Chords for California Honeydroppers
Tempo:
101.65 bpm
Chords used:
E
B
C#m
A
G#
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Start Jamming...
I think it's my last [C] one.
[B] Yeah?
Yeah.
[A]
All I can do is count to three before this one.
Perfect.
[N] Motherfucker.
They're going to be hearing it as soon as they get off the train.
Right.
One, two, three.
[E]
Yeah, yeah.
Yeah.
[B]
[C#m]
Oh, yeah.
[E]
One [B]
of the interesting things about playing the part is that you see [A] [E] these collective
kind of mindsets go by each [B] bar train.
And they're very different.
But they're [C#m] definitely, even though it's all just individuals that haven't spoken to each
other most [E] likely the entire time, they all come [B] out.
They come out with very [E] different moods.
And you can [G#] totally see it on people's faces.
That's kind [G#m] of weird.
[Em]
[E]
[A] [B] [E]
[B] [A#] [F#]
[C#m]
[E] [B] [E]
[A] [F#] [C#m]
Sometimes you get a load of people and [C#] they all want to give you money.
[C#m] Right.
And they're all looking at you for whatever reason, the entire car [B] comes out like a rave
[Em] to listen, to enjoy the music in some way.
[C#m]
[B] And you'll get a lot of money [E] out of them.
And then sometimes you get a whole car of people [A] that are just in the worst mood.
Well, the other great thing about the bar is that some people [B] really appreciate it.
Some [C#m] people step off the bar.
They've had a long day at work.
And they see [E] some music and it just really [B] makes them really happy.
And you can always see [E] that in a lot of people with color.
They're like, oh, you just made my day.
Something like that.
And that really makes it worthwhile.
You know, if one person says that, you [G#] know, [B] on one day, you know, that's [C#m] just great.
That's just one person who said it.
There's probably a whole bunch of people that say [E] that.
[B] You can see that.
It's like, [E] makes people happy.
When that woman walks, [A] she sets my little soul on [E] fire.
Oh, the way she [A] talks now, you know she's my heart's desire.
[E]
And oh, [B] if she leaves me, I believe [C#m] that I will die.
Oh, [E] yeah.
[G#m] [E]
Yeah.
Yeah.
[B] [C#m] Oh, yeah.
Oh, [C#] oh, oh.
[E] [N]
[B] Yeah?
Yeah.
[A]
All I can do is count to three before this one.
Perfect.
[N] Motherfucker.
They're going to be hearing it as soon as they get off the train.
Right.
One, two, three.
[E]
Yeah, yeah.
Yeah.
[B]
[C#m]
Oh, yeah.
[E]
One [B]
of the interesting things about playing the part is that you see [A] [E] these collective
kind of mindsets go by each [B] bar train.
And they're very different.
But they're [C#m] definitely, even though it's all just individuals that haven't spoken to each
other most [E] likely the entire time, they all come [B] out.
They come out with very [E] different moods.
And you can [G#] totally see it on people's faces.
That's kind [G#m] of weird.
[Em]
[E]
[A] [B] [E]
[B] [A#] [F#]
[C#m]
[E] [B] [E]
[A] [F#] [C#m]
Sometimes you get a load of people and [C#] they all want to give you money.
[C#m] Right.
And they're all looking at you for whatever reason, the entire car [B] comes out like a rave
[Em] to listen, to enjoy the music in some way.
[C#m]
[B] And you'll get a lot of money [E] out of them.
And then sometimes you get a whole car of people [A] that are just in the worst mood.
Well, the other great thing about the bar is that some people [B] really appreciate it.
Some [C#m] people step off the bar.
They've had a long day at work.
And they see [E] some music and it just really [B] makes them really happy.
And you can always see [E] that in a lot of people with color.
They're like, oh, you just made my day.
Something like that.
And that really makes it worthwhile.
You know, if one person says that, you [G#] know, [B] on one day, you know, that's [C#m] just great.
That's just one person who said it.
There's probably a whole bunch of people that say [E] that.
[B] You can see that.
It's like, [E] makes people happy.
When that woman walks, [A] she sets my little soul on [E] fire.
Oh, the way she [A] talks now, you know she's my heart's desire.
[E]
And oh, [B] if she leaves me, I believe [C#m] that I will die.
Oh, [E] yeah.
[G#m] [E]
Yeah.
Yeah.
[B] [C#m] Oh, yeah.
Oh, [C#] oh, oh.
[E] [N]
Key:
E
B
C#m
A
G#
E
B
C#m
I think it's my last [C] one.
[B] Yeah?
Yeah.
_ _ _ [A]
All I can do is count to three before this one.
Perfect.
[N] Motherfucker.
They're going to be hearing it as soon as they get off the train.
Right.
One, two, three.
[E] _ _ _
_ _ _ _ Yeah, yeah. _ _ _ _ _
_ _ Yeah.
_ [B] _
_ _ _ _ _ [C#m]
Oh, yeah.
_ _ _ _ [E] _
_ One [B] _ _ _
of the interesting things about playing the part is that you see [A] _ [E] these collective _
kind of _ mindsets go by each [B] bar train.
