Chords for BOSS Chats with Keith Scott - Guitarist for Bryan Adams
Tempo:
137.1 bpm
Chords used:
E
B
G
F#
Am
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Hi everybody, it's Keith Scott from Brian Adams, lovely Toronto in July.
Just here [B] on behalf of Boss Pedals.
[E]
Well first of all, I met Brian Adams, coincidentally enough, in Toronto in 1976, which would be
40 years [Am] ago.
[F#] [E] Subsequently about five years later, he got a hold of me and told me he was making, he
just made a record in New [F#] York [B] with Bob Clear Mountain called You Want It, You [Am] Got It, and
he was looking for a touring band [G#] to go promote it, and that's when I got on board.
And our first show was in Vancouver [E] on October 2nd.
Tiny [G] little show in a legendary venue called The Commodore.
[Cm] My favorite song I've [B] ever worked with [Bm] Brian on is Into the Fire, and [E] I thought that was,
[B] you know, just so much, [G] so much feeling going on in [F#] that song for me personally, [E] and our
biggest reaction from [F#] the crowd is probably Summer of 69, so that's always [B] quite rewarding
when you [E] perform.
[Am] [A] [G]
[A] [E] Where did [Am] you get this [A] beauty?
I [G] found this in Los Angeles.
It's [B] a 1963.
It's mostly [E] original, I refretted it at the time.
It's basically stock.
I took the middle pickup out and replaced it with a negative wind, similar style pickup,
[C] so that I can do a five way thing and roll, and it becomes a [G] humbucking situation, because
we have so much in the lighting rig, it just [C] creates havoc with hum.
So [B] that basically eliminates most of that.
I run a floating bridge, [B] so there's no trickery there, [E] I just have set up the nut, so [Em] there's
a lot of flexibility.
It stays in tune pretty good, and I rely on [G#] my never [F#] failing Boss tuners constantly [Am] all night.
[F#] I've also been [E] using Boss pedals since I started playing professionally.
[G#] I think the [B] first thing I ever bought in the 80s was [C] a chorus [E] pedal, the [B] CE-1 I guess in those [A] days.
We [D]
use [Bm] the Dib delays, the [C] DDLs, [E] the DD1s, we use the compressor, [D] I have [G] the distortion
pedals, we like the [B] Tiwa, and I have a [F] DD5.
We've been using these [G] kind of [F] pedals for many, [E] many, many years.
They [B] have a classic [F] sound, they're reliable,
[G] and they [F] definitely [E] suit our kind of music
when we're performing.
So, all thanks to Boss, it's been a great product and we love them.
Just here [B] on behalf of Boss Pedals.
[E]
Well first of all, I met Brian Adams, coincidentally enough, in Toronto in 1976, which would be
40 years [Am] ago.
[F#] [E] Subsequently about five years later, he got a hold of me and told me he was making, he
just made a record in New [F#] York [B] with Bob Clear Mountain called You Want It, You [Am] Got It, and
he was looking for a touring band [G#] to go promote it, and that's when I got on board.
And our first show was in Vancouver [E] on October 2nd.
Tiny [G] little show in a legendary venue called The Commodore.
[Cm] My favorite song I've [B] ever worked with [Bm] Brian on is Into the Fire, and [E] I thought that was,
[B] you know, just so much, [G] so much feeling going on in [F#] that song for me personally, [E] and our
biggest reaction from [F#] the crowd is probably Summer of 69, so that's always [B] quite rewarding
when you [E] perform.
[Am] [A] [G]
[A] [E] Where did [Am] you get this [A] beauty?
I [G] found this in Los Angeles.
It's [B] a 1963.
It's mostly [E] original, I refretted it at the time.
It's basically stock.
I took the middle pickup out and replaced it with a negative wind, similar style pickup,
[C] so that I can do a five way thing and roll, and it becomes a [G] humbucking situation, because
we have so much in the lighting rig, it just [C] creates havoc with hum.
So [B] that basically eliminates most of that.
I run a floating bridge, [B] so there's no trickery there, [E] I just have set up the nut, so [Em] there's
a lot of flexibility.
It stays in tune pretty good, and I rely on [G#] my never [F#] failing Boss tuners constantly [Am] all night.
[F#] I've also been [E] using Boss pedals since I started playing professionally.
[G#] I think the [B] first thing I ever bought in the 80s was [C] a chorus [E] pedal, the [B] CE-1 I guess in those [A] days.
We [D]
use [Bm] the Dib delays, the [C] DDLs, [E] the DD1s, we use the compressor, [D] I have [G] the distortion
pedals, we like the [B] Tiwa, and I have a [F] DD5.
We've been using these [G] kind of [F] pedals for many, [E] many, many years.
They [B] have a classic [F] sound, they're reliable,
[G] and they [F] definitely [E] suit our kind of music
when we're performing.
So, all thanks to Boss, it's been a great product and we love them.
Key:
E
B
G
F#
Am
E
B
G
Hi _ _ _ everybody, it's Keith Scott from Brian Adams, lovely Toronto in July.
