Chords for BOB WOMACK-Facts of Life-LIVE!
Tempo:
75.55 bpm
Chords used:
A
B
D
Em
Bm
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[B] [E] [Em]
[A] [E] [F#m]
[D#] [A] [B] [G]
I'll pick it up.
Let's keep doing it.
[Em] [F#m]
[D#] [G] How y'all doing?
[A] Just keep playing it there, fellas.
[D]
[B] B, B, and then you go to E.
[E] [Em]
[Bm] And just keep repeating [A] if you can't do that.
[G] I'm [D] quite sure y'all can find work in Washington.
[B] [G] I just say [A] that, you know,
I mean, being on the [D] road, it's more than a notion, you [B] know what I mean?
Because they'll be talking about, you know, the meditators don't do nothing [Bm] but run with them groupies.
[A] We didn't have no groupies.
Take one to know one.
[D] They were just people that understood that [B] we weren't like [F#m] worth living in [B] that town.
[Em] Okay?
[G]
[F] So, I mean, you know, [A] I mean, I had to get it where I can.
[D] You know, and [D#] actually, there's dog come out of all men.
All of them got [Em] some dog in them.
[G] [A] Joe, I was working in the studio with George Clinton a couple nights ago.
[D] He talks about [B] the dog.
Anyway, you know what it [Em] is to see some woman that's sitting [A] backstage.
I don't know how she got back there.
[D] And by the time I get through [B] changing my clothes [Em] and dry off and try to chill out, everybody gone.
[A] And I got tired of going back to the hotel by myself.
I said, I ain't going there [D] tonight.
Not by myself.
So I saw this young lady.
She had a whole [B] lot of time on her hands.
And so [Em] I said, hey, baby, [Bm] what are you doing at the show?
I said, well, you know, the [A] show is over because I'm talking to you.
She [D] said, I ain't doing nothing.
I said, nothing?
[B] No, I'm just sitting here.
I said, well, why don't you stop [Bm] by my room?
I'm in room 222.
Stop by and have a [A] drink.
[C#] Then she started that shit.
[F#m] Oh, you can buy me a drink right here.
She said, you just want to get me up in your room.
[B] I said, I don't read you hanging around because you waiting on an opportunity to be there.
[A] So why don't you get your little pocketbook and go on up.
Let's get it on and [D] move on.
[B] So anyway, it [E] makes the entertainer feel so bad.
[A] If you did tell somebody, where do you live?
You know, I don't have a house here.
[D] I live in a hotel.
And that time it was motel, [B] so.
I'm in a motel.
You stop by and have a drink.
But [Bm] I've been feeling that vibe through the whole night.
[A] You know, it's funny.
They [E] talk about something like [A] that because it was so [D] long ago.
I'm [B] feeling another kind of vibe now.
It's about [E] time I get into this song.
Somebody's going to walk out here [G] with a piece of paper.
[A] Tell [G] me, let them applaud [D] again.
[F#m] [B] Is everything good, baby?
[G] Okay, okay.
[Em]
[A] [Em] Anyway, I told her, I said, [D] baby, look.
I know it's going to be good to you, but don't get hung up on [B] me because of my.
Because of my.
[Bm] Might be going on down the road.
[A] See if you got a good man, man, the five is good to make a [D] man.
[F#m]
Because you [B] know what?
[Bm] Oh, he'll be there.
[A] Come on, y [D]'all.
When the sun goes down.
[B] And I'll be somewhere running [A] down that same old line.
[D] And another time.
[B] I thought [Bm] I'd let you know where [A] I'm coming from.
[D] I don't really mean you no wrong.
But [B] I gotta keep moving [E] on.
[Bm] And he'll be there.
Yes, he [A] will.
[D] When your lights go dim, this means I get gray hair [B] and the titties down the ground.
Yes, I'd say.
[Bm]
He'll be [A] there.
[D] When your son go down.
[B] [Bm] I'll be somewhere.
[A] Trying to sit down.
[F#m] In another town.
It's [A] going to get harder over the mold.
[B] [Em] But I'll see.
[G]
Get [A] to the line.
[D] And that's where she wants me to be.
[B] [Em] [Bm] Oh, I got enough [A] left in me.
Yeah.
[F#m] If she [D] needs a repeat.
After that, it's over, baby.
[B] Oh, [Em] [G] he'll be there.
[B] Stop.
[E] When [D] your son go down.
Oh, wow.
Okay.
[A] [E] [F#m]
[D#] [A] [B] [G]
I'll pick it up.
Let's keep doing it.
