Chords for Call It Love - Rusty Young / Richie Furay's 70th Birthday Show
Tempo:
100.25 bpm
Chords used:
A
D
E
B
F#m
Tuning:Standard Tuning (EADGBE)Capo:+0fret
Jam Along & Learn...
Actually, when I did Skilled Spirited Lively when we were touring, [A] opening for Merle Haggard,
[G] from Merle Haggard is about here.
I got in trouble for [A] saying that one time.
Well, this is really true.
[G] I,
It's a good [G#] screen.
whole lot of drag.
that was pretty [A] tough.
[G] from Merle Haggard is about here.
I got in trouble for [A] saying that one time.
Well, this is really true.
[G] I,
It's a good [G#] screen.
whole lot of drag.
that was pretty [A] tough.
100% ➙ 100BPM
A
D
E
B
F#m
A
D
E
Actually, when I did Skilled Spirited Lively when we were touring, [A] opening for Merle Haggard,
and I was blown away because the microphone [G] from Merle Haggard is about here.
_ [B] _ _ _
I got in trouble for [A] saying that one time. _ _ _ _
_ _ _ _ _ Well, this is really true.
I [D] got to tell you that [E] back in the day in the 70s, Richie and [G] I,
we played in H.R. We even played, George isn't here.
That's all right.
[A] _
It's a good [G#] screen.
_ [F] Anyway, [E] you know, we played a whole lot of drag.
Actually, Elton John [G] was an opening act.
He was, right?
[A#] Yeah, that was pretty [A] tough. _ _ _ _ _ _
And Peter Frampton was an opening act. _ _
_ _ _ [Em] My favorite thing [B] is when we played with Yes, the review, and I had this framed at home.
It was Poco, yes.
Yes, no.
_ _ _ _ [A] _
_ It's a [E] pretty insane thing.
_ [G] But the reason [C] was this guy.
This guy, I felt [Em] so sorry for the acts that [A] had to follow us [B] or head into the chorus
because this guy on [A] stage is and was so amazing.
_ [B] _ Who followed me? _ _ _
_ _ _ _ [E] Maybe you, you know, I can't follow you.
These [Em] guys know this [E] song and Richie and I recorded this on the legacy record.
And George. _ _
[A] No, George isn't here.
[G#m] _ _ _ He's on the big screen.
_ _ [A] _ _ There's Young here, though. _
_ _ _ But [B] I did, I always felt sorry because Richie is such a great entertainer.
And such amazing energy.
And the crowds that came to see Poco were just [C#] electrified by his performance.
They [Am] came to see you ride off [E] that steel guitar.
Yeah, _
_ [B] we played.
_ What was [Am] it?
Say what?
Where [B] did we play where I heard that?
Carnegie Hall.
Carnegie Hall.
Carnegie Hall, the first rock band.
First rock band.
And I did a brilliant thing.
I decided to light my steel guitar on fire that night.
_ _ Fire Marshall really loved that.
That was the last time we ever played [Bm] at Carnegie Hall.
That's why Keith Townsend are really good friends.
Yeah.
[A]
What I didn't [Em] realize is that when you set a guitar on fire, the strings [A] all pop off.
So these guys were back there playing away and I had nothing I could play on.
So it was one of those really grueling moments in life.
_ _ _ So it's great to be here with you.
Your 70th and you look pretty good.
[B] Yeah. _
_ _ [A] _ _ Give me a little A here.
_ _ _ _ Singing on tape. _
_ We've got all night. _ _ _
[Am] Let's [B] take our time. _ _ _ _
_ _ _ Tell me your _ secrets.
_ _ [Am] I'll tell [A] you more.
_ Pretty much.
_ [B] And if it makes you feel _ [D] better.
_ It [B] makes us feel _ [D] better. _
[G#] Yeah.
_ [Gm] _ [B] When it makes you feel better.
[E] Just call me on the phone.
One, two, three, [A] four. _ _ _ _
_ _ [F#m] _ _ _ _ _ _
_ _ [D] _ _ _ _ _ _
_ _ _ [A] _ _ _ _ _
_ _ _ _ _ _ I'm off.
