Chords for Brazilian Jazz Guitarra - Chord Substitution Ideas - Diego Figueiredo Guitar Lesson

Tempo:
123 bpm
Chords used:

E

A

F#

B

A#

Tuning:Standard Tuning (EADGBE)Capo:+0fret
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Brazilian Jazz Guitarra - Chord Substitution Ideas - Diego Figueiredo Guitar Lesson chords
Jam Along & Learn...
Let's talk now about
chord substitution and
Talk about some variations that we can put on the on some different harmonies
So if you get some bass harmonies like
[A] [E] like this
A major 7 [F#m] 9 F sharp
minor 7 [Bm]
C B minor 7 [E] and
E7 [C#] or out
[D]
[E] So we can do a lot of nice variation for example [A] the a [E] 7
major 7 I can use the
Inversion that I really like like this one for the F [F#m] sharp minor
you can use
major [D#m] 7 like [F#]
[A] and even the C minor you can use
[B] 7 to
with
50 flat
[F]
[E] [D] and
E7 you can use any variation you want so 7
9 [Em] flat 9 sharp
[E]
5th sharp [A#] flat [E] so
[A] So let me do this an example.
[C] [A]
[F#m] [E] [C#m]
[C] [Bm]
[A#] [A]
[B] [F#] [A#] [D#]
So here I did a different thing.
I did it
[A#]
So [Bm] [E] [A]
[B]
[E] you have many ways to [A] create?
[E] some different substitutions like
You can follow the scales like the major scale the minor harmonic scale or melodic minor scale
and
You can do substitution by the inversions [G#] of the chords.
[A] That's really nice
doing with the third
the 50 I really like
[F#] So
[B] [Bm] [E]
[A] I start the first degree with the third the [C#m] inversion with the third and bass
[F#] F-sharp 7 with the 50 on bass
C
[E] [B] 7 C major with the
the bass on the third and E7
with the bass on the [E] 7 I [A]
[F#] [D#] [B] [E]
[A] [F#] [D#] [B]
[E] [A] could start today with [E] the bass on the [A] 7 and
Then the F sharp the bass [A#] on the third and the C 7 with the bass on the fifth
[F#] [F#m] That's really nice
and the E
with the bass on the 7 [E] on the third
So
[C#] [A]
that's a way that you can create
[G] some variations and
and some substitutions too [F#] and
There are many other forms that I can talk later about that.
So that's a very
100%  ➙  123BPM
E
2311
A
1231
F#
134211112
B
12341112
A#
12341111
E
2311
A
1231
F#
134211112
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_ _ _ _ _ _ _ _
_ _ _ Let's talk now about
chord substitution and
Talk about some variations that we can put on the on some different harmonies
So if you get some bass harmonies like
[A] [E] like this
_ A major 7 [F#m] 9 F sharp
minor 7 [Bm] _
_ _ C B minor 7 [E] and
E7 _ [C#] or out
[D] _ _
[E] So we can do a lot of nice variation for example [A] the a [E] 7
_ _ _ major 7 _ I can use the
Inversion that I really like like this one _ _ _ _ _ _ _ _ for the F [F#m] sharp minor
you can use
major [D#m] 7 like _ _ [F#] _ _
_ _ [A] _ _ _ and even the C minor you can use
_ [B] 7 to _
with
_ 50 flat
_ [F] _
_ _ [E] _ [D] _ _ and _
_ _ E7 you can use any variation you want _ _ so 7 _
9 [Em] flat 9 sharp
[E] _ _
5th sharp [A#] _ _ flat [E] so
_ [A] _ _ So _ let me do this an example. _ _ _ _
[C] _ _ _ _ [A] _ _ _ _
[F#m] _ _ [E] _ _ [C#m] _ _ _ _
[C] _ _ _ _ [Bm] _ _ _ _
[A#] _ _ _ [A] _ _ _ _ _
[B] _ _ [F#] _ _ [A#] _ _ [D#] _
So here I did a different thing.
I did it
[A#]
So [Bm] _ _ [E] _ _ _ _ [A] _
_ _ _ _ _ [B] _ _ _
[E] _ you have many ways to [A] create?
[E] some different _ substitutions like
You can follow the scales like the major scale the minor harmonic scale or melodic minor scale
_ and
You can do substitution by the inversions [G#] of the chords.
[A] That's really nice
doing with the third
_ the 50 I _ really like _
_ _ _ [F#] So _ _ _
_ _ [B] _ _ _ [Bm] _ [E] _ _
_ _ [A] _ I start the first degree with the third the [C#m] inversion with the third and bass _
_ _ [F#] _ _ _ F-sharp 7 with the 50 on bass
C _ _
[E] _ [B] 7 C major with the
the bass on the third _ _ _ and E7
_ with the bass on the [E] 7 I _ [A] _ _ _
_ [F#] _ _ [D#] _ [B] _ _ [E] _ _
[A] _ _ _ [F#] _ _ [D#] _ [B] _ _
[E] _ _ [A] _ _ _ _ could start today with [E] the bass on the [A] 7 and
_ _ _ _ Then the F sharp the bass [A#] on the third _ _ _ _ _ _ _ _ and the C 7 with the bass on the fifth
[F#] _ [F#m] That's _ really nice
_ and the E
with the bass on the 7 [E] on the third _
So _ _ _ _ _ _
_ _ _ _ _ _ [C#] _ [A] _
_ _ that's a way that you can create
[G] some variations and
_ and some substitutions too [F#] and
There are many other forms that I can talk later about that.
So that's a very

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