ [E] _ _ _
[A] _ _ _ _ _ _ [D] _ _
_ [A] _ _ _ _ _ [C] _ _
_ [E] _ _ _ _ _ _ _
_ _ _ _ [G] _ _ _ _
_ _ [B] _ _ _ _ _ _
_ [A] _ _ _ _ [G] _ _ _
[E] _ _ _ _ _ _ _ _
_ _ _ _ _ [B] _ [A] _ _
_ [D#] _ [E] _ _ _ _ _ _
_ _ _ _ _ So that_
And then I remember the first real thing was Rock and Roll Ho Chi Ku.
This riff. _ _ _ _ _ _
_ That thing [N] right there and just getting that down.
That was some of the early stuff.
The Beatles were a huge love.
It's like the Beatles made me love music.
Kiss made me want to get into music.
I wanted to get on stage and just explode with energy.
There was this store I would go to every Sunday.
My dad would drive us out to Jersey called Rock and Roll Heaven.
It was a place run by this wonderful couple named John and Marsha Zazulo.
Oh yeah.
And they would always_
I was about 10, 11 years old.
And I'd say, hey, check out this thing.
And they said, hey, check this one out.
Anvil, metal on metal.
I was like, okay.
_ And things like that.
And I would get all my Iron Maiden picture discs
and my Australian imports of ACDC and everything [C] over there.
So I do remember the first song I wrote.
It was a ripoff of Fox on the Run from Sweet.
_ Because that's what was on the radio at the time.
And that's just what I could retain. _ _
And I used to love writing about the solar system.
And as a little kid, I was _ really into _ _ astronomy and all kinds of stuff. _
_ _ So it was called Jupiter is Nice.
_ _ And it was exactly Fox on the Run.
Just Jupiter [G] _ [F] is nice. _
[G] _ _ Take [F] my advice.
And I [G] started with the chorus.
I'm a kid.
[C] Don't [G] chorus.
Get to the [F] chorus.
I say it on the ice.
_ [C] _ Jupiter [Gm] _ [F] is nice.
And then the [G] first verse. _
Many clouds [F] of gases.
_ [G] _ [C] _
_ [G] Poisonous [F] they are.
[G] _ _
[C] _ [G] They [F] are so colorful.
[G]
You can see them, they're [F] all for everybody [G] now.
_ Jupiter _ [F] is [G] nice. _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [E] _ _ _
_ _ _ _ _ [A] _ [D] Now _ [C] _ _ _ _ _ [G] _ _
[Em] _ _ that came from a band called Blood Rock.
[N] But they had a break in a song called,
I think it's I'm a _ _ Dyer, not a lover.
But right in the middle of the song, _
[Gm] _ _ _ _ [E] _ _ _ _
_ [Gm] _ [C] _ _ _ [E] _ _ _
_ _ broke into this other part.
And I just love that riff so much.
So I started to work on it.
And that became _ Sink Your Teeth Into That.
_ And I say good writers write and great writers steal.
_ So we're going to play a little bit of Goodbye Divinity,
the first song of the new _ 2020 _ MMXX album from Sons of Apollo.
I'm ready if you are.
I'm ready.
[B] _ _ _
_ _ _ _ _ _ [D] _ _
_ _ _ [E] _ _ _ _ [Bm] _
_ [F#m] _ _ [B] _ _ _ _ _
_ _ [Dm] _ _ _ _ [E] _ _
_ _ _ _ [G] _ _ _ _
_ [A] _ _ _ _ _ [E] _ _
_ _ _ _ I got two and a half.
_ Two, one, two, three, four.
[B] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [D] _ _ [B] _ _ _ _ _
_ _ _ [Bm] _ _ _ _ _
_ _ [B] _ _ _ _ [G] _ _
_ _ [A] You can hear I'm giggling [E] inside. _ _ _ _ _ _
[Em] _ _ _ _ _ _ [Bm] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [B] _ _ _ _ _ _ _
[Am] _ _ _ _ _ _ [G#] _
Well, here's a little, we'll start that little riff from _ _ Oblivion.