And they're very different.
But they're [C#m] definitely, even though it's all just individuals that haven't spoken to each
other most [E] likely the entire time, they all come [B] out.
They come out with very [E] different moods.
And you can [G#] totally see it on people's faces.
That's kind [G#m] of weird.
_ [Em] _
[E] _ _ _ _ _ _
[A] _ [B] _ _ _ [E] _ _
_ _ _ _ _ _
[B] _ [A#] _ _ [F#] _ _ _
[C#m] _ _ _ _ _ _
[E] _ _ _ [B] _ _ [E] _
_ _ _ _ _ _
[A] _ [F#] _ _ _ _ [C#m]
Sometimes you get a load of people _ and [C#] they all want to give you money.
[C#m] Right.
And they're all looking at you for whatever reason, the entire car [B] _ comes out like a rave _
[Em] to listen, to enjoy the music in some way.
[C#m] _
[B] And you'll get a lot of money [E] out of them.
And then sometimes you get a whole car of people [A] that are just in the worst mood. _ _ _
_ _ Well, the other great thing about the bar is that some people [B] really appreciate it.
Some [C#m] people step off the bar.
They've had a long day at work.
And they see [E] some music and it just really [B] makes them really happy.
And you can always see [E] that in a lot of people with color.
They're like, oh, you just made my day.
Something like that.
And that really makes it worthwhile. _
You know, if one person says that, you [G#] know, _ [B] on one day, you know, that's [C#m] just great.
That's just one person who said it.
There's probably a whole bunch of people that say [E] that.
[B] You can see that.
It's like, [E] makes people happy.
_ When that woman walks, [A] _ she sets my little soul on [E] fire.
_ _ Oh, the way she [A] talks now, _ you know she's my heart's desire.
[E] _
And oh, _ [B] if she leaves me, _ I believe [C#m] that I will die.
_ Oh, [E] yeah.
_ [G#m] _ _ _ [E] _ _
_ _ Yeah. _ _
_ _ _ _ _ _
_ _ Yeah. _ _
[B] _ _ _ _ [C#m] Oh, yeah.
_ _ Oh, [C#] oh, oh.
[E] _ _ _ _ _ _ _ [N] _ _ _ _
[B] Yeah?
Yeah.
_ _ _ [A]
All I can do is count to three before this one.
Perfect.
[N] Motherfucker.
They're going to be hearing it as soon as they get off the train.
Right.
One, two, three.
[E] _ _ _
_ _ _ _ Yeah, yeah. _ _ _ _ _
_ _ Yeah.
_ [B] _
_ _ _ _ _ [C#m]
Oh, yeah.
_ _ _ _ [E] _
_ One [B] _ _ _
of the interesting things about playing the part is that you see [A] _ [E] these collective _
kind of _ mindsets go by each [B] bar train.
And they're very different.
But they're [C#m] definitely, even though it's all just individuals that haven't spoken to each
other most [E] likely the entire time, they all come [B] out.
They come out with very [E] different moods.
And you can [G#] totally see it on people's faces.
That's kind [G#m] of weird.
_ [Em] _
[E] _ _ _ _ _ _
[A] _ [B] _ _ _ [E] _ _
_ _ _ _ _ _
[B] _ [A#] _ _ [F#] _ _ _
[C#m] _ _ _ _ _ _
[E] _ _ _ [B] _ _ [E] _
_ _ _ _ _ _
[A] _ [F#] _ _ _ _ [C#m]
Sometimes you get a load of people _ and [C#] they all want to give you money.
[C#m] Right.
And they're all looking at you for whatever reason, the entire car [B] _ comes out like a rave _
[Em] to listen, to enjoy the music in some way.
[C#m] _
[B] And you'll get a lot of money [E] out of them.
And then sometimes you get a whole car of people [A] that are just in the worst mood. _ _ _
_ _ Well, the other great thing about the bar is that some people [B] really appreciate it.
Some [C#m] people step off the bar.
They've had a long day at work.
And they see [E] some music and it just really [B] makes them really happy.
And you can always see [E] that in a lot of people with color.
They're like, oh, you just made my day.
Something like that.
And that really makes it worthwhile. _
You know, if one person says that, you [G#] know, _ [B] on one day, you know, that's [C#m] just great.
That's just one person who said it.
There's probably a whole bunch of people that say [E] that.
[B] You can see that.
It's like, [E] makes people happy.
_ When that woman walks, [A] _ she sets my little soul on [E] fire.
_ _ Oh, the way she [A] talks now, _ you know she's my heart's desire.
[E] _
And oh, _ [B] if she leaves me, _ I believe [C#m] that I will die.
_ Oh, [E] yeah.
_ [G#m] _ _ _ [E] _ _
_ _ Yeah. _ _
_ _ _ _ _ _
_ _ Yeah. _ _
[B] _ _ _ _ [C#m] Oh, yeah.
_ _ Oh, [C#] oh, oh.
[E] _ _ _ _ _ _ _ [N] _ _ _ _