Chords for Brent Cobb w/ Miranda Lambert - Old Shit
Tempo:
86.2 bpm
Chords used:
F
C
Bb
D
Db
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
I started writing this song when my granddaddy passed away a few years [Abm] back and [Bb] I had a [F] line to it on the way to a co-writer, someone I had never written with before, [Bbm] Neil Mason of the Cadillac [B] Threes.
Bad ass writing, great voice, great version, and on the way [G] there I had this line, [Gb] splitting logs, smoking hogs, feeding leftover to [D] a three-legged dog.
And I knew that it was strange to [Eb] bring in to a [C] first-time writer, you know, [Eb] and I [Ab]
brought it in anyway.
[Db] I recited it to him, I said, man, I know it's weird, but it's just some [N] of that old shit, man, it's just that old shit, that's what I'm doing, you know, my granddaddy raised hogs, and we had chickens, and [F] anyway, so I wound up [Bbm] writing it.
And then, there's no [D] one else in the world, we didn't [F] know who would do it.
Lord [Db] behold, one of the greatest people I've ever met, [D] please welcome to the stage, Miss Miranda Lambert.
[B] [F] And I hope Miranda's [G] version of the song [F] she had, Mind [D] Those [Bb] Signs, played on monocord.
[Db] [Db] [Bb]
We're going to do our [F] best to perform this song, we haven't rehearsed it or anything, the band doesn't even know it.
Perfect.
[Bb]
[C] [F]
Feeding [C] leftover to a three-legged [Bb] dog.
And I know it's [C]
[F] strange to bring in to a first-time writer, you know, and I brought it in anyway.
One [Bb] man's face, another man's temper.
[Fm] One man's [F] face, [D] another [C] man's face.
[F] You've never seen a man so [Bb] happy while having [F] a baby.
[C]
[F] Oh, shit.
There are tables, blinding records, and they tell a truth.
[Bb] Blinding records, and I'm a [Fm] fan of truth.
[C]
[F] Oh, shit.
One [Bb] man's face, another man's temper.
One [C] man's face, another man's face.
I've played very good when my [F] daddy died.
I'm sure that I've been right.
[C] I'm a fan of truth.
Oh, [F] shit.
[Bb] [F] [C]
[F] He is a skipping stone.
When I think of him, I think [Bb] of Paul.
I'm a [F] fan of truth.
[C]
[F] Oh, shit.
That's what [Bb] I'm gonna say.
My temper, he don't feel no pain.
[C] I'm a fan of truth.
He's a [Fm] bad child.
So [Bb] don't get me wrong.
I'm a fan [F] of truth.
[C] Oh, [F] shit.
I'm a fan of truth.
[C]
[Bb] Oh, shit.
[C] [F]
[Dm] [D]
[B] Oh, shit.
[N]
Bad ass writing, great voice, great version, and on the way [G] there I had this line, [Gb] splitting logs, smoking hogs, feeding leftover to [D] a three-legged dog.
And I knew that it was strange to [Eb] bring in to a [C] first-time writer, you know, [Eb] and I [Ab]
brought it in anyway.
[Db] I recited it to him, I said, man, I know it's weird, but it's just some [N] of that old shit, man, it's just that old shit, that's what I'm doing, you know, my granddaddy raised hogs, and we had chickens, and [F] anyway, so I wound up [Bbm] writing it.
And then, there's no [D] one else in the world, we didn't [F] know who would do it.
Lord [Db] behold, one of the greatest people I've ever met, [D] please welcome to the stage, Miss Miranda Lambert.
[B] [F] And I hope Miranda's [G] version of the song [F] she had, Mind [D] Those [Bb] Signs, played on monocord.
[Db] [Db] [Bb]
We're going to do our [F] best to perform this song, we haven't rehearsed it or anything, the band doesn't even know it.
Perfect.
[Bb]
[C] [F]
Feeding [C] leftover to a three-legged [Bb] dog.
And I know it's [C]
[F] strange to bring in to a first-time writer, you know, and I brought it in anyway.
One [Bb] man's face, another man's temper.
[Fm] One man's [F] face, [D] another [C] man's face.
[F] You've never seen a man so [Bb] happy while having [F] a baby.
[C]
[F] Oh, shit.
There are tables, blinding records, and they tell a truth.
[Bb] Blinding records, and I'm a [Fm] fan of truth.
[C]
[F] Oh, shit.
One [Bb] man's face, another man's temper.
One [C] man's face, another man's face.
I've played very good when my [F] daddy died.
I'm sure that I've been right.
[C] I'm a fan of truth.
Oh, [F] shit.
[Bb] [F] [C]
[F] He is a skipping stone.
When I think of him, I think [Bb] of Paul.
I'm a [F] fan of truth.
[C]
[F] Oh, shit.
That's what [Bb] I'm gonna say.
My temper, he don't feel no pain.
[C] I'm a fan of truth.
He's a [Fm] bad child.
So [Bb] don't get me wrong.
I'm a fan [F] of truth.
[C] Oh, [F] shit.
I'm a fan of truth.
[C]
[Bb] Oh, shit.
[C] [F]
[Dm] [D]
[B] Oh, shit.
[N]
Key:
F
C
Bb
D
Db
F
C
Bb
I started writing this song when my granddaddy passed away a few years [Abm] back and [Bb] I had a [F] line to it on the way to a co-writer, someone I had never written with before, [Bbm] Neil Mason of the Cadillac [B] Threes.
Bad ass writing, great voice, great _ version, and on the way [G] there I had this line, [Gb] splitting logs, smoking hogs, feeding leftover to [D] a three-legged dog.
And I knew that it was strange to [Eb] bring in to a [C] first-time writer, you know, [Eb] and I [Ab] _
brought it in anyway.
[Db] I recited it to him, I said, man, I know it's weird, but it's just some [N] of that old shit, man, it's just that old shit, that's what I'm doing, you know, my granddaddy raised hogs, and we had chickens, and [F] anyway, _ so I wound up [Bbm] writing it.
And then, there's no [D] one else in the world, we didn't [F] know who would do it.
Lord [Db] behold, one of the greatest people I've ever met, [D] please welcome to the stage, Miss Miranda Lambert.
_ [B] _ _ _ _ [F] And I hope Miranda's [G] version of the song [F] she had, Mind [D] Those [Bb] Signs, played on monocord.
_ [Db] _ _ [Db] _ _ [Bb] _ _
We're going to do our [F] best to perform this song, we haven't rehearsed it or anything, the band doesn't even know it.
Perfect. _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [Bb] _ _ _ _ _ _
[C] _ _ [F] _ _ _ _ _ _
_ _ _ _ _ _ Feeding [C] leftover to a three-legged [Bb] dog.
And I know it's [C] _
[F] strange to bring in to a first-time writer, you know, and I brought it in anyway.
One [Bb] man's face, another man's temper.
[Fm] One man's [F] face, [D] another [C] man's face.
[F] You've never seen a man so [Bb] happy while having [F] a baby.
[C] _
[F] Oh, shit.
There are _ tables, blinding records, and they tell a truth. _
[Bb] Blinding records, and I'm a [Fm] fan of truth.
[C] _
[F] Oh, shit.
One [Bb] man's face, another man's temper.
One [C] man's face, another man's face.
I've played very good when my [F] daddy died.
I'm sure that I've been right.
[C] I'm a fan of truth.
Oh, [F] shit. _ _ _ _ _ _ _
[Bb] _ _ _ _ [F] _ _ [C] _ _
[F] _ _ _ _ He is a skipping stone.
_ When I think of him, I think [Bb] of Paul.
I'm a [F] fan of truth.
[C] _
[F] Oh, shit.
That's what [Bb] I'm gonna say. _
My temper, he don't feel no pain.
[C] I'm a fan of truth.
He's a [Fm] bad child.
So [Bb] don't get me wrong.
I'm a fan [F] of truth.
[C] Oh, [F] shit.
_ I'm a fan of truth.
[C] _ _
[Bb] Oh, shit.
_ _ [C] _ _ [F] _ _
_ _ _ [Dm] _ _ _ _ [D] _
_ _ [B] Oh, shit.
_ _ [N] _ _
Bad ass writing, great voice, great _ version, and on the way [G] there I had this line, [Gb] splitting logs, smoking hogs, feeding leftover to [D] a three-legged dog.
And I knew that it was strange to [Eb] bring in to a [C] first-time writer, you know, [Eb] and I [Ab] _
brought it in anyway.
[Db] I recited it to him, I said, man, I know it's weird, but it's just some [N] of that old shit, man, it's just that old shit, that's what I'm doing, you know, my granddaddy raised hogs, and we had chickens, and [F] anyway, _ so I wound up [Bbm] writing it.
And then, there's no [D] one else in the world, we didn't [F] know who would do it.
Lord [Db] behold, one of the greatest people I've ever met, [D] please welcome to the stage, Miss Miranda Lambert.
_ [B] _ _ _ _ [F] And I hope Miranda's [G] version of the song [F] she had, Mind [D] Those [Bb] Signs, played on monocord.
_ [Db] _ _ [Db] _ _ [Bb] _ _
We're going to do our [F] best to perform this song, we haven't rehearsed it or anything, the band doesn't even know it.
Perfect. _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ [Bb] _ _ _ _ _ _
[C] _ _ [F] _ _ _ _ _ _
_ _ _ _ _ _ Feeding [C] leftover to a three-legged [Bb] dog.
And I know it's [C] _
[F] strange to bring in to a first-time writer, you know, and I brought it in anyway.
One [Bb] man's face, another man's temper.
[Fm] One man's [F] face, [D] another [C] man's face.
[F] You've never seen a man so [Bb] happy while having [F] a baby.
[C] _
[F] Oh, shit.
There are _ tables, blinding records, and they tell a truth. _
[Bb] Blinding records, and I'm a [Fm] fan of truth.
[C] _
[F] Oh, shit.
One [Bb] man's face, another man's temper.
One [C] man's face, another man's face.
I've played very good when my [F] daddy died.
I'm sure that I've been right.
[C] I'm a fan of truth.
Oh, [F] shit. _ _ _ _ _ _ _
[Bb] _ _ _ _ [F] _ _ [C] _ _
[F] _ _ _ _ He is a skipping stone.
_ When I think of him, I think [Bb] of Paul.
I'm a [F] fan of truth.
[C] _
[F] Oh, shit.
That's what [Bb] I'm gonna say. _
My temper, he don't feel no pain.
[C] I'm a fan of truth.
He's a [Fm] bad child.
So [Bb] don't get me wrong.
I'm a fan [F] of truth.
[C] Oh, [F] shit.
_ I'm a fan of truth.
[C] _ _
[Bb] Oh, shit.
_ _ [C] _ _ [F] _ _
_ _ _ [Dm] _ _ _ _ [D] _
_ _ [B] Oh, shit.
_ _ [N] _ _