[Em] [F#m]
[D#] [G] How y'all doing?
[A] Just keep playing it there, fellas.
[D]
[B] B, B, and then you go to E.
[E] [Em]
[Bm] And just keep repeating [A] if you can't do that.
[G] I'm [D] quite sure y'all can find work in Washington.
[B] [G] I just say [A] that, you know,
I mean, being on the [D] road, it's more than a notion, you [B] know what I mean?
Because they'll be talking about, you know, the meditators don't do nothing [Bm] but run with them groupies.
[A] We didn't have no groupies.
Take one to know one.
[D] They were just people that understood that [B] we weren't like [F#m] worth living in [B] that town.
[Em] Okay?
[G]
[F] So, I mean, you know, [A] I mean, I had to get it where I can.
[D] You know, and [D#] actually, there's dog come out of all men.
All of them got [Em] some dog in them.
[G] [A] Joe, I was working in the studio with George Clinton a couple nights ago.
[D] He talks about [B] the dog.
Anyway, you know what it [Em] is to see some woman that's sitting [A] backstage.
I don't know how she got back there.
[D] And by the time I get through [B] changing my clothes [Em] and dry off and try to chill out, everybody gone.
[A] And I got tired of going back to the hotel by myself.
I said, I ain't going there [D] tonight.
Not by myself.
So I saw this young lady.
She had a whole [B] lot of time on her hands.
And so [Em] I said, hey, baby, [Bm] what are you doing at the show?
I said, well, you know, the [A] show is over because I'm talking to you.
She [D] said, I ain't doing nothing.
I said, nothing?
[B] No, I'm just sitting here.
I said, well, why don't you stop [Bm] by my room?
I'm in room 222.
Stop by and have a [A] drink.
[C#] Then she started that shit.
[F#m] Oh, you can buy me a drink right here.
She said, you just want to get me up in your room.
[B] I said, I don't read you hanging around because you waiting on an opportunity to be there.
[A] So why don't you get your little pocketbook and go on up.
Let's get it on and [D] move on.
[B] So anyway, it [E] makes the entertainer feel so bad.
[A] If you did tell somebody, where do you live?
You know, I don't have a house here.
[D] I live in a hotel.
And that time it was motel, [B] so.
I'm in a motel.
You stop by and have a drink.
But [Bm] I've been feeling that vibe through the whole night.
[A] You know, it's funny.
They [E] talk about something like [A] that because it was so [D] long ago.
I'm [B] feeling another kind of vibe now.
It's about [E] time I get into this song.
Somebody's going to walk out here [G] with a piece of paper.
[A] Tell [G] me, let them applaud [D] again.
[F#m] [B] Is everything good, baby?
[G] Okay, okay.
[Em]
[A] [Em] Anyway, I told her, I said, [D] baby, look.
I know it's going to be good to you, but don't get hung up on [B] me because of my.
Because of my.
[Bm] Might be going on down the road.
[A] See if you got a good man, man, the five is good to make a [D] man.
[F#m]
Because you [B] know what?
[Bm] Oh, he'll be there.
[A] Come on, y [D]'all.
When the sun goes down.
[B] And I'll be somewhere running [A] down that same old line.
[D] And another time.
[B] I thought [Bm] I'd let you know where [A] I'm coming from.
[D] I don't really mean you no wrong.
But [B] I gotta keep moving [E] on.
[Bm] And he'll be there.
Yes, he [A] will.
[D] When your lights go dim, this means I get gray hair [B] and the titties down the ground.
Yes, I'd say.
[Bm]
He'll be [A] there.
[D] When your son go down.
[B] [Bm] I'll be somewhere.
[A] Trying to sit down.
[F#m] In another town.
It's [A] going to get harder over the mold.
[B] [Em] But I'll see.
[G]
Get [A] to the line.
[D] And that's where she wants me to be.
[B] [Em] [Bm] Oh, I got enough [A] left in me.
Yeah.
[F#m] If she [D] needs a repeat.
After that, it's over, baby.
[B] Oh, [Em] [G] he'll be there.
[B] Stop.
[E] When [D] your son go down.
Oh, wow.
Okay.
Key:
A
B
D
Em
Bm
A
B
D
[B] _ _ _ _ _ [E] _ _ [Em] _
_ _ _ [A] _ _ [E] _ [F#m] _ _
_ [D#] _ _ [A] _ [B] _ [G] _ _
I'll pick it up.
Let's keep doing it.
[Em] _ [F#m] _ _ _ _
_ [D#] _ _ _ [G] How _ y'all doing?
[A] Just keep playing it there, fellas.
