Chords for Boz Scaggs - MEMPHIS (Official EPK)

Tempo:
134.35 bpm
Chords used:

G

D

A

E

F#m

Tuning:Standard Tuning (EADGBE)Capo:+0fret
Show Tuner
Boz Scaggs - MEMPHIS (Official EPK) chords
Start Jamming...
[D]
I've got dust on my shoes.
[G]
[D]
[A] [G] I've got dust on my shoes.
You need me, frackish dream.
We're, as I speak, in Memphis,
where we're mixing our new record.
[C#]
This [D] album is primarily [N] classic material,
songs that have just been favorites
that I [E] just love to sing.
[A]
My baby's gone
[E] to [A] Canada, oh
to Canada, oh
When I was approached to [E] produce
a new Boz Kaggs album,
[A] I couldn't believe it.
I said, Jimmy, of course, this is amazing.
So I started thinking of people I wanted to play on it,
and [E] they [Am] all lived down south,
and it became very clear that we needed [D#] to come to [A] Memphis
to make this record.
She's a [E] Cadillac bomb [A] Cadillac bomb
My father [G] grew up [Dm] here, my [E] grandfather grew up here,
and [Em] although I've never lived here,
it felt like [A] something of a homecoming.
She [C] said, oh
But [Dm] also, I was looking [Em] for one of those [Am] situations
[A] where you have [G] a [Am] room that's connected perhaps
[A] to a small label that [Am] involves a [A] group of musicians
who've been together for a long time,
and which microphone [D] placement, acoustics in the control room
are just so set and so fixed that that is not an issue.
We're not going [A] into a favorite room in [F#m] New York
or Nashville [C#] or L.A. and try to create that vibe.
We want to go where the vibe is.
You see [D#m] me now on a two-way [A#m]
street
And [G#m] [D#m] I stayed [G#m] on a long [F#] way Highway [D#m] Love
I was told it was going to be kind [G] of a bluesier type [A#m] of album,
but when I heard all the songs, there was a lot of [G#] R [F#]&B type stuff
and some great original material as [Fm] well.
And then it hit [G] me in the middle of the night,
like, we've got to record at Royal.
[C#] [E]
[C#m] Both Steve and I have [F#m] worked at Willie [F#] Mitch Royal Studios,
[E] one of our real great common loves
is the music that came out of High Records in Memphis.
[F#m] The Al Green [B] material in particular is iconic to both of [E] us.
I'm
[C#m] a soulful [F#m] baby
[F#] I can come home to [E] you
That [C#m] sound and that feel, that vibe is a good part [G] of where [E] we come from.
[C#] I can't [F#m] imagine
[G#m] Me [F#m]
leaving you
Wasting our [G#m]
time
[A] When I want to, woo, [C] [F] with you [E] baby
So good [A] to be here
[Am] It seemed impossible,
[E] but we cut [C#] 13 songs in three days
[F#m] with no real rush or terrible urgency about it.
[G#m] In the [F#m] meantime, saying hello to [B] the 20 or 30 [F#m] musicians
who [G#m] wanted to come by and [A] say hi.
[F#m]
And stuff [G] was just coming up.
[D] [C]
[Bm] [Am]
[F] [G]
[D] I'm watered [C] down, you are [Bm] lean
[G] My
[D] baby's [C] the girl [Bm] of the corner
[G] [D] She's a charmer [C] like you've [Bm] never seen
[Am] Zingin' boo-lay, [F] boo-lay, boo-lay, [Em] boo
[G] It's [D] really in keeping [C] with the spirit [Bm] of this kind of recording.
[G] It used [D] to be that [C] when you worked in muscle [Bm] shows,
or you worked at, [G] say, American [D] Studios,
[G] if you're Aretha Franklin [Bm] or Wilson [Am] Pickett or whoever,
[Em] you're given a week [F] to do it.
[Em] You come in on Monday morning,
you walk out Saturday with an album.
[D]
[G] Just the fact that we had a limited time
gave it that urgency [D] and that vibe.
[G]
[D]
Candles [G] lit
Eyes are slit
[D] Jumping out
[G]
They flip
[D] Making moves
[G]
To sail the ship [D] Tapping, tapping [G] Moving lips
She's a mixed [D]-up sugar girl
[A] Got me so strung out, I [D] don't know what to [G] do
She's a mixed [A]-up, mixed-up sugar [D] girl
[G]
[D]
[G]
[N]
Key:  
G
2131
D
1321
A
1231
E
2311
F#m
123111112
G
2131
D
1321
A
1231
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Chords
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Let's start jamming Boz Scaggs - Dry Spell chords, familiarize yourself with these chords - Bm, G, D, C, D and G in sequence. For best results, commence at 67 BPM and progress to the song's BPM of 134. To match your vocal range and chord inclination, adjust the capo in line with the key: G Major.

