Chords for Brazilian Jazz Guitarra - Chord Substitution Ideas - Diego Figueiredo Guitar Lesson
Tempo:
123 bpm
Chords used:
E
A
F#
B
A#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
Let's talk now about
chord substitution and
Talk about some variations that we can put on the on some different harmonies
So if you get some bass harmonies like
[A] [E] like this
A major 7 [F#m] 9 F sharp
minor 7 [Bm]
C B minor 7 [E] and
E7 [C#] or out
[D]
[E] So we can do a lot of nice variation for example [A] the a [E] 7
major 7 I can use the
Inversion that I really like like this one for the F [F#m] sharp minor
you can use
major [D#m] 7 like [F#]
[A] and even the C minor you can use
[B] 7 to
with
50 flat
[F]
[E] [D] and
E7 you can use any variation you want so 7
9 [Em] flat 9 sharp
[E]
5th sharp [A#] flat [E] so
[A] So let me do this an example.
[C] [A]
[F#m] [E] [C#m]
[C] [Bm]
[A#] [A]
[B] [F#] [A#] [D#]
So here I did a different thing.
I did it
[A#]
So [Bm] [E] [A]
[B]
[E] you have many ways to [A] create?
[E] some different substitutions like
You can follow the scales like the major scale the minor harmonic scale or melodic minor scale
and
You can do substitution by the inversions [G#] of the chords.
[A] That's really nice
doing with the third
the 50 I really like
[F#] So
[B] [Bm] [E]
[A] I start the first degree with the third the [C#m] inversion with the third and bass
[F#] F-sharp 7 with the 50 on bass
C
[E] [B] 7 C major with the
the bass on the third and E7
with the bass on the [E] 7 I [A]
[F#] [D#] [B] [E]
[A] [F#] [D#] [B]
[E] [A] could start today with [E] the bass on the [A] 7 and
Then the F sharp the bass [A#] on the third and the C 7 with the bass on the fifth
[F#] [F#m] That's really nice
and the E
with the bass on the 7 [E] on the third
So
[C#] [A]
that's a way that you can create
[G] some variations and
and some substitutions too [F#] and
There are many other forms that I can talk later about that.
So that's a very
chord substitution and
Talk about some variations that we can put on the on some different harmonies
So if you get some bass harmonies like
[A] [E] like this
A major 7 [F#m] 9 F sharp
minor 7 [Bm]
C B minor 7 [E] and
E7 [C#] or out
[D]
[E] So we can do a lot of nice variation for example [A] the a [E] 7
major 7 I can use the
Inversion that I really like like this one for the F [F#m] sharp minor
you can use
major [D#m] 7 like [F#]
[A] and even the C minor you can use
[B] 7 to
with
50 flat
[F]
[E] [D] and
E7 you can use any variation you want so 7
9 [Em] flat 9 sharp
[E]
5th sharp [A#] flat [E] so
[A] So let me do this an example.
[C] [A]
[F#m] [E] [C#m]
[C] [Bm]
[A#] [A]
[B] [F#] [A#] [D#]
So here I did a different thing.
I did it
[A#]
So [Bm] [E] [A]
[B]
[E] you have many ways to [A] create?
[E] some different substitutions like
You can follow the scales like the major scale the minor harmonic scale or melodic minor scale
and
You can do substitution by the inversions [G#] of the chords.
[A] That's really nice
doing with the third
the 50 I really like
[F#] So
[B] [Bm] [E]
[A] I start the first degree with the third the [C#m] inversion with the third and bass
[F#] F-sharp 7 with the 50 on bass
C
[E] [B] 7 C major with the
the bass on the third and E7
with the bass on the [E] 7 I [A]
[F#] [D#] [B] [E]
[A] [F#] [D#] [B]
[E] [A] could start today with [E] the bass on the [A] 7 and
Then the F sharp the bass [A#] on the third and the C 7 with the bass on the fifth
[F#] [F#m] That's really nice
and the E
with the bass on the 7 [E] on the third
So
[C#] [A]
that's a way that you can create
[G] some variations and
and some substitutions too [F#] and
There are many other forms that I can talk later about that.
So that's a very
Key:
E
A
F#
B
A#
E
A
F#
_ _ _ _ _ _ _ _
_ _ _ Let's talk now about
chord substitution and
Talk about some variations that we can put on the on some different harmonies
So if you get some bass harmonies like
[A] [E] like this
_ A major 7 [F#m] 9 F sharp
minor 7 [Bm] _
_ _ C B minor 7 [E] and
E7 _ [C#] or out
[D] _ _
[E] So we can do a lot of nice variation for example [A] the a [E] 7
_ _ _ major 7 _ I can use the
Inversion that I really like like this one _ _ _ _ _ _ _ _ for the F [F#m] sharp minor
you can use
major [D#m] 7 like _ _ [F#] _ _
_ _ [A] _ _ _ and even the C minor you can use
_ [B] 7 to _
with
_ 50 flat
_ [F] _
_ _ [E] _ [D] _ _ and _
_ _ E7 you can use any variation you want _ _ so 7 _
9 [Em] flat 9 sharp
[E] _ _
5th sharp [A#] _ _ flat [E] so
_ [A] _ _ So _ let me do this an example. _ _ _ _
[C] _ _ _ _ [A] _ _ _ _
[F#m] _ _ [E] _ _ [C#m] _ _ _ _
[C] _ _ _ _ [Bm] _ _ _ _
[A#] _ _ _ [A] _ _ _ _ _
[B] _ _ [F#] _ _ [A#] _ _ [D#] _
So here I did a different thing.