[A] One, two, three, four.
[D] _
_ [G] _ [D] _ _ _ _ _ [Cm] _
_ [A#] _ _ [D] _ _ _ _ _
_ _ _ [A] _ [D#] _ [D] _ _ [C] _
[G] _ [F#m] _ [G#] _ _ _ [B] _ [G] _ [G#] _
_ [A] _ _ [B] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [F#m] _ _ _ _
_ _ _ [A] _ Dynamic. _ _
_ _ _ _ _ _ _ _
_ [G] _ [F#] _ [A] _ _ _ _ _
_ _ _ _ _ _ [C] _ _
_ _ _ [A#] _ _ [A] _ _ _
_ [C] _ _ _ _ _ [E] _ _
[D#m] _ _ _ [C] _ _ [F#] _ _ [N] _
_ _ So someone asked me to illustrate a couple of things that made me want to pick up the bass and start playing.
So [N] for me that was, _ since I'm an old guy, I started very _ young, _ the Yardbirds.
Now a lot of people toss the name around as this iconic band and not many people really know a lot about the Yardbirds
or even can name a lot of their songs, but they were one of the foundation bands that started a lot of music we have today.
But they had a bass player, his name was Paul Samuel Smith, and he was an amazing bass player.
And he gets overlooked a lot because of Jeff Beck, Jimmy Page and Eric Clapton.
But he had this one riff, it's in the wrong key because I got a different tune bass here, but it was a song called Lost Woman. _ _ _ _ _ _
_ _ _ _ [E] _ _ _ _
_ _ _ _ _ _ _ _
_ _ [A] _ _ _ _ _ _
[N] _ _ _ _ _ _ [C] _ _
_ And that was at the time, about _ 66, _ _ _ _ that was Yngwie of bass.
No one could even imagine how anyone could play a bass line like that.
Paul McCartney of course, from the Beatles, was a huge thing for me.
Again, tuned differently, but the song Rain, _ _ _ _ [G] _ _ [A] _ _
_ _ _ _ really great bass line.
And McCartney was quite an aggressive player too, he played a lot of notes.
_ But that's how pretty much I started like that and just came through and got into everybody and everything.
Ron, how about you? _
I was five years old and I heard the Kiss Alive album for the first time.
And as soon as I heard it, I knew that's what I wanted to do.
_ I'd say the Kiss Alive album, Ace Frehley solo, where he had _ that_
[C] _ _ _ _ _ [G] _ _
[A] _ _ _ _ [D] _ _ _ _
_ [G] _ _ [C] _ _ _ [G] _ _
[C] _ _ _ [G] _ _ [A] _ _ _
_ _ _ _ _ All that [E] stuff.
But really the very first riffs that I learned when I started taking lessons, I remember the very first thing I was shown by my guitar teacher.
Which is just to get down a swing feel and everything was just this. _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ And I remember _ distinctly having trouble lifting this finger where I just kept going one and two notes here. _ _ _
And just developing the coordination to go _ [C#m]
[E] at _ _ _ _ _ the very beginning.
_ Keep that going.
_ Keep on going.
_ _ _ [C#m] _ _ _ [G] _
_ [E] _ _ _ [C#] _ _ [G] _ _
_ [E] _ _ _ _ _ _ _
_ [A] _ _ _ _ [E] _ _ _
[A] _ _ _ _ _ _ [D] _ _
_ [A] _ _ _ _ _ [C] _ _
_ [E] _ _ _ _ _ _ _
_ _ _ _ [G] _ _ _ _
_ _ [B] _ _ _ _ _ _
_ [A] _ _ _ _ [G] _ _ _
[E] _ _ _ _ _ _ _ _
_ _ _ _ _ [B] _ [A] _ _
_ [D#] _ [E] _ _ _ _ _ _
_ _ _ _ _ So that_
And then I remember the first real thing was Rock and Roll Ho Chi Ku.
This riff. _ _ _ _ _ _
_ That thing [N] right there and just getting that down.
That was some of the early stuff.
The Beatles were a huge love.
It's like the Beatles made me love music.
Kiss made me want to get into music.