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[D] _ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ I've got dust on my shoes.
[G] _ _ _ _
_ [D] _ _ _ _ _ _ _
_ [A] _ [G] I've got dust on my shoes.
You need me, frackish dream. _
_ We're, as I speak, in Memphis,
where we're mixing our new record.
_ [C#] _
This [D] album is primarily [N] classic material,
songs that have just been favorites
that I [E] just love to sing.
[A]
My _ _ _ _ baby's gone
_ [E] _ to [A] Canada, oh _
to _ Canada, oh
When I was approached to [E] produce
a new Boz Kaggs album,
[A] I couldn't believe it.
I said, Jimmy, of course, this is amazing.
So I started thinking of people I wanted to play on it,
and [E] they [Am] all lived down south,
and it became very clear that we _ needed [D#] to come to [A] Memphis
to make this record.
She's a [E] Cadillac bomb _ _ _ _ [A] Cadillac bomb
My father [G] grew up [Dm] here, my [E] grandfather grew up here,
and [Em] although I've never lived here,
it felt like [A] something of a _ homecoming.
She [C] said, oh
_ _ But [Dm] also, I was looking [Em] for one of those [Am] situations
_ _ [A] where you have [G] a [Am] room that's connected perhaps
[A] to a small label that [Am] involves a [A] group of musicians
who've been together for a long time,
and which microphone [D] placement, acoustics in the control room
are just so set and so fixed that that is not an issue.
We're not going [A] into a favorite room in [F#m] New York
or Nashville [C#] or L.A. and try to _ create that vibe.
We want to go where the vibe is.
You see [D#m] me now on a two-way [A#m]
street
_ _ _ And [G#m] [D#m] I stayed [G#m] on a long [F#] way _ Highway _ _ _ [D#m] Love
I was told it was going to be kind [G] of a bluesier type [A#m] of album, _
but when I heard all the songs, there was a lot of [G#] R [F#]&B type stuff
and some great original material as [Fm] well.
And then it hit [G] me in the middle of the night,
like, we've got to record at Royal.
_ [C#] _ [E] _ _ _ _ _ _
[C#m] _ _ _ _ _ Both Steve and I have [F#m] worked at Willie [F#] Mitch Royal Studios,
[E] one of our real great common loves
is the music that came out of High Records in Memphis.
[F#m] The Al Green [B] material in particular _ is iconic to both of [E] us.
_ _ _ I'm _
_ [C#m] a soulful [F#m] baby _
_ _ [F#] I can come home to [E] you
_ _ _ That [C#m] sound and that feel, that vibe is a good part [G] of where [E] we come from.
_ _ _ [C#] _ I can't [F#m] imagine
_ _ [G#m] Me _ [F#m] _
leaving you
_ _ Wasting our [G#m] _
time
[A] When I want to, woo, [C] [F] with you [E] baby
_ So good [A] to be here
_ _ [Am] _ It seemed impossible,
[E] _ _ but we cut [C#] 13 songs in three days
_ _ [F#m] with no real rush or terrible urgency about it.
[G#m] In the [F#m] meantime, saying hello to [B] the 20 or 30 [F#m] musicians
who [G#m] wanted to come by and [A] say hi.
_ [F#m]
And stuff [G] was just coming up. _ _ _
_ _ _ _ [D] _ _ _ [C] _
_ _ [Bm] _ _ _ [Am] _ _ _
[F] _ _ _ [G] _ _ _ _ _
_ _ _ [D] I'm watered [C] down, you are [Bm] lean
_ _ [G] My _
[D] _ baby's [C] the girl [Bm] of the corner
_ [G] _ _ [D] She's a charmer [C] like you've [Bm] never seen
_ [Am] Zingin' boo-lay, [F] boo-lay, boo-lay, [Em] boo _ _ _ _
[G] It's _ _ [D] really in keeping [C] with the spirit [Bm] of this kind of recording.
[G] _ It used [D] to be that [C] when you worked in muscle [Bm] shows,
or you worked at, [G] say, American [D] Studios,
[G] if you're Aretha Franklin [Bm] or Wilson [Am] Pickett or whoever,
[Em] you're given a week [F] to do it.
[Em] You come in on Monday morning,
you walk out Saturday with an album.
[D] _ _ _
_ _ _ [G] Just the fact that we had a limited time
gave it that urgency [D] _ and that vibe.
_ _ _ [G] _ _ _
_ _ _ _ _ [D] _ _ _
_ Candles [G] lit _ _ _
Eyes are slit
_ [D] _ _ _ Jumping out
_ [G] _ _ _
They flip
_ _ [D] _ _ _ Making _ moves
[G] _ _
To sail the _ ship [D] _ Tapping, tapping _ _ _ [G] _ Moving _ lips
_ _ _ She's a mixed [D]-up sugar girl
[A] Got me so strung out, I [D] don't know what to [G] do
She's a mixed [A]-up, mixed-up sugar [D] girl _
_ _ _ _ _ [G] _ _ _
_ _ _ _ _ [D] _ _ _
_ _ _ _ _ [G] _ _ _
_ _ _ _ _ _ [N] _ _

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