I did it
[A#]
So [Bm] _ _ [E] _ _ _ _ [A] _
_ _ _ _ _ [B] _ _ _
[E] _ you have many ways to [A] create?
[E] some different _ substitutions like
You can follow the scales like the major scale the minor harmonic scale or melodic minor scale
_ and
You can do substitution by the inversions [G#] of the chords.
[A] That's really nice
doing with the third
_ the 50 I _ really like _
_ _ _ [F#] So _ _ _
_ _ [B] _ _ _ [Bm] _ [E] _ _
_ _ [A] _ I start the first degree with the third the [C#m] inversion with the third and bass _
_ _ [F#] _ _ _ F-sharp 7 with the 50 on bass
C _ _
[E] _ [B] 7 C major with the
the bass on the third _ _ _ and E7
_ with the bass on the [E] 7 I _ [A] _ _ _
_ [F#] _ _ [D#] _ [B] _ _ [E] _ _
[A] _ _ _ [F#] _ _ [D#] _ [B] _ _
[E] _ _ [A] _ _ _ _ could start today with [E] the bass on the [A] 7 and
_ _ _ _ Then the F sharp the bass [A#] on the third _ _ _ _ _ _ _ _ and the C 7 with the bass on the fifth
[F#] _ [F#m] That's _ really nice
_ and the E
with the bass on the 7 [E] on the third _
So _ _ _ _ _ _
_ _ _ _ _ _ [C#] _ [A] _
_ _ that's a way that you can create
[G] some variations and
_ and some substitutions too [F#] and
There are many other forms that I can talk later about that.
So that's a very
_ _ _ Let's talk now about
chord substitution and
Talk about some variations that we can put on the on some different harmonies
So if you get some bass harmonies like
[A] [E] like this
_ A major 7 [F#m] 9 F sharp
minor 7 [Bm] _
_ _ C B minor 7 [E] and
E7 _ [C#] or out
[D] _ _
[E] So we can do a lot of nice variation for example [A] the a [E] 7
_ _ _ major 7 _ I can use the
Inversion that I really like like this one _ _ _ _ _ _ _ _ for the F [F#m] sharp minor
you can use
major [D#m] 7 like _ _ [F#] _ _
_ _ [A] _ _ _ and even the C minor you can use
_ [B] 7 to _
with
_ 50 flat
_ [F] _
_ _ [E] _ [D] _ _ and _
_ _ E7 you can use any variation you want _ _ so 7 _
9 [Em] flat 9 sharp
[E] _ _
5th sharp [A#] _ _ flat [E] so
_ [A] _ _ So _ let me do this an example. _ _ _ _
[C] _ _ _ _ [A] _ _ _ _
[F#m] _ _ [E] _ _ [C#m] _ _ _ _
[C] _ _ _ _ [Bm] _ _ _ _
[A#] _ _ _ [A] _ _ _ _ _
[B] _ _ [F#] _ _ [A#] _ _ [D#] _
So here I did a different thing.
I did it
[A#]
So [Bm] _ _ [E] _ _ _ _ [A] _
_ _ _ _ _ [B] _ _ _
[E] _ you have many ways to [A] create?
[E] some different _ substitutions like
You can follow the scales like the major scale the minor harmonic scale or melodic minor scale
_ and
You can do substitution by the inversions [G#] of the chords.
[A] That's really nice
doing with the third
_ the 50 I _ really like _
_ _ _ [F#] So _ _ _
_ _ [B] _ _ _ [Bm] _ [E] _ _
_ _ [A] _ I start the first degree with the third the [C#m] inversion with the third and bass _
_ _ [F#] _ _ _ F-sharp 7 with the 50 on bass
C _ _
[E] _ [B] 7 C major with the
the bass on the third _ _ _ and E7
_ with the bass on the [E] 7 I _ [A] _ _ _
_ [F#] _ _ [D#] _ [B] _ _ [E] _ _
[A] _ _ _ [F#] _ _ [D#] _ [B] _ _
[E] _ _ [A] _ _ _ _ could start today with [E] the bass on the [A] 7 and
_ _ _ _ Then the F sharp the bass [A#] on the third _ _ _ _ _ _ _ _ and the C 7 with the bass on the fifth
[F#] _ [F#m] That's _ really nice
_ and the E
with the bass on the 7 [E] on the third _
So _ _ _ _ _ _
_ _ _ _ _ _ [C#] _ [A] _
_ _ that's a way that you can create
[G] some variations and
_ and some substitutions too [F#] and
There are many other forms that I can talk later about that.
So that's a very