I wanted to get on stage and just explode with energy.
There was this store I would go to every Sunday.
My dad would drive us out to Jersey called Rock and Roll Heaven.
It was a place run by this wonderful couple named John and Marsha Zazulo.
Oh yeah.
And they would always_
I was about 10, 11 years old.
And I'd say, hey, check out this thing.
And they said, hey, check this one out.
Anvil, metal on metal.
I was like, okay.
_ And things like that.
And I would get all my Iron Maiden picture discs
and my Australian imports of ACDC and everything [C] over there.
So I do remember the first song I wrote.
It was a ripoff of Fox on the Run from Sweet.
_ Because that's what was on the radio at the time.
And that's just what I could retain. _ _
And I used to love writing about the solar system.
And as a little kid, I was _ really into _ _ astronomy and all kinds of stuff. _
_ _ So it was called Jupiter is Nice.
_ _ And it was exactly Fox on the Run.
Just Jupiter [G] _ [F] is nice. _
[G] _ _ Take [F] my advice.
And I [G] started with the chorus.
I'm a kid.
[C] Don't [G] chorus.
Get to the [F] chorus.
I say it on the ice.
_ [C] _ Jupiter [Gm] _ [F] is nice.
And then the [G] first verse. _
Many clouds [F] of gases.
_ [G] _ [C] _
_ [G] Poisonous [F] they are.
[G] _ _
[C] _ [G] They [F] are so colorful.
[G]
You can see them, they're [F] all for everybody [G] now.
_ Jupiter _ [F] is [G] nice. _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ [E] _ _ _
_ _ _ _ _ [A] _ [D] Now _ [C] _ _ _ _ _ [G] _ _
[Em] _ _ that came from a band called Blood Rock.
[N] But they had a break in a song called,
I think it's I'm a _ _ Dyer, not a lover.
But right in the middle of the song, _
[Gm] _ _ _ _ [E] _ _ _ _
_ [Gm] _ [C] _ _ _ [E] _ _ _
_ _ broke into this other part.
And I just love that riff so much.
So I started to work on it.
And that became _ Sink Your Teeth Into That.
_ And I say good writers write and great writers steal.
_ So we're going to play a little bit of Goodbye Divinity,
the first song of the new _ 2020 _ MMXX album from Sons of Apollo.
I'm ready if you are.
I'm ready.
[B] _ _ _
_ _ _ _ _ _ [D] _ _
_ _ _ [E] _ _ _ _ [Bm] _
_ [F#m] _ _ [B] _ _ _ _ _
_ _ [Dm] _ _ _ _ [E] _ _
_ _ _ _ [G] _ _ _ _
_ [A] _ _ _ _ _ [E] _ _
_ _ _ _ I got two and a half.
_ Two, one, two, three, four.
[B] _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [D] _ _ [B] _ _ _ _ _
_ _ _ [Bm] _ _ _ _ _
_ _ [B] _ _ _ _ [G] _ _
_ _ [A] You can hear I'm giggling [E] inside. _ _ _ _ _ _
[Em] _ _ _ _ _ _ [Bm] _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ [B] _ _ _ _ _ _ _
[Am] _ _ _ _ _ _ [G#] _
Well, here's a little, we'll start that little riff from _ _ Oblivion.
[A] One, two, three, four.
[D] _
_ [G] _ [D] _ _ _ _ _ [Cm] _
_ [A#] _ _ [D] _ _ _ _ _
_ _ _ [A] _ [D#] _ [D] _ _ [C] _
[G] _ [F#m] _ [G#] _ _ _ [B] _ [G] _ [G#] _
_ [A] _ _ [B] _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [F#m] _ _ _ _
_ _ _ [A] _ Dynamic. _ _
_ _ _ _ _ _ _ _
_ [G] _ [F#] _ [A] _ _ _ _ _
_ _ _ _ _ _ [C] _ _
_ _ _ [A#] _ _ [A] _ _ _
_ [C] _ _ _ _ _ [E] _ _
[D#m] _ _ _ [C] _ _ [F#] _ _ [N] _