_ _ [D] _ _ _
[B] B, B, and then you go to E.
[E] _ [Em] _
[Bm] And just keep repeating [A] if you can't do that.
[G] I'm [D] quite sure y'all can find work in Washington.
_ [B] _ _ _ [G] I _ just say [A] that, you know,
I mean, being on the [D] road, it's more than a notion, you [B] know what I mean?
Because they'll be talking about, you know, the meditators don't do nothing [Bm] but run with them groupies.
[A] We didn't have no groupies.
Take one to know one.
[D] They were just people that understood that [B] we weren't like [F#m] worth living in [B] that town.
_ [Em] Okay?
[G]
[F] So, I mean, you know, [A] I mean, I had to get it where I can.
_ _ [D] _ You know, and [D#] actually, there's dog come out of all men.
All of them got [Em] some dog in them. _
[G] [A] Joe, I was working in the studio with George Clinton a couple nights ago.
[D] _ He talks about [B] the dog.
Anyway, you know what it [Em] is to see some woman that's sitting [A] backstage.
I don't know how she got back there.
_ [D] And by the time I get through [B] changing my clothes [Em] and dry off and try to chill out, everybody gone.
[A] And I got tired of going back to the hotel by myself.
I said, I ain't going there [D] tonight.
Not by myself.
So I saw this young lady.
She had a whole [B] lot of time on her hands.
And so [Em] I said, hey, baby, [Bm] what are you doing at the show?
I said, well, you know, the [A] show is over because I'm talking to you.
She [D] said, I ain't doing nothing.
I said, nothing?
[B] No, I'm just sitting here.
I said, well, why don't you stop [Bm] by my room?
I'm in room 222.
Stop by and have a [A] drink.
[C#] Then she started that shit.
[F#m] Oh, you can buy me a drink right here.
She said, you just want to get me up in your room.
[B] I said, I don't read you hanging around because you waiting on an opportunity to be there.
[A] So why don't you get your little pocketbook and go on up.
Let's get it on and [D] move on. _ _
_ [B] _ So anyway, it [E] makes the entertainer feel so bad.
[A] If you did tell somebody, where do you live?
You know, I don't have a house here.
[D] I live in a hotel.
And that time it was motel, [B] so.
I'm in a motel.
You stop by and have a drink.
But [Bm] I've been feeling that vibe through the whole night.
_ [A] You know, it's funny.
They [E] talk about something like [A] that because it was so [D] long ago.
I'm [B] feeling another kind of vibe now.
It's about [E] time I get into this song.
Somebody's going to walk out here [G] with a piece of paper.
_ [A] Tell [G] me, let them applaud [D] again. _ _
[F#m] [B] Is everything good, baby?
_ [G] Okay, okay.
[Em] _
_ [A] _ [Em] Anyway, I told her, I said, [D] baby, look.
I know it's going to be good to you, but don't get hung up on [B] me because of my.
Because of my.
_ [Bm] Might be going on down the road.
[A] See if you got a good man, man, the five is good to make a [D] man.
[F#m] _
Because you [B] know what?
_ _ [Bm] Oh, he'll be there.
_ [A] _ _ Come on, y [D]'all.
When the sun goes down.
[B] _ _ _ _ And I'll be somewhere running [A] down that same old line.
[D] And another time.
_ [B] _ _ _ I thought [Bm] I'd let you know where [A] I'm coming from.
_ [D] I don't really mean you no wrong.
But [B] I gotta keep moving [E] on.
_ [Bm] And he'll be there.
Yes, he [A] will.
_ _ [D] When your lights go dim, this means I get gray hair [B] and the titties down the ground.
Yes, I'd say.
_ [Bm] _ _
He'll be [A] there.
_ _ _ [D] When your son go down.
_ [B] _ _ _ [Bm] I'll be somewhere.
[A] Trying to sit down.
[F#m] In another town.
It's [A] going to get harder over the mold.
[B] _ _ _ [Em] But I'll see.
_ [G]
Get [A] to the line.
_ _ [D] And that's where she wants me to be.
[B] _ _ _ _ [Em] _ [Bm] Oh, I got enough [A] left in me.
Yeah.
_ [F#m] If she [D] needs a repeat.
After that, it's over, baby.
[B] _ Oh, _ [Em] _ [G] he'll be there.
[B] Stop.
_ [E] When [D] your son go down.
_ _ Oh, wow.
Okay. _
_ _ _ [A] _ _ [E] _ [F#m] _ _
_ [D#] _ _ [A] _ [B] _ [G] _ _
I'll pick it up.