Just here [B] on behalf of Boss Pedals.
[E] _
Well first of all, I met Brian Adams, coincidentally enough, in Toronto in 1976, which would be
40 years [Am] ago.
_ [F#] _ [E] Subsequently about five years later, he got a hold of me and told me he was making, he
just made a record in New [F#] York [B] with Bob Clear Mountain called You Want It, You [Am] Got It, and
he was looking for a touring band [G#] to go promote it, and that's when I got on board.
And our first show was in Vancouver [E] on October 2nd.
Tiny [G] little show in a legendary venue called The Commodore.
[Cm] My favorite song I've [B] ever worked with [Bm] Brian on is Into the Fire, and [E] I thought that was,
[B] you know, just so much, [G] so much feeling going on in [F#] that song for me personally, [E] and our
biggest reaction from [F#] the crowd is probably Summer of 69, so that's always [B] quite rewarding
when you [E] perform. _
[Am] _ _ [A] _ _ [G] _ _ _ _
[A] _ _ _ _ [E] _ _ Where did [Am] you get this [A] beauty?
I [G] found this in Los Angeles.
It's [B] a 1963.
_ _ It's mostly [E] original, I refretted it at the time.
It's basically stock.
I took the middle pickup out and replaced it with a negative wind, _ similar style pickup,
[C] so that I can do a five way thing and roll, and it becomes a [G] humbucking situation, because
we have so much in the lighting rig, it just [C] creates havoc with hum.
So [B] that basically eliminates most of that.
I run a floating bridge, _ [B] _ so there's no trickery there, [E] I just have set up the nut, so [Em] there's
a lot of flexibility.
It stays in tune pretty good, and I rely on [G#] my never [F#] failing Boss tuners constantly [Am] all night.
[F#] I've also been [E] using Boss pedals since I started playing professionally.
[G#] I think the [B] first thing I ever bought in the 80s was [C] a chorus [E] pedal, the [B] CE-1 I guess in those [A] days.
We [D]
use [Bm] the Dib delays, the [C] DDLs, [E] the DD1s, we use the _ compressor, [D] _ I have [G] the distortion
pedals, we like the [B] Tiwa, and I have a [F] DD5.
We've been using these [G] kind of [F] pedals for many, [E] many, many years. _
They [B] have a classic [F] sound, they're reliable, _
[G] and they [F] definitely [E] suit our kind of music
when we're performing.
So, _ _ all thanks to Boss, it's been a great product and we love them. _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
Just here [B] on behalf of Boss Pedals.
[E] _
Well first of all, I met Brian Adams, coincidentally enough, in Toronto in 1976, which would be
40 years [Am] ago.
_ [F#] _ [E] Subsequently about five years later, he got a hold of me and told me he was making, he
just made a record in New [F#] York [B] with Bob Clear Mountain called You Want It, You [Am] Got It, and
he was looking for a touring band [G#] to go promote it, and that's when I got on board.
And our first show was in Vancouver [E] on October 2nd.
Tiny [G] little show in a legendary venue called The Commodore.
[Cm] My favorite song I've [B] ever worked with [Bm] Brian on is Into the Fire, and [E] I thought that was,
[B] you know, just so much, [G] so much feeling going on in [F#] that song for me personally, [E] and our
biggest reaction from [F#] the crowd is probably Summer of 69, so that's always [B] quite rewarding
when you [E] perform. _
[Am] _ _ [A] _ _ [G] _ _ _ _
[A] _ _ _ _ [E] _ _ Where did [Am] you get this [A] beauty?
I [G] found this in Los Angeles.
It's [B] a 1963.
_ _ It's mostly [E] original, I refretted it at the time.
It's basically stock.
I took the middle pickup out and replaced it with a negative wind, _ similar style pickup,
[C] so that I can do a five way thing and roll, and it becomes a [G] humbucking situation, because
we have so much in the lighting rig, it just [C] creates havoc with hum.
So [B] that basically eliminates most of that.
I run a floating bridge, _ [B] _ so there's no trickery there, [E] I just have set up the nut, so [Em] there's
a lot of flexibility.
It stays in tune pretty good, and I rely on [G#] my never [F#] failing Boss tuners constantly [Am] all night.
[F#] I've also been [E] using Boss pedals since I started playing professionally.
[G#] I think the [B] first thing I ever bought in the 80s was [C] a chorus [E] pedal, the [B] CE-1 I guess in those [A] days.
We [D]
use [Bm] the Dib delays, the [C] DDLs, [E] the DD1s, we use the _ compressor, [D] _ I have [G] the distortion
pedals, we like the [B] Tiwa, and I have a [F] DD5.
We've been using these [G] kind of [F] pedals for many, [E] many, many years. _
They [B] have a classic [F] sound, they're reliable, _
[G] and they [F] definitely [E] suit our kind of music
when we're performing.
So, _ _ all thanks to Boss, it's been a great product and we love them. _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _