Chords for Bryan Duncan - Strong Medicine - Don't Ya Wanna Rap
Tempo:
92.525 bpm
Chords used:
C
Cm
Eb
F
Bb
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
[Cm]
[C]
I'm in a five mile line to face security.
They grab [G] my shoulder [Eb] bag.
I'm running short on [C] time.
And then they single me out to run a check for a [Cm] crime.
Then on the intercom, I hear this voice too sweet.
Hey, Mandalay, we're in a fog.
Why don't you take a seat?
So I sit around, the wasted time is a [C] sin.
Here comes the beatbox.
Got [D] the volume at [C] ten.
And now he's thanking [Eb] me for saving him a [Cm] place.
Look around the whole room.
They ain't a single face.
I said, I don't mind a shuffle to a different beat.
As long as I can hear it from across the street, OK?
Uh-oh, now [Eb] he's folding his [C] arms.
He's got this big old frown on his face.
He says, baby,
[Cm] [Bb] don't want to rap with me.
[C] Baby.
[F] Out of curiosity.
[C] Baby, [Eb] uh-huh, yeah, [F] don't you want to rap with me?
[Cm] Smiling, that's me.
[D] Smiling like I'm on TV.
He's probably [N] calling me baby, man, because I'm a lot smaller than he is.
All right, I'll give it a [Cm] shot.
My name is Brian D, and I'm a screaming machine.
I bring my parented up.
Like [C] a lot of it's clean.
A full [A] temp rhythm you can [C] understand.
And I can tour the world with the Econo Band.
On a mission from God, I like to call him a friend.
Think the people are sick, then he's a medicine.
Saying love is the [Fm] key, yeah, not [Cm] animosity.
And I'm snatching all the children from [Bb] the enemy.
And if you get no, [Ab] no wait, guys, [D] [Cm] [Ab] this ain't it.
[G] [Cm]
[D] [C] It's supposed to be a rap tune.
[D] [Cm] [Gm]
[Fm] [F] [Eb]
[Cm] [C] Thanks a lot, guys.
That was perfect.
Baby, [G] don't you [Bb] want to rap with me?
[Eb] Baby, out [G] of [Cm] curiosity.
[Eb] Baby, [Bb] don't you want to rap with [F] me?
[C] Smiling, yeah, [Gm] I'm smiling like I'm on [Cm] TV.
[C] I know you might be thinking I don't know a [F] lot about what it [Bb] is, about what it's not.
[Eb] Think I'm just a white man [C] with a sheltered [Gm] life.
Nice home, [B] two cars, [A] two kids, and [C] a what?
Look a little closer while you're staring at me.
Because [G] sometimes what [Gb] you get is [F] more than what you [Eb] see.
Been across the land, both far [A] and wide.
Seen all the big cities, the countryside.
[C] Seen the rich man living off the flat of the land.
The beggar [Bb] in the street holding out his hand.
I know [C] the guilty of murder, the first degree, the preacher, [F] the teacher, the [C] Pharisee.
I meet a victim a day in every [F] circumstance.
But wouldn't you tell him that Jesus never gave him [C] a chance.
Met people from Seattle to Miami, LA to [Gb] New York.
We're [Dm] all evil and neat.
[C] Been to Adelaide, Sydney, Saskatoon, [Bb] man.
Indian summers, the winter [C] in June.
But all over the world and in the strangest of places,
[F] The heart is the same, it's just a different [C] face.
The heart is [Ab] the same, it's just a different
[N]
face.
The heart of the same, just a different
[C]
I'm in a five mile line to face security.
They grab [G] my shoulder [Eb] bag.
I'm running short on [C] time.
And then they single me out to run a check for a [Cm] crime.
Then on the intercom, I hear this voice too sweet.
Hey, Mandalay, we're in a fog.
Why don't you take a seat?
So I sit around, the wasted time is a [C] sin.
Here comes the beatbox.
Got [D] the volume at [C] ten.
And now he's thanking [Eb] me for saving him a [Cm] place.
Look around the whole room.
They ain't a single face.
I said, I don't mind a shuffle to a different beat.
As long as I can hear it from across the street, OK?
Uh-oh, now [Eb] he's folding his [C] arms.
He's got this big old frown on his face.
He says, baby,
[Cm] [Bb] don't want to rap with me.
[C] Baby.
[F] Out of curiosity.
[C] Baby, [Eb] uh-huh, yeah, [F] don't you want to rap with me?
[Cm] Smiling, that's me.
[D] Smiling like I'm on TV.
He's probably [N] calling me baby, man, because I'm a lot smaller than he is.
All right, I'll give it a [Cm] shot.
My name is Brian D, and I'm a screaming machine.
I bring my parented up.
Like [C] a lot of it's clean.
A full [A] temp rhythm you can [C] understand.
And I can tour the world with the Econo Band.
On a mission from God, I like to call him a friend.
Think the people are sick, then he's a medicine.
Saying love is the [Fm] key, yeah, not [Cm] animosity.
And I'm snatching all the children from [Bb] the enemy.
And if you get no, [Ab] no wait, guys, [D] [Cm] [Ab] this ain't it.
[G] [Cm]
[D] [C] It's supposed to be a rap tune.
[D] [Cm] [Gm]
[Fm] [F] [Eb]
[Cm] [C] Thanks a lot, guys.
That was perfect.
Baby, [G] don't you [Bb] want to rap with me?
[Eb] Baby, out [G] of [Cm] curiosity.
[Eb] Baby, [Bb] don't you want to rap with [F] me?
[C] Smiling, yeah, [Gm] I'm smiling like I'm on [Cm] TV.
[C] I know you might be thinking I don't know a [F] lot about what it [Bb] is, about what it's not.
[Eb] Think I'm just a white man [C] with a sheltered [Gm] life.
Nice home, [B] two cars, [A] two kids, and [C] a what?
Look a little closer while you're staring at me.
Because [G] sometimes what [Gb] you get is [F] more than what you [Eb] see.
Been across the land, both far [A] and wide.
Seen all the big cities, the countryside.
[C] Seen the rich man living off the flat of the land.
The beggar [Bb] in the street holding out his hand.
I know [C] the guilty of murder, the first degree, the preacher, [F] the teacher, the [C] Pharisee.
I meet a victim a day in every [F] circumstance.
But wouldn't you tell him that Jesus never gave him [C] a chance.
Met people from Seattle to Miami, LA to [Gb] New York.
We're [Dm] all evil and neat.
[C] Been to Adelaide, Sydney, Saskatoon, [Bb] man.
Indian summers, the winter [C] in June.
But all over the world and in the strangest of places,
[F] The heart is the same, it's just a different [C] face.
The heart is [Ab] the same, it's just a different
[N]
face.
The heart of the same, just a different
Key:
C
Cm
Eb
F
Bb
C
Cm
Eb
_ _ _ _ _ _ _ _
_ _ _ _ _ _ _ _
_ _ _ _ [Cm] _ _ _ _
[C] _ _ _ _ _ _ _
I'm in a five mile line to face security.
They grab [G] my shoulder [Eb] bag.
I'm running short on [C] time.
And then they single me out to run a check for a [Cm] crime.
Then on the intercom, I hear this voice too sweet.
Hey, Mandalay, we're in a fog.
Why don't you take a seat?
So I sit around, the wasted time is a [C] sin.
Here comes the beatbox.
Got [D] the volume at [C] ten.
And now he's thanking [Eb] me for saving him a [Cm] place.
Look around the whole room.
They ain't a single face.
I said, I don't mind a shuffle to a different beat.
As long as I can hear it from across the street, OK?
Uh-oh, now [Eb] he's folding his [C] arms.
He's got this big old frown on his face.
He says, baby, _ _
[Cm] [Bb] don't want to rap with me.
[C] _ _ Baby.
[F] Out of curiosity.
_ [C] Baby, [Eb] uh-huh, yeah, [F] don't you want to rap with me?
[Cm] Smiling, that's me.
[D] Smiling like I'm on TV.
He's probably [N] calling me baby, man, because I'm a lot smaller than he is.
All right, I'll give it a [Cm] shot.
My name is Brian D, and I'm a screaming machine.
I bring my parented up.
Like [C] a lot of it's clean.
A full [A] temp rhythm you can [C] understand.
And I can tour the world with the Econo Band.
On a mission from God, I like to call him a friend.
Think the people are sick, then he's a medicine.
Saying love is the [Fm] key, yeah, not [Cm] animosity.
And I'm snatching all the children from [Bb] the enemy.
And if you get no, [Ab] no wait, guys, [D] _ [Cm] _ _ [Ab] this ain't it.
[G] _ _ [Cm] _
_ [D] _ [C] It's supposed to be a rap tune.
[D] _ [Cm] _ [Gm] _
[Fm] _ _ _ [F] _ _ [Eb] _ _ _
[Cm] _ _ _ _ [C] Thanks a lot, guys.
That was perfect.
Baby, _ _ [G] don't you [Bb] want to rap with me?
[Eb] Baby, out [G] of [Cm] curiosity. _
[Eb] Baby, _ _ [Bb] don't you want to rap with [F] me?
[C] Smiling, yeah, [Gm] I'm smiling like I'm on [Cm] TV.
[C] I know you might be thinking I don't know a [F] lot about what it [Bb] is, about what it's not.
[Eb] Think I'm just a white man [C] with a sheltered [Gm] life.
Nice home, [B] two cars, [A] two kids, and [C] a what?
Look a little closer while you're staring at me.
Because [G] sometimes what [Gb] you get is [F] more than what you [Eb] see.
Been across the land, both far [A] and wide.
Seen all the big cities, the countryside.
[C] Seen the rich man living off the flat of the land.
The beggar [Bb] in the street holding out his hand.
I know [C] the guilty of murder, the first degree, the preacher, [F] the teacher, the [C] Pharisee.
I meet a victim a day in every [F] circumstance.
But wouldn't you tell him that Jesus never gave him [C] a chance.
Met people from Seattle to Miami, LA to [Gb] New York.
We're [Dm] all evil and neat.
[C] Been to Adelaide, Sydney, Saskatoon, [Bb] man.
Indian summers, the winter [C] in June.
But all over the world and in the strangest of places,
[F] The heart is the same, it's just a different [C] face.
The heart is [Ab] the same, it's just a different _ _ _ _
_ _ _ _ [N] _ _ _ _
_ _ _ face.
The heart of the same, just a different
_ _ _ _ _ _ _ _
_ _ _ _ [Cm] _ _ _ _
[C] _ _ _ _ _ _ _
I'm in a five mile line to face security.
They grab [G] my shoulder [Eb] bag.
I'm running short on [C] time.
And then they single me out to run a check for a [Cm] crime.
Then on the intercom, I hear this voice too sweet.
Hey, Mandalay, we're in a fog.
Why don't you take a seat?
So I sit around, the wasted time is a [C] sin.
Here comes the beatbox.
Got [D] the volume at [C] ten.
And now he's thanking [Eb] me for saving him a [Cm] place.
Look around the whole room.
They ain't a single face.
I said, I don't mind a shuffle to a different beat.
As long as I can hear it from across the street, OK?
Uh-oh, now [Eb] he's folding his [C] arms.
He's got this big old frown on his face.
He says, baby, _ _
[Cm] [Bb] don't want to rap with me.
[C] _ _ Baby.
[F] Out of curiosity.
_ [C] Baby, [Eb] uh-huh, yeah, [F] don't you want to rap with me?
[Cm] Smiling, that's me.
[D] Smiling like I'm on TV.
He's probably [N] calling me baby, man, because I'm a lot smaller than he is.
All right, I'll give it a [Cm] shot.
My name is Brian D, and I'm a screaming machine.
I bring my parented up.
Like [C] a lot of it's clean.
A full [A] temp rhythm you can [C] understand.
And I can tour the world with the Econo Band.
On a mission from God, I like to call him a friend.
Think the people are sick, then he's a medicine.
Saying love is the [Fm] key, yeah, not [Cm] animosity.
And I'm snatching all the children from [Bb] the enemy.
And if you get no, [Ab] no wait, guys, [D] _ [Cm] _ _ [Ab] this ain't it.
[G] _ _ [Cm] _
_ [D] _ [C] It's supposed to be a rap tune.
[D] _ [Cm] _ [Gm] _
[Fm] _ _ _ [F] _ _ [Eb] _ _ _
[Cm] _ _ _ _ [C] Thanks a lot, guys.
That was perfect.
Baby, _ _ [G] don't you [Bb] want to rap with me?
[Eb] Baby, out [G] of [Cm] curiosity. _
[Eb] Baby, _ _ [Bb] don't you want to rap with [F] me?
[C] Smiling, yeah, [Gm] I'm smiling like I'm on [Cm] TV.
[C] I know you might be thinking I don't know a [F] lot about what it [Bb] is, about what it's not.
[Eb] Think I'm just a white man [C] with a sheltered [Gm] life.
Nice home, [B] two cars, [A] two kids, and [C] a what?
Look a little closer while you're staring at me.
Because [G] sometimes what [Gb] you get is [F] more than what you [Eb] see.
Been across the land, both far [A] and wide.
Seen all the big cities, the countryside.
[C] Seen the rich man living off the flat of the land.
The beggar [Bb] in the street holding out his hand.
I know [C] the guilty of murder, the first degree, the preacher, [F] the teacher, the [C] Pharisee.
I meet a victim a day in every [F] circumstance.
But wouldn't you tell him that Jesus never gave him [C] a chance.
Met people from Seattle to Miami, LA to [Gb] New York.
We're [Dm] all evil and neat.
[C] Been to Adelaide, Sydney, Saskatoon, [Bb] man.
Indian summers, the winter [C] in June.
But all over the world and in the strangest of places,
[F] The heart is the same, it's just a different [C] face.
The heart is [Ab] the same, it's just a different _ _ _ _
_ _ _ _ [N] _ _ _ _
_ _ _ face.
The heart of the same, just a different