Let's keep doing it.
[Em] _ [F#m] _ _ _ _
_ [D#] _ _ _ [G] How _ y'all doing?
[A] Just keep playing it there, fellas.
_ _ [D] _ _ _
[B] B, B, and then you go to E.
[E] _ [Em] _
[Bm] And just keep repeating [A] if you can't do that.
[G] I'm [D] quite sure y'all can find work in Washington.
_ [B] _ _ _ [G] I _ just say [A] that, you know,
I mean, being on the [D] road, it's more than a notion, you [B] know what I mean?
Because they'll be talking about, you know, the meditators don't do nothing [Bm] but run with them groupies.
[A] We didn't have no groupies.
Take one to know one.
[D] They were just people that understood that [B] we weren't like [F#m] worth living in [B] that town.
_ [Em] Okay?
[G]
[F] So, I mean, you know, [A] I mean, I had to get it where I can.
_ _ [D] _ You know, and [D#] actually, there's dog come out of all men.
All of them got [Em] some dog in them. _
[G] [A] Joe, I was working in the studio with George Clinton a couple nights ago.
[D] _ He talks about [B] the dog.
Anyway, you know what it [Em] is to see some woman that's sitting [A] backstage.
I don't know how she got back there.
_ [D] And by the time I get through [B] changing my clothes [Em] and dry off and try to chill out, everybody gone.
[A] And I got tired of going back to the hotel by myself.
I said, I ain't going there [D] tonight.
Not by myself.
So I saw this young lady.
She had a whole [B] lot of time on her hands.
And so [Em] I said, hey, baby, [Bm] what are you doing at the show?
I said, well, you know, the [A] show is over because I'm talking to you.
She [D] said, I ain't doing nothing.
I said, nothing?
[B] No, I'm just sitting here.
I said, well, why don't you stop [Bm] by my room?
I'm in room 222.
Stop by and have a [A] drink.
[C#] Then she started that shit.
[F#m] Oh, you can buy me a drink right here.
She said, you just want to get me up in your room.
[B] I said, I don't read you hanging around because you waiting on an opportunity to be there.
[A] So why don't you get your little pocketbook and go on up.
Let's get it on and [D] move on. _ _
_ [B] _ So anyway, it [E] makes the entertainer feel so bad.
[A] If you did tell somebody, where do you live?
You know, I don't have a house here.
[D] I live in a hotel.
And that time it was motel, [B] so.
I'm in a motel.
You stop by and have a drink.
But [Bm] I've been feeling that vibe through the whole night.
_ [A] You know, it's funny.
They [E] talk about something like [A] that because it was so [D] long ago.
I'm [B] feeling another kind of vibe now.
It's about [E] time I get into this song.
Somebody's going to walk out here [G] with a piece of paper.
_ [A] Tell [G] me, let them applaud [D] again. _ _
[F#m] [B] Is everything good, baby?
_ [G] Okay, okay.
[Em] _
_ [A] _ [Em] Anyway, I told her, I said, [D] baby, look.
I know it's going to be good to you, but don't get hung up on [B] me because of my.
Because of my.
_ [Bm] Might be going on down the road.
[A] See if you got a good man, man, the five is good to make a [D] man.
[F#m] _
Because you [B] know what?
_ _ [Bm] Oh, he'll be there.
_ [A] _ _ Come on, y [D]'all.
When the sun goes down.
[B] _ _ _ _ And I'll be somewhere running [A] down that same old line.
[D] And another time.
_ [B] _ _ _ I thought [Bm] I'd let you know where [A] I'm coming from.
_ [D] I don't really mean you no wrong.
But [B] I gotta keep moving [E] on.
_ [Bm] And he'll be there.
Yes, he [A] will.
_ _ [D] When your lights go dim, this means I get gray hair [B] and the titties down the ground.
Yes, I'd say.
_ [Bm] _ _
He'll be [A] there.
_ _ _ [D] When your son go down.
_ [B] _ _ _ [Bm] I'll be somewhere.
[A] Trying to sit down.
[F#m] In another town.
It's [A] going to get harder over the mold.
[B] _ _ _ [Em] But I'll see.
_ [G]
Get [A] to the line.
_ _ [D] And that's where she wants me to be.
[B] _ _ _ _ [Em] _ [Bm] Oh, I got enough [A] left in me.
Yeah.
_ [F#m] If she [D] needs a repeat.
After that, it's over, baby.
[B] _ Oh, _ [Em] _ [G] he'll be there.
[B] Stop.
_ [E] When [D] your son go down.
_ _ Oh, wow.
Okay. _