It's too [C#m] late.
_ I'm in the city.
I'm a [D] fool.
When it makes you feel better.
Call [A] me on the _ _ phone.
_ _ _ _ The sun will rise.
The eyes [F#m] will light.
And the people will praise you.
And I will [D] be safe. _ _ _
_ _ [A] I'm off. _ _ _ _
_ _ _ It's [F#m] too [D] late.
_ _ [E] I'm in the city.
I'm a fool.
_ [D]
When it makes you feel better.
Just call [F#m] me on the phone.
[A] One, two, three, [E] four.
[A] I don't want to call the cops.
_ _ _ [C#m] _ _ _ _
_ _ _ [A] _ _ _ I don't care if you call the [C#m] cops.
All the police are out to tear us [D] down.
And the cops don't want to stop.
[A] They'll be caught in the act. _
_ _ _ _ [E] I've been [F#m] down here [D] for too long to be scared.
[E] And you've been [F#m] in my heart.
[D] Don't you think I care? [E] I'm off.
[F#m] _
_ [D] _ _ _ _ _ _ [F#] _
_ [A] _ _ _ _ _ _
It's too late.
_ _ [C#m] _ _ _ _ _
_ _ [D] _ _ _ _ _ _
_ _ [A] _ _ _ _ I'm [E] _ in the [F#m] _ city.
[D] _ _
I'm [E] a fool.
[F#m] When [D] _ it makes you feel [E] better.
_ [F#m] _ Call me [E] _
_ _ [A] on the phone.
The sun will rise.
_ _ _ You've got a map.
Let's take [F#m] a time.
And we'll see.
I'll [D] take a time.
_ When it makes you feel more.
Just call [A] me back.
Hello, here we go. _ _
I'm off.
I _ don't _ [E] want to call the [C#m] cops. _ _ _ _ _
_ [D] I don't care _ if you call the cops.
All you got is just [A] calling the police. _ _ _ _
_ _ _ _ _ _ _ _
_ _ [C#m] _ _ _ _ _ _
_ _ [D] _ _ _ _ _ _
_ _ [A] _ _ I'm off, daddy.
Come on.
I'm off. _ _ _ _ _ _
_ _ _ [C#m] _ _ _ _
Hello.
_ [D] _ _ _ Hello. _
[A] _ _ _ _ Here we go. _
How you doing, ho? _ _ _ _ _ _
_ _ _ _ _ _ _ _
Call the cops. _ _ _ _ _
_ Call the cops. _ _ _ _
_ _ _ _ _ _ _ _
and I was blown away because the microphone [G] from Merle Haggard is about here.
_ [B] _ _ _
I got in trouble for [A] saying that one time. _ _ _ _
_ _ _ _ _ Well, this is really true.
I [D] got to tell you that [E] back in the day in the 70s, Richie and [G] I,
we played in H.R. We even played, George isn't here.
That's all right.
[A] _
It's a good [G#] screen.
_ [F] Anyway, [E] you know, we played a whole lot of drag.
Actually, Elton John [G] was an opening act.
He was, right?
[A#] Yeah, that was pretty [A] tough. _ _ _ _ _ _
And Peter Frampton was an opening act. _ _
_ _ _ [Em] My favorite thing [B] is when we played with Yes, the review, and I had this framed at home.
It was Poco, yes.
Yes, no.
_ _ _ _ [A] _
_ It's a [E] pretty insane thing.
_ [G] But the reason [C] was this guy.
This guy, I felt [Em] so sorry for the acts that [A] had to follow us [B] or head into the chorus
because this guy on [A] stage is and was so amazing.
_ [B] _ Who followed me? _ _ _
_ _ _ _ [E] Maybe you, you know, I can't follow you.
These [Em] guys know this [E] song and Richie and I recorded this on the legacy record.
And George. _ _
[A] No, George isn't here.
[G#m] _ _ _ He's on the big screen.
_ _ [A] _ _ There's Young here, though. _
_ _ _ But [B] I did, I always felt sorry because Richie is such a great entertainer.
And such amazing energy.
And the crowds that came to see Poco were just [C#] electrified by his performance.
They [Am] came to see you ride off [E] that steel guitar.
Yeah, _
_ [B] we played.
_ What was [Am] it?
Say what?
Where [B] did we play where I heard that?
Carnegie Hall.
Carnegie Hall.
Carnegie Hall, the first rock band.
First rock band.
And I did a brilliant thing.
I decided to light my steel guitar on fire that night.
_ _ Fire Marshall really loved that.
That was the last time we ever played [Bm] at Carnegie Hall.
That's why Keith Townsend are really good friends.
Yeah.
[A]
What I didn't [Em] realize is that when you set a guitar on fire, the strings [A] all pop off.
So these guys were back there playing away and I had nothing I could play on.
So it was one of those really grueling moments in life.
_ _ _ So it's great to be here with you.
Your 70th and you look pretty good.
[B] Yeah. _
_ _ [A] _ _ Give me a little A here.
_ _ _ _ Singing on tape. _
_ We've got all night. _ _ _
[Am] Let's [B] take our time. _ _ _ _
_ _ _ Tell me your _ secrets.
_ _ [Am] I'll tell [A] you more.
_ Pretty much.
_ [B] And if it makes you feel _ [D] better.
_ It [B] makes us feel _ [D] better. _
[G#] Yeah.
_ [Gm] _ [B] When it makes you feel better.
[E] Just call me on the phone.
One, two, three, [A] four. _ _ _ _
_ _ [F#m] _ _ _ _ _ _
_ _ [D] _ _ _ _ _ _
_ _ _ [A] _ _ _ _ _
_ _ _ _ _ _ I'm off.
It's too [C#m] late.
_ I'm in the city.
I'm a [D] fool.
When it makes you feel better.
Call [A] me on the _ _ phone.
_ _ _ _ The sun will rise.
The eyes [F#m] will light.
And the people will praise you.
And I will [D] be safe. _ _ _
_ _ [A] I'm off. _ _ _ _
_ _ _ It's [F#m] too [D] late.
_ _ [E] I'm in the city.
I'm a fool.
_ [D]
When it makes you feel better.
Just call [F#m] me on the phone.
[A] One, two, three, [E] four.
[A] I don't want to call the cops.
_ _ _ [C#m] _ _ _ _
_ _ _ [A] _ _ _ I don't care if you call the [C#m] cops.
All the police are out to tear us [D] down.
And the cops don't want to stop.
[A] They'll be caught in the act. _
_ _ _ _ [E] I've been [F#m] down here [D] for too long to be scared.
[E] And you've been [F#m] in my heart.
[D] Don't you think I care? [E] I'm off.
[F#m] _
_ [D] _ _ _ _ _ _ [F#] _
_ [A] _ _ _ _ _ _
It's too late.
_ _ [C#m] _ _ _ _ _
_ _ [D] _ _ _ _ _ _
_ _ [A] _ _ _ _ I'm [E] _ in the [F#m] _ city.
[D] _ _
I'm [E] a fool.
[F#m] When [D] _ it makes you feel [E] better.
_ [F#m] _ Call me [E] _
_ _ [A] on the phone.
The sun will rise.
_ _ _ You've got a map.
Let's take [F#m] a time.
And we'll see.
I'll [D] take a time.
_ When it makes you feel more.
Just call [A] me back.
Hello, here we go. _ _
I'm off.
I _ don't _ [E] want to call the [C#m] cops. _ _ _ _ _
_ [D] I don't care _ if you call the cops.
All you got is just [A] calling the police. _ _ _ _
_ _ _ _ _ _ _ _
_ _ [C#m] _ _ _ _ _ _
_ _ [D] _ _ _ _ _ _
_ _ [A] _ _ I'm off, daddy.
Come on.
I'm off. _ _ _ _ _ _
_ _ _ [C#m] _ _ _ _
Hello.
_ [D] _ _ _ Hello. _
[A] _ _ _ _ Here we go. _
How you doing, ho? _ _ _ _ _ _
_ _ _ _ _ _ _ _
Call the cops. _ _ _ _ _
_ Call the cops. _ _ _ _
_ _ _ _ _ _ _ _